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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD768B it is the complementary color #428974. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD768B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD768B shade: #C27686, #D38899, #E49AAC, #F5ACBF and #FFBED2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD768B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD768B shade: #BD768B, #AC6478, #9B5265, #8A4052 and #792E3F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD768B shade: #BD758A, #BD7577 and #BD7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD768B shade: #BD758A, #BD759E, #BD75B1, #B575BD and #A275BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD768B shade matches the following richer shades: #BD758A, #CD6584, #DE547D, #EE4476 and #FF336F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD768B shade: #BD758A, #AC8691, #9C9698, #8BA79F and #7BB7A5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD768B shade: #BD75B1, #BD759E, #BD758B, #BD7578 and #BD8675

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD768B shade: #974960, #AF5973, #BD758A, #CA91A2 and #D8ADBA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD768B shade: #BD768B, #BDB675 and #75A7BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD768B shade: #BD768B, #8BBD75 and #758BBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD768B shade: #BD768B, #BDB675, #75BDA7 and #757CBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD768B shade: #BD768B, #AEBD75, #75BDA7 and #8475BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

Complementary color

CMYK 52 / 0 / 15 / 46

HEX #428974

RGB 66 137 116

HSL 162.25, 0.35%, 0.4%

LAB 52.19, -27.7, 4.47

 

CMYK 0 / 39 / 31 / 24

HEX #C27686

RGB 194 118 134

HSL 347.37, 0.38%, 0.61%

LAB 58.18, 31.8, 4.03

 

CMYK 0 / 36 / 27 / 17

HEX #D38899

RGB 211 136 153

HSL 346.4, 0.46%, 0.68%

LAB 64.77, 30.93, 2.95

 

CMYK 0 / 32 / 25 / 11

HEX #E49AAC

RGB 228 154 172

HSL 345.41, 0.58%, 0.75%

LAB 71.27, 30.12, 1.98

 

CMYK 0 / 30 / 22 / 4

HEX #F5ACBF

RGB 245 172 191

HSL 344.38, 0.78%, 0.82%

LAB 77.69, 29.38, 1.09

 

CMYK 0 / 25 / 18 / 0

HEX #FFBED2

RGB 255 190 210

HSL 341.54, 1%, 0.87%

LAB 83.31, 26.24, -0.84

 

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

CMYK 0 / 42 / 30 / 33

HEX #AC6478

RGB 172 100 120

HSL 343.33, 0.3%, 0.53%

LAB 50.97, 31.54, 1.46

 

CMYK 0 / 47 / 35 / 39

HEX #9B5265

RGB 155 82 101

HSL 344.38, 0.31%, 0.46%

LAB 44.15, 32.49, 2.74

 

CMYK 0 / 54 / 41 / 46

HEX #8A4052

RGB 138 64 82

HSL 345.41, 0.37%, 0.4%

LAB 37.26, 33.46, 4.32

 

CMYK 0 / 62 / 48 / 53

HEX #792E3F

RGB 121 46 63

HSL 346.4, 0.45%, 0.33%

LAB 30.35, 34.37, 6.34

 

CMYK 0 / 38 / 27 / 26

HEX #BD758A

RGB 189 117 138

HSL 342.5, 0.35%, 0.6%

LAB 57.44, 31.05, 0.57

 

CMYK 0 / 38 / 37 / 26

HEX #BD7577

RGB 189 117 119

HSL 358.33, 0.35%, 0.6%

LAB 56.95, 28.53, 10.9

 

CMYK 0 / 38 / 38 / 26

HEX #BD7575

RGB 189 117 117

HSL 0, 0.35%, 0.6%

LAB 56.91, 28.29, 11.99

 

CMYK 0 / 38 / 27 / 26

HEX #BD758A

RGB 189 117 138

HSL 342.5, 0.35%, 0.6%

LAB 57.44, 31.05, 0.57

 

CMYK 0 / 38 / 16 / 26

HEX #BD759E

RGB 189 117 158

HSL 325.83, 0.35%, 0.6%

LAB 58.05, 34.09, -10.12

 

CMYK 0 / 38 / 6 / 26

HEX #BD75B1

RGB 189 117 177

HSL 310, 0.35%, 0.6%

LAB 58.71, 37.32, -20.05

 

CMYK 4 / 38 / 0 / 26

HEX #B575BD

RGB 181 117 189

HSL 293.33, 0.35%, 0.6%

LAB 58.25, 37, -27.7

 

CMYK 14 / 38 / 0 / 26

HEX #A275BD

RGB 162 117 189

HSL 277.5, 0.35%, 0.6%

LAB 56.17, 31.05, -31.09

 

CMYK 0 / 38 / 27 / 26

HEX #BD758A

RGB 189 117 138

HSL 342.5, 0.35%, 0.6%

LAB 57.44, 31.05, 0.57

 

CMYK 0 / 51 / 36 / 20

HEX #CD6584

RGB 205 101 132

HSL 342.12, 0.51%, 0.6%

LAB 56.04, 44.4, 2.29

 

CMYK 0 / 62 / 44 / 13

HEX #DE547D

RGB 222 84 125

HSL 342.17, 0.68%, 0.6%

LAB 55.43, 57.17, 5.87

 

CMYK 0 / 71 / 50 / 7

HEX #EE4476

RGB 238 68 118

HSL 342.35, 0.83%, 0.6%

LAB 55.7, 67.48, 10.78

 

CMYK 0 / 80 / 56 / 0

HEX #FF336F

RGB 255 51 111

HSL 342.35, 1%, 0.6%

LAB 56.86, 76.51, 17.01

 

CMYK 0 / 38 / 27 / 26

HEX #BD758A

RGB 189 117 138

HSL 342.5, 0.35%, 0.6%

LAB 57.44, 31.05, 0.57

 

CMYK 0 / 22 / 16 / 33

HEX #AC8691

RGB 172 134 145

HSL 342.63, 0.19%, 0.6%

LAB 59.77, 16.29, -0.3

 

CMYK 0 / 4 / 3 / 39

HEX #9C9698

RGB 156 150 152

HSL 340, 0.03%, 0.6%

LAB 62.63, 2.57, -0.28

 

CMYK 17 / 0 / 5 / 35

HEX #8BA79F

RGB 139 167 159

HSL 162.86, 0.14%, 0.6%

LAB 66.24, -11.32, 0.9

 

CMYK 33 / 0 / 10 / 28

HEX #7BB7A5

RGB 123 183 165

HSL 162, 0.29%, 0.6%

LAB 70.03, -23.38, 2.98

 

CMYK 0 / 38 / 6 / 26

HEX #BD75B1

RGB 189 117 177

HSL 310, 0.35%, 0.6%

LAB 58.71, 37.32, -20.05

 

CMYK 0 / 38 / 16 / 26

HEX #BD759E

RGB 189 117 158

HSL 325.83, 0.35%, 0.6%

LAB 58.05, 34.09, -10.12

 

CMYK 0 / 38 / 26 / 26

HEX #BD758B

RGB 189 117 139

HSL 341.67, 0.35%, 0.6%

LAB 57.47, 31.19, 0.03

 

CMYK 0 / 38 / 37 / 26

HEX #BD7578

RGB 189 117 120

HSL 357.5, 0.35%, 0.6%

LAB 56.98, 28.65, 10.35

 

CMYK 0 / 29 / 38 / 26

HEX #BD8675

RGB 189 134 117

HSL 14.17, 0.35%, 0.6%

LAB 60.92, 18.9, 17.56

 

CMYK 0 / 52 / 36 / 41

HEX #974960

RGB 151 73 96

HSL 342.31, 0.35%, 0.44%

LAB 41.51, 35.21, 1.94

 

CMYK 0 / 49 / 34 / 31

HEX #AF5973

RGB 175 89 115

HSL 341.86, 0.35%, 0.52%

LAB 48.88, 37.89, 1.46

 

CMYK 0 / 38 / 27 / 26

HEX #BD758A

RGB 189 117 138

HSL 342.5, 0.35%, 0.6%

LAB 57.44, 31.05, 0.57

 

CMYK 0 / 28 / 20 / 21

HEX #CA91A2

RGB 202 145 162

HSL 342.11, 0.35%, 0.68%

LAB 66.07, 24.05, -0.36

 

CMYK 0 / 20 / 14 / 15

HEX #D8ADBA

RGB 216 173 186

HSL 341.86, 0.36%, 0.76%

LAB 74.84, 17.7, -0.68

 

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

CMYK 0 / 4 / 38 / 26

HEX #BDB675

RGB 189 182 117

HSL 54.17, 0.35%, 0.6%

LAB 73.26, -7.17, 33.98

 

CMYK 38 / 12 / 0 / 26

HEX #75A7BD

RGB 117 167 189

HSL 198.33, 0.35%, 0.6%

LAB 65.82, -10.96, -16.57

 

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

CMYK 26 / 0 / 38 / 26

HEX #8BBD75

RGB 139 189 117

HSL 101.67, 0.35%, 0.6%

LAB 71.67, -29.85, 31.23

 

CMYK 38 / 26 / 0 / 26

HEX #758BBD

RGB 117 139 189

HSL 221.67, 0.35%, 0.6%

LAB 57.96, 4.75, -28.6

 

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

CMYK 0 / 4 / 38 / 26

HEX #BDB675

RGB 189 182 117

HSL 54.17, 0.35%, 0.6%

LAB 73.26, -7.17, 33.98

 

CMYK 38 / 0 / 12 / 26

HEX #75BDA7

RGB 117 189 167

HSL 161.67, 0.35%, 0.6%

LAB 71.53, -27.63, 4.03

 

CMYK 38 / 34 / 0 / 26

HEX #757CBD

RGB 117 124 189

HSL 234.17, 0.35%, 0.6%

LAB 53.89, 13.58, -34.94

 

CMYK 0 / 38 / 26 / 26

HEX #BD768B

RGB 189 118 139

HSL 342.25, 0.35%, 0.6%

LAB 57.69, 30.64, 0.36

 

CMYK 8 / 0 / 38 / 26

HEX #AEBD75

RGB 174 189 117

HSL 72.5, 0.35%, 0.6%

LAB 73.98, -16.75, 34.68

 

CMYK 38 / 0 / 12 / 26

HEX #75BDA7

RGB 117 189 167

HSL 161.67, 0.35%, 0.6%

LAB 71.53, -27.63, 4.03

 

CMYK 30 / 38 / 0 / 26

HEX #8475BD

RGB 132 117 189

HSL 252.5, 0.35%, 0.6%

LAB 53.28, 22.01, -35.81

 

Description

Color code: HEX #BD768B | qconv.com Color code: HEX #BD768B | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 118 green and 139 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 118 139 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 26 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 26% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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