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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD74C1 it is the complementary color #428B3E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD74C1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD74C1 shade: #C274BC, #D386CF, #E498E2, #F5AAF5 and #FFBCFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD74C1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD74C1 shade: #BD74C1, #AC62AE, #9B509B, #8A3E88 and #792C75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD74C1 shade: #BD76C1, #C176B1, #C1769D, #C17688 and #C17676

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD74C1 shade: #BD76C1, #A976C1, #9576C1, #8076C1 and #7676C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD74C1 shade matches the following richer shades: #BD76C1, #CC66D1, #DA56E2 and #E945F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD74C1 shade: #BD76C1, #AF86B1, #A196A1, #92A691 and #84B681

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD74C1 shade: #9476C1, #A876C1, #BC76C1, #C176B2 and #C1769E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD74C1 shade: #99479E, #B059B5, #BD76C1, #CB92CE and #D9AFDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD74C1 shade: #BD74C1, #C18076 and #76C19E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD74C1 shade: #BD74C1, #C1BC76 and #76C1BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD74C1 shade: #BD74C1, #C18076, #7BC176 and #76B7C1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD74C1 shade: #BD74C1, #C19776, #7BC176 and #76A1C1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

Complementary color

CMYK 53 / 0 / 55 / 45

HEX #428B3E

RGB 66 139 62

HSL 116.88, 0.38%, 0.39%

LAB 51.8, -39.02, 33.98

 

CMYK 0 / 40 / 3 / 24

HEX #C274BC

RGB 194 116 188

HSL 304.62, 0.39%, 0.61%

LAB 59.52, 41.44, -25.04

 

CMYK 0 / 36 / 2 / 17

HEX #D386CF

RGB 211 134 207

HSL 303.12, 0.47%, 0.68%

LAB 66.06, 40.69, -25.53

 

CMYK 0 / 33 / 1 / 11

HEX #E498E2

RGB 228 152 226

HSL 301.58, 0.58%, 0.75%

LAB 72.52, 39.96, -25.97

 

CMYK 0 / 31 / 0 / 4

HEX #F5AAF5

RGB 245 170 245

HSL 300, 0.79%, 0.81%

LAB 78.9, 39.26, -26.37

 

CMYK 0 / 26 / 0 / 0

HEX #FFBCFF

RGB 255 188 255

HSL 300, 1%, 0.87%

LAB 84.2, 34.77, -23.56

 

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

CMYK 1 / 44 / 0 / 32

HEX #AC62AE

RGB 172 98 174

HSL 298.42, 0.32%, 0.53%

LAB 52.47, 41.57, -28.1

 

CMYK 0 / 48 / 0 / 39

HEX #9B509B

RGB 155 80 155

HSL 300, 0.32%, 0.46%

LAB 45.73, 42.3, -27.56

 

CMYK 0 / 55 / 1 / 46

HEX #8A3E88

RGB 138 62 136

HSL 301.58, 0.38%, 0.39%

LAB 38.94, 42.93, -26.86

 

CMYK 0 / 64 / 3 / 53

HEX #792C75

RGB 121 44 117

HSL 303.12, 0.47%, 0.32%

LAB 32.15, 43.28, -25.89

 

CMYK 2 / 39 / 0 / 24

HEX #BD76C1

RGB 189 118 193

HSL 296.8, 0.38%, 0.61%

LAB 59.55, 39.74, -27.89

 

CMYK 0 / 39 / 8 / 24

HEX #C176B1

RGB 193 118 177

HSL 312.8, 0.38%, 0.61%

LAB 59.41, 38.1, -18.94

 

CMYK 0 / 39 / 19 / 24

HEX #C1769D

RGB 193 118 157

HSL 328.8, 0.38%, 0.61%

LAB 58.72, 34.78, -8.48

 

CMYK 0 / 39 / 30 / 24

HEX #C17688

RGB 193 118 136

HSL 345.6, 0.38%, 0.61%

LAB 58.11, 31.7, 2.76

 

CMYK 0 / 39 / 39 / 24

HEX #C17676

RGB 193 118 118

HSL 0, 0.38%, 0.61%

LAB 57.66, 29.4, 12.54

 

CMYK 2 / 39 / 0 / 24

HEX #BD76C1

RGB 189 118 193

HSL 296.8, 0.38%, 0.61%

LAB 59.55, 39.74, -27.89

 

CMYK 12 / 39 / 0 / 24

HEX #A976C1

RGB 169 118 193

HSL 280.8, 0.38%, 0.61%

LAB 57.31, 33.52, -31.53

 

CMYK 23 / 39 / 0 / 24

HEX #9576C1

RGB 149 118 193

HSL 264.8, 0.38%, 0.61%

LAB 55.27, 27.44, -34.86

 

CMYK 34 / 39 / 0 / 24

HEX #8076C1

RGB 128 118 193

HSL 248, 0.38%, 0.61%

LAB 53.38, 21.33, -37.97

 

CMYK 39 / 39 / 0 / 24

HEX #7676C1

RGB 118 118 193

HSL 240, 0.38%, 0.61%

LAB 52.57, 18.58, -39.29

 

CMYK 2 / 39 / 0 / 24

HEX #BD76C1

RGB 189 118 193

HSL 296.8, 0.38%, 0.61%

LAB 59.55, 39.74, -27.89

 

CMYK 2 / 51 / 0 / 18

HEX #CC66D1

RGB 204 102 209

HSL 297.2, 0.54%, 0.61%

LAB 58.92, 55.35, -37.79

 

CMYK 4 / 62 / 0 / 11

HEX #DA56E2

RGB 218 86 226

HSL 296.57, 0.71%, 0.61%

LAB 59.02, 69.1, -47.08

 

CMYK 4 / 71 / 0 / 5

HEX #E945F2

RGB 233 69 242

HSL 296.88, 0.87%, 0.61%

LAB 59.88, 81.24, -54.53

 

CMYK 2 / 39 / 0 / 24

HEX #BD76C1

RGB 189 118 193

HSL 296.8, 0.38%, 0.61%

LAB 59.55, 39.74, -27.89

 

CMYK 1 / 24 / 0 / 31

HEX #AF86B1

RGB 175 134 177

HSL 297.21, 0.22%, 0.61%

LAB 61.08, 23.19, -16.58

 

CMYK 0 / 7 / 0 / 37

HEX #A196A1

RGB 161 150 161

HSL 300, 0.06%, 0.61%

LAB 63.31, 6.11, -4.31

 

CMYK 12 / 0 / 13 / 35

HEX #92A691

RGB 146 166 145

HSL 117.14, 0.11%, 0.61%

LAB 66.08, -11.1, 8.53

 

CMYK 27 / 0 / 29 / 29

HEX #84B681

RGB 132 182 129

HSL 116.6, 0.27%, 0.61%

LAB 69.43, -27.03, 21.82

 

CMYK 23 / 39 / 0 / 24

HEX #9476C1

RGB 148 118 193

HSL 264, 0.38%, 0.61%

LAB 55.18, 27.14, -35.02

 

CMYK 13 / 39 / 0 / 24

HEX #A876C1

RGB 168 118 193

HSL 280, 0.38%, 0.61%

LAB 57.2, 33.21, -31.71

 

CMYK 3 / 39 / 0 / 24

HEX #BC76C1

RGB 188 118 193

HSL 296, 0.38%, 0.61%

LAB 59.43, 39.42, -28.07

 

CMYK 0 / 39 / 8 / 24

HEX #C176B2

RGB 193 118 178

HSL 312, 0.38%, 0.61%

LAB 59.44, 38.27, -19.46

 

CMYK 0 / 39 / 18 / 24

HEX #C1769E

RGB 193 118 158

HSL 328, 0.38%, 0.61%

LAB 58.75, 34.94, -9.01

 

CMYK 3 / 55 / 0 / 38

HEX #99479E

RGB 153 71 158

HSL 296.55, 0.38%, 0.45%

LAB 43.87, 46.89, -32.28

 

CMYK 3 / 51 / 0 / 29

HEX #B059B5

RGB 176 89 181

HSL 296.74, 0.38%, 0.53%

LAB 51.51, 48.75, -33.62

 

CMYK 2 / 39 / 0 / 24

HEX #BD76C1

RGB 189 118 193

HSL 296.8, 0.38%, 0.61%

LAB 59.55, 39.74, -27.89

 

CMYK 1 / 29 / 0 / 19

HEX #CB92CE

RGB 203 146 206

HSL 297, 0.38%, 0.69%

LAB 67.81, 31.46, -22.38

 

CMYK 1 / 20 / 0 / 14

HEX #D9AFDB

RGB 217 175 219

HSL 297.27, 0.38%, 0.77%

LAB 76.39, 22.75, -16.37

 

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

CMYK 0 / 34 / 39 / 24

HEX #C18076

RGB 193 128 118

HSL 8, 0.38%, 0.61%

LAB 59.96, 23.92, 15.75

 

CMYK 39 / 0 / 18 / 24

HEX #76C19E

RGB 118 193 158

HSL 152, 0.38%, 0.61%

LAB 72.53, -31.22, 10.36

 

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

CMYK 0 / 3 / 39 / 24

HEX #C1BC76

RGB 193 188 118

HSL 56, 0.38%, 0.61%

LAB 75.21, -8.58, 36.04

 

CMYK 39 / 0 / 3 / 24

HEX #76C1BC

RGB 118 193 188

HSL 176, 0.38%, 0.61%

LAB 73.3, -24.43, -4.84

 

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

CMYK 0 / 34 / 39 / 24

HEX #C18076

RGB 193 128 118

HSL 8, 0.38%, 0.61%

LAB 59.96, 23.92, 15.75

 

CMYK 36 / 0 / 39 / 24

HEX #7BC176

RGB 123 193 118

HSL 116, 0.38%, 0.61%

LAB 72, -36.97, 30.98

 

CMYK 39 / 5 / 0 / 24

HEX #76B7C1

RGB 118 183 193

HSL 188, 0.38%, 0.61%

LAB 70.57, -18.12, -11.63

 

CMYK 2 / 40 / 0 / 24

HEX #BD74C1

RGB 189 116 193

HSL 296.88, 0.38%, 0.61%

LAB 59.12, 40.81, -28.55

 

CMYK 0 / 22 / 39 / 24

HEX #C19776

RGB 193 151 118

HSL 26.4, 0.38%, 0.61%

LAB 65.58, 11.24, 23.4

 

CMYK 36 / 0 / 39 / 24

HEX #7BC176

RGB 123 193 118

HSL 116, 0.38%, 0.61%

LAB 72, -36.97, 30.98

 

CMYK 39 / 17 / 0 / 24

HEX #76A1C1

RGB 118 161 193

HSL 205.6, 0.38%, 0.61%

LAB 64.32, -6.36, -21.08

 

Description

Color code: HEX #BD74C1 | qconv.com Color code: HEX #BD74C1 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 116 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 116 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 40 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 40% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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