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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD73F5 it is the complementary color #428C0A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD73F5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD73F5 shade: #C273F0, #D385FF, #E497FF, #F5A9FF and #FFBBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD73F5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD73F5 shade: #BD73F5, #AC61E2, #9B4FCF, #8A3DBC and #792BA9

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD73F5 shade: #BE75F5, #E175F5, #F575E7, #F575C5 and #F575A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD73F5 shade: #BE75F5, #9B75F5, #7975F5 and #7575F5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD73F5 shade matches the following richer shades: #BE75F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD73F5 shade: #BE75F5, #BC81E9, #BB8DDD, #B999D1 and #B7A5C6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD73F5 shade: #7975F5, #9B75F5, #BE75F5, #E075F5 and #F575E9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD73F5 shade: #9A28F0, #AC4EF3, #BE75F5, #D09BF8 and #E2C2FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD73F5 shade: #BD73F5, #F57593 and #75F58A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD73F5 shade: #BD73F5, #F5BE75 and #75F5BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD73F5 shade: #BD73F5, #F57593, #ACF575 and #75F5D7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD73F5 shade: #BD73F5, #F57D75, #ACF575 and #75EDF5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

Complementary color

CMYK 53 / 0 / 93 / 45

HEX #428C0A

RGB 66 140 10

HSL 94.15, 0.87%, 0.29%

LAB 51.77, -43.51, 53.13

 

CMYK 19 / 52 / 0 / 6

HEX #C273F0

RGB 194 115 240

HSL 277.92, 0.81%, 0.7%

LAB 61.67, 52.3, -50.89

 

CMYK 17 / 48 / 0 / 0

HEX #D385FF

RGB 211 133 255

HSL 278.36, 1%, 0.76%

LAB 67.91, 50.66, -49.16

 

CMYK 11 / 41 / 0 / 0

HEX #E497FF

RGB 228 151 255

HSL 284.42, 1%, 0.8%

LAB 73.45, 46.01, -40.34

 

CMYK 4 / 34 / 0 / 0

HEX #F5A9FF

RGB 245 169 255

HSL 293.02, 1%, 0.83%

LAB 79.05, 41.62, -31.53

 

CMYK 0 / 27 / 0 / 0

HEX #FFBBFF

RGB 255 187 255

HSL 300, 1%, 0.87%

LAB 83.98, 35.3, -23.9

 

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

CMYK 24 / 57 / 0 / 11

HEX #AC61E2

RGB 172 97 226

HSL 274.88, 0.69%, 0.63%

LAB 54.88, 52.93, -54.04

 

CMYK 25 / 62 / 0 / 19

HEX #9B4FCF

RGB 155 79 207

HSL 275.63, 0.57%, 0.56%

LAB 48.34, 53.67, -53.82

 

CMYK 27 / 68 / 0 / 26

HEX #8A3DBC

RGB 138 61 188

HSL 276.38, 0.51%, 0.49%

LAB 41.8, 54.22, -53.45

 

CMYK 28 / 75 / 0 / 34

HEX #792BA9

RGB 121 43 169

HSL 277.14, 0.59%, 0.42%

LAB 35.32, 54.37, -52.79

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 8 / 52 / 0 / 4

HEX #E175F5

RGB 225 117 245

HSL 290.63, 0.86%, 0.71%

LAB 66, 60.4, -46.57

 

CMYK 0 / 52 / 6 / 4

HEX #F575E7

RGB 245 117 231

HSL 306.56, 0.86%, 0.71%

LAB 67.95, 63.32, -35.61

 

CMYK 0 / 52 / 20 / 4

HEX #F575C5

RGB 245 117 197

HSL 322.5, 0.86%, 0.71%

LAB 66.65, 58.12, -18.65

 

CMYK 0 / 52 / 34 / 4

HEX #F575A2

RGB 245 117 162

HSL 338.91, 0.86%, 0.71%

LAB 65.55, 53.57, -0.49

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 37 / 52 / 0 / 4

HEX #9B75F5

RGB 155 117 245

HSL 257.81, 0.86%, 0.71%

LAB 58.31, 42.68, -59.27

 

CMYK 51 / 52 / 0 / 4

HEX #7975F5

RGB 121 117 245

HSL 241.88, 0.86%, 0.71%

LAB 55.46, 35.14, -63.98

 

CMYK 52 / 52 / 0 / 4

HEX #7575F5

RGB 117 117 245

HSL 240, 0.86%, 0.71%

LAB 55.17, 34.33, -64.47

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 19 / 45 / 0 / 9

HEX #BC81E9

RGB 188 129 233

HSL 274.04, 0.7%, 0.71%

LAB 63.57, 41.75, -44.06

 

CMYK 15 / 36 / 0 / 13

HEX #BB8DDD

RGB 187 141 221

HSL 274.5, 0.54%, 0.71%

LAB 65.62, 32.23, -34.21

 

CMYK 11 / 27 / 0 / 18

HEX #B999D1

RGB 185 153 209

HSL 274.29, 0.38%, 0.71%

LAB 67.8, 22.36, -24.21

 

CMYK 8 / 17 / 0 / 22

HEX #B7A5C6

RGB 183 165 198

HSL 272.73, 0.22%, 0.71%

LAB 70.21, 12.75, -14.48

 

CMYK 51 / 52 / 0 / 4

HEX #7975F5

RGB 121 117 245

HSL 241.88, 0.86%, 0.71%

LAB 55.46, 35.14, -63.98

 

CMYK 37 / 52 / 0 / 4

HEX #9B75F5

RGB 155 117 245

HSL 257.81, 0.86%, 0.71%

LAB 58.31, 42.68, -59.27

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 9 / 52 / 0 / 4

HEX #E075F5

RGB 224 117 245

HSL 290.16, 0.86%, 0.71%

LAB 65.87, 60.14, -46.78

 

CMYK 0 / 52 / 5 / 4

HEX #F575E9

RGB 245 117 233

HSL 305.63, 0.86%, 0.71%

LAB 68.03, 63.64, -36.58

 

CMYK 36 / 83 / 0 / 6

HEX #9A28F0

RGB 154 40 240

HSL 274.2, 0.87%, 0.55%

LAB 45.19, 75.97, -77.71

 

CMYK 29 / 68 / 0 / 5

HEX #AC4EF3

RGB 172 78 243

HSL 274.18, 0.87%, 0.63%

LAB 52.61, 65.75, -67.22

 

CMYK 22 / 52 / 0 / 4

HEX #BE75F5

RGB 190 117 245

HSL 274.22, 0.86%, 0.71%

LAB 61.88, 51.33, -53.35

 

CMYK 16 / 38 / 0 / 3

HEX #D09BF8

RGB 208 155 248

HSL 274.19, 0.87%, 0.79%

LAB 71.98, 36.61, -38.98

 

CMYK 10 / 23 / 0 / 2

HEX #E2C2FB

RGB 226 194 251

HSL 273.68, 0.88%, 0.87%

LAB 82.76, 21.64, -23.86

 

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

CMYK 0 / 52 / 40 / 4

HEX #F57593

RGB 245 117 147

HSL 345.94, 0.86%, 0.71%

LAB 65.15, 51.89, 7.48

 

CMYK 52 / 0 / 44 / 4

HEX #75F58A

RGB 117 245 138

HSL 129.84, 0.86%, 0.71%

LAB 87.45, -57.42, 40.85

 

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

CMYK 0 / 22 / 52 / 4

HEX #F5BE75

RGB 245 190 117

HSL 34.22, 0.86%, 0.71%

LAB 80.47, 11.36, 44.18

 

CMYK 52 / 0 / 22 / 4

HEX #75F5BE

RGB 117 245 190

HSL 154.22, 0.86%, 0.71%

LAB 88.35, -48.12, 15.8

 

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

CMYK 0 / 52 / 40 / 4

HEX #F57593

RGB 245 117 147

HSL 345.94, 0.86%, 0.71%

LAB 65.15, 51.89, 7.48

 

CMYK 30 / 0 / 52 / 4

HEX #ACF575

RGB 172 245 117

HSL 94.22, 0.86%, 0.71%

LAB 89.56, -43.78, 53.93

 

CMYK 52 / 0 / 12 / 4

HEX #75F5D7

RGB 117 245 215

HSL 165.94, 0.86%, 0.71%

LAB 88.92, -42.63, 3.63

 

CMYK 23 / 53 / 0 / 4

HEX #BD73F5

RGB 189 115 245

HSL 274.15, 0.87%, 0.71%

LAB 61.37, 52.11, -54.17

 

CMYK 0 / 49 / 52 / 4

HEX #F57D75

RGB 245 125 117

HSL 3.75, 0.86%, 0.71%

LAB 66.03, 45.14, 25.67

 

CMYK 30 / 0 / 52 / 4

HEX #ACF575

RGB 172 245 117

HSL 94.22, 0.86%, 0.71%

LAB 89.56, -43.78, 53.93

 

CMYK 52 / 3 / 0 / 4

HEX #75EDF5

RGB 117 237 245

HSL 183.75, 0.86%, 0.71%

LAB 87.46, -31.56, -14.22

 

Description

Color code: HEX #BD73F5 | qconv.com Color code: HEX #BD73F5 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 115 green and 245 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 115 245 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 53 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 53% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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