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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7280 it is the complementary color #428D7F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7280. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7280 shade: #C2727B, #D3848E, #E496A1, #F5A8B4 and #FFBAC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7280. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7280 shade: #BD7280, #AC606D, #9B4E5A, #8A3C47 and #792A34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7280 shade: #BC717F and #BC7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7280 shade: #BC717F, #BC7193, #BC71A7, #BC71BC and #A871BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7280 shade matches the following richer shades: #BC717F, #CD6074, #DE4F6A and #EF3E5F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7280 shade: #BC717F, #AB8289, #9A9394, #89A49F and #78B4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7280 shade: #BC71A8, #BC7194, #BC7180, #BC7671 and #BC8A71

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7280 shade: #944655, #AF5566, #BC717F, #C98D98 and #D6A9B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7280 shade: #BD7280, #BCBC71 and #719EBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7280 shade: #BD7280, #80BC71 and #7180BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7280 shade: #BD7280, #BCBC71, #71BCAD and #7171BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7280 shade: #BD7280, #A6BC71, #71BCAD and #8771BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

Complementary color

CMYK 53 / 0 / 10 / 45

HEX #428D7F

RGB 66 141 127

HSL 168.8, 0.36%, 0.41%

LAB 53.75, -26.88, 0.37

 

CMYK 0 / 41 / 37 / 24

HEX #C2727B

RGB 194 114 123

HSL 353.25, 0.4%, 0.6%

LAB 57.01, 32.55, 8.75

 

CMYK 0 / 37 / 33 / 17

HEX #D3848E

RGB 211 132 142

HSL 352.41, 0.47%, 0.67%

LAB 63.59, 31.61, 7.5

 

CMYK 0 / 34 / 29 / 11

HEX #E496A1

RGB 228 150 161

HSL 351.54, 0.59%, 0.74%

LAB 70.09, 30.74, 6.39

 

CMYK 0 / 31 / 27 / 4

HEX #F5A8B4

RGB 245 168 180

HSL 350.65, 0.79%, 0.81%

LAB 76.5, 29.94, 5.38

 

CMYK 0 / 27 / 22 / 0

HEX #FFBAC7

RGB 255 186 199

HSL 348.7, 1%, 0.86%

LAB 82.11, 26.72, 3.32

 

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

CMYK 0 / 44 / 37 / 33

HEX #AC606D

RGB 172 96 109

HSL 349.74, 0.31%, 0.53%

LAB 49.79, 32.28, 6.31

 

CMYK 0 / 50 / 42 / 39

HEX #9B4E5A

RGB 155 78 90

HSL 350.65, 0.33%, 0.46%

LAB 43, 33.3, 7.85

 

CMYK 0 / 57 / 49 / 46

HEX #8A3C47

RGB 138 60 71

HSL 351.54, 0.39%, 0.39%

LAB 36.16, 34.34, 9.74

 

CMYK 0 / 65 / 57 / 53

HEX #792A34

RGB 121 42 52

HSL 352.41, 0.48%, 0.32%

LAB 29.33, 35.27, 12.18

 

CMYK 0 / 40 / 32 / 26

HEX #BC717F

RGB 188 113 127

HSL 348.8, 0.36%, 0.59%

LAB 56.12, 31.35, 5.04

 

CMYK 0 / 40 / 40 / 26

HEX #BC7171

RGB 188 113 113

HSL 0, 0.36%, 0.59%

LAB 55.78, 29.61, 12.72

 

CMYK 0 / 40 / 32 / 26

HEX #BC717F

RGB 188 113 127

HSL 348.8, 0.36%, 0.59%

LAB 56.12, 31.35, 5.04

 

CMYK 0 / 40 / 22 / 26

HEX #BC7193

RGB 188 113 147

HSL 332.8, 0.36%, 0.59%

LAB 56.69, 34.19, -5.78

 

CMYK 0 / 40 / 11 / 26

HEX #BC71A7

RGB 188 113 167

HSL 316.8, 0.36%, 0.59%

LAB 57.36, 37.41, -16.36

 

CMYK 0 / 40 / 0 / 26

HEX #BC71BC

RGB 188 113 188

HSL 300, 0.36%, 0.59%

LAB 58.16, 41.16, -27.19

 

CMYK 11 / 40 / 0 / 26

HEX #A871BC

RGB 168 113 188

HSL 284, 0.36%, 0.59%

LAB 55.85, 34.95, -30.95

 

CMYK 0 / 40 / 32 / 26

HEX #BC717F

RGB 188 113 127

HSL 348.8, 0.36%, 0.59%

LAB 56.12, 31.35, 5.04

 

CMYK 0 / 53 / 43 / 20

HEX #CD6074

RGB 205 96 116

HSL 348.99, 0.52%, 0.59%

LAB 54.66, 45.09, 9.73

 

CMYK 0 / 64 / 52 / 13

HEX #DE4F6A

RGB 222 79 106

HSL 348.67, 0.68%, 0.59%

LAB 54.2, 57.57, 15.4

 

CMYK 0 / 74 / 60 / 6

HEX #EF3E5F

RGB 239 62 95

HSL 348.81, 0.85%, 0.59%

LAB 54.68, 68.1, 23.09

 

CMYK 0 / 40 / 32 / 26

HEX #BC717F

RGB 188 113 127

HSL 348.8, 0.36%, 0.59%

LAB 56.12, 31.35, 5.04

 

CMYK 0 / 24 / 20 / 33

HEX #AB8289

RGB 171 130 137

HSL 349.76, 0.2%, 0.59%

LAB 58.44, 16.86, 2.35

 

CMYK 0 / 5 / 4 / 40

HEX #9A9394

RGB 154 147 148

HSL 351.43, 0.03%, 0.59%

LAB 61.55, 2.76, 0.38

 

CMYK 16 / 0 / 3 / 36

HEX #89A49F

RGB 137 164 159

HSL 168.89, 0.13%, 0.59%

LAB 65.26, -10.38, -0.54

 

CMYK 33 / 0 / 6 / 29

HEX #78B4A9

RGB 120 180 169

HSL 169, 0.29%, 0.59%

LAB 69.11, -21.85, -0.57

 

CMYK 0 / 40 / 11 / 26

HEX #BC71A8

RGB 188 113 168

HSL 316, 0.36%, 0.59%

LAB 57.39, 37.58, -16.89

 

CMYK 0 / 40 / 21 / 26

HEX #BC7194

RGB 188 113 148

HSL 332, 0.36%, 0.59%

LAB 56.72, 34.34, -6.31

 

CMYK 0 / 40 / 32 / 26

HEX #BC7180

RGB 188 113 128

HSL 348, 0.36%, 0.59%

LAB 56.15, 31.48, 4.5

 

CMYK 0 / 37 / 40 / 26

HEX #BC7671

RGB 188 118 113

HSL 4, 0.36%, 0.59%

LAB 56.92, 26.87, 14.3

 

CMYK 0 / 27 / 40 / 26

HEX #BC8A71

RGB 188 138 113

HSL 20, 0.36%, 0.59%

LAB 61.71, 15.8, 20.87

 

CMYK 0 / 53 / 43 / 42

HEX #944655

RGB 148 70 85

HSL 348.46, 0.36%, 0.43%

LAB 40.13, 34.36, 6.74

 

CMYK 0 / 51 / 42 / 31

HEX #AF5566

RGB 175 85 102

HSL 348.67, 0.36%, 0.51%

LAB 47.71, 38.41, 7.63

 

CMYK 0 / 40 / 32 / 26

HEX #BC717F

RGB 188 113 127

HSL 348.8, 0.36%, 0.59%

LAB 56.12, 31.35, 5.04

 

CMYK 0 / 30 / 24 / 21

HEX #C98D98

RGB 201 141 152

HSL 349, 0.36%, 0.67%

LAB 64.75, 24.37, 3.34

 

CMYK 0 / 21 / 17 / 16

HEX #D6A9B1

RGB 214 169 177

HSL 349.33, 0.35%, 0.75%

LAB 73.45, 17.7, 2.2

 

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

CMYK 0 / 0 / 40 / 26

HEX #BCBC71

RGB 188 188 113

HSL 60, 0.36%, 0.59%

LAB 74.73, -11.14, 37.91

 

CMYK 40 / 16 / 0 / 26

HEX #719EBC

RGB 113 158 188

HSL 204, 0.36%, 0.59%

LAB 63.01, -7.4, -20.31

 

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

CMYK 32 / 0 / 40 / 26

HEX #80BC71

RGB 128 188 113

HSL 108, 0.36%, 0.59%

LAB 70.7, -33.77, 31.93

 

CMYK 40 / 32 / 0 / 26

HEX #7180BC

RGB 113 128 188

HSL 228, 0.36%, 0.59%

LAB 54.64, 9.82, -33.22

 

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

CMYK 0 / 0 / 40 / 26

HEX #BCBC71

RGB 188 188 113

HSL 60, 0.36%, 0.59%

LAB 74.73, -11.14, 37.91

 

CMYK 40 / 0 / 8 / 26

HEX #71BCAD

RGB 113 188 173

HSL 168, 0.36%, 0.59%

LAB 71.21, -26.86, 0.26

 

CMYK 40 / 40 / 0 / 26

HEX #7171BC

RGB 113 113 188

HSL 240, 0.36%, 0.59%

LAB 50.63, 18.82, -39.51

 

CMYK 0 / 40 / 32 / 26

HEX #BD7280

RGB 189 114 128

HSL 348.8, 0.36%, 0.59%

LAB 56.5, 31.31, 5.02

 

CMYK 12 / 0 / 40 / 26

HEX #A6BC71

RGB 166 188 113

HSL 77.6, 0.36%, 0.59%

LAB 73.07, -19.85, 35.45

 

CMYK 40 / 0 / 8 / 26

HEX #71BCAD

RGB 113 188 173

HSL 168, 0.36%, 0.59%

LAB 71.21, -26.86, 0.26

 

CMYK 28 / 40 / 0 / 26

HEX #8771BC

RGB 135 113 188

HSL 257.6, 0.36%, 0.59%

LAB 52.5, 24.99, -36.44

 

Description

Color code: HEX #BD7280 | qconv.com Color code: HEX #BD7280 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 114 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 114 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 32 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 32% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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