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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD7096 it is the complementary color #428F69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD7096. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD7096 shade: #C27091, #D382A4, #E494B7, #F5A6CA and #FFB8DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD7096. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD7096 shade: #BD7096, #AC5E83, #9B4C70, #8A3A5D and #79284A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD7096 shade: #BD7096, #BD7081 and #BD7070

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD7096 shade: #BD7096, #BD70AB, #BB70BD, #A670BD and #9170BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD7096 shade matches the following richer shades: #BD7096, #CE5F96, #DF4E96 and #F03D95

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD7096 shade: #BD7096, #AC8196, #9B9296, #8AA397 and #79B397

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD7096 shade: #BB70BD, #BD70AB, #BD7096, #BD7082 and #BD7270

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD7096 shade: #96456D, #B05481, #BD7096, #CA8CAB and #D7A8BF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD7096 shade: #BD7096, #BDA670 and #70B5BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD7096 shade: #BD7096, #96BD70 and #7096BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD7096 shade: #BD7096, #BDA670, #70BD96 and #7087BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD7096 shade: #BD7096, #BDBD70, #70BD96 and #7070BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

Complementary color

CMYK 54 / 0 / 27 / 44

HEX #428F69

RGB 66 143 105

HSL 150.39, 0.37%, 0.41%

LAB 53.84, -33.14, 13.13

 

CMYK 0 / 42 / 25 / 24

HEX #C27091

RGB 194 112 145

HSL 335.85, 0.4%, 0.6%

LAB 57.17, 36.56, -3.81

 

CMYK 0 / 38 / 22 / 17

HEX #D382A4

RGB 211 130 164

HSL 334.81, 0.48%, 0.67%

LAB 63.75, 35.72, -4.78

 

CMYK 0 / 35 / 20 / 11

HEX #E494B7

RGB 228 148 183

HSL 333.75, 0.6%, 0.74%

LAB 70.24, 34.92, -5.65

 

CMYK 0 / 32 / 18 / 4

HEX #F5A6CA

RGB 245 166 202

HSL 332.66, 0.8%, 0.81%

LAB 76.65, 34.18, -6.43

 

CMYK 0 / 28 / 13 / 0

HEX #FFB8DD

RGB 255 184 221

HSL 328.73, 1%, 0.86%

LAB 82.25, 31.1, -8.3

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 45 / 24 / 33

HEX #AC5E83

RGB 172 94 131

HSL 331.54, 0.32%, 0.52%

LAB 50, 36.38, -6.53

 

CMYK 0 / 51 / 28 / 39

HEX #9B4C70

RGB 155 76 112

HSL 332.66, 0.34%, 0.45%

LAB 43.22, 37.22, -5.36

 

CMYK 0 / 58 / 33 / 46

HEX #8A3A5D

RGB 138 58 93

HSL 333.75, 0.41%, 0.38%

LAB 36.4, 37.99, -3.91

 

CMYK 0 / 67 / 39 / 53

HEX #79284A

RGB 121 40 74

HSL 334.81, 0.5%, 0.32%

LAB 29.61, 38.52, -1.99

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 41 / 32 / 26

HEX #BD7081

RGB 189 112 129

HSL 346.75, 0.37%, 0.59%

LAB 56.08, 32.53, 3.83

 

CMYK 0 / 41 / 41 / 26

HEX #BD7070

RGB 189 112 112

HSL 0, 0.37%, 0.59%

LAB 55.66, 30.43, 13.15

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 41 / 10 / 26

HEX #BD70AB

RGB 189 112 171

HSL 314.03, 0.37%, 0.59%

LAB 57.41, 38.96, -18.58

 

CMYK 1 / 41 / 0 / 26

HEX #BB70BD

RGB 187 112 189

HSL 298.44, 0.37%, 0.59%

LAB 57.87, 41.57, -28.22

 

CMYK 12 / 41 / 0 / 26

HEX #A670BD

RGB 166 112 189

HSL 282.08, 0.37%, 0.59%

LAB 55.45, 35.1, -32.17

 

CMYK 23 / 41 / 0 / 26

HEX #9170BD

RGB 145 112 189

HSL 265.71, 0.37%, 0.59%

LAB 53.26, 28.76, -35.76

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 54 / 27 / 19

HEX #CE5F96

RGB 206 95 150

HSL 330.27, 0.53%, 0.59%

LAB 55.59, 49.97, -8.9

 

CMYK 0 / 65 / 33 / 13

HEX #DF4E96

RGB 223 78 150

HSL 330.21, 0.69%, 0.59%

LAB 55.42, 62.62, -8.89

 

CMYK 0 / 75 / 38 / 6

HEX #F03D95

RGB 240 61 149

HSL 330.5, 0.86%, 0.59%

LAB 56.12, 73.06, -6.95

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 25 / 13 / 33

HEX #AC8196

RGB 172 129 150

HSL 330.7, 0.21%, 0.59%

LAB 58.67, 19.96, -4.78

 

CMYK 0 / 6 / 3 / 39

HEX #9B9296

RGB 155 146 150

HSL 333.33, 0.04%, 0.59%

LAB 61.42, 4.07, -0.93

 

CMYK 15 / 0 / 7 / 36

HEX #8AA397

RGB 138 163 151

HSL 151.2, 0.12%, 0.59%

LAB 64.83, -11.16, 3.31

 

CMYK 32 / 0 / 16 / 30

HEX #79B397

RGB 121 179 151

HSL 151.03, 0.28%, 0.59%

LAB 68.42, -24.98, 8.34

 

CMYK 1 / 41 / 0 / 26

HEX #BB70BD

RGB 187 112 189

HSL 298.44, 0.37%, 0.59%

LAB 57.87, 41.57, -28.22

 

CMYK 0 / 41 / 10 / 26

HEX #BD70AB

RGB 189 112 171

HSL 314.03, 0.37%, 0.59%

LAB 57.41, 38.96, -18.58

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 41 / 31 / 26

HEX #BD7082

RGB 189 112 130

HSL 345.97, 0.37%, 0.59%

LAB 56.11, 32.66, 3.29

 

CMYK 0 / 40 / 41 / 26

HEX #BD7270

RGB 189 114 112

HSL 1.56, 0.37%, 0.59%

LAB 56.11, 29.34, 13.78

 

CMYK 0 / 54 / 27 / 41

HEX #96456D

RGB 150 69 109

HSL 330.37, 0.37%, 0.43%

LAB 40.97, 38.71, -6.95

 

CMYK 0 / 52 / 27 / 31

HEX #B05481

RGB 176 84 129

HSL 330.65, 0.37%, 0.51%

LAB 48.46, 42.69, -7.57

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 31 / 15 / 21

HEX #CA8CAB

RGB 202 140 171

HSL 330, 0.37%, 0.67%

LAB 65.16, 28.21, -6.77

 

CMYK 0 / 22 / 11 / 16

HEX #D7A8BF

RGB 215 168 191

HSL 330.64, 0.37%, 0.75%

LAB 73.68, 20.87, -5.13

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 12 / 41 / 26

HEX #BDA670

RGB 189 166 112

HSL 42.08, 0.37%, 0.59%

LAB 68.94, 0.75, 31.03

 

CMYK 41 / 4 / 0 / 26

HEX #70B5BD

RGB 112 181 189

HSL 186.23, 0.37%, 0.59%

LAB 69.59, -19.67, -10.93

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 21 / 0 / 41 / 26

HEX #96BD70

RGB 150 189 112

HSL 90.39, 0.37%, 0.59%

LAB 72.26, -26.55, 34.72

 

CMYK 41 / 21 / 0 / 26

HEX #7096BD

RGB 112 150 189

HSL 210.39, 0.37%, 0.59%

LAB 60.72, -2.93, -24.37

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 12 / 41 / 26

HEX #BDA670

RGB 189 166 112

HSL 42.08, 0.37%, 0.59%

LAB 68.94, 0.75, 31.03

 

CMYK 41 / 0 / 21 / 26

HEX #70BD96

RGB 112 189 150

HSL 149.61, 0.37%, 0.59%

LAB 70.9, -32.69, 12.35

 

CMYK 41 / 29 / 0 / 26

HEX #7087BD

RGB 112 135 189

HSL 222.08, 0.37%, 0.59%

LAB 56.53, 5.71, -30.84

 

CMYK 0 / 41 / 21 / 26

HEX #BD7096

RGB 189 112 150

HSL 330.39, 0.37%, 0.59%

LAB 56.69, 35.54, -7.5

 

CMYK 0 / 0 / 41 / 26

HEX #BDBD70

RGB 189 189 112

HSL 60, 0.37%, 0.59%

LAB 75.07, -11.36, 38.86

 

CMYK 41 / 0 / 21 / 26

HEX #70BD96

RGB 112 189 150

HSL 149.61, 0.37%, 0.59%

LAB 70.9, -32.69, 12.35

 

CMYK 41 / 41 / 0 / 26

HEX #7070BD

RGB 112 112 189

HSL 240, 0.37%, 0.59%

LAB 50.34, 19.45, -40.54

 

Description

Color code: HEX #BD7096 | qconv.com Color code: HEX #BD7096 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 112 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 112 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 21 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 21% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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