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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5E8F it is the complementary color #42A170. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5E8F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5E8F shade: #C25E8A, #D3709D, #E482B0, #F594C3 and #FFA6D6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5E8F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5E8F shade: #BD5E8F, #AC4C7C, #9B3A69, #8A2856 and #791643

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5E8F shade: #BC5C8E, #BC5C74 and #BC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5E8F shade: #BC5C8E, #BC5CA8, #B75CBC, #9D5CBC and #835CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5E8F shade matches the following richer shades: #BC5C8E, #CF498E, #E2378F and #F42490

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5E8F shade: #BC5C8E, #AA6F8D, #97818D, #85948C and #72A68B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5E8F shade: #B85CBC, #BC5CA8, #BC5C8E, #BC5C74 and #BC5E5C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5E8F shade: #8D3964, #AA4579, #BC5C8E, #C879A2 and #D497B6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5E8F shade: #BD5E8F, #BC9E5C and #5CB4BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5E8F shade: #BD5E8F, #8EBC5C and #5C8EBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5E8F shade: #BD5E8F, #BC9E5C, #5CBC8B and #5C7BBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5E8F shade: #BD5E8F, #BCBB5C, #5CBC8B and #5C5EBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

Complementary color

CMYK 59 / 0 / 30 / 37

HEX #42A170

RGB 66 161 112

HSL 149.05, 0.42%, 0.45%

LAB 59.72, -39.71, 17.34

 

CMYK 0 / 52 / 29 / 24

HEX #C25E8A

RGB 194 94 138

HSL 333.6, 0.45%, 0.56%

LAB 53.29, 44.92, -5.46

 

CMYK 0 / 47 / 26 / 17

HEX #D3709D

RGB 211 112 157

HSL 332.73, 0.53%, 0.63%

LAB 59.77, 44.12, -6.67

 

CMYK 0 / 43 / 23 / 11

HEX #E482B0

RGB 228 130 176

HSL 331.84, 0.64%, 0.7%

LAB 66.21, 43.31, -7.7

 

CMYK 0 / 40 / 20 / 4

HEX #F594C3

RGB 245 148 195

HSL 330.93, 0.83%, 0.77%

LAB 72.58, 42.51, -8.61

 

CMYK 0 / 35 / 16 / 0

HEX #FFA6D6

RGB 255 166 214

HSL 327.64, 1%, 0.83%

LAB 78.1, 39.4, -10.69

 

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

CMYK 0 / 56 / 28 / 33

HEX #AC4C7C

RGB 172 76 124

HSL 330, 0.39%, 0.49%

LAB 46.17, 44.66, -8.02

 

CMYK 0 / 63 / 32 / 39

HEX #9B3A69

RGB 155 58 105

HSL 330.93, 0.46%, 0.42%

LAB 39.61, 45.21, -6.41

 

CMYK 0 / 71 / 38 / 46

HEX #8A2856

RGB 138 40 86

HSL 331.84, 0.55%, 0.35%

LAB 33.12, 45.36, -4.29

 

CMYK 0 / 82 / 45 / 53

HEX #791643

RGB 121 22 67

HSL 332.73, 0.69%, 0.28%

LAB 26.86, 44.71, -1.35

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 51 / 11 / 26

HEX #BC5CA8

RGB 188 92 168

HSL 312.5, 0.42%, 0.55%

LAB 53.14, 48.5, -23.39

 

CMYK 3 / 51 / 0 / 26

HEX #B75CBC

RGB 183 92 188

HSL 296.88, 0.42%, 0.55%

LAB 53.33, 50.55, -34.75

 

CMYK 16 / 51 / 0 / 26

HEX #9D5CBC

RGB 157 92 188

HSL 280.63, 0.42%, 0.55%

LAB 50.04, 43.25, -40.15

 

CMYK 30 / 51 / 0 / 26

HEX #835CBC

RGB 131 92 188

HSL 264.38, 0.42%, 0.55%

LAB 47.12, 36.15, -44.97

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 65 / 31 / 19

HEX #CF498E

RGB 207 73 142

HSL 329.1, 0.58%, 0.55%

LAB 51.82, 59.09, -9.81

 

CMYK 0 / 76 / 37 / 11

HEX #E2378F

RGB 226 55 143

HSL 329.12, 0.75%, 0.55%

LAB 52.82, 70.68, -8.57

 

CMYK 0 / 85 / 41 / 4

HEX #F42490

RGB 244 36 144

HSL 328.85, 0.9%, 0.55%

LAB 54.56, 79.61, -6.22

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 35 / 17 / 33

HEX #AA6F8D

RGB 170 111 141

HSL 329.49, 0.26%, 0.55%

LAB 53.85, 27.87, -6.73

 

CMYK 0 / 15 / 7 / 41

HEX #97818D

RGB 151 129 141

HSL 327.27, 0.1%, 0.55%

LAB 56.29, 10.55, -3.34

 

CMYK 10 / 0 / 5 / 42

HEX #85948C

RGB 133 148 140

HSL 148, 0.07%, 0.55%

LAB 59.94, -7, 2.39

 

CMYK 31 / 0 / 16 / 35

HEX #72A68B

RGB 114 166 139

HSL 148.85, 0.23%, 0.55%

LAB 63.93, -23.16, 8.52

 

CMYK 2 / 51 / 0 / 26

HEX #B85CBC

RGB 184 92 188

HSL 297.5, 0.42%, 0.55%

LAB 53.47, 50.83, -34.53

 

CMYK 0 / 51 / 11 / 26

HEX #BC5CA8

RGB 188 92 168

HSL 312.5, 0.42%, 0.55%

LAB 53.14, 48.5, -23.39

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 50 / 51 / 26

HEX #BC5E5C

RGB 188 94 92

HSL 1.25, 0.42%, 0.55%

LAB 51.23, 37.56, 18.77

 

CMYK 0 / 60 / 29 / 45

HEX #8D3964

RGB 141 57 100

HSL 329.29, 0.42%, 0.39%

LAB 36.95, 40.46, -7.48

 

CMYK 0 / 59 / 29 / 33

HEX #AA4579

RGB 170 69 121

HSL 329.11, 0.42%, 0.47%

LAB 44.49, 46.97, -8.74

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 40 / 19 / 22

HEX #C879A2

RGB 200 121 162

HSL 328.86, 0.42%, 0.63%

LAB 60.39, 36.38, -8.77

 

CMYK 0 / 29 / 14 / 17

HEX #D497B6

RGB 212 151 182

HSL 329.51, 0.41%, 0.71%

LAB 69.12, 27.55, -6.95

 

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

CMYK 0 / 16 / 51 / 26

HEX #BC9E5C

RGB 188 158 92

HSL 41.25, 0.42%, 0.55%

LAB 66.46, 2.61, 38.37

 

CMYK 51 / 4 / 0 / 26

HEX #5CB4BC

RGB 92 180 188

HSL 185, 0.42%, 0.55%

LAB 68.42, -24.17, -12.21

 

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

CMYK 24 / 0 / 51 / 26

HEX #8EBC5C

RGB 142 188 92

HSL 88.75, 0.42%, 0.55%

LAB 71.21, -31.46, 43.32

 

CMYK 51 / 24 / 0 / 26

HEX #5C8EBC

RGB 92 142 188

HSL 208.75, 0.42%, 0.55%

LAB 57.32, -3.72, -29.14

 

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

CMYK 0 / 16 / 51 / 26

HEX #BC9E5C

RGB 188 158 92

HSL 41.25, 0.42%, 0.55%

LAB 66.46, 2.61, 38.37

 

CMYK 51 / 0 / 26 / 26

HEX #5CBC8B

RGB 92 188 139

HSL 149.38, 0.42%, 0.55%

LAB 69.54, -39.81, 16.29

 

CMYK 51 / 35 / 0 / 26

HEX #5C7BBC

RGB 92 123 188

HSL 220.63, 0.42%, 0.55%

LAB 51.92, 7.46, -37.58

 

CMYK 0 / 50 / 24 / 26

HEX #BD5E8F

RGB 189 94 143

HSL 329.05, 0.42%, 0.55%

LAB 52.74, 43.95, -9.31

 

CMYK 0 / 1 / 51 / 26

HEX #BCBB5C

RGB 188 187 92

HSL 59.38, 0.42%, 0.55%

LAB 74.19, -12.7, 47.67

 

CMYK 51 / 0 / 26 / 26

HEX #5CBC8B

RGB 92 188 139

HSL 149.38, 0.42%, 0.55%

LAB 69.54, -39.81, 16.29

 

CMYK 51 / 50 / 0 / 26

HEX #5C5EBC

RGB 92 94 188

HSL 238.75, 0.42%, 0.55%

LAB 44.11, 25.34, -49.99

 

Description

Color code: HEX #BD5E8F | qconv.com Color code: HEX #BD5E8F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 94 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 94 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 24 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 24% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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