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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD5E76 it is the complementary color #42A189. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD5E76. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD5E76 shade: #C25E71, #D37084, #E48297, #F594AA and #FFA6BD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD5E76. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD5E76 shade: #BD5E76, #AC4C63, #9B3A50, #8A283D and #79162A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD5E76 shade: #BC5C74 and #BC5C5C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD5E76 shade: #BC5C74, #BC5C8E, #BC5CA8, #B75CBC and #9D5CBC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD5E76 shade matches the following richer shades: #BC5C74, #CF496B, #E23762 and #F42459

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD5E76 shade: #BC5C74, #AA6F7E, #978187, #859490 and #72A699

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD5E76 shade: #BC5CA9, #BC5C8F, #BC5C76, #BC5C5C and #BC765C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD5E76 shade: #8D394E, #AA455F, #BC5C74, #C8798D and #D497A6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD5E76 shade: #BD5E76, #BCB65C and #5C9CBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD5E76 shade: #BD5E76, #76BC5C and #5C76BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD5E76 shade: #BD5E76, #BCB65C, #5CBCA3 and #5C62BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD5E76 shade: #BD5E76, #A6BC5C, #5CBCA3 and #735CBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

Complementary color

CMYK 59 / 0 / 15 / 37

HEX #42A189

RGB 66 161 137

HSL 164.84, 0.42%, 0.45%

LAB 60.3, -33.93, 4.17

 

CMYK 0 / 52 / 42 / 24

HEX #C25E71

RGB 194 94 113

HSL 348.6, 0.45%, 0.56%

LAB 52.58, 41.88, 8.34

 

CMYK 0 / 47 / 37 / 17

HEX #D37084

RGB 211 112 132

HSL 347.88, 0.53%, 0.63%

LAB 59.07, 40.92, 6.77

 

CMYK 0 / 43 / 34 / 11

HEX #E48297

RGB 228 130 151

HSL 347.14, 0.64%, 0.7%

LAB 65.51, 39.98, 5.42

 

CMYK 0 / 40 / 31 / 4

HEX #F594AA

RGB 245 148 170

HSL 346.39, 0.83%, 0.77%

LAB 71.89, 39.09, 4.23

 

CMYK 0 / 35 / 26 / 0

HEX #FFA6BD

RGB 255 166 189

HSL 344.49, 1%, 0.83%

LAB 77.4, 35.78, 1.91

 

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

CMYK 0 / 56 / 42 / 33

HEX #AC4C63

RGB 172 76 99

HSL 345.63, 0.39%, 0.49%

LAB 45.41, 41.58, 6.12

 

CMYK 0 / 63 / 48 / 39

HEX #9B3A50

RGB 155 58 80

HSL 346.39, 0.46%, 0.42%

LAB 38.85, 42.37, 8.23

 

CMYK 0 / 71 / 56 / 46

HEX #8A283D

RGB 138 40 61

HSL 347.14, 0.55%, 0.35%

LAB 32.39, 42.84, 10.96

 

CMYK 0 / 82 / 65 / 53

HEX #79162A

RGB 121 22 42

HSL 347.88, 0.69%, 0.28%

LAB 26.17, 42.6, 14.64

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8E

RGB 188 92 142

HSL 328.75, 0.42%, 0.55%

LAB 52.17, 44.48, -9.58

 

CMYK 0 / 51 / 11 / 26

HEX #BC5CA8

RGB 188 92 168

HSL 312.5, 0.42%, 0.55%

LAB 53.14, 48.5, -23.39

 

CMYK 3 / 51 / 0 / 26

HEX #B75CBC

RGB 183 92 188

HSL 296.88, 0.42%, 0.55%

LAB 53.33, 50.55, -34.75

 

CMYK 16 / 51 / 0 / 26

HEX #9D5CBC

RGB 157 92 188

HSL 280.63, 0.42%, 0.55%

LAB 50.04, 43.25, -40.15

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 65 / 48 / 19

HEX #CF496B

RGB 207 73 107

HSL 344.78, 0.58%, 0.55%

LAB 50.79, 55.41, 9.68

 

CMYK 0 / 76 / 57 / 11

HEX #E23762

RGB 226 55 98

HSL 344.91, 0.75%, 0.55%

LAB 51.59, 66.82, 16.73

 

CMYK 0 / 85 / 64 / 4

HEX #F42459

RGB 244 36 89

HSL 344.71, 0.9%, 0.55%

LAB 53.19, 75.68, 24.88

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 35 / 26 / 33

HEX #AA6F7E

RGB 170 111 126

HSL 344.75, 0.26%, 0.55%

LAB 53.41, 25.52, 1.42

 

CMYK 0 / 15 / 11 / 41

HEX #978187

RGB 151 129 135

HSL 343.64, 0.1%, 0.55%

LAB 56.12, 9.45, -0.13

 

CMYK 10 / 0 / 3 / 42

HEX #859490

RGB 133 148 144

HSL 164, 0.07%, 0.55%

LAB 60.05, -6.18, 0.27

 

CMYK 31 / 0 / 8 / 35

HEX #72A699

RGB 114 166 153

HSL 165, 0.23%, 0.55%

LAB 64.28, -20.12, 1.22

 

CMYK 0 / 51 / 10 / 26

HEX #BC5CA9

RGB 188 92 169

HSL 311.88, 0.42%, 0.55%

LAB 53.18, 48.66, -23.92

 

CMYK 0 / 51 / 24 / 26

HEX #BC5C8F

RGB 188 92 143

HSL 328.13, 0.42%, 0.55%

LAB 52.21, 44.63, -10.12

 

CMYK 0 / 51 / 37 / 26

HEX #BC5C76

RGB 188 92 118

HSL 343.75, 0.42%, 0.55%

LAB 51.44, 41.34, 3.61

 

CMYK 0 / 51 / 51 / 26

HEX #BC5C5C

RGB 188 92 92

HSL 0, 0.42%, 0.55%

LAB 50.83, 38.59, 18.22

 

CMYK 0 / 37 / 51 / 26

HEX #BC765C

RGB 188 118 92

HSL 16.25, 0.42%, 0.55%

LAB 56.51, 24.65, 25.77

 

CMYK 0 / 60 / 45 / 45

HEX #8D394E

RGB 141 57 78

HSL 345, 0.42%, 0.39%

LAB 36.25, 37.72, 5.48

 

CMYK 0 / 59 / 44 / 33

HEX #AA455F

RGB 170 69 95

HSL 344.55, 0.42%, 0.47%

LAB 43.7, 43.86, 6.08

 

CMYK 0 / 51 / 38 / 26

HEX #BC5C74

RGB 188 92 116

HSL 345, 0.42%, 0.55%

LAB 51.39, 41.1, 4.73

 

CMYK 0 / 40 / 30 / 22

HEX #C8798D

RGB 200 121 141

HSL 344.81, 0.42%, 0.63%

LAB 59.78, 33.33, 2.4

 

CMYK 0 / 29 / 22 / 17

HEX #D497A6

RGB 212 151 166

HSL 345.25, 0.41%, 0.71%

LAB 68.67, 25.05, 1.31

 

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

CMYK 0 / 3 / 51 / 26

HEX #BCB65C

RGB 188 182 92

HSL 56.25, 0.42%, 0.55%

LAB 72.84, -10.12, 46.07

 

CMYK 51 / 17 / 0 / 26

HEX #5C9CBC

RGB 92 156 188

HSL 200, 0.42%, 0.55%

LAB 61.38, -11.56, -22.89

 

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

CMYK 37 / 0 / 51 / 26

HEX #76BC5C

RGB 118 188 92

HSL 103.75, 0.42%, 0.55%

LAB 69.89, -39.96, 41.42

 

CMYK 51 / 37 / 0 / 26

HEX #5C76BC

RGB 92 118 188

HSL 223.75, 0.42%, 0.55%

LAB 50.53, 10.49, -39.77

 

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

CMYK 0 / 3 / 51 / 26

HEX #BCB65C

RGB 188 182 92

HSL 56.25, 0.42%, 0.55%

LAB 72.84, -10.12, 46.07

 

CMYK 51 / 0 / 13 / 26

HEX #5CBCA3

RGB 92 188 163

HSL 164.38, 0.42%, 0.55%

LAB 70.1, -34.47, 4

 

CMYK 51 / 48 / 0 / 26

HEX #5C62BC

RGB 92 98 188

HSL 236.25, 0.42%, 0.55%

LAB 45.14, 22.85, -48.33

 

CMYK 0 / 50 / 38 / 26

HEX #BD5E76

RGB 189 94 118

HSL 344.84, 0.42%, 0.55%

LAB 51.99, 40.67, 4.41

 

CMYK 12 / 0 / 51 / 26

HEX #A6BC5C

RGB 166 188 92

HSL 73.75, 0.42%, 0.55%

LAB 72.79, -22.16, 45.6

 

CMYK 51 / 0 / 13 / 26

HEX #5CBCA3

RGB 92 188 163

HSL 164.38, 0.42%, 0.55%

LAB 70.1, -34.47, 4

 

CMYK 39 / 51 / 0 / 26

HEX #735CBC

RGB 115 92 188

HSL 254.38, 0.42%, 0.55%

LAB 45.54, 32.02, -47.59

 

Description

Color code: HEX #BD5E76 | qconv.com Color code: HEX #BD5E76 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 94 green and 118 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 94 118 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 38 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 38% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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