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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD58D3 it is the complementary color #42A72C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD58D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD58D3 shade: #C258CE, #D36AE1, #E47CF4, #F58EFF and #FFA0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD58D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD58D3 shade: #BD58D3, #AC46C0, #9B34AD, #8A229A and #791087

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD58D3 shade: #BD5AD3, #D35AC8, #D35AA7, #D35A87 and #D35A66

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD58D3 shade: #BD5AD3, #9D5AD3, #7C5AD3, #5B5AD3 and #5A5AD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD58D3 shade matches the following richer shades: #BD5AD3, #C849E4 and #D338F5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD58D3 shade: #BD5AD3, #B36BC2, #A87CB1, #9D8DA0 and #929D8F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD58D3 shade: #7C5AD3, #9D5AD3, #BD5AD3, #D35AC9 and #D35AA9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD58D3 shade: #962EAD, #B039CA, #BD5AD3, #CA7ADC and #D79BE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD58D3 shade: #BD58D3, #D35C5A and #5AD38C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD58D3 shade: #BD58D3, #D3BD5A and #5AD3BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD58D3 shade: #BD58D3, #D35C5A, #70D35A and #5AD1D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD58D3 shade: #BD58D3, #D3805A, #70D35A and #5AADD3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

Complementary color

CMYK 60 / 0 / 74 / 35

HEX #42A72C

RGB 66 167 44

HSL 109.27, 0.58%, 0.41%

LAB 60.76, -51.83, 51.83

 

CMYK 6 / 57 / 0 / 19

HEX #C258CE

RGB 194 88 206

HSL 293.9, 0.55%, 0.58%

LAB 54.97, 58.76, -42.39

 

CMYK 6 / 53 / 0 / 12

HEX #D36AE1

RGB 211 106 225

HSL 292.94, 0.66%, 0.65%

LAB 61.3, 58.25, -42.99

 

CMYK 7 / 49 / 0 / 4

HEX #E47CF4

RGB 228 124 244

HSL 292, 0.85%, 0.72%

LAB 67.61, 57.62, -43.47

 

CMYK 4 / 44 / 0 / 0

HEX #F58EFF

RGB 245 142 255

HSL 294.69, 1%, 0.78%

LAB 73.53, 55.46, -40.07

 

CMYK 0 / 37 / 0 / 0

HEX #FFA0FF

RGB 255 160 255

HSL 300, 1%, 0.81%

LAB 78.24, 49.29, -32.68

 

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

CMYK 10 / 64 / 0 / 25

HEX #AC46C0

RGB 172 70 192

HSL 290.16, 0.49%, 0.51%

LAB 48.21, 58.76, -45.26

 

CMYK 10 / 70 / 0 / 32

HEX #9B34AD

RGB 155 52 173

HSL 291.07, 0.54%, 0.44%

LAB 41.91, 58.72, -44.3

 

CMYK 10 / 78 / 0 / 40

HEX #8A229A

RGB 138 34 154

HSL 292, 0.64%, 0.37%

LAB 35.75, 58.01, -42.9

 

CMYK 10 / 88 / 0 / 47

HEX #791087

RGB 121 16 135

HSL 292.94, 0.79%, 0.3%

LAB 29.87, 56.15, -40.81

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 0 / 57 / 5 / 17

HEX #D35AC8

RGB 211 90 200

HSL 305.45, 0.58%, 0.59%

LAB 57.4, 61.26, -35

 

CMYK 0 / 57 / 21 / 17

HEX #D35AA7

RGB 211 90 167

HSL 321.82, 0.58%, 0.59%

LAB 56.04, 56.19, -18.08

 

CMYK 0 / 57 / 36 / 17

HEX #D35A87

RGB 211 90 135

HSL 337.69, 0.58%, 0.59%

LAB 54.98, 52.07, -0.91

 

CMYK 0 / 57 / 52 / 17

HEX #D35A66

RGB 211 90 102

HSL 354.05, 0.58%, 0.59%

LAB 54.15, 48.74, 17.42

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 26 / 57 / 0 / 17

HEX #9D5AD3

RGB 157 90 211

HSL 273.22, 0.58%, 0.59%

LAB 50.9, 49.47, -52

 

CMYK 41 / 57 / 0 / 17

HEX #7C5AD3

RGB 124 90 211

HSL 256.86, 0.58%, 0.59%

LAB 47.37, 41.69, -57.87

 

CMYK 57 / 57 / 0 / 17

HEX #5B5AD3

RGB 91 90 211

HSL 240.5, 0.58%, 0.59%

LAB 44.57, 34.95, -62.51

 

CMYK 57 / 57 / 0 / 17

HEX #5A5AD3

RGB 90 90 211

HSL 240, 0.58%, 0.59%

LAB 44.5, 34.76, -62.63

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 12 / 68 / 0 / 11

HEX #C849E4

RGB 200 73 228

HSL 289.16, 0.74%, 0.59%

LAB 54.71, 70.57, -55.23

 

CMYK 14 / 77 / 0 / 4

HEX #D338F5

RGB 211 56 245

HSL 289.21, 0.9%, 0.59%

LAB 55.35, 81.46, -63.65

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 8 / 45 / 0 / 24

HEX #B36BC2

RGB 179 107 194

HSL 289.66, 0.42%, 0.59%

LAB 56.08, 42.79, -33.93

 

CMYK 5 / 30 / 0 / 31

HEX #A87CB1

RGB 168 124 177

HSL 289.81, 0.25%, 0.59%

LAB 57.96, 26.48, -21.41

 

CMYK 2 / 12 / 0 / 37

HEX #9D8DA0

RGB 157 141 160

HSL 290.53, 0.09%, 0.59%

LAB 60.57, 9.55, -7.86

 

CMYK 7 / 0 / 9 / 38

HEX #929D8F

RGB 146 157 143

HSL 107.14, 0.07%, 0.59%

LAB 63.51, -6.64, 5.97

 

CMYK 41 / 57 / 0 / 17

HEX #7C5AD3

RGB 124 90 211

HSL 256.86, 0.58%, 0.59%

LAB 47.37, 41.69, -57.87

 

CMYK 26 / 57 / 0 / 17

HEX #9D5AD3

RGB 157 90 211

HSL 273.22, 0.58%, 0.59%

LAB 50.9, 49.47, -52

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 0 / 57 / 5 / 17

HEX #D35AC9

RGB 211 90 201

HSL 304.96, 0.58%, 0.59%

LAB 57.44, 61.42, -35.49

 

CMYK 0 / 57 / 20 / 17

HEX #D35AA9

RGB 211 90 169

HSL 320.83, 0.58%, 0.59%

LAB 56.11, 56.48, -19.13

 

CMYK 13 / 73 / 0 / 32

HEX #962EAD

RGB 150 46 173

HSL 289.13, 0.58%, 0.43%

LAB 40.34, 59.91, -46.86

 

CMYK 13 / 72 / 0 / 21

HEX #B039CA

RGB 176 57 202

HSL 289.24, 0.58%, 0.51%

LAB 47.52, 66.74, -52.11

 

CMYK 10 / 57 / 0 / 17

HEX #BD5AD3

RGB 189 90 211

HSL 289.09, 0.58%, 0.59%

LAB 54.9, 57.49, -45.39

 

CMYK 8 / 45 / 0 / 14

HEX #CA7ADC

RGB 202 122 220

HSL 288.98, 0.58%, 0.67%

LAB 63.05, 46.76, -37.54

 

CMYK 6 / 32 / 0 / 11

HEX #D79BE4

RGB 215 155 228

HSL 289.32, 0.57%, 0.75%

LAB 71.89, 34.65, -28.16

 

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

CMYK 0 / 56 / 57 / 17

HEX #D35C5A

RGB 211 92 90

HSL 0.99, 0.58%, 0.59%

LAB 54.28, 46.83, 24.62

 

CMYK 57 / 0 / 34 / 17

HEX #5AD38C

RGB 90 211 140

HSL 144.79, 0.58%, 0.59%

LAB 76.47, -49.86, 25.24

 

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

CMYK 0 / 10 / 57 / 17

HEX #D3BD5A

RGB 211 189 90

HSL 49.09, 0.58%, 0.59%

LAB 76.67, -4.31, 51.99

 

CMYK 57 / 0 / 10 / 17

HEX #5AD3BD

RGB 90 211 189

HSL 169.09, 0.58%, 0.59%

LAB 77.54, -39.11, 0.72

 

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

CMYK 0 / 56 / 57 / 17

HEX #D35C5A

RGB 211 92 90

HSL 0.99, 0.58%, 0.59%

LAB 54.28, 46.83, 24.62

 

CMYK 47 / 0 / 57 / 17

HEX #70D35A

RGB 112 211 90

HSL 109.09, 0.58%, 0.59%

LAB 76.54, -51.69, 50.2

 

CMYK 57 / 1 / 0 / 17

HEX #5AD1D3

RGB 90 209 211

HSL 180.99, 0.58%, 0.59%

LAB 77.57, -32.47, -11.06

 

CMYK 10 / 58 / 0 / 17

HEX #BD58D3

RGB 189 88 211

HSL 289.27, 0.58%, 0.59%

LAB 54.56, 58.43, -45.94

 

CMYK 0 / 39 / 57 / 17

HEX #D3805A

RGB 211 128 90

HSL 18.84, 0.58%, 0.59%

LAB 61.68, 28.38, 34.08

 

CMYK 47 / 0 / 57 / 17

HEX #70D35A

RGB 112 211 90

HSL 109.09, 0.58%, 0.59%

LAB 76.54, -51.69, 50.2

 

CMYK 57 / 18 / 0 / 17

HEX #5AADD3

RGB 90 173 211

HSL 198.84, 0.58%, 0.59%

LAB 67.1, -14.32, -26.92

 

Description

Color code: HEX #BD58D3 | qconv.com Color code: HEX #BD58D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 88 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 88 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 58 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 58% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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