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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD53F0 it is the complementary color #42AC0F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD53F0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD53F0 shade: #C253EB, #D365FE, #E477FF, #F589FF and #FF9BFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD53F0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD53F0 shade: #BD53F0, #AC41DD, #9B2FCA, #8A1DB7 and #790BA4

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD53F0 shade: #BC51F0, #E751F0, #F051CE, #F051A3 and #F05178

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD53F0 shade: #BC51F0, #9251F0, #6751F0 and #5151F0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD53F0 shade matches the following richer shades: #BC51F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD53F0 shade: #BC51F0, #B761E1, #B270D1, #AC7FC2 and #A78EB3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD53F0 shade: #6751F0, #9151F0, #BB51F0, #E551F0 and #F051D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD53F0 shade: #9B13DC, #AE2BED, #BC51F0, #CB77F3 and #DA9DF7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD53F0 shade: #BD53F0, #F05167 and #51F07C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD53F0 shade: #BD53F0, #F0BB51 and #51F0BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD53F0 shade: #BD53F0, #F05167, #86F051 and #51F0DB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD53F0 shade: #BD53F0, #F06C51, #86F051 and #51D5F0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

Complementary color

CMYK 62 / 0 / 91 / 33

HEX #42AC0F

RGB 66 172 15

HSL 100.51, 0.84%, 0.37%

LAB 62.25, -55.11, 61.09

 

CMYK 17 / 65 / 0 / 8

HEX #C253EB

RGB 194 83 235

HSL 283.82, 0.79%, 0.62%

LAB 55.74, 66.52, -57.56

 

CMYK 17 / 60 / 0 / 0

HEX #D365FE

RGB 211 101 254

HSL 283.14, 0.99%, 0.7%

LAB 61.92, 66.15, -58.1

 

CMYK 11 / 53 / 0 / 0

HEX #E477FF

RGB 228 119 255

HSL 288.09, 1%, 0.73%

LAB 67.21, 62.11, -50.13

 

CMYK 4 / 46 / 0 / 0

HEX #F589FF

RGB 245 137 255

HSL 294.92, 1%, 0.77%

LAB 72.58, 57.93, -41.55

 

CMYK 0 / 39 / 0 / 0

HEX #FF9BFF

RGB 255 155 255

HSL 300, 1%, 0.8%

LAB 77.23, 51.82, -34.23

 

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

CMYK 22 / 71 / 0 / 13

HEX #AC41DD

RGB 172 65 221

HSL 281.15, 0.7%, 0.56%

LAB 49.22, 66.56, -60.29

 

CMYK 23 / 77 / 0 / 21

HEX #9B2FCA

RGB 155 47 202

HSL 281.81, 0.62%, 0.49%

LAB 43.16, 66.18, -59.29

 

CMYK 25 / 84 / 0 / 28

HEX #8A1DB7

RGB 138 29 183

HSL 282.47, 0.73%, 0.42%

LAB 37.3, 64.99, -57.79

 

CMYK 26 / 93 / 0 / 36

HEX #790BA4

RGB 121 11 164

HSL 283.14, 0.87%, 0.34%

LAB 31.77, 62.51, -55.54

 

CMYK 22 / 66 / 0 / 6

HEX #BC51F0

RGB 188 81 240

HSL 280.38, 0.84%, 0.63%

LAB 54.94, 67.09, -61.69

 

CMYK 4 / 66 / 0 / 6

HEX #E751F0

RGB 231 81 240

HSL 296.6, 0.84%, 0.63%

LAB 60.93, 76.37, -51.77

 

CMYK 0 / 66 / 14 / 6

HEX #F051CE

RGB 240 81 206

HSL 312.83, 0.84%, 0.63%

LAB 60.66, 73.23, -32.99

 

CMYK 0 / 66 / 32 / 6

HEX #F051A3

RGB 240 81 163

HSL 329.06, 0.84%, 0.63%

LAB 59.02, 67.72, -10.81

 

CMYK 0 / 66 / 50 / 6

HEX #F05178

RGB 240 81 120

HSL 345.28, 0.84%, 0.63%

LAB 57.81, 63.48, 12.61

 

CMYK 22 / 66 / 0 / 6

HEX #BC51F0

RGB 188 81 240

HSL 280.38, 0.84%, 0.63%

LAB 54.94, 67.09, -61.69

 

CMYK 39 / 66 / 0 / 6

HEX #9251F0

RGB 146 81 240

HSL 264.53, 0.84%, 0.63%

LAB 49.84, 58.6, -70.17

 

CMYK 57 / 66 / 0 / 6

HEX #6751F0

RGB 103 81 240

HSL 248.3, 0.84%, 0.63%

LAB 45.72, 51.17, -77.07

 

CMYK 66 / 66 / 0 / 6

HEX #5151F0

RGB 81 81 240

HSL 240, 0.84%, 0.63%

LAB 44.13, 48.13, -79.74

 

CMYK 22 / 66 / 0 / 6

HEX #BC51F0

RGB 188 81 240

HSL 280.38, 0.84%, 0.63%

LAB 54.94, 67.09, -61.69

 

CMYK 22 / 66 / 0 / 6

HEX #BC51F0

RGB 188 81 240

HSL 280.38, 0.84%, 0.63%

LAB 54.94, 67.09, -61.69

 

CMYK 19 / 57 / 0 / 12

HEX #B761E1

RGB 183 97 225

HSL 280.31, 0.68%, 0.63%

LAB 56.14, 55.42, -51.39

 

CMYK 15 / 46 / 0 / 18

HEX #B270D1

RGB 178 112 209

HSL 280.82, 0.51%, 0.63%

LAB 57.71, 42.92, -39.92

 

CMYK 11 / 35 / 0 / 24

HEX #AC7FC2

RGB 172 127 194

HSL 280.3, 0.35%, 0.63%

LAB 59.75, 29.62, -28.3

 

CMYK 7 / 21 / 0 / 30

HEX #A78EB3

RGB 167 142 179

HSL 280.54, 0.2%, 0.63%

LAB 62.35, 16.33, -15.86

 

CMYK 57 / 66 / 0 / 6

HEX #6751F0

RGB 103 81 240

HSL 248.3, 0.84%, 0.63%

LAB 45.72, 51.17, -77.07

 

CMYK 40 / 66 / 0 / 6

HEX #9151F0

RGB 145 81 240

HSL 264.15, 0.84%, 0.63%

LAB 49.73, 58.41, -70.35

 

CMYK 22 / 66 / 0 / 6

HEX #BB51F0

RGB 187 81 240

HSL 280, 0.84%, 0.63%

LAB 54.8, 66.87, -61.91

 

CMYK 5 / 66 / 0 / 6

HEX #E551F0

RGB 229 81 240

HSL 295.85, 0.84%, 0.63%

LAB 60.63, 75.93, -52.25

 

CMYK 0 / 66 / 13 / 6

HEX #F051D0

RGB 240 81 208

HSL 312.08, 0.84%, 0.63%

LAB 60.75, 73.51, -33.99

 

CMYK 30 / 91 / 0 / 14

HEX #9B13DC

RGB 155 19 220

HSL 280.6, 0.84%, 0.47%

LAB 42.16, 76.66, -71.3

 

CMYK 27 / 82 / 0 / 7

HEX #AE2BED

RGB 174 43 237

HSL 280.52, 0.84%, 0.55%

LAB 48.06, 77.44, -71.22

 

CMYK 22 / 66 / 0 / 6

HEX #BC51F0

RGB 188 81 240

HSL 280.38, 0.84%, 0.63%

LAB 54.94, 67.09, -61.69

 

CMYK 16 / 51 / 0 / 5

HEX #CB77F3

RGB 203 119 243

HSL 280.65, 0.84%, 0.71%

LAB 63.64, 53.24, -49.37

 

CMYK 12 / 36 / 0 / 3

HEX #DA9DF7

RGB 218 157 247

HSL 280.67, 0.85%, 0.79%

LAB 73.37, 38.28, -36.2

 

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

CMYK 0 / 66 / 57 / 6

HEX #F05167

RGB 240 81 103

HSL 351.7, 0.84%, 0.63%

LAB 57.45, 62.18, 22.09

 

CMYK 66 / 0 / 48 / 6

HEX #51F07C

RGB 81 240 124

HSL 136.23, 0.84%, 0.63%

LAB 84.75, -65.32, 44

 

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

CMYK 0 / 22 / 66 / 6

HEX #F0BB51

RGB 240 187 81

HSL 40, 0.84%, 0.63%

LAB 78.85, 8.32, 59.26

 

CMYK 66 / 0 / 22 / 6

HEX #51F0BB

RGB 81 240 187

HSL 160, 0.84%, 0.63%

LAB 85.83, -53.56, 13.66

 

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

CMYK 0 / 66 / 57 / 6

HEX #F05167

RGB 240 81 103

HSL 351.7, 0.84%, 0.63%

LAB 57.45, 62.18, 22.09

 

CMYK 44 / 0 / 66 / 6

HEX #86F051

RGB 134 240 81

HSL 100, 0.84%, 0.63%

LAB 86, -57.37, 64.75

 

CMYK 66 / 0 / 9 / 6

HEX #51F0DB

RGB 81 240 219

HSL 172.08, 0.84%, 0.63%

LAB 86.6, -45.88, -1.97

 

CMYK 21 / 65 / 0 / 6

HEX #BD53F0

RGB 189 83 240

HSL 280.51, 0.84%, 0.63%

LAB 55.38, 66.44, -60.97

 

CMYK 0 / 55 / 66 / 6

HEX #F06C51

RGB 240 108 81

HSL 10.19, 0.84%, 0.63%

LAB 61.52, 49.05, 39.69

 

CMYK 44 / 0 / 66 / 6

HEX #86F051

RGB 134 240 81

HSL 100, 0.84%, 0.63%

LAB 86, -57.37, 64.75

 

CMYK 66 / 11 / 0 / 6

HEX #51D5F0

RGB 81 213 240

HSL 190.19, 0.84%, 0.63%

LAB 79.4, -27.63, -23.84

 

Description

Color code: HEX #BD53F0 | qconv.com Color code: HEX #BD53F0 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 83 green and 240 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 83 240 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 65 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 65% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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