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Color name
HEX #BD496E

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD496E it is the complementary color #42B691. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD496E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD496E shade: #C24969, #D35B7C, #E46D8F, #F57FA2 and #FF91B5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD496E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD496E shade: #BD496E, #AC375B, #9B2548, #8A1335 and #790122

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD496E shade: #BD476D, #BD474D and #BD4747

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD496E shade: #BD476D, #BD478C, #BD47AC, #AE47BD and #8E47BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD496E shade matches the following richer shades: #BD476D, #D13365, #E51F5E and #F90B57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD496E shade: #BD476D, #A95C74, #94707B, #808483 and #6C988A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD496E shade: #BD47AD, #BD478E, #BD476E, #BD474F and #BD5F47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD496E shade: #832F4A, #A13A5B, #BD476D, #C86685 and #D3849D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD496E shade: #BD496E, #BDAD47 and #479DBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD496E shade: #BD496E, #6EBD47 and #476EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD496E shade: #BD496E, #BDAD47, #47BD96 and #4757BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD496E shade: #BD496E, #A9BD47, #47BD96 and #5B47BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

Complementary color

CMYK 64 / 0 / 20 / 29

HEX #42B691

RGB 66 182 145

HSL 160.86, 0.47%, 0.49%

LAB 67.02, -41.44, 9.35

 

CMYK 0 / 62 / 46 / 24

HEX #C24969

RGB 194 73 105

HSL 344.13, 0.5%, 0.52%

LAB 48.58, 51.06, 7.45

 

CMYK 0 / 57 / 41 / 17

HEX #D35B7C

RGB 211 91 124

HSL 343.5, 0.58%, 0.59%

LAB 54.85, 50.39, 5.4

 

CMYK 0 / 52 / 37 / 11

HEX #E46D8F

RGB 228 109 143

HSL 342.86, 0.69%, 0.66%

LAB 61.15, 49.58, 3.7

 

CMYK 0 / 48 / 34 / 4

HEX #F57FA2

RGB 245 127 162

HSL 342.2, 0.86%, 0.73%

LAB 67.43, 48.73, 2.25

 

CMYK 0 / 43 / 29 / 0

HEX #FF91B5

RGB 255 145 181

HSL 340.36, 1%, 0.78%

LAB 72.79, 45.5, -0.41

 

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

CMYK 0 / 68 / 47 / 33

HEX #AC375B

RGB 172 55 91

HSL 341.54, 0.52%, 0.45%

LAB 41.62, 50.34, 5.65

 

CMYK 0 / 76 / 54 / 39

HEX #9B2548

RGB 155 37 72

HSL 342.2, 0.61%, 0.38%

LAB 35.52, 50.22, 8.65

 

CMYK 0 / 86 / 62 / 46

HEX #8A1335

RGB 138 19 53

HSL 342.86, 0.76%, 0.31%

LAB 29.73, 49.16, 12.62

 

CMYK 0 / 99 / 72 / 53

HEX #790122

RGB 121 1 34

HSL 343.5, 0.98%, 0.24%

LAB 24.33, 46.97, 17.72

 

CMYK 0 / 62 / 42 / 26

HEX #BD476D

RGB 189 71 109

HSL 340.68, 0.47%, 0.51%

LAB 47.53, 50.73, 3.41

 

CMYK 0 / 62 / 59 / 26

HEX #BD474D

RGB 189 71 77

HSL 356.95, 0.47%, 0.51%

LAB 46.79, 47.9, 21.83

 

CMYK 0 / 62 / 62 / 26

HEX #BD4747

RGB 189 71 71

HSL 0, 0.47%, 0.51%

LAB 46.68, 47.48, 25.29

 

CMYK 0 / 62 / 42 / 26

HEX #BD476D

RGB 189 71 109

HSL 340.68, 0.47%, 0.51%

LAB 47.53, 50.73, 3.41

 

CMYK 0 / 62 / 26 / 26

HEX #BD478C

RGB 189 71 140

HSL 324.92, 0.47%, 0.51%

LAB 48.53, 54.42, -13.85

 

CMYK 0 / 62 / 9 / 26

HEX #BD47AC

RGB 189 71 172

HSL 308.64, 0.47%, 0.51%

LAB 49.86, 59.12, -30.8

 

CMYK 8 / 62 / 0 / 26

HEX #AE47BD

RGB 174 71 189

HSL 292.37, 0.47%, 0.51%

LAB 48.49, 58.24, -43.05

 

CMYK 25 / 62 / 0 / 26

HEX #8E47BD

RGB 142 71 189

HSL 276.1, 0.47%, 0.51%

LAB 44.13, 50.53, -50.25

 

CMYK 0 / 62 / 42 / 26

HEX #BD476D

RGB 189 71 109

HSL 340.68, 0.47%, 0.51%

LAB 47.53, 50.73, 3.41

 

CMYK 0 / 76 / 52 / 18

HEX #D13365

RGB 209 51 101

HSL 341.01, 0.63%, 0.51%

LAB 48.09, 63.54, 9.56

 

CMYK 0 / 86 / 59 / 10

HEX #E51F5E

RGB 229 31 94

HSL 340.91, 0.79%, 0.51%

LAB 50.03, 73.15, 17.13

 

CMYK 0 / 96 / 65 / 2

HEX #F90B57

RGB 249 11 87

HSL 340.84, 0.95%, 0.51%

LAB 53.02, 79.99, 26.06

 

CMYK 0 / 62 / 42 / 26

HEX #BD476D

RGB 189 71 109

HSL 340.68, 0.47%, 0.51%

LAB 47.53, 50.73, 3.41

 

CMYK 0 / 46 / 31 / 34

HEX #A95C74

RGB 169 92 116

HSL 341.3, 0.31%, 0.51%

LAB 48.7, 34.24, 0.49

 

CMYK 0 / 24 / 17 / 42

HEX #94707B

RGB 148 112 123

HSL 341.67, 0.14%, 0.51%

LAB 51.05, 16.02, -0.55

 

CMYK 3 / 0 / 1 / 48

HEX #808483

RGB 128 132 131

HSL 165, 0.02%, 0.51%

LAB 54.79, -1.68, 0.02

 

CMYK 29 / 0 / 9 / 40

HEX #6C988A

RGB 108 152 138

HSL 160.91, 0.18%, 0.51%

LAB 59.42, -18.07, 2.56

 

CMYK 0 / 62 / 8 / 26

HEX #BD47AD

RGB 189 71 173

HSL 308.14, 0.47%, 0.51%

LAB 49.91, 59.28, -31.32

 

CMYK 0 / 62 / 25 / 26

HEX #BD478E

RGB 189 71 142

HSL 323.9, 0.47%, 0.51%

LAB 48.61, 54.69, -14.94

 

CMYK 0 / 62 / 42 / 26

HEX #BD476E

RGB 189 71 110

HSL 340.17, 0.47%, 0.51%

LAB 47.56, 50.83, 2.84

 

CMYK 0 / 62 / 58 / 26

HEX #BD474F

RGB 189 71 79

HSL 355.93, 0.47%, 0.51%

LAB 46.83, 48.04, 20.68

 

CMYK 0 / 50 / 62 / 26

HEX #BD5F47

RGB 189 95 71

HSL 12.2, 0.47%, 0.51%

LAB 51.22, 35.73, 30.97

 

CMYK 0 / 64 / 44 / 49

HEX #832F4A

RGB 131 47 74

HSL 340.71, 0.47%, 0.35%

LAB 32.6, 38.64, 2.59

 

CMYK 0 / 64 / 43 / 37

HEX #A13A5B

RGB 161 58 91

HSL 340.78, 0.47%, 0.43%

LAB 40.18, 45.51, 3.33

 

CMYK 0 / 62 / 42 / 26

HEX #BD476D

RGB 189 71 109

HSL 340.68, 0.47%, 0.51%

LAB 47.53, 50.73, 3.41

 

CMYK 0 / 49 / 34 / 22

HEX #C86685

RGB 200 102 133

HSL 341.02, 0.47%, 0.59%

LAB 55.56, 42.28, 0.92

 

CMYK 0 / 37 / 26 / 17

HEX #D3849D

RGB 211 132 157

HSL 341.01, 0.47%, 0.67%

LAB 63.99, 33.64, -0.46

 

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 17 / 0 / 26

HEX #479DBD

RGB 71 157 189

HSL 196.27, 0.47%, 0.51%

LAB 60.89, -16.11, -24.26

 

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

CMYK 42 / 0 / 62 / 26

HEX #6EBD47

RGB 110 189 71

HSL 100.17, 0.47%, 0.51%

LAB 69.59, -45.31, 50.74

 

CMYK 62 / 42 / 0 / 26

HEX #476EBD

RGB 71 110 189

HSL 220.17, 0.47%, 0.51%

LAB 47.19, 11.31, -45.71

 

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

CMYK 0 / 8 / 62 / 26

HEX #BDAD47

RGB 189 173 71

HSL 51.86, 0.47%, 0.51%

LAB 70.29, -6.63, 53.01

 

CMYK 62 / 0 / 21 / 26

HEX #47BD96

RGB 71 189 150

HSL 160.17, 0.47%, 0.51%

LAB 69.42, -42.39, 10.05

 

CMYK 62 / 54 / 0 / 26

HEX #4757BD

RGB 71 87 189

HSL 231.86, 0.47%, 0.51%

LAB 40.94, 25.9, -55.73

 

CMYK 0 / 61 / 42 / 26

HEX #BD496E

RGB 189 73 110

HSL 340.86, 0.47%, 0.51%

LAB 47.89, 49.94, 3.32

 

CMYK 11 / 0 / 62 / 26

HEX #A9BD47

RGB 169 189 71

HSL 70.17, 0.47%, 0.51%

LAB 73.08, -23.22, 55.56

 

CMYK 62 / 0 / 21 / 26

HEX #47BD96

RGB 71 189 150

HSL 160.17, 0.47%, 0.51%

LAB 69.42, -42.39, 10.05

 

CMYK 52 / 62 / 0 / 26

HEX #5B47BD

RGB 91 71 189

HSL 250.17, 0.47%, 0.51%

LAB 38.56, 39.48, -59.53

 

Description

Color code: HEX #BD496E | qconv.com Color code: HEX #BD496E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 73 green and 110 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 73 110 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 42 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 42% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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