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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD42ED it is the complementary color #42BD12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD42ED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD42ED shade: #C242E8, #D354FB, #E466FF, #F578FF and #FF8AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD42ED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD42ED shade: #BD42ED, #AC30DA, #9B1EC7, #8A0CB4 and #7900A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD42ED shade: #BD40ED, #EB40ED, #ED40C0, #ED4092 and #ED4063

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD42ED shade: #BD40ED, #8E40ED, #5F40ED and #4040ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD42ED shade matches the following richer shades: #BD40ED and #C42FFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD42ED shade: #BD40ED, #B551DC, #AE62CB, #A672BA and #9F83AA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD42ED shade: #5F40ED, #8E40ED, #BC40ED, #EA40ED and #ED40C2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD42ED shade: #9513C8, #AF1AEA, #BD40ED, #CA65F1 and #D78BF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD42ED shade: #BD42ED, #ED404E and #40ED77

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD42ED shade: #BD42ED, #EDBC40 and #40EDBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD42ED shade: #BD42ED, #ED404E, #71ED40 and #40EDDF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD42ED shade: #BD42ED, #ED6540, #71ED40 and #40C8ED

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

Complementary color

CMYK 65 / 0 / 90 / 26

HEX #42BD12

RGB 66 189 18

HSL 103.16, 0.83%, 0.41%

LAB 67.72, -60.76, 65.21

 

CMYK 16 / 72 / 0 / 9

HEX #C242E8

RGB 194 66 232

HSL 286.27, 0.78%, 0.58%

LAB 53.16, 72.69, -60.01

 

CMYK 16 / 67 / 0 / 2

HEX #D354FB

RGB 211 84 251

HSL 285.63, 0.95%, 0.66%

LAB 59.12, 72.86, -60.93

 

CMYK 11 / 60 / 0 / 0

HEX #E466FF

RGB 228 102 255

HSL 289.41, 1%, 0.7%

LAB 64.34, 69.87, -54.68

 

CMYK 4 / 53 / 0 / 0

HEX #F578FF

RGB 245 120 255

HSL 295.56, 1%, 0.74%

LAB 69.52, 66.01, -46.35

 

CMYK 0 / 46 / 0 / 0

HEX #FF8AFF

RGB 255 138 255

HSL 300, 1%, 0.77%

LAB 73.97, 60.22, -39.29

 

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

CMYK 21 / 78 / 0 / 15

HEX #AC30DA

RGB 172 48 218

HSL 283.76, 0.7%, 0.52%

LAB 46.9, 72.01, -62.32

 

CMYK 22 / 85 / 0 / 22

HEX #9B1EC7

RGB 155 30 199

HSL 284.38, 0.74%, 0.45%

LAB 41.25, 70.54, -60.65

 

CMYK 23 / 93 / 0 / 29

HEX #8A0CB4

RGB 138 12 180

HSL 285, 0.88%, 0.38%

LAB 35.91, 67.84, -58.27

 

CMYK 25 / 100 / 0 / 37

HEX #7900A1

RGB 121 0 161

HSL 285.09, 1%, 0.32%

LAB 30.97, 63.59, -55.03

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 1 / 73 / 0 / 7

HEX #EB40ED

RGB 235 64 237

HSL 299.31, 0.83%, 0.59%

LAB 59.38, 82.38, -52.52

 

CMYK 0 / 73 / 19 / 7

HEX #ED40C0

RGB 237 64 192

HSL 315.61, 0.83%, 0.59%

LAB 57.54, 76.37, -29.89

 

CMYK 0 / 73 / 38 / 7

HEX #ED4092

RGB 237 64 146

HSL 331.56, 0.83%, 0.59%

LAB 55.83, 71.05, -5.66

 

CMYK 0 / 73 / 58 / 7

HEX #ED4063

RGB 237 64 99

HSL 347.86, 0.83%, 0.59%

LAB 54.63, 67.14, 20.58

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 40 / 73 / 0 / 7

HEX #8E40ED

RGB 142 64 237

HSL 267.05, 0.83%, 0.59%

LAB 46.35, 65.01, -74.18

 

CMYK 60 / 73 / 0 / 7

HEX #5F40ED

RGB 95 64 237

HSL 250.75, 0.83%, 0.59%

LAB 41.55, 58.16, -82.23

 

CMYK 73 / 73 / 0 / 7

HEX #4040ED

RGB 64 64 237

HSL 240, 0.83%, 0.59%

LAB 39.36, 54.92, -85.92

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 23 / 81 / 0 / 0

HEX #C42FFE

RGB 196 47 254

HSL 283.19, 0.99%, 0.59%

LAB 52.87, 83, -72.78

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 18 / 63 / 0 / 14

HEX #B551DC

RGB 181 81 220

HSL 283.17, 0.67%, 0.59%

LAB 52.81, 61.49, -53.89

 

CMYK 14 / 52 / 0 / 20

HEX #AE62CB

RGB 174 98 203

HSL 283.43, 0.5%, 0.59%

LAB 54.08, 47.96, -42.27

 

CMYK 11 / 39 / 0 / 27

HEX #A672BA

RGB 166 114 186

HSL 283.33, 0.34%, 0.59%

LAB 55.77, 33.34, -29.95

 

CMYK 6 / 23 / 0 / 33

HEX #9F83AA

RGB 159 131 170

HSL 283.08, 0.19%, 0.59%

LAB 58.51, 18, -16.63

 

CMYK 60 / 73 / 0 / 7

HEX #5F40ED

RGB 95 64 237

HSL 250.75, 0.83%, 0.59%

LAB 41.55, 58.16, -82.23

 

CMYK 40 / 73 / 0 / 7

HEX #8E40ED

RGB 142 64 237

HSL 267.05, 0.83%, 0.59%

LAB 46.35, 65.01, -74.18

 

CMYK 21 / 73 / 0 / 7

HEX #BC40ED

RGB 188 64 237

HSL 283.01, 0.83%, 0.59%

LAB 52.37, 73.2, -64.14

 

CMYK 1 / 73 / 0 / 7

HEX #EA40ED

RGB 234 64 237

HSL 298.96, 0.83%, 0.59%

LAB 59.23, 82.18, -52.77

 

CMYK 0 / 73 / 18 / 7

HEX #ED40C2

RGB 237 64 194

HSL 314.91, 0.83%, 0.59%

LAB 57.62, 76.63, -30.91

 

CMYK 26 / 91 / 0 / 22

HEX #9513C8

RGB 149 19 200

HSL 283.09, 0.83%, 0.43%

LAB 39.62, 72.06, -63.91

 

CMYK 25 / 89 / 0 / 8

HEX #AF1AEA

RGB 175 26 234

HSL 282.98, 0.83%, 0.51%

LAB 46.7, 80.8, -71.73

 

CMYK 20 / 73 / 0 / 7

HEX #BD40ED

RGB 189 64 237

HSL 283.35, 0.83%, 0.59%

LAB 52.51, 73.39, -63.91

 

CMYK 16 / 58 / 0 / 5

HEX #CA65F1

RGB 202 101 241

HSL 283.29, 0.83%, 0.67%

LAB 60.08, 61.43, -53.91

 

CMYK 12 / 43 / 0 / 4

HEX #D78BF4

RGB 215 139 244

HSL 283.43, 0.83%, 0.75%

LAB 69.07, 46.37, -41.28

 

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

CMYK 0 / 73 / 67 / 7

HEX #ED404E

RGB 237 64 78

HSL 355.14, 0.83%, 0.59%

LAB 54.26, 65.92, 32.47

 

CMYK 73 / 0 / 50 / 7

HEX #40ED77

RGB 64 237 119

HSL 139.08, 0.83%, 0.59%

LAB 83.44, -67.76, 44.67

 

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

CMYK 0 / 21 / 73 / 7

HEX #EDBC40

RGB 237 188 64

HSL 43.01, 0.83%, 0.59%

LAB 78.66, 5.67, 66

 

CMYK 73 / 0 / 21 / 7

HEX #40EDBC

RGB 64 237 188

HSL 163.01, 0.83%, 0.59%

LAB 84.63, -54.51, 11.38

 

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

CMYK 0 / 73 / 67 / 7

HEX #ED404E

RGB 237 64 78

HSL 355.14, 0.83%, 0.59%

LAB 54.26, 65.92, 32.47

 

CMYK 52 / 0 / 73 / 7

HEX #71ED40

RGB 113 237 64

HSL 103.01, 0.83%, 0.59%

LAB 84.2, -63.49, 68.81

 

CMYK 73 / 0 / 6 / 7

HEX #40EDDF

RGB 64 237 223

HSL 175.14, 0.83%, 0.59%

LAB 85.5, -45.73, -5.73

 

CMYK 20 / 72 / 0 / 7

HEX #BD42ED

RGB 189 66 237

HSL 283.16, 0.83%, 0.59%

LAB 52.76, 72.66, -63.5

 

CMYK 0 / 57 / 73 / 7

HEX #ED6540

RGB 237 101 64

HSL 12.83, 0.83%, 0.59%

LAB 59.6, 50.4, 46.37

 

CMYK 52 / 0 / 73 / 7

HEX #71ED40

RGB 113 237 64

HSL 103.01, 0.83%, 0.59%

LAB 84.2, -63.49, 68.81

 

CMYK 73 / 16 / 0 / 7

HEX #40C8ED

RGB 64 200 237

HSL 192.83, 0.83%, 0.59%

LAB 75.15, -24.36, -28.78

 

Description

Color code: HEX #BD42ED | qconv.com Color code: HEX #BD42ED | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 66 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 66 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 72 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 72% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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