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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD3CBE it is the complementary color #42C341. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD3CBE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD3CBE shade: #C23CB9, #D34ECC, #E460DF, #F572F2 and #FF84FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD3CBE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD3CBE shade: #BD3CBE, #AC2AAB, #9B1898, #8A0685 and #790072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD3CBE shade: #BD3CBE, #BE3C9C, #BE3C79, #BE3C56 and #BE3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD3CBE shade: #BD3CBE, #9A3CBE, #773CBE, #543CBE and #3C3CBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD3CBE shade matches the following richer shades: #BD3CBE, #D128D2 and #E514E6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD3CBE shade: #BD3CBE, #A950AA, #956495, #817981 and #6D8D6D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD3CBE shade: #763CBE, #993CBE, #BC3CBE, #BE3C9D and #BE3C7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD3CBE shade: #7F287F, #9E329F, #BD3CBE, #CA59CA and #D478D4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD3CBE shade: #BD3CBE, #BE543C and #3CBE88

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD3CBE shade: #BD3CBE, #BEBC3C and #3CBEBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD3CBE shade: #BD3CBE, #BE543C, #3EBE3C and #3CA6BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD3CBE shade: #BD3CBE, #BE7B3C, #3EBE3C and #3C7FBE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

Complementary color

CMYK 66 / 0 / 67 / 24

HEX #42C341

RGB 66 195 65

HSL 119.54, 0.52%, 0.51%

LAB 69.87, -59.86, 53.15

 

CMYK 0 / 69 / 5 / 24

HEX #C23CB9

RGB 194 60 185

HSL 304.03, 0.53%, 0.5%

LAB 49.74, 66.7, -38.54

 

CMYK 0 / 63 / 3 / 17

HEX #D34ECC

RGB 211 78 204

HSL 303.16, 0.6%, 0.57%

LAB 55.74, 66.97, -39.87

 

CMYK 0 / 58 / 2 / 11

HEX #E460DF

RGB 228 96 223

HSL 302.27, 0.71%, 0.64%

LAB 61.82, 66.86, -40.9

 

CMYK 0 / 53 / 1 / 4

HEX #F572F2

RGB 245 114 242

HSL 301.37, 0.87%, 0.7%

LAB 67.92, 66.5, -41.73

 

CMYK 0 / 48 / 0 / 0

HEX #FF84FF

RGB 255 132 255

HSL 300, 1%, 0.76%

LAB 72.88, 63.08, -40.99

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 76 / 1 / 33

HEX #AC2AAB

RGB 172 42 171

HSL 300.46, 0.61%, 0.42%

LAB 43.31, 65.53, -40.72

 

CMYK 0 / 85 / 2 / 39

HEX #9B1898

RGB 155 24 152

HSL 301.37, 0.73%, 0.35%

LAB 37.64, 63.74, -38.5

 

CMYK 0 / 96 / 4 / 46

HEX #8A0685

RGB 138 6 133

HSL 302.27, 0.92%, 0.28%

LAB 32.32, 60.61, -35.47

 

CMYK 0 / 100 / 6 / 53

HEX #790072

RGB 121 0 114

HSL 303.47, 1%, 0.24%

LAB 27.52, 55.51, -31.3

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 68 / 18 / 25

HEX #BE3C9C

RGB 190 60 156

HSL 315.69, 0.52%, 0.49%

LAB 47.73, 61.35, -24.65

 

CMYK 0 / 68 / 36 / 25

HEX #BE3C79

RGB 190 60 121

HSL 331.85, 0.52%, 0.49%

LAB 46.39, 56.9, -5.56

 

CMYK 0 / 68 / 55 / 25

HEX #BE3C56

RGB 190 60 86

HSL 348, 0.52%, 0.49%

LAB 45.43, 53.56, 14.55

 

CMYK 0 / 68 / 68 / 25

HEX #BE3C3C

RGB 190 60 60

HSL 0, 0.52%, 0.49%

LAB 44.95, 51.85, 29.71

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 19 / 68 / 0 / 25

HEX #9A3CBE

RGB 154 60 190

HSL 283.38, 0.52%, 0.49%

LAB 43.97, 58.56, -51.01

 

CMYK 37 / 68 / 0 / 25

HEX #773CBE

RGB 119 60 190

HSL 267.23, 0.52%, 0.49%

LAB 39.36, 51.23, -58.68

 

CMYK 56 / 68 / 0 / 25

HEX #543CBE

RGB 84 60 190

HSL 251.08, 0.52%, 0.49%

LAB 35.66, 44.89, -64.87

 

CMYK 68 / 68 / 0 / 25

HEX #3C3CBE

RGB 60 60 190

HSL 240, 0.52%, 0.49%

LAB 33.79, 41.48, -68

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 81 / 0 / 18

HEX #D128D2

RGB 209 40 210

HSL 299.65, 0.68%, 0.49%

LAB 51.53, 79.49, -50

 

CMYK 0 / 91 / 0 / 10

HEX #E514E6

RGB 229 20 230

HSL 299.71, 0.84%, 0.49%

LAB 54.94, 89.18, -55.73

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 1 / 53 / 0 / 33

HEX #A950AA

RGB 169 80 170

HSL 299.33, 0.36%, 0.49%

LAB 48.35, 49.2, -32.2

 

CMYK 0 / 33 / 0 / 42

HEX #956495

RGB 149 100 149

HSL 300, 0.2%, 0.49%

LAB 49.1, 28.14, -18.86

 

CMYK 0 / 6 / 0 / 49

HEX #817981

RGB 129 121 129

HSL 300, 0.03%, 0.49%

LAB 51.75, 4.62, -3.27

 

CMYK 23 / 0 / 23 / 45

HEX #6D8D6D

RGB 109 141 109

HSL 120, 0.13%, 0.49%

LAB 55.49, -17.89, 13.48

 

CMYK 38 / 68 / 0 / 25

HEX #763CBE

RGB 118 60 190

HSL 266.77, 0.52%, 0.49%

LAB 39.24, 51.03, -58.88

 

CMYK 19 / 68 / 0 / 25

HEX #993CBE

RGB 153 60 190

HSL 282.92, 0.52%, 0.49%

LAB 43.83, 58.34, -51.24

 

CMYK 1 / 68 / 0 / 25

HEX #BC3CBE

RGB 188 60 190

HSL 299.08, 0.52%, 0.49%

LAB 49.06, 66.14, -42.6

 

CMYK 0 / 68 / 17 / 25

HEX #BE3C9D

RGB 190 60 157

HSL 315.23, 0.52%, 0.49%

LAB 47.77, 61.5, -25.18

 

CMYK 0 / 68 / 35 / 25

HEX #BE3C7B

RGB 190 60 123

HSL 330.92, 0.52%, 0.49%

LAB 46.46, 57.13, -6.68

 

CMYK 0 / 69 / 0 / 50

HEX #7F287F

RGB 127 40 127

HSL 300, 0.52%, 0.33%

LAB 33.05, 48.42, -30.68

 

CMYK 1 / 69 / 0 / 38

HEX #9E329F

RGB 158 50 159

HSL 299.45, 0.52%, 0.41%

LAB 41.3, 57.66, -36.88

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 56 / 0 / 21

HEX #CA59CA

RGB 202 89 202

HSL 300, 0.52%, 0.57%

LAB 56.05, 59.66, -38.33

 

CMYK 0 / 43 / 0 / 17

HEX #D478D4

RGB 212 120 212

HSL 300, 0.52%, 0.65%

LAB 63.49, 49.21, -32.28

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 56 / 68 / 25

HEX #BE543C

RGB 190 84 60

HSL 11.08, 0.52%, 0.49%

LAB 49.02, 41.02, 34.57

 

CMYK 68 / 0 / 28 / 25

HEX #3CBE88

RGB 60 190 136

HSL 155.08, 0.52%, 0.49%

LAB 69.16, -47.9, 17.23

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 1 / 68 / 25

HEX #BEBC3C

RGB 190 188 60

HSL 59.08, 0.52%, 0.49%

LAB 74.34, -14.61, 61.82

 

CMYK 68 / 0 / 1 / 25

HEX #3CBEBC

RGB 60 190 188

HSL 179.08, 0.52%, 0.49%

LAB 70.47, -34.74, -9.25

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 56 / 68 / 25

HEX #BE543C

RGB 190 84 60

HSL 11.08, 0.52%, 0.49%

LAB 49.02, 41.02, 34.57

 

CMYK 67 / 0 / 68 / 25

HEX #3EBE3C

RGB 62 190 60

HSL 119.08, 0.52%, 0.49%

LAB 68.15, -59.42, 53.3

 

CMYK 68 / 13 / 0 / 25

HEX #3CA6BE

RGB 60 166 190

HSL 191.08, 0.52%, 0.49%

LAB 63.3, -22.34, -21.17

 

CMYK 1 / 68 / 0 / 25

HEX #BD3CBE

RGB 189 60 190

HSL 299.54, 0.52%, 0.49%

LAB 49.21, 66.37, -42.34

 

CMYK 0 / 35 / 68 / 25

HEX #BE7B3C

RGB 190 123 60

HSL 29.08, 0.52%, 0.49%

LAB 57.5, 20.31, 44.2

 

CMYK 67 / 0 / 68 / 25

HEX #3EBE3C

RGB 62 190 60

HSL 119.08, 0.52%, 0.49%

LAB 68.15, -59.42, 53.3

 

CMYK 68 / 33 / 0 / 25

HEX #3C7FBE

RGB 60 127 190

HSL 209.08, 0.52%, 0.49%

LAB 51.68, -0.65, -39.21

 

Description

Color code: HEX #BD3CBE | qconv.com Color code: HEX #BD3CBE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 60 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 60 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 68 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 68% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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