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Color name
HEX #BD367F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD367F it is the complementary color #42C980. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD367F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD367F shade: #C2367A, #D3488D, #E45AA0, #F56CB3 and #FF7EC6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD367F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD367F shade: #BD367F, #AC246C, #9B1259, #8A0046 and #790033

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD367F shade: #BF3680, #BF365B and #BF3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD367F shade: #BF3680, #BF36A5, #B436BF, #8F36BF and #6A36BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD367F shade matches the following richer shades: #BF3680, #D32282 and #E70E83

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD367F shade: #BF3680, #AB4A7E, #975D7D, #84717B and #70857A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD367F shade: #B436BF, #BF36A6, #BF3681, #BF365D and #BF3638

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD367F shade: #7F2455, #9F2D6A, #BF3680, #CE5094 and #D771A8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD367F shade: #BD367F, #BF8F36 and #36B8BF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD367F shade: #BD367F, #81BF36 and #3681BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD367F shade: #BD367F, #BF8F36, #36BF74 and #3666BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD367F shade: #BD367F, #BFB836, #36BF74 and #363DBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

Complementary color

CMYK 67 / 0 / 36 / 21

HEX #42C980

RGB 66 201 128

HSL 147.56, 0.56%, 0.52%

LAB 72.55, -52.9, 26.13

 

CMYK 0 / 72 / 37 / 24

HEX #C2367A

RGB 194 54 122

HSL 330.86, 0.56%, 0.49%

LAB 46.33, 60.35, -6.19

 

CMYK 0 / 66 / 33 / 17

HEX #D3488D

RGB 211 72 141

HSL 330.22, 0.61%, 0.55%

LAB 52.29, 60.53, -8.44

 

CMYK 0 / 61 / 30 / 11

HEX #E45AA0

RGB 228 90 160

HSL 329.57, 0.72%, 0.62%

LAB 58.36, 60.3, -10.25

 

CMYK 0 / 56 / 27 / 4

HEX #F56CB3

RGB 245 108 179

HSL 328.91, 0.87%, 0.69%

LAB 64.48, 59.83, -11.75

 

CMYK 0 / 51 / 22 / 0

HEX #FF7EC6

RGB 255 126 198

HSL 326.51, 1%, 0.75%

LAB 69.65, 57.07, -14.53

 

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

CMYK 0 / 79 / 37 / 33

HEX #AC246C

RGB 172 36 108

HSL 328.24, 0.65%, 0.41%

LAB 39.77, 58.72, -7.73

 

CMYK 0 / 88 / 43 / 39

HEX #9B1259

RGB 155 18 89

HSL 328.91, 0.79%, 0.34%

LAB 34.24, 56.85, -4.22

 

CMYK 0 / 100 / 49 / 46

HEX #8A0046

RGB 138 0 70

HSL 329.57, 1%, 0.27%

LAB 29.02, 53.87, 0.22

 

CMYK 0 / 100 / 58 / 53

HEX #790033

RGB 121 0 51

HSL 334.71, 1%, 0.24%

LAB 24.65, 48.22, 6.4

 

CMYK 0 / 72 / 33 / 25

HEX #BF3680

RGB 191 54 128

HSL 327.59, 0.56%, 0.48%

LAB 46.01, 60.2, -10.39

 

CMYK 0 / 72 / 52 / 25

HEX #BF365B

RGB 191 54 91

HSL 343.8, 0.56%, 0.48%

LAB 44.9, 56.55, 10.77

 

CMYK 0 / 72 / 72 / 25

HEX #BF3636

RGB 191 54 54

HSL 0, 0.56%, 0.48%

LAB 44.21, 54.18, 32.42

 

CMYK 0 / 72 / 33 / 25

HEX #BF3680

RGB 191 54 128

HSL 327.59, 0.56%, 0.48%

LAB 46.01, 60.2, -10.39

 

CMYK 0 / 72 / 14 / 25

HEX #BF36A5

RGB 191 54 165

HSL 311.39, 0.56%, 0.48%

LAB 47.54, 65.04, -30.28

 

CMYK 6 / 72 / 0 / 25

HEX #B436BF

RGB 180 54 191

HSL 295.18, 0.56%, 0.48%

LAB 47.11, 66.68, -46.35

 

CMYK 25 / 72 / 0 / 25

HEX #8F36BF

RGB 143 54 191

HSL 278.98, 0.56%, 0.48%

LAB 41.59, 58.98, -55.5

 

CMYK 45 / 72 / 0 / 25

HEX #6A36BF

RGB 106 54 191

HSL 262.77, 0.56%, 0.48%

LAB 36.86, 52, -63.4

 

CMYK 0 / 72 / 33 / 25

HEX #BF3680

RGB 191 54 128

HSL 327.59, 0.56%, 0.48%

LAB 46.01, 60.2, -10.39

 

CMYK 0 / 84 / 38 / 17

HEX #D32282

RGB 211 34 130

HSL 327.46, 0.72%, 0.48%

LAB 47.76, 71.07, -8.6

 

CMYK 0 / 94 / 43 / 9

HEX #E70E83

RGB 231 14 131

HSL 327.65, 0.89%, 0.48%

LAB 50.62, 78.62, -4.54

 

CMYK 0 / 72 / 33 / 25

HEX #BF3680

RGB 191 54 128

HSL 327.59, 0.56%, 0.48%

LAB 46.01, 60.2, -10.39

 

CMYK 0 / 57 / 26 / 33

HEX #AB4A7E

RGB 171 74 126

HSL 327.84, 0.4%, 0.48%

LAB 45.72, 45.59, -9.93

 

CMYK 0 / 38 / 17 / 41

HEX #975D7D

RGB 151 93 125

HSL 326.9, 0.24%, 0.48%

LAB 46.83, 28.45, -7.95

 

CMYK 0 / 14 / 7 / 48

HEX #84717B

RGB 132 113 123

HSL 328.42, 0.08%, 0.48%

LAB 49.67, 9.26, -2.76

 

CMYK 16 / 0 / 8 / 48

HEX #70857A

RGB 112 133 122

HSL 148.57, 0.09%, 0.48%

LAB 53.63, -9.92, 3.39

 

CMYK 6 / 72 / 0 / 25

HEX #B436BF

RGB 180 54 191

HSL 295.18, 0.56%, 0.48%

LAB 47.11, 66.68, -46.35

 

CMYK 0 / 72 / 13 / 25

HEX #BF36A6

RGB 191 54 166

HSL 310.95, 0.56%, 0.48%

LAB 47.58, 65.19, -30.8

 

CMYK 0 / 72 / 32 / 25

HEX #BF3681

RGB 191 54 129

HSL 327.15, 0.56%, 0.48%

LAB 46.04, 60.32, -10.94

 

CMYK 0 / 72 / 51 / 25

HEX #BF365D

RGB 191 54 93

HSL 342.92, 0.56%, 0.48%

LAB 44.95, 56.71, 9.6

 

CMYK 0 / 72 / 71 / 25

HEX #BF3638

RGB 191 54 56

HSL 359.12, 0.56%, 0.48%

LAB 44.23, 54.28, 31.27

 

CMYK 0 / 72 / 33 / 50

HEX #7F2455

RGB 127 36 85

HSL 327.69, 0.56%, 0.32%

LAB 30.47, 43.52, -7.81

 

CMYK 0 / 72 / 33 / 38

HEX #9F2D6A

RGB 159 45 106

HSL 327.89, 0.56%, 0.4%

LAB 38.35, 51.98, -8.84

 

CMYK 0 / 72 / 33 / 25

HEX #BF3680

RGB 191 54 128

HSL 327.59, 0.56%, 0.48%

LAB 46.01, 60.2, -10.39

 

CMYK 0 / 61 / 28 / 19

HEX #CE5094

RGB 206 80 148

HSL 327.62, 0.56%, 0.56%

LAB 52.95, 56.59, -11.69

 

CMYK 0 / 47 / 22 / 16

HEX #D771A8

RGB 215 113 168

HSL 327.65, 0.56%, 0.64%

LAB 60.86, 46.51, -11.32

 

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

CMYK 0 / 25 / 72 / 25

HEX #BF8F36

RGB 191 143 54

HSL 38.98, 0.56%, 0.48%

LAB 62.5, 9.39, 52.33

 

CMYK 72 / 4 / 0 / 25

HEX #36B8BF

RGB 54 184 191

HSL 183.07, 0.56%, 0.48%

LAB 68.63, -31.81, -13.67

 

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

CMYK 32 / 0 / 72 / 25

HEX #81BF36

RGB 129 191 54

HSL 87.15, 0.56%, 0.48%

LAB 71.01, -40.95, 59.35

 

CMYK 72 / 32 / 0 / 25

HEX #3681BF

RGB 54 129 191

HSL 207.15, 0.56%, 0.48%

LAB 52.11, -2.4, -39.1

 

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

CMYK 0 / 25 / 72 / 25

HEX #BF8F36

RGB 191 143 54

HSL 38.98, 0.56%, 0.48%

LAB 62.5, 9.39, 52.33

 

CMYK 72 / 0 / 39 / 25

HEX #36BF74

RGB 54 191 116

HSL 147.15, 0.56%, 0.48%

LAB 68.97, -53.32, 27.6

 

CMYK 72 / 47 / 0 / 25

HEX #3666BF

RGB 54 102 191

HSL 218.98, 0.56%, 0.48%

LAB 44.3, 14.28, -51.53

 

CMYK 0 / 71 / 33 / 26

HEX #BD367F

RGB 189 54 127

HSL 327.56, 0.56%, 0.48%

LAB 45.62, 59.54, -10.39

 

CMYK 0 / 4 / 72 / 25

HEX #BFB836

RGB 191 184 54

HSL 56.93, 0.56%, 0.48%

LAB 73.3, -12.45, 63.06

 

CMYK 72 / 0 / 39 / 25

HEX #36BF74

RGB 54 191 116

HSL 147.15, 0.56%, 0.48%

LAB 68.97, -53.32, 27.6

 

CMYK 72 / 68 / 0 / 25

HEX #363DBF

RGB 54 61 191

HSL 236.93, 0.56%, 0.48%

LAB 33.74, 40.51, -68.7

 

Description

Color code: HEX #BD367F | qconv.com Color code: HEX #BD367F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 54 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 54 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 33 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 33% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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