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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD3363 it is the complementary color #42CC9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD3363. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD3363 shade: #C2335E, #D34571, #E45784, #F56997 and #FF7BAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD3363. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD3363 shade: #BD3363, #AC2150, #9B0F3D, #8A002A and #790017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD3363 shade: #BD3263, #BD323D and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD3363 shade: #BD3263, #BD3288, #BD32AE, #A832BD and #8232BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD3363 shade matches the following richer shades: #BD3263, #D11F5D and #E40C57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD3363 shade: #BD3263, #AA4669, #97596E, #836D74 and #70807A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD3363 shade: #BD32AD, #BD3288, #BD3263, #BD323E and #BD4C32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD3363 shade: #7C2141, #9D2A52, #BD3263, #CF4A78 and #D86B91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD3363 shade: #BD3363, #BDA932 and #329BBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD3363 shade: #BD3363, #63BD32 and #3263BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD3363 shade: #BD3363, #BDA932, #32BD8D and #3247BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD3363 shade: #BD3363, #A9BD32, #32BD8D and #4732BD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

Complementary color

CMYK 68 / 0 / 24 / 20

HEX #42CC9C

RGB 66 204 156

HSL 159.13, 0.58%, 0.53%

LAB 74.03, -48.22, 13.3

 

CMYK 0 / 74 / 52 / 24

HEX #C2335E

RGB 194 51 94

HSL 341.96, 0.58%, 0.48%

LAB 45.14, 58.73, 9.33

 

CMYK 0 / 67 / 46 / 17

HEX #D34571

RGB 211 69 113

HSL 341.41, 0.62%, 0.55%

LAB 51.03, 58.8, 6.5

 

CMYK 0 / 62 / 42 / 11

HEX #E45784

RGB 228 87 132

HSL 340.85, 0.72%, 0.62%

LAB 57.05, 58.46, 4.2

 

CMYK 0 / 57 / 38 / 4

HEX #F56997

RGB 245 105 151

HSL 340.29, 0.88%, 0.69%

LAB 63.14, 57.88, 2.29

 

CMYK 0 / 52 / 33 / 0

HEX #FF7BAA

RGB 255 123 170

HSL 338.64, 1%, 0.74%

LAB 68.26, 54.92, -0.88

 

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

CMYK 0 / 81 / 53 / 33

HEX #AC2150

RGB 172 33 80

HSL 339.71, 0.68%, 0.4%

LAB 38.62, 56.96, 8.35

 

CMYK 0 / 90 / 61 / 39

HEX #9B0F3D

RGB 155 15 61

HSL 340.29, 0.82%, 0.33%

LAB 33.24, 55.13, 12.68

 

CMYK 0 / 100 / 70 / 46

HEX #8A002A

RGB 138 0 42

HSL 341.74, 1%, 0.27%

LAB 28.3, 51.96, 18.12

 

CMYK 0 / 100 / 81 / 53

HEX #790017

RGB 121 0 23

HSL 348.6, 1%, 0.24%

LAB 24.09, 46.7, 24.81

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 74 / 68 / 26

HEX #BD323D

RGB 189 50 61

HSL 355.25, 0.58%, 0.47%

LAB 43.41, 55.34, 27.2

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 74 / 28 / 26

HEX #BD3288

RGB 189 50 136

HSL 322.88, 0.58%, 0.47%

LAB 45.47, 61.99, -16.11

 

CMYK 0 / 74 / 8 / 26

HEX #BD32AE

RGB 189 50 174

HSL 306.47, 0.58%, 0.47%

LAB 47.18, 67.23, -36.19

 

CMYK 11 / 74 / 0 / 26

HEX #A832BD

RGB 168 50 189

HSL 290.94, 0.58%, 0.47%

LAB 44.63, 65.19, -49.25

 

CMYK 31 / 74 / 0 / 26

HEX #8232BD

RGB 130 50 189

HSL 274.53, 0.58%, 0.47%

LAB 39.07, 57.67, -58.5

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 85 / 56 / 18

HEX #D11F5D

RGB 209 31 93

HSL 339.1, 0.74%, 0.47%

LAB 46.08, 68.1, 11.68

 

CMYK 0 / 95 / 62 / 11

HEX #E40C57

RGB 228 12 87

HSL 339.17, 0.9%, 0.47%

LAB 48.82, 75.02, 19.75

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 59 / 38 / 33

HEX #AA4669

RGB 170 70 105

HSL 339, 0.42%, 0.47%

LAB 44.16, 44.49, 0.58

 

CMYK 0 / 41 / 27 / 41

HEX #97596E

RGB 151 89 110

HSL 339.68, 0.26%, 0.47%

LAB 45.43, 28.34, -0.95

 

CMYK 0 / 17 / 11 / 49

HEX #836D74

RGB 131 109 116

HSL 340.91, 0.09%, 0.47%

LAB 48.29, 9.92, -0.64

 

CMYK 13 / 0 / 5 / 50

HEX #70807A

RGB 112 128 122

HSL 157.5, 0.07%, 0.47%

LAB 52.16, -7.13, 1.27

 

CMYK 0 / 74 / 8 / 26

HEX #BD32AD

RGB 189 50 173

HSL 306.91, 0.58%, 0.47%

LAB 47.13, 67.08, -35.68

 

CMYK 0 / 74 / 28 / 26

HEX #BD3288

RGB 189 50 136

HSL 322.88, 0.58%, 0.47%

LAB 45.47, 61.99, -16.11

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 74 / 67 / 26

HEX #BD323E

RGB 189 50 62

HSL 354.82, 0.58%, 0.47%

LAB 43.43, 55.4, 26.61

 

CMYK 0 / 60 / 74 / 26

HEX #BD4C32

RGB 189 76 50

HSL 11.22, 0.58%, 0.47%

LAB 47.26, 44, 38.05

 

CMYK 0 / 73 / 48 / 51

HEX #7C2141

RGB 124 33 65

HSL 338.9, 0.58%, 0.31%

LAB 28.78, 41.5, 2.86

 

CMYK 0 / 73 / 48 / 38

HEX #9D2A52

RGB 157 42 82

HSL 339.13, 0.58%, 0.39%

LAB 36.81, 49.93, 4.09

 

CMYK 0 / 74 / 48 / 26

HEX #BD3263

RGB 189 50 99

HSL 338.85, 0.58%, 0.47%

LAB 44.23, 58.05, 4.81

 

CMYK 0 / 64 / 42 / 19

HEX #CF4A78

RGB 207 74 120

HSL 339.25, 0.58%, 0.55%

LAB 51.29, 56.24, 2.57

 

CMYK 0 / 50 / 33 / 15

HEX #D86B91

RGB 216 107 145

HSL 339.08, 0.58%, 0.63%

LAB 59.12, 46.75, -0.61

 

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

CMYK 0 / 11 / 74 / 26

HEX #BDA932

RGB 189 169 50

HSL 51.37, 0.58%, 0.47%

LAB 69.06, -5.71, 60.37

 

CMYK 74 / 18 / 0 / 26

HEX #329BBD

RGB 50 155 189

HSL 194.68, 0.58%, 0.47%

LAB 59.7, -18.28, -26.15

 

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

CMYK 48 / 0 / 74 / 26

HEX #63BD32

RGB 99 189 50

HSL 98.85, 0.58%, 0.47%

LAB 68.95, -50.5, 58.27

 

CMYK 74 / 48 / 0 / 26

HEX #3263BD

RGB 50 99 189

HSL 218.85, 0.58%, 0.47%

LAB 43.18, 14.91, -52.19

 

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

CMYK 0 / 11 / 74 / 26

HEX #BDA932

RGB 189 169 50

HSL 51.37, 0.58%, 0.47%

LAB 69.06, -5.71, 60.37

 

CMYK 74 / 0 / 25 / 26

HEX #32BD8D

RGB 50 189 141

HSL 159.28, 0.58%, 0.47%

LAB 68.75, -47.86, 13.92

 

CMYK 74 / 62 / 0 / 26

HEX #3247BD

RGB 50 71 189

HSL 230.94, 0.58%, 0.47%

LAB 35.71, 33.09, -64.3

 

CMYK 0 / 73 / 48 / 26

HEX #BD3363

RGB 189 51 99

HSL 339.13, 0.58%, 0.47%

LAB 44.36, 57.71, 4.99

 

CMYK 11 / 0 / 74 / 26

HEX #A9BD32

RGB 169 189 50

HSL 68.63, 0.58%, 0.47%

LAB 72.93, -24.48, 63.51

 

CMYK 74 / 0 / 25 / 26

HEX #32BD8D

RGB 50 189 141

HSL 159.28, 0.58%, 0.47%

LAB 68.75, -47.86, 13.92

 

CMYK 62 / 74 / 0 / 26

HEX #4732BD

RGB 71 50 189

HSL 249.06, 0.58%, 0.47%

LAB 32.47, 48.2, -69.56

 

Description

Color code: HEX #BD3363 | qconv.com Color code: HEX #BD3363 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 51 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 51 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 48 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 48% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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