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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD32BE it is the complementary color #42CD41. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD32BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD32BE shade: #C232B9, #D344CC, #E456DF, #F568F2 and #FF7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD32BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD32BE shade: #BD32BE, #AC20AB, #9B0E98, #8A0085 and #790072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD32BE shade: #BC32BD, #BD3299, #BD3273, #BD324E and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD32BE shade: #BC32BD, #9732BD, #7132BD, #4C32BD and #3232BD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD32BE shade matches the following richer shades: #BC32BD, #CF1FD1 and #E30CE4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD32BE shade: #BC32BD, #A946AA, #965997, #836D83 and #708070

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD32BE shade: #7132BD, #9632BD, #BB32BD, #BD329B and #BD3276

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD32BE shade: #7C217C, #9C2A9D, #BC32BD, #CE4ACF and #D76BD8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD32BE shade: #BD32BE, #BD4C32 and #32BD83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD32BE shade: #BD32BE, #BDBB32 and #32BDBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD32BE shade: #BD32BE, #BD4C32, #35BD32 and #32A4BD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD32BE shade: #BD32BE, #BD7632, #35BD32 and #327ABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

Complementary color

CMYK 68 / 0 / 68 / 20

HEX #42CD41

RGB 66 205 65

HSL 119.57, 0.58%, 0.53%

LAB 73.03, -63.23, 56.53

 

CMYK 0 / 74 / 5 / 24

HEX #C232B9

RGB 194 50 185

HSL 303.75, 0.59%, 0.48%

LAB 48.58, 70.01, -40.38

 

CMYK 0 / 68 / 3 / 17

HEX #D344CC

RGB 211 68 204

HSL 302.94, 0.62%, 0.55%

LAB 54.39, 70.76, -42.01

 

CMYK 0 / 62 / 2 / 11

HEX #E456DF

RGB 228 86 223

HSL 302.11, 0.72%, 0.62%

LAB 60.32, 70.98, -43.26

 

CMYK 0 / 58 / 1 / 4

HEX #F568F2

RGB 245 104 242

HSL 301.28, 0.88%, 0.68%

LAB 66.31, 70.86, -44.25

 

CMYK 0 / 52 / 0 / 0

HEX #FF7AFF

RGB 255 122 255

HSL 300, 1%, 0.74%

LAB 71.15, 67.7, -43.7

 

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

CMYK 0 / 81 / 1 / 33

HEX #AC20AB

RGB 172 32 171

HSL 300.43, 0.69%, 0.4%

LAB 42.37, 68.23, -42.21

 

CMYK 0 / 91 / 2 / 39

HEX #9B0E98

RGB 155 14 152

HSL 301.28, 0.83%, 0.33%

LAB 37.02, 65.56, -39.49

 

CMYK 0 / 100 / 4 / 46

HEX #8A0085

RGB 138 0 133

HSL 302.17, 1%, 0.27%

LAB 32.03, 61.47, -35.93

 

CMYK 0 / 100 / 6 / 53

HEX #790072

RGB 121 0 114

HSL 303.47, 1%, 0.24%

LAB 27.52, 55.51, -31.3

 

CMYK 1 / 74 / 0 / 26

HEX #BC32BD

RGB 188 50 189

HSL 299.57, 0.58%, 0.47%

LAB 47.81, 69.36, -43.99

 

CMYK 0 / 74 / 19 / 26

HEX #BD3299

RGB 189 50 153

HSL 315.54, 0.58%, 0.47%

LAB 46.18, 64.2, -25.27

 

CMYK 0 / 74 / 39 / 26

HEX #BD3273

RGB 189 50 115

HSL 331.94, 0.58%, 0.47%

LAB 44.71, 59.61, -4.39

 

CMYK 0 / 74 / 59 / 26

HEX #BD324E

RGB 189 50 78

HSL 347.91, 0.58%, 0.47%

LAB 43.73, 56.39, 17.15

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 1 / 74 / 0 / 26

HEX #BC32BD

RGB 188 50 189

HSL 299.57, 0.58%, 0.47%

LAB 47.81, 69.36, -43.99

 

CMYK 20 / 74 / 0 / 26

HEX #9732BD

RGB 151 50 189

HSL 283.6, 0.58%, 0.47%

LAB 42.05, 61.75, -53.53

 

CMYK 40 / 74 / 0 / 26

HEX #7132BD

RGB 113 50 189

HSL 267.19, 0.58%, 0.47%

LAB 36.87, 54.59, -62.19

 

CMYK 60 / 74 / 0 / 26

HEX #4C32BD

RGB 76 50 189

HSL 251.22, 0.58%, 0.47%

LAB 32.9, 48.84, -68.84

 

CMYK 74 / 74 / 0 / 26

HEX #3232BD

RGB 50 50 189

HSL 240, 0.58%, 0.47%

LAB 30.96, 45.91, -72.11

 

CMYK 1 / 74 / 0 / 26

HEX #BC32BD

RGB 188 50 189

HSL 299.57, 0.58%, 0.47%

LAB 47.81, 69.36, -43.99

 

CMYK 1 / 85 / 0 / 18

HEX #CF1FD1

RGB 207 31 209

HSL 299.33, 0.74%, 0.47%

LAB 50.51, 80.79, -51.07

 

CMYK 0 / 95 / 0 / 11

HEX #E30CE4

RGB 227 12 228

HSL 299.72, 0.9%, 0.47%

LAB 54.23, 89.3, -55.75

 

CMYK 1 / 74 / 0 / 26

HEX #BC32BD

RGB 188 50 189

HSL 299.57, 0.58%, 0.47%

LAB 47.81, 69.36, -43.99

 

CMYK 1 / 59 / 0 / 33

HEX #A946AA

RGB 169 70 170

HSL 299.4, 0.42%, 0.47%

LAB 46.6, 53.94, -34.95

 

CMYK 1 / 41 / 0 / 41

HEX #965997

RGB 150 89 151

HSL 299.03, 0.26%, 0.47%

LAB 46.79, 35.1, -23.58

 

CMYK 0 / 17 / 0 / 49

HEX #836D83

RGB 131 109 131

HSL 300, 0.09%, 0.47%

LAB 48.76, 12.83, -8.88

 

CMYK 13 / 0 / 13 / 50

HEX #708070

RGB 112 128 112

HSL 120, 0.07%, 0.47%

LAB 51.9, -9.16, 6.72

 

CMYK 40 / 74 / 0 / 26

HEX #7132BD

RGB 113 50 189

HSL 267.19, 0.58%, 0.47%

LAB 36.87, 54.59, -62.19

 

CMYK 21 / 74 / 0 / 26

HEX #9632BD

RGB 150 50 189

HSL 283.17, 0.58%, 0.47%

LAB 41.91, 61.55, -53.78

 

CMYK 1 / 74 / 0 / 26

HEX #BB32BD

RGB 187 50 189

HSL 299.14, 0.58%, 0.47%

LAB 47.65, 69.15, -44.26

 

CMYK 0 / 74 / 18 / 26

HEX #BD329B

RGB 189 50 155

HSL 314.68, 0.58%, 0.47%

LAB 46.27, 64.47, -26.33

 

CMYK 0 / 74 / 38 / 26

HEX #BD3276

RGB 189 50 118

HSL 330.65, 0.58%, 0.47%

LAB 44.81, 59.92, -6.09

 

CMYK 0 / 73 / 0 / 51

HEX #7C217C

RGB 124 33 124

HSL 300, 0.58%, 0.31%

LAB 31.41, 49.87, -31.43

 

CMYK 1 / 73 / 0 / 38

HEX #9C2A9D

RGB 156 42 157

HSL 299.48, 0.58%, 0.39%

LAB 39.85, 59.74, -38.01

 

CMYK 1 / 74 / 0 / 26

HEX #BC32BD

RGB 188 50 189

HSL 299.57, 0.58%, 0.47%

LAB 47.81, 69.36, -43.99

 

CMYK 0 / 64 / 0 / 19

HEX #CE4ACF

RGB 206 74 207

HSL 299.55, 0.58%, 0.55%

LAB 54.58, 67.85, -43.47

 

CMYK 0 / 50 / 0 / 15

HEX #D76BD8

RGB 215 107 216

HSL 299.45, 0.58%, 0.63%

LAB 61.59, 57.22, -37.47

 

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

CMYK 0 / 60 / 74 / 26

HEX #BD4C32

RGB 189 76 50

HSL 11.22, 0.58%, 0.47%

LAB 47.26, 44, 38.05

 

CMYK 74 / 0 / 31 / 26

HEX #32BD83

RGB 50 189 131

HSL 154.96, 0.58%, 0.47%

LAB 68.54, -50.1, 19.03

 

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

CMYK 0 / 1 / 74 / 26

HEX #BDBB32

RGB 189 187 50

HSL 59.14, 0.58%, 0.47%

LAB 73.93, -15.02, 65

 

CMYK 74 / 0 / 1 / 26

HEX #32BDBB

RGB 50 189 187

HSL 179.14, 0.58%, 0.47%

LAB 69.94, -35.83, -9.51

 

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

CMYK 0 / 60 / 74 / 26

HEX #BD4C32

RGB 189 76 50

HSL 11.22, 0.58%, 0.47%

LAB 47.26, 44, 38.05

 

CMYK 72 / 0 / 74 / 26

HEX #35BD32

RGB 53 189 50

HSL 118.71, 0.58%, 0.47%

LAB 67.56, -61.6, 56.42

 

CMYK 74 / 13 / 0 / 26

HEX #32A4BD

RGB 50 164 189

HSL 190.79, 0.58%, 0.47%

LAB 62.43, -23, -21.97

 

CMYK 1 / 74 / 0 / 25

HEX #BD32BE

RGB 189 50 190

HSL 299.57, 0.58%, 0.47%

LAB 48.03, 69.74, -44.22

 

CMYK 0 / 38 / 74 / 26

HEX #BD7632

RGB 189 118 50

HSL 29.35, 0.58%, 0.47%

LAB 56.09, 22.1, 47.47

 

CMYK 72 / 0 / 74 / 26

HEX #35BD32

RGB 53 189 50

HSL 118.71, 0.58%, 0.47%

LAB 67.56, -61.6, 56.42

 

CMYK 74 / 35 / 0 / 26

HEX #327ABD

RGB 50 122 189

HSL 208.92, 0.58%, 0.47%

LAB 49.82, 0.51, -41.58

 

Description

Color code: HEX #BD32BE | qconv.com Color code: HEX #BD32BE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 50 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 50 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 74 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 74% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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