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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD2DB8 it is the complementary color #42D247. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD2DB8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD2DB8 shade: #C22DB3, #D33FC6, #E451D9, #F563EC and #FF75FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD2DB8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD2DB8 shade: #BD2DB8, #AC1BA5, #9B0992, #8A007F and #79006C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD2DB8 shade: #BE2DB9, #BE2D92, #BE2D6B, #BE2D43 and #BE2D2D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD2DB8 shade: #BE2DB9, #9C2DBE, #752DBE, #4D2DBE and #2D2DBE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD2DB8 shade matches the following richer shades: #BE2DB9, #D11ACB and #E407DC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD2DB8 shade: #BE2DB9, #AB40A7, #985396, #856684 and #727872

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD2DB8 shade: #752DBE, #9C2DBE, #BE2DB9, #BE2D92 and #BE2D6C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD2DB8 shade: #7B1D78, #9D2598, #BE2DB9, #D341CD and #DA63D6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD2DB8 shade: #BD2DB8, #BE4F2D and #2DBE89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD2DB8 shade: #BD2DB8, #B9BE2D and #2DB9BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD2DB8 shade: #BD2DB8, #BE4F2D, #2DBE31 and #2D9CBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD2DB8 shade: #BD2DB8, #BE7A2D, #2DBE31 and #2D70BE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

Complementary color

CMYK 69 / 0 / 66 / 18

HEX #42D247

RGB 66 210 71

HSL 122.08, 0.62%, 0.54%

LAB 74.64, -64.33, 55.87

 

CMYK 0 / 77 / 8 / 24

HEX #C22DB3

RGB 194 45 179

HSL 306.04, 0.62%, 0.47%

LAB 47.75, 70.57, -38.17

 

CMYK 0 / 70 / 6 / 17

HEX #D33FC6

RGB 211 63 198

HSL 305.27, 0.63%, 0.54%

LAB 53.47, 71.57, -40.01

 

CMYK 0 / 64 / 5 / 11

HEX #E451D9

RGB 228 81 217

HSL 304.49, 0.73%, 0.61%

LAB 59.33, 71.97, -41.43

 

CMYK 0 / 60 / 4 / 4

HEX #F563EC

RGB 245 99 236

HSL 303.7, 0.88%, 0.67%

LAB 65.27, 71.97, -42.56

 

CMYK 0 / 54 / 0 / 0

HEX #FF75FF

RGB 255 117 255

HSL 300, 1%, 0.73%

LAB 70.32, 69.92, -45

 

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

CMYK 0 / 84 / 4 / 33

HEX #AC1BA5

RGB 172 27 165

HSL 302.9, 0.73%, 0.39%

LAB 41.64, 68.43, -39.79

 

CMYK 0 / 94 / 6 / 39

HEX #9B0992

RGB 155 9 146

HSL 303.7, 0.89%, 0.32%

LAB 36.44, 65.3, -36.75

 

CMYK 0 / 100 / 8 / 46

HEX #8A007F

RGB 138 0 127

HSL 304.78, 1%, 0.27%

LAB 31.66, 60.58, -32.76

 

CMYK 0 / 100 / 11 / 53

HEX #79006C

RGB 121 0 108

HSL 306.45, 1%, 0.24%

LAB 27.15, 54.61, -28.02

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 0 / 76 / 23 / 25

HEX #BE2D92

RGB 190 45 146

HSL 318.21, 0.62%, 0.46%

LAB 45.5, 65.08, -22.1

 

CMYK 0 / 76 / 44 / 25

HEX #BE2D6B

RGB 190 45 107

HSL 334.34, 0.62%, 0.46%

LAB 44.07, 60.71, -0.37

 

CMYK 0 / 76 / 65 / 25

HEX #BE2D43

RGB 190 45 67

HSL 350.9, 0.62%, 0.46%

LAB 43.11, 57.65, 23.18

 

CMYK 0 / 76 / 76 / 25

HEX #BE2D2D

RGB 190 45 45

HSL 0, 0.62%, 0.46%

LAB 42.78, 56.6, 35.99

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 18 / 76 / 0 / 25

HEX #9C2DBE

RGB 156 45 190

HSL 285.93, 0.62%, 0.46%

LAB 42.25, 64.7, -53.76

 

CMYK 38 / 76 / 0 / 25

HEX #752DBE

RGB 117 45 190

HSL 269.79, 0.62%, 0.46%

LAB 36.7, 57.67, -63.03

 

CMYK 59 / 76 / 0 / 25

HEX #4D2DBE

RGB 77 45 190

HSL 253.24, 0.62%, 0.46%

LAB 32.2, 51.8, -70.58

 

CMYK 76 / 76 / 0 / 25

HEX #2D2DBE

RGB 45 45 190

HSL 240, 0.62%, 0.46%

LAB 29.79, 48.58, -74.63

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 0 / 88 / 3 / 18

HEX #D11ACB

RGB 209 26 203

HSL 301.97, 0.78%, 0.46%

LAB 50.22, 81.09, -48.06

 

CMYK 0 / 97 / 4 / 11

HEX #E407DC

RGB 228 7 220

HSL 302.17, 0.94%, 0.46%

LAB 53.83, 88.68, -51.85

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 0 / 63 / 2 / 33

HEX #AB40A7

RGB 171 64 167

HSL 302.24, 0.46%, 0.46%

LAB 45.79, 56.57, -34.43

 

CMYK 0 / 45 / 1 / 40

HEX #985396

RGB 152 83 150

HSL 301.74, 0.29%, 0.46%

LAB 45.72, 38.83, -24.62

 

CMYK 0 / 23 / 1 / 48

HEX #856684

RGB 133 102 132

HSL 301.94, 0.13%, 0.46%

LAB 47.18, 17.91, -11.83

 

CMYK 5 / 0 / 5 / 53

HEX #727872

RGB 114 120 114

HSL 120, 0.03%, 0.46%

LAB 49.77, -3.48, 2.51

 

CMYK 38 / 76 / 0 / 25

HEX #752DBE

RGB 117 45 190

HSL 269.79, 0.62%, 0.46%

LAB 36.7, 57.67, -63.03

 

CMYK 18 / 76 / 0 / 25

HEX #9C2DBE

RGB 156 45 190

HSL 285.93, 0.62%, 0.46%

LAB 42.25, 64.7, -53.76

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 0 / 76 / 23 / 25

HEX #BE2D92

RGB 190 45 146

HSL 318.21, 0.62%, 0.46%

LAB 45.5, 65.08, -22.1

 

CMYK 0 / 76 / 43 / 25

HEX #BE2D6C

RGB 190 45 108

HSL 333.93, 0.62%, 0.46%

LAB 44.1, 60.8, -0.95

 

CMYK 0 / 76 / 2 / 52

HEX #7B1D78

RGB 123 29 120

HSL 301.91, 0.62%, 0.3%

LAB 30.51, 50.34, -30.34

 

CMYK 0 / 76 / 3 / 38

HEX #9D2598

RGB 157 37 152

HSL 302.5, 0.62%, 0.38%

LAB 39.17, 60.75, -36.05

 

CMYK 0 / 76 / 3 / 25

HEX #BE2DB9

RGB 190 45 185

HSL 302.07, 0.62%, 0.46%

LAB 47.4, 70.64, -42.29

 

CMYK 0 / 69 / 3 / 17

HEX #D341CD

RGB 211 65 205

HSL 302.47, 0.62%, 0.54%

LAB 54.07, 71.98, -43.09

 

CMYK 0 / 55 / 2 / 15

HEX #DA63D6

RGB 218 99 214

HSL 302.02, 0.62%, 0.62%

LAB 60.5, 61.42, -38.01

 

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

CMYK 0 / 58 / 76 / 25

HEX #BE4F2D

RGB 190 79 45

HSL 14.07, 0.62%, 0.46%

LAB 47.92, 42.73, 41.46

 

CMYK 76 / 0 / 28 / 25

HEX #2DBE89

RGB 45 190 137

HSL 158.07, 0.62%, 0.46%

LAB 68.89, -49.82, 16.27

 

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

CMYK 3 / 0 / 76 / 25

HEX #B9BE2D

RGB 185 190 45

HSL 62.07, 0.62%, 0.46%

LAB 74.4, -18.45, 66.95

 

CMYK 76 / 3 / 0 / 25

HEX #2DB9BE

RGB 45 185 190

HSL 182.07, 0.62%, 0.46%

LAB 68.73, -33.62, -12.98

 

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

CMYK 0 / 58 / 76 / 25

HEX #BE4F2D

RGB 190 79 45

HSL 14.07, 0.62%, 0.46%

LAB 47.92, 42.73, 41.46

 

CMYK 76 / 0 / 74 / 25

HEX #2DBE31

RGB 45 190 49

HSL 121.66, 0.62%, 0.46%

LAB 67.73, -63.26, 56.89

 

CMYK 76 / 18 / 0 / 25

HEX #2D9CBE

RGB 45 156 190

HSL 194.07, 0.62%, 0.46%

LAB 59.94, -19.09, -26.36

 

CMYK 0 / 76 / 3 / 26

HEX #BD2DB8

RGB 189 45 184

HSL 302.08, 0.62%, 0.46%

LAB 47.18, 70.28, -42.06

 

CMYK 0 / 36 / 76 / 25

HEX #BE7A2D

RGB 190 122 45

HSL 31.86, 0.62%, 0.46%

LAB 57.13, 20.11, 50.8

 

CMYK 76 / 0 / 74 / 25

HEX #2DBE31

RGB 45 190 49

HSL 121.66, 0.62%, 0.46%

LAB 67.73, -63.26, 56.89

 

CMYK 76 / 41 / 0 / 25

HEX #2D70BE

RGB 45 112 190

HSL 212.28, 0.62%, 0.46%

LAB 46.8, 6.38, -46.98

 

Description

Color code: HEX #BD2DB8 | qconv.com Color code: HEX #BD2DB8 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 45 green and 184 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 45 184 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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