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Color name
HEX #BD2AB5

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD2AB5 it is the complementary color #42D54A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD2AB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD2AB5 shade: #C22AB0, #D33CC3, #E44ED6, #F560E9 and #FF72FC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD2AB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD2AB5 shade: #BD2AB5, #AC18A2, #9B068F, #8A007C and #790069

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD2AB5 shade: #BC29B4, #BC298D, #BC2965, #BC293D and #BC2929

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD2AB5 shade: #BC29B4, #9D29BC, #7529BC, #4D29BC and #2929BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD2AB5 shade matches the following richer shades: #BC29B4, #CF17C5 and #E104D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD2AB5 shade: #BC29B4, #AA3CA4, #974E93, #846183 and #727472

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD2AB5 shade: #7529BC, #9C29BC, #BC29B5, #BC298E and #BC2967

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD2AB5 shade: #791A73, #9A2294, #BC29B4, #D43BCC and #DB5DD4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD2AB5 shade: #BD2AB5, #BC4E29 and #29BC89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD2AB5 shade: #BD2AB5, #B5BC29 and #29B5BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD2AB5 shade: #BD2AB5, #BC4E29, #29BC31 and #2997BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD2AB5 shade: #BD2AB5, #BC7A29, #29BC31 and #296BBC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

Complementary color

CMYK 69 / 0 / 65 / 16

HEX #42D54A

RGB 66 213 74

HSL 123.27, 0.64%, 0.55%

LAB 75.6, -65.03, 55.69

 

CMYK 0 / 78 / 9 / 24

HEX #C22AB0

RGB 194 42 176

HSL 307.11, 0.64%, 0.46%

LAB 47.31, 70.95, -37.1

 

CMYK 0 / 72 / 8 / 17

HEX #D33CC3

RGB 211 60 195

HSL 306.36, 0.63%, 0.53%

LAB 52.97, 72.11, -39.07

 

CMYK 0 / 66 / 6 / 11

HEX #E44ED6

RGB 228 78 214

HSL 305.6, 0.74%, 0.6%

LAB 58.79, 72.63, -40.59

 

CMYK 0 / 61 / 5 / 4

HEX #F560E9

RGB 245 96 233

HSL 304.83, 0.88%, 0.67%

LAB 64.69, 72.71, -41.8

 

CMYK 0 / 55 / 1 / 0

HEX #FF72FC

RGB 255 114 252

HSL 301.28, 1%, 0.72%

LAB 69.7, 70.74, -44.33

 

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

CMYK 0 / 86 / 6 / 33

HEX #AC18A2

RGB 172 24 162

HSL 304.05, 0.76%, 0.38%

LAB 41.27, 68.58, -38.59

 

CMYK 0 / 96 / 8 / 39

HEX #9B068F

RGB 155 6 143

HSL 304.83, 0.93%, 0.32%

LAB 36.14, 65.23, -35.38

 

CMYK 0 / 100 / 10 / 46

HEX #8A007C

RGB 138 0 124

HSL 306.09, 1%, 0.27%

LAB 31.48, 60.14, -31.15

 

CMYK 0 / 100 / 13 / 53

HEX #790069

RGB 121 0 105

HSL 307.93, 1%, 0.24%

LAB 26.98, 54.18, -26.36

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 0 / 78 / 25 / 26

HEX #BC298D

RGB 188 41 141

HSL 319.18, 0.64%, 0.45%

LAB 44.52, 65.13, -20.61

 

CMYK 0 / 78 / 46 / 26

HEX #BC2965

RGB 188 41 101

HSL 335.51, 0.64%, 0.45%

LAB 43.09, 60.82, 1.89

 

CMYK 0 / 78 / 68 / 26

HEX #BC293D

RGB 188 41 61

HSL 351.84, 0.64%, 0.45%

LAB 42.18, 57.97, 25.62

 

CMYK 0 / 78 / 78 / 26

HEX #BC2929

RGB 188 41 41

HSL 0, 0.64%, 0.45%

LAB 41.9, 57.1, 37.21

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 16 / 78 / 0 / 26

HEX #9D29BC

RGB 157 41 188

HSL 287.35, 0.64%, 0.45%

LAB 41.82, 65.81, -53.27

 

CMYK 38 / 78 / 0 / 26

HEX #7529BC

RGB 117 41 188

HSL 271.02, 0.64%, 0.45%

LAB 35.98, 58.79, -63.02

 

CMYK 59 / 78 / 0 / 26

HEX #4D29BC

RGB 77 41 188

HSL 254.69, 0.64%, 0.45%

LAB 31.33, 53.13, -70.82

 

CMYK 78 / 78 / 0 / 26

HEX #2929BC

RGB 41 41 188

HSL 240, 0.64%, 0.45%

LAB 28.61, 49.77, -75.41

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 0 / 89 / 5 / 19

HEX #CF17C5

RGB 207 23 197

HSL 303.26, 0.8%, 0.45%

LAB 49.39, 80.32, -45.94

 

CMYK 0 / 98 / 5 / 12

HEX #E104D5

RGB 225 4 213

HSL 303.26, 0.97%, 0.45%

LAB 52.84, 87.43, -49.47

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 0 / 65 / 4 / 33

HEX #AA3CA4

RGB 170 60 164

HSL 303.27, 0.48%, 0.45%

LAB 44.88, 57.48, -34.09

 

CMYK 0 / 48 / 3 / 41

HEX #974E93

RGB 151 78 147

HSL 303.29, 0.32%, 0.45%

LAB 44.43, 40.63, -24.85

 

CMYK 0 / 27 / 1 / 48

HEX #846183

RGB 132 97 131

HSL 301.71, 0.15%, 0.45%

LAB 45.76, 20.31, -13.39

 

CMYK 2 / 0 / 2 / 55

HEX #727472

RGB 114 116 114

HSL 120, 0.01%, 0.45%

LAB 48.61, -1.16, 0.83

 

CMYK 38 / 78 / 0 / 26

HEX #7529BC

RGB 117 41 188

HSL 271.02, 0.64%, 0.45%

LAB 35.98, 58.79, -63.02

 

CMYK 17 / 78 / 0 / 26

HEX #9C29BC

RGB 156 41 188

HSL 286.94, 0.64%, 0.45%

LAB 41.66, 65.62, -53.53

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B5

RGB 188 41 181

HSL 302.86, 0.64%, 0.45%

LAB 46.46, 70.71, -41.45

 

CMYK 0 / 78 / 24 / 26

HEX #BC298E

RGB 188 41 142

HSL 318.78, 0.64%, 0.45%

LAB 44.56, 65.25, -21.15

 

CMYK 0 / 78 / 45 / 26

HEX #BC2967

RGB 188 41 103

HSL 334.69, 0.64%, 0.45%

LAB 43.15, 61, 0.73

 

CMYK 0 / 79 / 5 / 53

HEX #791A73

RGB 121 26 115

HSL 303.79, 0.65%, 0.29%

LAB 29.52, 50.02, -28.77

 

CMYK 0 / 78 / 4 / 40

HEX #9A2294

RGB 154 34 148

HSL 303, 0.64%, 0.37%

LAB 38.11, 60.35, -35.32

 

CMYK 0 / 78 / 4 / 26

HEX #BC29B4

RGB 188 41 180

HSL 303.27, 0.64%, 0.45%

LAB 46.41, 70.56, -40.95

 

CMYK 0 / 72 / 4 / 17

HEX #D43BCC

RGB 212 59 204

HSL 303.14, 0.64%, 0.53%

LAB 53.48, 74.02, -43.44

 

CMYK 0 / 58 / 3 / 14

HEX #DB5DD4

RGB 219 93 212

HSL 303.33, 0.64%, 0.61%

LAB 59.56, 64.02, -38.34

 

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

CMYK 0 / 59 / 78 / 26

HEX #BC4E29

RGB 188 78 41

HSL 15.1, 0.64%, 0.45%

LAB 47.37, 42.3, 42.84

 

CMYK 78 / 0 / 27 / 26

HEX #29BC89

RGB 41 188 137

HSL 159.18, 0.64%, 0.45%

LAB 68.2, -49.5, 15.3

 

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

CMYK 4 / 0 / 78 / 26

HEX #B5BC29

RGB 181 188 41

HSL 62.86, 0.64%, 0.45%

LAB 73.51, -19.31, 67.23

 

CMYK 78 / 4 / 0 / 26

HEX #29B5BC

RGB 41 181 188

HSL 182.86, 0.64%, 0.45%

LAB 67.39, -32.73, -13.9

 

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

CMYK 0 / 59 / 78 / 26

HEX #BC4E29

RGB 188 78 41

HSL 15.1, 0.64%, 0.45%

LAB 47.37, 42.3, 42.84

 

CMYK 78 / 0 / 74 / 26

HEX #29BC31

RGB 41 188 49

HSL 123.27, 0.64%, 0.45%

LAB 67.02, -63.19, 56.16

 

CMYK 78 / 20 / 0 / 26

HEX #2997BC

RGB 41 151 188

HSL 195.1, 0.64%, 0.45%

LAB 58.26, -17.54, -27.83

 

CMYK 0 / 78 / 4 / 26

HEX #BD2AB5

RGB 189 42 181

HSL 303.27, 0.64%, 0.45%

LAB 46.73, 70.65, -41.02

 

CMYK 0 / 35 / 78 / 26

HEX #BC7A29

RGB 188 122 41

HSL 33.06, 0.64%, 0.45%

LAB 56.85, 19.07, 52.13

 

CMYK 78 / 0 / 74 / 26

HEX #29BC31

RGB 41 188 49

HSL 123.27, 0.64%, 0.45%

LAB 67.02, -63.19, 56.16

 

CMYK 78 / 43 / 0 / 26

HEX #296BBC

RGB 41 107 188

HSL 213.06, 0.64%, 0.45%

LAB 45.11, 8.3, -48.53

 

Description

Color code: HEX #BD2AB5 | qconv.com Color code: HEX #BD2AB5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 42 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 42 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 4 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 4% 26% C M Y K

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Provide designers and agencies with accurate color values.

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