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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD20B7 it is the complementary color #42DF48. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD20B7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD20B7 shade: #C220B2, #D332C5, #E444D8, #F556EB and #FF68FE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD20B7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD20B7 shade: #BD20B7, #AC0EA4, #9B0091, #8A007E and #79006B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD20B7 shade: #BC20B6, #BC208C, #BC2062, #BC2038 and #BC2020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD20B7 shade: #BC20B6, #9720BC, #6D20BC, #4320BC and #2020BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD20B7 shade matches the following richer shades: #BC20B6 and #CD0EC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD20B7 shade: #BC20B6, #AA32A5, #984395, #865584 and #756774

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD20B7 shade: #6E20BC, #9720BC, #BC20B6, #BC208D and #BC2063

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD20B7 shade: #751471, #981A93, #BC20B6, #DB2AD4 and #E14DDB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD20B7 shade: #BD20B7, #BC4420 and #20BC82

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD20B7 shade: #BD20B7, #B6BC20 and #20B6BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD20B7 shade: #BD20B7, #BC4420, #20BC25 and #2097BC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD20B7 shade: #BD20B7, #BC7320, #20BC25 and #2068BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

Complementary color

CMYK 70 / 0 / 68 / 13

HEX #42DF48

RGB 66 223 72

HSL 122.29, 0.71%, 0.57%

LAB 78.7, -68.48, 59.84

 

CMYK 0 / 84 / 8 / 24

HEX #C220B2

RGB 194 32 178

HSL 305.93, 0.72%, 0.44%

LAB 46.6, 73.6, -39.4

 

CMYK 0 / 76 / 7 / 17

HEX #D332C5

RGB 211 50 197

HSL 305.22, 0.65%, 0.51%

LAB 52.02, 75.42, -41.72

 

CMYK 0 / 70 / 5 / 11

HEX #E444D8

RGB 228 68 216

HSL 304.5, 0.75%, 0.58%

LAB 57.64, 76.44, -43.53

 

CMYK 0 / 65 / 4 / 4

HEX #F556EB

RGB 245 86 235

HSL 303.77, 0.89%, 0.65%

LAB 63.4, 76.88, -44.95

 

CMYK 0 / 59 / 0 / 0

HEX #FF68FE

RGB 255 104 254

HSL 300.4, 1%, 0.7%

LAB 68.25, 75.27, -47.7

 

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

CMYK 0 / 92 / 5 / 33

HEX #AC0EA4

RGB 172 14 164

HSL 303.04, 0.85%, 0.36%

LAB 40.84, 70.46, -40.47

 

CMYK 0 / 100 / 6 / 39

HEX #9B0091

RGB 155 0 145

HSL 303.87, 1%, 0.3%

LAB 36.01, 66.26, -36.82

 

CMYK 0 / 100 / 9 / 46

HEX #8A007E

RGB 138 0 126

HSL 305.22, 1%, 0.27%

LAB 31.6, 60.43, -32.23

 

CMYK 0 / 100 / 12 / 53

HEX #79006B

RGB 121 0 107

HSL 306.94, 1%, 0.24%

LAB 27.09, 54.47, -27.47

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 0 / 83 / 26 / 26

HEX #BC208C

RGB 188 32 140

HSL 318.46, 0.71%, 0.43%

LAB 43.68, 67.29, -21.29

 

CMYK 0 / 83 / 48 / 26

HEX #BC2062

RGB 188 32 98

HSL 334.62, 0.71%, 0.43%

LAB 42.16, 62.94, 2.43

 

CMYK 0 / 83 / 70 / 26

HEX #BC2038

RGB 188 32 56

HSL 350.77, 0.71%, 0.43%

LAB 41.23, 60.16, 27.53

 

CMYK 0 / 83 / 83 / 26

HEX #BC2020

RGB 188 32 32

HSL 0, 0.71%, 0.43%

LAB 40.94, 59.29, 41.21

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 20 / 83 / 0 / 26

HEX #9720BC

RGB 151 32 188

HSL 285.77, 0.71%, 0.43%

LAB 39.99, 67.32, -56.28

 

CMYK 42 / 83 / 0 / 26

HEX #6D20BC

RGB 109 32 188

HSL 269.62, 0.71%, 0.43%

LAB 33.81, 60.82, -66.62

 

CMYK 64 / 83 / 0 / 26

HEX #4320BC

RGB 67 32 188

HSL 253.46, 0.71%, 0.43%

LAB 29.05, 56.02, -74.63

 

CMYK 83 / 83 / 0 / 26

HEX #2020BC

RGB 32 32 188

HSL 240, 0.71%, 0.43%

LAB 26.65, 53.68, -78.68

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 0 / 93 / 3 / 20

HEX #CD0EC6

RGB 205 14 198

HSL 302.2, 0.87%, 0.43%

LAB 48.72, 81.19, -47.6

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 0 / 71 / 3 / 33

HEX #AA32A5

RGB 170 50 165

HSL 302.5, 0.55%, 0.43%

LAB 43.57, 61.48, -36.75

 

CMYK 0 / 56 / 2 / 40

HEX #984395

RGB 152 67 149

HSL 302.12, 0.39%, 0.43%

LAB 42.55, 46.9, -28.96

 

CMYK 0 / 37 / 1 / 47

HEX #865584

RGB 134 85 132

HSL 302.45, 0.22%, 0.43%

LAB 43.11, 28.28, -18.01

 

CMYK 0 / 12 / 1 / 54

HEX #756774

RGB 117 103 116

HSL 304.29, 0.06%, 0.43%

LAB 45.28, 8.08, -5.24

 

CMYK 41 / 83 / 0 / 26

HEX #6E20BC

RGB 110 32 188

HSL 270, 0.71%, 0.43%

LAB 33.94, 60.96, -66.4

 

CMYK 20 / 83 / 0 / 26

HEX #9720BC

RGB 151 32 188

HSL 285.77, 0.71%, 0.43%

LAB 39.99, 67.32, -56.28

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 0 / 83 / 25 / 26

HEX #BC208D

RGB 188 32 141

HSL 318.08, 0.71%, 0.43%

LAB 43.72, 67.41, -21.84

 

CMYK 0 / 83 / 47 / 26

HEX #BC2063

RGB 188 32 99

HSL 334.23, 0.71%, 0.43%

LAB 42.19, 63.02, 1.84

 

CMYK 0 / 83 / 3 / 54

HEX #751471

RGB 117 20 113

HSL 302.47, 0.71%, 0.27%

LAB 28.05, 50.57, -29.87

 

CMYK 0 / 83 / 3 / 40

HEX #981A93

RGB 152 26 147

HSL 302.38, 0.71%, 0.35%

LAB 36.97, 61.9, -36.55

 

CMYK 0 / 83 / 3 / 26

HEX #BC20B6

RGB 188 32 182

HSL 302.31, 0.71%, 0.43%

LAB 45.77, 73.03, -43.13

 

CMYK 0 / 81 / 3 / 14

HEX #DB2AD4

RGB 219 42 212

HSL 302.37, 0.71%, 0.51%

LAB 53.46, 81.22, -47.97

 

CMYK 0 / 66 / 3 / 12

HEX #E14DDB

RGB 225 77 219

HSL 302.43, 0.71%, 0.59%

LAB 58.44, 73.08, -43.99

 

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

CMYK 0 / 64 / 83 / 26

HEX #BC4420

RGB 188 68 32

HSL 13.85, 0.71%, 0.43%

LAB 45.54, 46.63, 45.48

 

CMYK 83 / 0 / 31 / 26

HEX #20BC82

RGB 32 188 130

HSL 157.69, 0.71%, 0.43%

LAB 67.94, -51.99, 18.7

 

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

CMYK 3 / 0 / 83 / 26

HEX #B6BC20

RGB 182 188 32

HSL 62.31, 0.71%, 0.43%

LAB 73.56, -19.18, 69.71

 

CMYK 83 / 3 / 0 / 26

HEX #20B6BC

RGB 32 182 188

HSL 182.31, 0.71%, 0.43%

LAB 67.57, -33.99, -13.64

 

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

CMYK 0 / 64 / 83 / 26

HEX #BC4420

RGB 188 68 32

HSL 13.85, 0.71%, 0.43%

LAB 45.54, 46.63, 45.48

 

CMYK 83 / 0 / 80 / 26

HEX #20BC25

RGB 32 188 37

HSL 121.92, 0.71%, 0.43%

LAB 66.83, -65.12, 59.82

 

CMYK 83 / 20 / 0 / 26

HEX #2097BC

RGB 32 151 188

HSL 194.23, 0.71%, 0.43%

LAB 58.1, -18.4, -28.08

 

CMYK 0 / 83 / 3 / 26

HEX #BD20B7

RGB 189 32 183

HSL 302.29, 0.71%, 0.43%

LAB 46, 73.37, -43.35

 

CMYK 0 / 39 / 83 / 26

HEX #BC7320

RGB 188 115 32

HSL 31.92, 0.71%, 0.43%

LAB 55.13, 22.61, 54.08

 

CMYK 83 / 0 / 80 / 26

HEX #20BC25

RGB 32 188 37

HSL 121.92, 0.71%, 0.43%

LAB 66.83, -65.12, 59.82

 

CMYK 83 / 45 / 0 / 26

HEX #2068BC

RGB 32 104 188

HSL 212.31, 0.71%, 0.43%

LAB 44, 9.3, -50.31

 

Description

Color code: HEX #BD20B7 | qconv.com Color code: HEX #BD20B7 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 32 green and 183 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 32 183 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 3 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 3% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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