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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD18BE it is the complementary color #42E741. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD18BE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD18BE shade: #C218B9, #D32ACC, #E43CDF, #F54EF2 and #FF60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD18BE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD18BE shade: #BD18BE, #AC06AB, #9B0098, #8A0085 and #790072

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD18BE shade: #BE18BF, #BF1893, #BF1866, #BF1838 and #BF1818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD18BE shade: #BE18BF, #9118BF, #6418BF, #3618BF and #1818BF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD18BE shade matches the following richer shades: #BE18BF and #CF06D0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD18BE shade: #BE18BF, #AD29AD, #9B3A9C, #8A4C8B and #795D79

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD18BE shade: #6318BF, #8F18BF, #BC18BF, #BF1895 and #BF1868

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD18BE shade: #750E75, #99139A, #BE18BF, #E21CE3 and #E741E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD18BE shade: #BD18BE, #BF3618 and #18BF79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD18BE shade: #BD18BE, #BFBC18 and #18BFBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD18BE shade: #BD18BE, #BF3618, #1ABF18 and #18A0BF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD18BE shade: #BD18BE, #BF6818, #1ABF18 and #186EBF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

Complementary color

CMYK 71 / 0 / 72 / 9

HEX #42E741

RGB 66 231 65

HSL 119.64, 0.78%, 0.58%

LAB 81.12, -71.6, 64.96

 

CMYK 0 / 88 / 5 / 24

HEX #C218B9

RGB 194 24 185

HSL 303.18, 0.78%, 0.43%

LAB 46.48, 76.09, -43.71

 

CMYK 0 / 80 / 3 / 17

HEX #D32ACC

RGB 211 42 204

HSL 302.49, 0.67%, 0.5%

LAB 51.68, 78.5, -46.29

 

CMYK 0 / 74 / 2 / 11

HEX #E43CDF

RGB 228 60 223

HSL 301.79, 0.76%, 0.56%

LAB 57.13, 79.99, -48.3

 

CMYK 0 / 68 / 1 / 4

HEX #F54EF2

RGB 245 78 242

HSL 301.08, 0.89%, 0.63%

LAB 62.74, 80.8, -49.88

 

CMYK 0 / 62 / 0 / 0

HEX #FF60FF

RGB 255 96 255

HSL 300, 1%, 0.69%

LAB 67.16, 78.59, -49.97

 

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

CMYK 0 / 97 / 1 / 33

HEX #AC06AB

RGB 172 6 171

HSL 300.36, 0.93%, 0.35%

LAB 40.96, 72.37, -44.46

 

CMYK 0 / 100 / 2 / 39

HEX #9B0098

RGB 155 0 152

HSL 301.16, 1%, 0.3%

LAB 36.43, 67.29, -40.43

 

CMYK 0 / 100 / 4 / 46

HEX #8A0085

RGB 138 0 133

HSL 302.17, 1%, 0.27%

LAB 32.03, 61.47, -35.93

 

CMYK 0 / 100 / 6 / 53

HEX #790072

RGB 121 0 114

HSL 303.47, 1%, 0.24%

LAB 27.52, 55.51, -31.3

 

CMYK 1 / 87 / 0 / 25

HEX #BE18BF

RGB 190 24 191

HSL 299.64, 0.78%, 0.42%

LAB 46.13, 76.26, -47.82

 

CMYK 0 / 87 / 23 / 25

HEX #BF1893

RGB 191 24 147

HSL 315.81, 0.78%, 0.42%

LAB 44, 70.4, -25.01

 

CMYK 0 / 87 / 47 / 25

HEX #BF1866

RGB 191 24 102

HSL 331.98, 0.78%, 0.42%

LAB 42.29, 65.7, 0.18

 

CMYK 0 / 87 / 71 / 25

HEX #BF1838

RGB 191 24 56

HSL 348.5, 0.78%, 0.42%

LAB 41.24, 62.7, 27.68

 

CMYK 0 / 87 / 87 / 25

HEX #BF1818

RGB 191 24 24

HSL 0, 0.78%, 0.42%

LAB 40.89, 61.68, 45.47

 

CMYK 1 / 87 / 0 / 25

HEX #BE18BF

RGB 190 24 191

HSL 299.64, 0.78%, 0.42%

LAB 46.13, 76.26, -47.82

 

CMYK 24 / 87 / 0 / 25

HEX #9118BF

RGB 145 24 191

HSL 283.47, 0.78%, 0.42%

LAB 38.61, 68.82, -60.32

 

CMYK 48 / 87 / 0 / 25

HEX #6418BF

RGB 100 24 191

HSL 267.31, 0.78%, 0.42%

LAB 32.09, 62.84, -71.26

 

CMYK 72 / 87 / 0 / 25

HEX #3618BF

RGB 54 24 191

HSL 250.78, 0.78%, 0.42%

LAB 27.29, 58.89, -79.35

 

CMYK 87 / 87 / 0 / 25

HEX #1818BF

RGB 24 24 191

HSL 240, 0.78%, 0.42%

LAB 25.59, 57.61, -82.23

 

CMYK 1 / 87 / 0 / 25

HEX #BE18BF

RGB 190 24 191

HSL 299.64, 0.78%, 0.42%

LAB 46.13, 76.26, -47.82

 

CMYK 0 / 97 / 0 / 18

HEX #CF06D0

RGB 207 6 208

HSL 299.7, 0.94%, 0.42%

LAB 49.44, 83.63, -52.22

 

CMYK 1 / 87 / 0 / 25

HEX #BE18BF

RGB 190 24 191

HSL 299.64, 0.78%, 0.42%

LAB 46.13, 76.26, -47.82

 

CMYK 0 / 76 / 0 / 32

HEX #AD29AD

RGB 173 41 173

HSL 300, 0.62%, 0.42%

LAB 43.49, 66.36, -41.61

 

CMYK 1 / 63 / 0 / 39

HEX #9B3A9C

RGB 155 58 156

HSL 299.39, 0.46%, 0.42%

LAB 41.84, 53.12, -34.27

 

CMYK 1 / 45 / 0 / 45

HEX #8A4C8B

RGB 138 76 139

HSL 299.05, 0.29%, 0.42%

LAB 41.9, 36.09, -24.08

 

CMYK 0 / 23 / 0 / 53

HEX #795D79

RGB 121 93 121

HSL 300, 0.13%, 0.42%

LAB 43.17, 16.64, -11.38

 

CMYK 48 / 87 / 0 / 25

HEX #6318BF

RGB 99 24 191

HSL 266.95, 0.78%, 0.42%

LAB 31.96, 62.73, -71.48

 

CMYK 25 / 87 / 0 / 25

HEX #8F18BF

RGB 143 24 191

HSL 282.75, 0.78%, 0.42%

LAB 38.3, 68.52, -60.85

 

CMYK 2 / 87 / 0 / 25

HEX #BC18BF

RGB 188 24 191

HSL 298.92, 0.78%, 0.42%

LAB 45.78, 75.91, -48.4

 

CMYK 0 / 87 / 22 / 25

HEX #BF1895

RGB 191 24 149

HSL 315.09, 0.78%, 0.42%

LAB 44.09, 70.64, -26.08

 

CMYK 0 / 87 / 46 / 25

HEX #BF1868

RGB 191 24 104

HSL 331.26, 0.78%, 0.42%

LAB 42.35, 65.87, -0.99

 

CMYK 0 / 88 / 0 / 54

HEX #750E75

RGB 117 14 117

HSL 300, 0.79%, 0.26%

LAB 27.79, 52.7, -32.83

 

CMYK 1 / 88 / 0 / 40

HEX #99139A

RGB 153 19 154

HSL 299.56, 0.78%, 0.34%

LAB 37.06, 64.68, -40.66

 

CMYK 1 / 87 / 0 / 25

HEX #BE18BF

RGB 190 24 191

HSL 299.64, 0.78%, 0.42%

LAB 46.13, 76.26, -47.82

 

CMYK 0 / 88 / 0 / 11

HEX #E21CE3

RGB 226 28 227

HSL 299.7, 0.78%, 0.5%

LAB 54.6, 87.24, -54.6

 

CMYK 0 / 72 / 0 / 9

HEX #E741E8

RGB 231 65 232

HSL 299.64, 0.78%, 0.58%

LAB 58.6, 80.49, -51

 

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

CMYK 0 / 72 / 87 / 25

HEX #BF3618

RGB 191 54 24

HSL 10.78, 0.78%, 0.42%

LAB 43.92, 53.18, 47.91

 

CMYK 87 / 0 / 37 / 25

HEX #18BF79

RGB 24 191 121

HSL 154.85, 0.78%, 0.42%

LAB 68.63, -55.68, 24.43

 

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

CMYK 0 / 2 / 87 / 25

HEX #BFBC18

RGB 191 188 24

HSL 58.92, 0.78%, 0.42%

LAB 74.26, -15.5, 72.32

 

CMYK 87 / 0 / 2 / 25

HEX #18BFBC

RGB 24 191 188

HSL 178.92, 0.78%, 0.42%

LAB 70.24, -38.68, -9.65

 

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

CMYK 0 / 72 / 87 / 25

HEX #BF3618

RGB 191 54 24

HSL 10.78, 0.78%, 0.42%

LAB 43.92, 53.18, 47.91

 

CMYK 86 / 0 / 87 / 25

HEX #1ABF18

RGB 26 191 24

HSL 119.28, 0.78%, 0.42%

LAB 67.69, -67.23, 63.79

 

CMYK 87 / 16 / 0 / 25

HEX #18A0BF

RGB 24 160 191

HSL 191.14, 0.78%, 0.42%

LAB 60.87, -22.7, -25.51

 

CMYK 1 / 87 / 0 / 25

HEX #BD18BE

RGB 189 24 190

HSL 299.64, 0.78%, 0.42%

LAB 45.89, 75.93, -47.62

 

CMYK 0 / 46 / 87 / 25

HEX #BF6818

RGB 191 104 24

HSL 28.74, 0.78%, 0.42%

LAB 53, 29.66, 55.22

 

CMYK 86 / 0 / 87 / 25

HEX #1ABF18

RGB 26 191 24

HSL 119.28, 0.78%, 0.42%

LAB 67.69, -67.23, 63.79

 

CMYK 87 / 42 / 0 / 25

HEX #186EBF

RGB 24 110 191

HSL 209.1, 0.78%, 0.42%

LAB 45.78, 6.03, -49.2

 

Description

Color code: HEX #BD18BE | qconv.com Color code: HEX #BD18BE | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 24 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 24 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 87 magenta, none yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 87% 0% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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