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Color name
HEX #BD1128

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD1128 it is the complementary color #42EED7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD1128. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD1128 shade: #C21123, #D32336, #E43549, #F5475C and #FF596F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD1128. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD1128 shade: #BD1128, #AC0015, #9B0002, #8A0000 and #790000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD1128 shade: #BB1128 and #BB1111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD1128 shade: #BB1128, #BB1156, #BB1183, #BB11B1 and #9711BB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD1128 shade matches the following richer shades: #BB1128 and #CB011C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD1128 shade: #BB1128, #AA2234, #9A3240, #89434C and #795358

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD1128 shade: #BB1185, #BB1158, #BB112B, #BB2511 and #BB5211

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD1128 shade: #6F0A18, #950E20, #BB1128, #E01530 and #EC334B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD1128 shade: #BD1128, #B2BB11 and #116EBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD1128 shade: #BD1128, #2BBB11 and #112BBB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD1128 shade: #BD1128, #B2BB11, #11BBA1 and #1A11BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD1128 shade: #BD1128, #7FBB11, #11BBA1 and #4D11BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

Complementary color

CMYK 72 / 0 / 10 / 7

HEX #42EED7

RGB 66 238 215

HSL 171.98, 0.83%, 0.6%

LAB 85.61, -48.03, -1.35

 

CMYK 0 / 91 / 82 / 24

HEX #C21123

RGB 194 17 35

HSL 353.9, 0.84%, 0.41%

LAB 41.2, 63.89, 40.26

 

CMYK 0 / 83 / 74 / 17

HEX #D32336

RGB 211 35 54

HSL 353.52, 0.72%, 0.48%

LAB 46.07, 65.69, 35.56

 

CMYK 0 / 77 / 68 / 11

HEX #E43549

RGB 228 53 73

HSL 353.14, 0.76%, 0.55%

LAB 51.29, 66.52, 31.37

 

CMYK 0 / 71 / 62 / 4

HEX #F5475C

RGB 245 71 92

HSL 352.76, 0.9%, 0.62%

LAB 56.77, 66.68, 27.79

 

CMYK 0 / 65 / 56 / 0

HEX #FF596F

RGB 255 89 111

HSL 352.05, 1%, 0.67%

LAB 61.27, 64.25, 22.99

 

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

CMYK 0 / 100 / 88 / 33

HEX #AC0015

RGB 172 0 21

HSL 352.67, 1%, 0.34%

LAB 35.64, 59.92, 41

 

CMYK 0 / 100 / 99 / 39

HEX #9B0002

RGB 155 0 2

HSL 359.23, 1%, 0.3%

LAB 31.75, 55.26, 44.86

 

CMYK 0 / 100 / 100 / 46

HEX #8A0000

RGB 138 0 0

HSL 0, 1%, 0.27%

LAB 27.85, 50.74, 41.01

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 91 / 91 / 27

HEX #BB1111

RGB 187 17 17

HSL 0, 0.83%, 0.4%

LAB 39.59, 61.67, 47.28

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 91 / 54 / 27

HEX #BB1156

RGB 187 17 86

HSL 335.65, 0.83%, 0.4%

LAB 40.63, 64.61, 7.8

 

CMYK 0 / 91 / 30 / 27

HEX #BB1183

RGB 187 17 131

HSL 319.76, 0.83%, 0.4%

LAB 42.16, 68.77, -18.14

 

CMYK 0 / 91 / 5 / 27

HEX #BB11B1

RGB 187 17 177

HSL 303.53, 0.83%, 0.4%

LAB 44.43, 74.68, -42.33

 

CMYK 19 / 91 / 0 / 27

HEX #9711BB

RGB 151 17 187

HSL 287.29, 0.83%, 0.4%

LAB 38.84, 70.29, -57.55

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 100 / 86 / 20

HEX #CB011C

RGB 203 1 28

HSL 351.98, 0.99%, 0.4%

LAB 42.46, 67.72, 45.84

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 80 / 69 / 33

HEX #AA2234

RGB 170 34 52

HSL 352.06, 0.67%, 0.4%

LAB 37.73, 54.3, 24.9

 

CMYK 0 / 68 / 58 / 40

HEX #9A3240

RGB 154 50 64

HSL 351.92, 0.51%, 0.4%

LAB 36.97, 44.22, 15.74

 

CMYK 0 / 51 / 45 / 46

HEX #89434C

RGB 137 67 76

HSL 352.29, 0.34%, 0.4%

LAB 37.58, 30.75, 8.54

 

CMYK 0 / 31 / 27 / 53

HEX #795358

RGB 121 83 88

HSL 352.11, 0.19%, 0.4%

LAB 39.51, 16.63, 3.48

 

CMYK 0 / 91 / 29 / 27

HEX #BB1185

RGB 187 17 133

HSL 319.06, 0.83%, 0.4%

LAB 42.25, 68.99, -19.24

 

CMYK 0 / 91 / 53 / 27

HEX #BB1158

RGB 187 17 88

HSL 334.94, 0.83%, 0.4%

LAB 40.69, 64.76, 6.6

 

CMYK 0 / 91 / 77 / 27

HEX #BB112B

RGB 187 17 43

HSL 350.82, 0.83%, 0.4%

LAB 39.82, 62.31, 33.74

 

CMYK 0 / 80 / 91 / 27

HEX #BB2511

RGB 187 37 17

HSL 7.06, 0.83%, 0.4%

LAB 41.1, 57.37, 48.34

 

CMYK 0 / 56 / 91 / 27

HEX #BB5211

RGB 187 82 17

HSL 22.94, 0.83%, 0.4%

LAB 47.8, 39.3, 53.18

 

CMYK 0 / 91 / 78 / 56

HEX #6F0A18

RGB 111 10 24

HSL 351.68, 0.83%, 0.24%

LAB 22.52, 41.82, 21.77

 

CMYK 0 / 91 / 79 / 42

HEX #950E20

RGB 149 14 32

HSL 352, 0.83%, 0.32%

LAB 31.37, 52.21, 28.85

 

CMYK 0 / 91 / 79 / 27

HEX #BB1128

RGB 187 17 40

HSL 351.88, 0.83%, 0.4%

LAB 39.78, 62.21, 35.48

 

CMYK 0 / 91 / 79 / 12

HEX #E01530

RGB 224 21 48

HSL 352.02, 0.83%, 0.48%

LAB 47.75, 71.39, 41.61

 

CMYK 0 / 78 / 68 / 7

HEX #EC334B

RGB 236 51 75

HSL 352.22, 0.83%, 0.56%

LAB 52.63, 69.42, 32.18

 

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

CMYK 5 / 0 / 91 / 27

HEX #B2BB11

RGB 178 187 17

HSL 63.18, 0.83%, 0.4%

LAB 72.92, -20.75, 72.01

 

CMYK 91 / 41 / 0 / 27

HEX #116EBB

RGB 17 110 187

HSL 207.18, 0.83%, 0.4%

LAB 45.44, 4.03, -47.44

 

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

CMYK 77 / 0 / 91 / 27

HEX #2BBB11

RGB 43 187 17

HSL 110.82, 0.83%, 0.4%

LAB 66.59, -64.33, 64.22

 

CMYK 91 / 77 / 0 / 27

HEX #112BBB

RGB 17 43 187

HSL 230.82, 0.83%, 0.4%

LAB 27.94, 47.16, -75.96

 

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

CMYK 5 / 0 / 91 / 27

HEX #B2BB11

RGB 178 187 17

HSL 63.18, 0.83%, 0.4%

LAB 72.92, -20.75, 72.01

 

CMYK 91 / 0 / 14 / 27

HEX #11BBA1

RGB 17 187 161

HSL 170.82, 0.83%, 0.4%

LAB 68.19, -44.97, 2.15

 

CMYK 86 / 91 / 0 / 27

HEX #1A11BB

RGB 26 17 187

HSL 243.18, 0.83%, 0.4%

LAB 24.35, 58.9, -81.93

 

CMYK 0 / 91 / 79 / 26

HEX #BD1128

RGB 189 17 40

HSL 351.98, 0.83%, 0.4%

LAB 40.2, 62.73, 36.05

 

CMYK 32 / 0 / 91 / 27

HEX #7FBB11

RGB 127 187 17

HSL 81.18, 0.83%, 0.4%

LAB 69.54, -41.54, 67.87

 

CMYK 91 / 0 / 14 / 27

HEX #11BBA1

RGB 17 187 161

HSL 170.82, 0.83%, 0.4%

LAB 68.19, -44.97, 2.15

 

CMYK 59 / 91 / 0 / 27

HEX #4D11BB

RGB 77 17 187

HSL 261.18, 0.83%, 0.4%

LAB 28.29, 61.52, -75.26

 

Description

Color code: HEX #BD1128 | qconv.com Color code: HEX #BD1128 | qconv.com - big

Red clearly dominates: The red value is significantly higher than green and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 17 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 17 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 79 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 79% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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