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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BD1041 it is the complementary color #42EFBE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BD1041. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BD1041 shade: #C2103C, #D3224F, #E43462, #F54675 and #FF5888

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BD1041. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BD1041 shade: #BD1041, #AC002E, #9B001B, #8A0008 and #790000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BD1041 shade: #BC1041, #BC1013 and #BC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BD1041 shade: #BC1041, #BC106F, #BC109D, #AC10BC and #7E10BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BD1041 shade matches the following richer shades: #BC1041

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BD1041 shade: #BC1041, #AB2148, #9B314F, #8A4256 and #7A525D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BD1041 shade: #BC109C, #BC106F, #BC1041, #BC1013 and #BC3B10

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BD1041 shade: #700A27, #960D34, #BC1041, #E2144E and #ED3167

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BD1041 shade: #BD1041, #BCAD10 and #1085BC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BD1041 shade: #BD1041, #41BC10 and #1041BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BD1041 shade: #BD1041, #BCAD10, #10BC8B and #101FBC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BD1041 shade: #BD1041, #97BC10, #10BC8B and #3510BC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

Complementary color

CMYK 72 / 0 / 21 / 6

HEX #42EFBE

RGB 66 239 190

HSL 163.01, 0.84%, 0.6%

LAB 85.31, -54.6, 11.3

 

CMYK 0 / 92 / 69 / 24

HEX #C2103C

RGB 194 16 60

HSL 345.17, 0.85%, 0.41%

LAB 41.48, 64.94, 25.63

 

CMYK 0 / 84 / 63 / 17

HEX #D3224F

RGB 211 34 79

HSL 344.75, 0.72%, 0.48%

LAB 46.39, 67.1, 20.84

 

CMYK 0 / 77 / 57 / 11

HEX #E43462

RGB 228 52 98

HSL 344.32, 0.77%, 0.55%

LAB 51.65, 68.26, 16.86

 

CMYK 0 / 71 / 52 / 4

HEX #F54675

RGB 245 70 117

HSL 343.89, 0.9%, 0.62%

LAB 57.15, 68.7, 13.58

 

CMYK 0 / 65 / 47 / 0

HEX #FF5888

RGB 255 88 136

HSL 342.75, 1%, 0.67%

LAB 61.67, 66.61, 9.05

 

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

CMYK 0 / 100 / 73 / 33

HEX #AC002E

RGB 172 0 46

HSL 343.95, 1%, 0.34%

LAB 35.92, 60.68, 26.58

 

CMYK 0 / 100 / 83 / 39

HEX #9B001B

RGB 155 0 27

HSL 349.55, 1%, 0.3%

LAB 31.92, 55.73, 32.88

 

CMYK 0 / 100 / 94 / 46

HEX #8A0008

RGB 138 0 8

HSL 356.52, 1%, 0.27%

LAB 27.9, 50.87, 37.79

 

CMYK 0 / 100 / 100 / 53

HEX #790000

RGB 121 0 0

HSL 0, 1%, 0.24%

LAB 23.89, 46.15, 35.9

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 91 / 90 / 26

HEX #BC1013

RGB 188 16 19

HSL 358.95, 0.84%, 0.4%

LAB 39.76, 62.11, 46.64

 

CMYK 0 / 91 / 91 / 26

HEX #BC1010

RGB 188 16 16

HSL 0, 0.84%, 0.4%

LAB 39.75, 62.07, 47.91

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 91 / 41 / 26

HEX #BC106F

RGB 188 16 111

HSL 326.86, 0.84%, 0.4%

LAB 41.55, 67.07, -6.63

 

CMYK 0 / 91 / 16 / 26

HEX #BC109D

RGB 188 16 157

HSL 310.81, 0.84%, 0.4%

LAB 43.5, 72.25, -31.86

 

CMYK 9 / 91 / 0 / 26

HEX #AC10BC

RGB 172 16 188

HSL 294.42, 0.84%, 0.4%

LAB 42.42, 73.92, -52.19

 

CMYK 33 / 91 / 0 / 26

HEX #7E10BC

RGB 126 16 188

HSL 278.37, 0.84%, 0.4%

LAB 34.88, 67.12, -64.77

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 81 / 58 / 33

HEX #AB2148

RGB 171 33 72

HSL 343.04, 0.68%, 0.4%

LAB 38.22, 56.09, 12.89

 

CMYK 0 / 68 / 49 / 39

HEX #9B314F

RGB 155 49 79

HSL 343.02, 0.52%, 0.4%

LAB 37.35, 46.26, 6.74

 

CMYK 0 / 52 / 38 / 46

HEX #8A4256

RGB 138 66 86

HSL 343.33, 0.35%, 0.4%

LAB 37.79, 32.88, 2.55

 

CMYK 0 / 33 / 24 / 52

HEX #7A525D

RGB 122 82 93

HSL 343.5, 0.2%, 0.4%

LAB 39.52, 18.44, 0.4

 

CMYK 0 / 91 / 17 / 26

HEX #BC109C

RGB 188 16 156

HSL 311.16, 0.84%, 0.4%

LAB 43.45, 72.12, -31.34

 

CMYK 0 / 91 / 41 / 26

HEX #BC106F

RGB 188 16 111

HSL 326.86, 0.84%, 0.4%

LAB 41.55, 67.07, -6.63

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 91 / 90 / 26

HEX #BC1013

RGB 188 16 19

HSL 358.95, 0.84%, 0.4%

LAB 39.76, 62.11, 46.64

 

CMYK 0 / 69 / 91 / 26

HEX #BC3B10

RGB 188 59 16

HSL 15, 0.84%, 0.4%

LAB 44.03, 50.09, 50.86

 

CMYK 0 / 91 / 65 / 56

HEX #700A27

RGB 112 10 39

HSL 342.94, 0.84%, 0.24%

LAB 23.03, 42.92, 12.18

 

CMYK 0 / 91 / 65 / 41

HEX #960D34

RGB 150 13 52

HSL 342.92, 0.84%, 0.32%

LAB 31.85, 53.59, 16.57

 

CMYK 0 / 91 / 65 / 26

HEX #BC1041

RGB 188 16 65

HSL 342.91, 0.84%, 0.4%

LAB 40.32, 63.68, 20.75

 

CMYK 0 / 91 / 65 / 11

HEX #E2144E

RGB 226 20 78

HSL 343.11, 0.84%, 0.48%

LAB 48.53, 73.22, 24.82

 

CMYK 0 / 79 / 57 / 7

HEX #ED3167

RGB 237 49 103

HSL 342.77, 0.84%, 0.56%

LAB 53.15, 71.81, 16.17

 

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

CMYK 0 / 8 / 91 / 26

HEX #BCAD10

RGB 188 173 16

HSL 54.77, 0.84%, 0.4%

LAB 69.91, -9.27, 70.17

 

CMYK 91 / 29 / 0 / 26

HEX #1085BC

RGB 16 133 188

HSL 199.19, 0.84%, 0.4%

LAB 52.42, -9.48, -36.96

 

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

CMYK 65 / 0 / 91 / 26

HEX #41BC10

RGB 65 188 16

HSL 102.91, 0.84%, 0.4%

LAB 67.37, -60.7, 65.23

 

CMYK 91 / 65 / 0 / 26

HEX #1041BC

RGB 16 65 188

HSL 222.91, 0.84%, 0.4%

LAB 32.97, 33.93, -68.25

 

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

CMYK 0 / 8 / 91 / 26

HEX #BCAD10

RGB 188 173 16

HSL 54.77, 0.84%, 0.4%

LAB 69.91, -9.27, 70.17

 

CMYK 91 / 0 / 26 / 26

HEX #10BC8B

RGB 16 188 139

HSL 162.91, 0.84%, 0.4%

LAB 67.98, -51.04, 13.86

 

CMYK 91 / 84 / 0 / 26

HEX #101FBC

RGB 16 31 188

HSL 234.77, 0.84%, 0.4%

LAB 25.92, 53.6, -79.9

 

CMYK 0 / 92 / 66 / 26

HEX #BD1041

RGB 189 16 65

HSL 343.01, 0.84%, 0.4%

LAB 40.53, 63.93, 21.06

 

CMYK 20 / 0 / 91 / 26

HEX #97BC10

RGB 151 188 16

HSL 72.91, 0.84%, 0.4%

LAB 71.27, -32.59, 70.03

 

CMYK 91 / 0 / 26 / 26

HEX #10BC8B

RGB 16 188 139

HSL 162.91, 0.84%, 0.4%

LAB 67.98, -51.04, 13.86

 

CMYK 72 / 91 / 0 / 26

HEX #3510BC

RGB 53 16 188

HSL 252.91, 0.84%, 0.4%

LAB 26.03, 60.47, -79.67

 

Description

Color code: HEX #BD1041 | qconv.com Color code: HEX #BD1041 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 189 red, 16 green and 65 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
189 16 65 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 66 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 66% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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