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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFCC8CE it is the complementary color #430337CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFCC8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFCC8CE shade: #C1FCC3CE, #D2FFD6CE, #E3FFE9CE, #F4FFFCCE and #FFFFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFCC8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFCC8CE shade: #BCFCC8CE, #ABEAB5CE, #9AD8A2CE, #89C68FCE and #78B47CCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFCC8CE shade: #BBFCC7, #C0FCBB, #D2FCBB, #E3FCBB and #F5FCBB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFCC8CE shade: #BBFCC7, #BBFCD9, #BBFCEA, #BBFCFC and #BBEAFC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFCC8CE shade matches the following richer shades: #BBFCC7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFCC8CE shade: #BBFCC7, #C1F6CB, #C6F0CE, #CCEAD2 and #D2E5D5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFCC8CE shade: #D2FCBB, #C0FCBB, #BBFCC7, #BBFCD8 and #BBFCE9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFCC8CE shade: #6CF886, #93FAA7, #BBFCC7, #E2FEE7 and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFCC8CE shade: #BCFCC8, #BBE3FC and #FCBBC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFCC8CE shade: #BCFCC8, #C7BBFC and #FCC7BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFCC8CE shade: #BCFCC8, #BBE3FC, #FCBBF0 and #FCD4BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFCC8CE shade: #BCFCC8, #BBCFFC, #FCBBF0 and #FCE7BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 17 / 1

HEX #BCFCC8CE

RGBA 188 252 200 0.81

HSLA 131.25, 0.91%, 0.86%, 0.81

LABA 93.66, -29.96, 18.56, 0.81

 

Complementary color

CMYK 0 / 77 / 15 / 60

HEX #430337CE

RGBA 67 3 55 0.81

HSLA 311.25, 0.91%, 0.14%, 0.81

LABA 12.82, 34.42, -15.38, 0.81

 

CMYK 19 / 0 / 18 / 1

HEX #C1FCC3CE

RGBA 193 252 195 0.81

HSLA 122.03, 0.91%, 0.87%, 0.81

LABA 93.84, -29.23, 21.41, 0.81

 

CMYK 14 / 0 / 13 / 0

HEX #D2FFD6CE

RGBA 210 255 214 0.81

HSLA 125.33, 1%, 0.91%, 0.81

LABA 96.03, -21.92, 14.91, 0.81

 

CMYK 9 / 0 / 7 / 0

HEX #E3FFE9CE

RGBA 227 255 233 0.81

HSLA 132.86, 1%, 0.95%, 0.81

LABA 97.52, -13.06, 7.44, 0.81

 

CMYK 3 / 0 / 1 / 0

HEX #F4FFFCCE

RGBA 244 255 252 0.81

HSLA 163.64, 1%, 0.98%, 0.81

LABA 99.14, -4.13, 0.17, 0.81

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFCE

RGBA 255 255 255 0.81

HSLA 0, 0%, 1%, 0.81

LABA 100, 0.01, -0.01, 0.81

 

CMYK 21 / 0 / 17 / 1

HEX #BCFCC8CE

RGBA 188 252 200 0.81

HSLA 131.25, 0.91%, 0.86%, 0.81

LABA 93.66, -29.96, 18.56, 0.81

 

CMYK 22 / 0 / 18 / 7

HEX #ABEAB5CE

RGBA 171 234 181 0.81

HSLA 129.52, 0.6%, 0.79%, 0.81

LABA 87.41, -30.18, 19.48, 0.81

 

CMYK 23 / 0 / 20 / 12

HEX #9AD8A2CE

RGBA 154 216 162 0.81

HSLA 127.74, 0.44%, 0.73%, 0.81

LABA 81.07, -30.42, 20.45, 0.81

 

CMYK 25 / 0 / 23 / 18

HEX #89C68FCE

RGBA 137 198 143 0.81

HSLA 125.9, 0.35%, 0.66%, 0.81

LABA 74.63, -30.67, 21.48, 0.81

 

CMYK 27 / 0 / 25 / 24

HEX #78B47CCE

RGBA 120 180 124 0.81

HSLA 124, 0.29%, 0.59%, 0.81

LABA 68.09, -30.93, 22.57, 0.81

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 24 / 0 / 26 / 1

HEX #C0FCBB

RGB 192 252 187

HSL 115.38, 0.92%, 0.86%

LAB 93.63, -30.86, 25.18

 

CMYK 17 / 0 / 26 / 1

HEX #D2FCBB

RGB 210 252 187

HSL 98.77, 0.92%, 0.86%

LAB 94.7, -24.85, 26.82

 

CMYK 10 / 0 / 26 / 1

HEX #E3FCBB

RGB 227 252 187

HSL 83.08, 0.92%, 0.86%

LAB 95.81, -18.94, 28.51

 

CMYK 3 / 0 / 26 / 1

HEX #F5FCBB

RGB 245 252 187

HSL 66.46, 0.92%, 0.86%

LAB 97.07, -12.49, 30.44

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 26 / 0 / 14 / 1

HEX #BBFCD9

RGB 187 252 217

HSL 147.69, 0.92%, 0.86%

LAB 93.97, -27.18, 10.25

 

CMYK 26 / 0 / 7 / 1

HEX #BBFCEA

RGB 187 252 234

HSL 163.38, 0.92%, 0.86%

LAB 94.37, -23.85, 2.06

 

CMYK 26 / 0 / 0 / 1

HEX #BBFCFC

RGB 187 252 252

HSL 180, 0.92%, 0.86%

LAB 94.83, -20.08, -6.56

 

CMYK 26 / 7 / 0 / 1

HEX #BBEAFC

RGB 187 234 252

HSL 196.62, 0.92%, 0.86%

LAB 90.06, -11.1, -13.65

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 22 / 0 / 17 / 4

HEX #C1F6CB

RGB 193 246 203

HSL 131.32, 0.75%, 0.86%

LAB 92.38, -25, 15.26

 

CMYK 18 / 0 / 14 / 6

HEX #C6F0CE

RGB 198 240 206

HSL 131.43, 0.58%, 0.86%

LAB 91.14, -19.95, 11.99

 

CMYK 13 / 0 / 10 / 8

HEX #CCEAD2

RGB 204 234 210

HSL 132, 0.42%, 0.86%

LAB 90.02, -14.29, 8.36

 

CMYK 8 / 0 / 7 / 10

HEX #D2E5D5

RGB 210 229 213

HSL 129.47, 0.27%, 0.86%

LAB 89.18, -9.24, 5.64

 

CMYK 17 / 0 / 26 / 1

HEX #D2FCBB

RGB 210 252 187

HSL 98.77, 0.92%, 0.86%

LAB 94.7, -24.85, 26.82

 

CMYK 24 / 0 / 26 / 1

HEX #C0FCBB

RGB 192 252 187

HSL 115.38, 0.92%, 0.86%

LAB 93.63, -30.86, 25.18

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 26 / 0 / 14 / 1

HEX #BBFCD8

RGB 187 252 216

HSL 146.77, 0.92%, 0.86%

LAB 93.94, -27.37, 10.73

 

CMYK 26 / 0 / 8 / 1

HEX #BBFCE9

RGB 187 252 233

HSL 162.46, 0.92%, 0.86%

LAB 94.34, -24.05, 2.54

 

CMYK 56 / 0 / 46 / 3

HEX #6CF886

RGB 108 248 134

HSL 131.14, 0.91%, 0.7%

LAB 87.99, -61.28, 43.42

 

CMYK 41 / 0 / 33 / 2

HEX #93FAA7

RGB 147 250 167

HSL 131.65, 0.91%, 0.78%

LAB 90.49, -46.96, 30.66

 

CMYK 26 / 0 / 21 / 1

HEX #BBFCC7

RGB 187 252 199

HSL 131.08, 0.92%, 0.86%

LAB 93.58, -30.45, 18.96

 

CMYK 11 / 0 / 9 / 0

HEX #E2FEE7

RGB 226 254 231

HSL 130.71, 0.93%, 0.94%

LAB 97.16, -13.25, 7.93

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 21 / 1

HEX #BCFCC8

RGB 188 252 200

HSL 131.25, 0.91%, 0.86%

LAB 93.66, -29.96, 18.56

 

CMYK 26 / 10 / 0 / 1

HEX #BBE3FC

RGB 187 227 252

HSL 203.08, 0.92%, 0.86%

LAB 88.22, -7.52, -16.41

 

CMYK 0 / 26 / 20 / 1

HEX #FCBBC9

RGB 252 187 201

HSL 347.08, 0.92%, 0.86%

LAB 82.08, 25.42, 2.17

 

CMYK 25 / 0 / 21 / 1

HEX #BCFCC8

RGB 188 252 200

HSL 131.25, 0.91%, 0.86%

LAB 93.66, -29.96, 18.56

 

CMYK 21 / 26 / 0 / 1

HEX #C7BBFC

RGB 199 187 252

HSL 251.08, 0.92%, 0.86%

LAB 78.87, 17.32, -30.54

 

CMYK 0 / 21 / 26 / 1

HEX #FCC7BB

RGB 252 199 187

HSL 11.08, 0.92%, 0.86%

LAB 84.55, 17.13, 13.2

 

CMYK 25 / 0 / 21 / 1

HEX #BCFCC8

RGB 188 252 200

HSL 131.25, 0.91%, 0.86%

LAB 93.66, -29.96, 18.56

 

CMYK 26 / 10 / 0 / 1

HEX #BBE3FC

RGB 187 227 252

HSL 203.08, 0.92%, 0.86%

LAB 88.22, -7.52, -16.41

 

CMYK 0 / 26 / 5 / 1

HEX #FCBBF0

RGB 252 187 240

HSL 311.08, 0.92%, 0.86%

LAB 83.19, 31.68, -17.11

 

CMYK 0 / 16 / 26 / 1

HEX #FCD4BB

RGB 252 212 187

HSL 23.08, 0.92%, 0.86%

LAB 87.66, 10.35, 17.58

 

CMYK 25 / 0 / 21 / 1

HEX #BCFCC8

RGB 188 252 200

HSL 131.25, 0.91%, 0.86%

LAB 93.66, -29.96, 18.56

 

CMYK 26 / 18 / 0 / 1

HEX #BBCFFC

RGB 187 207 252

HSL 221.54, 0.92%, 0.86%

LAB 83.03, 2.96, -24.26

 

CMYK 0 / 26 / 5 / 1

HEX #FCBBF0

RGB 252 187 240

HSL 311.08, 0.92%, 0.86%

LAB 83.19, 31.68, -17.11

 

CMYK 0 / 8 / 26 / 1

HEX #FCE7BB

RGB 252 231 187

HSL 40.62, 0.92%, 0.86%

LAB 92.32, 0.58, 24.05

 

Description

Color code: HEX #BCFCC8CE | qconv.com Color code: HEX #BCFCC8CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 252 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 252 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 17 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 17% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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