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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFC96CE it is the complementary color #430369CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFC96CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFC96CE shade: #C1FC91CE, #D2FFA4CE, #E3FFB7CE, #F4FFCACE and #FFFFDDCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFC96CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFC96CE shade: #BCFC96CE, #ABEA83CE, #9AD870CE, #89C65DCE and #78B44ACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFC96CE shade: #BDFC97, #D8FC97, #F3FC97, #FCEA97 and #FCCE97

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFC96CE shade: #BDFC97, #A1FC97, #97FCA8, #97FCC3 and #97FCDE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFC96CE shade matches the following richer shades: #BDFC97

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFC96CE shade: #BDFC97, #BFF3A0, #C1EAA8, #C3E2B1 and #C5D9BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFC96CE shade: #F3FC97, #D9FC97, #BEFC97, #A3FC97 and #97FCA6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFC96CE shade: #89F947, #A3FB6F, #BDFC97, #D6FDBF and #F0FEE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFC96CE shade: #BCFC96, #97FCE9 and #FC97E6

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFC96CE shade: #BCFC96, #97BEFC and #FC97BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFC96CE shade: #BCFC96, #97FCE9, #D597FC and #FC97AA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFC96CE shade: #BCFC96, #97F0FC, #D597FC and #FCA397

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 33 / 1

HEX #BCFC96CE

RGBA 188 252 150 0.81

HSLA 97.65, 0.94%, 0.79%, 0.81

LABA 92.8, -37.56, 42.51, 0.81

 

Complementary color

CMYK 29 / 79 / 0 / 48

HEX #430369CE

RGBA 67 3 105 0.81

HSLA 277.65, 0.94%, 0.21%, 0.81

LABA 16.88, 44.31, -43.14, 0.81

 

CMYK 19 / 0 / 34 / 1

HEX #C1FC91CE

RGBA 193 252 145 0.81

HSLA 93.08, 0.95%, 0.78%, 0.81

LABA 93.02, -36.46, 45.26, 0.81

 

CMYK 14 / 0 / 29 / 0

HEX #D2FFA4CE

RGBA 210 255 164 0.81

HSLA 89.67, 1%, 0.82%, 0.81

LABA 95.12, -29.51, 38.9, 0.81

 

CMYK 9 / 0 / 23 / 0

HEX #E3FFB7CE

RGBA 227 255 183 0.81

HSLA 83.33, 1%, 0.86%, 0.81

LABA 96.52, -20.95, 31.49, 0.81

 

CMYK 3 / 0 / 17 / 0

HEX #F4FFCACE

RGBA 244 255 202 0.81

HSLA 72.45, 1%, 0.9%, 0.81

LABA 98.04, -12.24, 24.17, 0.81

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFDDCE

RGBA 255 255 221 0.81

HSLA 60, 1%, 0.93%, 0.81

LABA 99.22, -5.56, 16.27, 0.81

 

CMYK 21 / 0 / 33 / 1

HEX #BCFC96CE

RGBA 188 252 150 0.81

HSLA 97.65, 0.94%, 0.79%, 0.81

LABA 92.8, -37.56, 42.51, 0.81

 

CMYK 22 / 0 / 36 / 7

HEX #ABEA83CE

RGBA 171 234 131 0.81

HSLA 96.7, 0.71%, 0.72%, 0.81

LABA 86.57, -37.66, 43.65, 0.81

 

CMYK 23 / 0 / 39 / 12

HEX #9AD870CE

RGBA 154 216 112 0.81

HSLA 95.77, 0.57%, 0.64%, 0.81

LABA 80.26, -37.74, 44.81, 0.81

 

CMYK 25 / 0 / 43 / 18

HEX #89C65DCE

RGBA 137 198 93 0.81

HSLA 94.86, 0.48%, 0.57%, 0.81

LABA 73.87, -37.77, 45.96, 0.81

 

CMYK 27 / 0 / 48 / 24

HEX #78B44ACE

RGBA 120 180 74 0.81

HSLA 93.96, 0.42%, 0.5%, 0.81

LABA 67.37, -37.72, 47.04, 0.81

 

CMYK 25 / 0 / 40 / 1

HEX #BDFC97

RGB 189 252 151

HSL 97.43, 0.94%, 0.79%

LAB 92.87, -37.09, 42.12

 

CMYK 14 / 0 / 40 / 1

HEX #D8FC97

RGB 216 252 151

HSL 81.39, 0.94%, 0.79%

LAB 94.51, -27.57, 44.54

 

CMYK 4 / 0 / 40 / 1

HEX #F3FC97

RGB 243 252 151

HSL 65.35, 0.94%, 0.79%

LAB 96.37, -17.53, 47.3

 

CMYK 0 / 7 / 40 / 1

HEX #FCEA97

RGB 252 234 151

HSL 49.31, 0.94%, 0.79%

LAB 92.48, -5.21, 42.48

 

CMYK 0 / 18 / 40 / 1

HEX #FCCE97

RGB 252 206 151

HSL 32.67, 0.94%, 0.79%

LAB 85.54, 9.08, 33.46

 

CMYK 25 / 0 / 40 / 1

HEX #BDFC97

RGB 189 252 151

HSL 97.43, 0.94%, 0.79%

LAB 92.87, -37.09, 42.12

 

CMYK 36 / 0 / 40 / 1

HEX #A1FC97

RGB 161 252 151

HSL 114.06, 0.94%, 0.79%

LAB 91.43, -46.16, 39.98

 

CMYK 40 / 0 / 33 / 1

HEX #97FCA8

RGB 151 252 168

HSL 130.1, 0.94%, 0.79%

LAB 91.25, -46.52, 31.21

 

CMYK 40 / 0 / 23 / 1

HEX #97FCC3

RGB 151 252 195

HSL 146.14, 0.94%, 0.79%

LAB 91.75, -41.74, 18.18

 

CMYK 40 / 0 / 12 / 1

HEX #97FCDE

RGB 151 252 222

HSL 162.18, 0.94%, 0.79%

LAB 92.34, -36.28, 5.11

 

CMYK 25 / 0 / 40 / 1

HEX #BDFC97

RGB 189 252 151

HSL 97.43, 0.94%, 0.79%

LAB 92.87, -37.09, 42.12

 

CMYK 25 / 0 / 40 / 1

HEX #BDFC97

RGB 189 252 151

HSL 97.43, 0.94%, 0.79%

LAB 92.87, -37.09, 42.12

 

CMYK 21 / 0 / 34 / 5

HEX #BFF3A0

RGB 191 243 160

HSL 97.59, 0.78%, 0.79%

LAB 90.65, -31.06, 34.79

 

CMYK 18 / 0 / 28 / 8

HEX #C1EAA8

RGB 193 234 168

HSL 97.27, 0.61%, 0.79%

LAB 88.45, -24.95, 27.82

 

CMYK 14 / 0 / 22 / 11

HEX #C3E2B1

RGB 195 226 177

HSL 97.96, 0.46%, 0.79%

LAB 86.59, -18.97, 20.64

 

CMYK 9 / 0 / 14 / 15

HEX #C5D9BA

RGB 197 217 186

HSL 98.71, 0.29%, 0.79%

LAB 84.5, -12.3, 13.02

 

CMYK 4 / 0 / 40 / 1

HEX #F3FC97

RGB 243 252 151

HSL 65.35, 0.94%, 0.79%

LAB 96.37, -17.53, 47.3

 

CMYK 14 / 0 / 40 / 1

HEX #D9FC97

RGB 217 252 151

HSL 80.79, 0.94%, 0.79%

LAB 94.57, -27.2, 44.64

 

CMYK 25 / 0 / 40 / 1

HEX #BEFC97

RGB 190 252 151

HSL 96.83, 0.94%, 0.79%

LAB 92.93, -36.75, 42.2

 

CMYK 35 / 0 / 40 / 1

HEX #A3FC97

RGB 163 252 151

HSL 112.87, 0.94%, 0.79%

LAB 91.52, -45.55, 40.12

 

CMYK 40 / 0 / 34 / 1

HEX #97FCA6

RGB 151 252 166

HSL 128.91, 0.94%, 0.79%

LAB 91.21, -46.85, 32.17

 

CMYK 45 / 0 / 71 / 2

HEX #89F947

RGB 137 249 71

HSL 97.75, 0.94%, 0.63%

LAB 88.7, -60.63, 71.23

 

CMYK 35 / 0 / 56 / 2

HEX #A3FB6F

RGB 163 251 111

HSL 97.71, 0.95%, 0.71%

LAB 90.75, -49.95, 57.91

 

CMYK 25 / 0 / 40 / 1

HEX #BDFC97

RGB 189 252 151

HSL 97.43, 0.94%, 0.79%

LAB 92.87, -37.09, 42.12

 

CMYK 15 / 0 / 25 / 1

HEX #D6FDBF

RGB 214 253 191

HSL 97.74, 0.94%, 0.87%

LAB 95.29, -23.36, 25.64

 

CMYK 6 / 0 / 9 / 0

HEX #F0FEE7

RGB 240 254 231

HSL 96.52, 0.92%, 0.95%

LAB 98.1, -8.6, 9.42

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC96

RGB 188 252 150

HSL 97.65, 0.94%, 0.79%

LAB 92.8, -37.56, 42.51

 

CMYK 40 / 0 / 8 / 1

HEX #97FCE9

RGB 151 252 233

HSL 168.71, 0.94%, 0.79%

LAB 92.61, -33.87, -0.19

 

CMYK 0 / 40 / 9 / 1

HEX #FC97E6

RGB 252 151 230

HSL 313.07, 0.94%, 0.79%

LAB 75.17, 48.68, -23.87

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC96

RGB 188 252 150

HSL 97.65, 0.94%, 0.79%

LAB 92.8, -37.56, 42.51

 

CMYK 40 / 25 / 0 / 1

HEX #97BEFC

RGB 151 190 252

HSL 216.83, 0.94%, 0.79%

LAB 76.34, 2.23, -34.73

 

CMYK 0 / 40 / 25 / 1

HEX #FC97BE

RGB 252 151 190

HSL 336.83, 0.94%, 0.79%

LAB 73.9, 42.63, -3.81

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC96

RGB 188 252 150

HSL 97.65, 0.94%, 0.79%

LAB 92.8, -37.56, 42.51

 

CMYK 40 / 0 / 8 / 1

HEX #97FCE9

RGB 151 252 233

HSL 168.71, 0.94%, 0.79%

LAB 92.61, -33.87, -0.19

 

CMYK 15 / 40 / 0 / 1

HEX #D597FC

RGB 213 151 252

HSL 276.83, 0.94%, 0.79%

LAB 71.76, 41.07, -41.46

 

CMYK 0 / 40 / 33 / 1

HEX #FC97AA

RGB 252 151 170

HSL 348.71, 0.94%, 0.79%

LAB 73.37, 40.02, 6.48

 

CMYK 25 / 0 / 40 / 1

HEX #BCFC96

RGB 188 252 150

HSL 97.65, 0.94%, 0.79%

LAB 92.8, -37.56, 42.51

 

CMYK 40 / 5 / 0 / 1

HEX #97F0FC

RGB 151 240 252

HSL 187.13, 0.94%, 0.79%

LAB 89.83, -23.7, -14.2

 

CMYK 15 / 40 / 0 / 1

HEX #D597FC

RGB 213 151 252

HSL 276.83, 0.94%, 0.79%

LAB 71.76, 41.07, -41.46

 

CMYK 0 / 35 / 40 / 1

HEX #FCA397

RGB 252 163 151

HSL 7.13, 0.94%, 0.79%

LAB 75.53, 31.59, 19.95

 

Description

Color code: HEX #BCFC96CE | qconv.com Color code: HEX #BCFC96CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 252 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 252 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 33 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 33% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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