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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFC7FCE it is the complementary color #430380CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFC7FCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFC7FCE shade: #C1FC7ACE, #D2FF8DCE, #E3FFA0CE, #F4FFB3CE and #FFFFC6CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFC7FCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFC7FCE shade: #BCFC7FCE, #ABEA6CCE, #9AD859CE, #89C646CE and #78B433CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFC7FCE shade: #BBFC7E, #DDFC7E, #FCF87E, #FCD67E and #FCB47E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFC7FCE shade: #BBFC7E, #99FC7E, #7EFC84, #7EFCA6 and #7EFCC8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFC7FCE shade matches the following richer shades: #BBFC7E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFC7FCE shade: #BBFC7E, #BBF188, #BCE693, #BCDC9E and #BCD1A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFC7FCE shade: #FCF77E, #DEFC7E, #BDFC7E, #9BFC7E and #7EFC82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFC7FCE shade: #91FA2D, #A6FB55, #BBFC7E, #D0FDA6 and #E5FECE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFC7FCE shade: #BCFC7F, #7EFCD6 and #FC7EEF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFC7FCE shade: #BCFC7F, #7EBDFC and #FC7EBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFC7FCE shade: #BCFC7F, #7EFCD6, #BD7EFC and #FC7EA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFC7FCE shade: #BCFC7F, #7EFCFC, #BD7EFC and #FC7E7E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 40 / 1

HEX #BCFC7FCE

RGBA 188 252 127 0.81

HSLA 90.72, 0.95%, 0.74%, 0.81

LABA 92.51, -40.26, 53.08, 0.81

 

Complementary color

CMYK 39 / 79 / 0 / 40

HEX #430380CE

RGBA 67 3 128 0.81

HSLA 270.72, 0.95%, 0.26%, 0.81

LABA 19.3, 49.61, -54.03, 0.81

 

CMYK 19 / 0 / 42 / 1

HEX #C1FC7ACE

RGBA 193 252 122 0.81

HSLA 87.23, 0.96%, 0.73%, 0.81

LABA 92.74, -39.02, 55.72, 0.81

 

CMYK 14 / 0 / 36 / 0

HEX #D2FF8DCE

RGBA 210 255 141 0.81

HSLA 83.68, 1%, 0.78%, 0.81

LABA 94.8, -32.27, 49.63, 0.81

 

CMYK 9 / 0 / 30 / 0

HEX #E3FFA0CE

RGBA 227 255 160 0.81

HSLA 77.68, 1%, 0.81%, 0.81

LABA 96.16, -23.91, 42.42, 0.81

 

CMYK 3 / 0 / 24 / 0

HEX #F4FFB3CE

RGBA 244 255 179 0.81

HSLA 68.68, 1%, 0.85%, 0.81

LABA 97.64, -15.36, 35.19, 0.81

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFC6CE

RGBA 255 255 198 0.81

HSLA 60, 1%, 0.89%, 0.81

LABA 98.77, -8.88, 27.33, 0.81

 

CMYK 21 / 0 / 40 / 1

HEX #BCFC7FCE

RGBA 188 252 127 0.81

HSLA 90.72, 0.95%, 0.74%, 0.81

LABA 92.51, -40.26, 53.08, 0.81

 

CMYK 22 / 0 / 44 / 7

HEX #ABEA6CCE

RGBA 171 234 108 0.81

HSLA 90, 0.75%, 0.67%, 0.81

LABA 86.3, -40.23, 54.16, 0.81

 

CMYK 23 / 0 / 48 / 12

HEX #9AD859CE

RGBA 154 216 89 0.81

HSLA 89.29, 0.62%, 0.6%, 0.81

LABA 80.01, -40.14, 55.16, 0.81

 

CMYK 25 / 0 / 52 / 18

HEX #89C646CE

RGBA 137 198 70 0.81

HSLA 88.59, 0.53%, 0.53%, 0.81

LABA 73.64, -39.95, 55.98, 0.81

 

CMYK 27 / 0 / 58 / 24

HEX #78B433CE

RGBA 120 180 51 0.81

HSLA 87.91, 0.56%, 0.45%, 0.81

LABA 67.18, -39.63, 56.46, 0.81

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 12 / 0 / 50 / 1

HEX #DDFC7E

RGB 221 252 126

HSL 74.76, 0.95%, 0.74%

LAB 94.53, -28.35, 56.45

 

CMYK 0 / 2 / 50 / 1

HEX #FCF87E

RGB 252 248 126

HSL 58.1, 0.95%, 0.74%

LAB 95.72, -14.48, 58.42

 

CMYK 0 / 15 / 50 / 1

HEX #FCD67E

RGB 252 214 126

HSL 41.9, 0.95%, 0.74%

LAB 87.14, 2.52, 48.09

 

CMYK 0 / 29 / 50 / 1

HEX #FCB47E

RGB 252 180 126

HSL 25.71, 0.95%, 0.74%

LAB 78.95, 20.2, 37.83

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 39 / 0 / 50 / 1

HEX #99FC7E

RGB 153 252 126

HSL 107.14, 0.95%, 0.74%

LAB 90.73, -51.87, 50.98

 

CMYK 50 / 0 / 48 / 1

HEX #7EFC84

RGB 126 252 132

HSL 122.86, 0.95%, 0.74%

LAB 89.73, -58.73, 46.69

 

CMYK 50 / 0 / 34 / 1

HEX #7EFCA6

RGB 126 252 166

HSL 139.05, 0.95%, 0.74%

LAB 90.23, -53.48, 30.68

 

CMYK 50 / 0 / 21 / 1

HEX #7EFCC8

RGB 126 252 200

HSL 155.24, 0.95%, 0.74%

LAB 90.88, -47, 14.25

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 22 / 0 / 44 / 5

HEX #BBF188

RGB 187 241 136

HSL 90.86, 0.79%, 0.74%

LAB 89.51, -34.65, 45.11

 

CMYK 18 / 0 / 36 / 10

HEX #BCE693

RGB 188 230 147

HSL 90.36, 0.62%, 0.74%

LAB 86.7, -27.77, 36.09

 

CMYK 15 / 0 / 28 / 14

HEX #BCDC9E

RGB 188 220 158

HSL 90.97, 0.47%, 0.74%

LAB 84.15, -21.41, 27.08

 

CMYK 10 / 0 / 19 / 18

HEX #BCD1A9

RGB 188 209 169

HSL 91.5, 0.3%, 0.74%

LAB 81.38, -14.23, 17.52

 

CMYK 0 / 2 / 50 / 1

HEX #FCF77E

RGB 252 247 126

HSL 57.62, 0.95%, 0.74%

LAB 95.46, -14, 58.11

 

CMYK 12 / 0 / 50 / 1

HEX #DEFC7E

RGB 222 252 126

HSL 74.29, 0.95%, 0.74%

LAB 94.59, -27.97, 56.55

 

CMYK 25 / 0 / 50 / 1

HEX #BDFC7E

RGB 189 252 126

HSL 90, 0.95%, 0.74%

LAB 92.55, -40.02, 53.61

 

CMYK 38 / 0 / 50 / 1

HEX #9BFC7E

RGB 155 252 126

HSL 106.19, 0.95%, 0.74%

LAB 90.82, -51.26, 51.11

 

CMYK 50 / 0 / 48 / 1

HEX #7EFC82

RGB 126 252 130

HSL 121.9, 0.95%, 0.74%

LAB 89.71, -59, 47.6

 

CMYK 42 / 0 / 82 / 2

HEX #91FA2D

RGB 145 250 45

HSL 90.73, 0.95%, 0.58%

LAB 89.2, -59.91, 79.39

 

CMYK 34 / 0 / 66 / 2

HEX #A6FB55

RGB 166 251 85

HSL 90.72, 0.95%, 0.66%

LAB 90.67, -51.2, 68.6

 

CMYK 26 / 0 / 50 / 1

HEX #BBFC7E

RGB 187 252 126

HSL 90.95, 0.95%, 0.74%

LAB 92.44, -40.72, 53.45

 

CMYK 18 / 0 / 34 / 1

HEX #D0FDA6

RGB 208 253 166

HSL 91.03, 0.96%, 0.82%

LAB 94.49, -29.01, 37.06

 

CMYK 10 / 0 / 19 / 0

HEX #E5FECE

RGB 229 254 206

HSL 91.25, 0.96%, 0.9%

LAB 96.82, -16.39, 20.28

 

CMYK 25 / 0 / 50 / 1

HEX #BCFC7F

RGB 188 252 127

HSL 90.72, 0.95%, 0.74%

LAB 92.51, -40.26, 53.08

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD6

RGB 126 252 214

HSL 161.9, 0.95%, 0.74%

LAB 91.19, -44, 7.47

 

CMYK 0 / 50 / 5 / 1

HEX #FC7EEF

RGB 252 126 239

HSL 306.19, 0.95%, 0.74%

LAB 70.77, 62.38, -35.57

 

CMYK 25 / 0 / 50 / 1

HEX #BCFC7F

RGB 188 252 127

HSL 90.72, 0.95%, 0.74%

LAB 92.51, -40.26, 53.08

 

CMYK 50 / 25 / 0 / 1

HEX #7EBDFC

RGB 126 189 252

HSL 210, 0.95%, 0.74%

LAB 74.74, -3.23, -37.31

 

CMYK 0 / 50 / 25 / 1

HEX #FC7EBD

RGB 252 126 189

HSL 330, 0.95%, 0.74%

LAB 68.96, 54.92, -10.58

 

CMYK 25 / 0 / 50 / 1

HEX #BCFC7F

RGB 188 252 127

HSL 90.72, 0.95%, 0.74%

LAB 92.51, -40.26, 53.08

 

CMYK 50 / 0 / 15 / 1

HEX #7EFCD6

RGB 126 252 214

HSL 161.9, 0.95%, 0.74%

LAB 91.19, -44, 7.47

 

CMYK 25 / 50 / 0 / 1

HEX #BD7EFC

RGB 189 126 252

HSL 270, 0.95%, 0.74%

LAB 63.97, 47.9, -53.89

 

CMYK 0 / 50 / 35 / 1

HEX #FC7EA4

RGB 252 126 164

HSL 341.9, 0.95%, 0.74%

LAB 68.24, 51.8, 2.42

 

CMYK 25 / 0 / 50 / 1

HEX #BCFC7F

RGB 188 252 127

HSL 90.72, 0.95%, 0.74%

LAB 92.51, -40.26, 53.08

 

CMYK 50 / 0 / 0 / 1

HEX #7EFCFC

RGB 126 252 252

HSL 180, 0.95%, 0.74%

LAB 92.17, -34.99, -10.8

 

CMYK 25 / 50 / 0 / 1

HEX #BD7EFC

RGB 189 126 252

HSL 270, 0.95%, 0.74%

LAB 63.97, 47.9, -53.89

 

CMYK 0 / 50 / 50 / 1

HEX #FC7E7E

RGB 252 126 126

HSL 0, 0.95%, 0.74%

LAB 67.37, 47.93, 22.6

 

Description

Color code: HEX #BCFC7FCE | qconv.com Color code: HEX #BCFC7FCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 252 green and 127 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 252 127 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 40 yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 40% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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