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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCFAF7 it is the complementary color #430508. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCFAF7. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCFAF7 shade: #C1FAF2, #D2FFFF, #E3FFFF, #F4FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCFAF7. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCFAF7 shade: #BCFAF7, #ABE8E4, #9AD6D1, #89C4BE and #78B2AB

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCFAF7 shade: #BDFAF7, #BDFAE6, #BDFAD6, #BDFAC5 and #C4FABD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCFAF7 shade: #BDFAF7, #BDECFA, #BDDCFA, #BDCBFA and #BDBDFA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCFAF7 shade matches the following richer shades: #BDFAF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCFAF7 shade: #BDFAF7, #C2F4F2, #C8EEED, #CEE9E7 and #D4E3E2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCFAF7 shade: #BDFAD6, #BDFAE7, #BDFAF7, #BDEDFA and #BDDCFA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCFAF7 shade: #70F4EE, #96F7F2, #BDFAF7, #E3FDFC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCFAF7 shade: #BCFAF7, #C6BDFA and #FADEBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCFAF7 shade: #BCFAF7, #F7BDFA and #FAF7BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCFAF7 shade: #BCFAF7, #C6BDFA, #FABDC0 and #F1FABD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCFAF7 shade: #BCFAF7, #D8BDFA, #FABDC0 and #DEFABD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

Complementary color

CMYK 0 / 93 / 88 / 74

HEX #430508

RGB 67 5 8

HSL 357.1, 0.86%, 0.14%

LAB 11.41, 28.8, 14.56

 

CMYK 23 / 0 / 3 / 2

HEX #C1FAF2

RGB 193 250 242

HSL 171.58, 0.85%, 0.87%

LAB 94.36, -19.48, -2.04

 

CMYK 18 / 0 / 0 / 0

HEX #D2FFFF

RGB 210 255 255

HSL 180, 1%, 0.91%

LAB 97, -14.22, -4.76

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

CMYK 26 / 0 / 2 / 9

HEX #ABE8E4

RGB 171 232 228

HSL 176.07, 0.57%, 0.79%

LAB 87.96, -19.99, -4.3

 

CMYK 28 / 0 / 2 / 16

HEX #9AD6D1

RGB 154 214 209

HSL 175, 0.42%, 0.72%

LAB 81.6, -20.1, -3.71

 

CMYK 30 / 0 / 3 / 23

HEX #89C4BE

RGB 137 196 190

HSL 173.9, 0.33%, 0.65%

LAB 75.15, -20.23, -3.09

 

CMYK 33 / 0 / 4 / 30

HEX #78B2AB

RGB 120 178 171

HSL 172.76, 0.27%, 0.58%

LAB 68.59, -20.36, -2.44

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 24 / 0 / 8 / 2

HEX #BDFAE6

RGB 189 250 230

HSL 160.33, 0.86%, 0.86%

LAB 93.84, -23.1, 3.38

 

CMYK 24 / 0 / 14 / 2

HEX #BDFAD6

RGB 189 250 214

HSL 144.59, 0.86%, 0.86%

LAB 93.47, -26.18, 11.1

 

CMYK 24 / 0 / 21 / 2

HEX #BDFAC5

RGB 189 250 197

HSL 127.87, 0.86%, 0.86%

LAB 93.11, -29.23, 19.33

 

CMYK 22 / 0 / 24 / 2

HEX #C4FABD

RGB 196 250 189

HSL 113.11, 0.86%, 0.86%

LAB 93.36, -28.29, 23.82

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 24 / 6 / 0 / 2

HEX #BDECFA

RGB 189 236 250

HSL 193.77, 0.86%, 0.86%

LAB 90.65, -11.98, -11.72

 

CMYK 24 / 12 / 0 / 2

HEX #BDDCFA

RGB 189 220 250

HSL 209.51, 0.86%, 0.86%

LAB 86.46, -3.76, -18

 

CMYK 24 / 19 / 0 / 2

HEX #BDCBFA

RGB 189 203 250

HSL 226.23, 0.86%, 0.86%

LAB 82.07, 5.23, -24.64

 

CMYK 24 / 24 / 0 / 2

HEX #BDBDFA

RGB 189 189 250

HSL 240, 0.86%, 0.86%

LAB 78.53, 12.81, -30.06

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 20 / 0 / 1 / 4

HEX #C2F4F2

RGB 194 244 242

HSL 177.6, 0.69%, 0.86%

LAB 92.83, -16.22, -4.29

 

CMYK 16 / 0 / 0 / 7

HEX #C8EEED

RGB 200 238 237

HSL 178.42, 0.53%, 0.86%

LAB 91.48, -12.43, -3.63

 

CMYK 12 / 0 / 1 / 9

HEX #CEE9E7

RGB 206 233 231

HSL 175.56, 0.38%, 0.86%

LAB 90.4, -9.21, -2.04

 

CMYK 7 / 0 / 0 / 11

HEX #D4E3E2

RGB 212 227 226

HSL 176, 0.21%, 0.86%

LAB 89.12, -5.17, -1.24

 

CMYK 24 / 0 / 14 / 2

HEX #BDFAD6

RGB 189 250 214

HSL 144.59, 0.86%, 0.86%

LAB 93.47, -26.18, 11.1

 

CMYK 24 / 0 / 8 / 2

HEX #BDFAE7

RGB 189 250 231

HSL 161.31, 0.86%, 0.86%

LAB 93.87, -22.9, 2.89

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 24 / 5 / 0 / 2

HEX #BDEDFA

RGB 189 237 250

HSL 192.79, 0.86%, 0.86%

LAB 90.91, -12.49, -11.33

 

CMYK 24 / 12 / 0 / 2

HEX #BDDCFA

RGB 189 220 250

HSL 209.51, 0.86%, 0.86%

LAB 86.46, -3.76, -18

 

CMYK 54 / 0 / 2 / 4

HEX #70F4EE

RGB 112 244 238

HSL 177.27, 0.86%, 0.7%

LAB 89.07, -37.6, -8.17

 

CMYK 39 / 0 / 2 / 3

HEX #96F7F2

RGB 150 247 242

HSL 176.91, 0.86%, 0.78%

LAB 91.42, -29.71, -6.62

 

CMYK 24 / 0 / 1 / 2

HEX #BDFAF7

RGB 189 250 247

HSL 177.05, 0.86%, 0.86%

LAB 94.27, -19.6, -4.79

 

CMYK 10 / 0 / 0 / 1

HEX #E3FDFC

RGB 227 253 252

HSL 177.69, 0.87%, 0.94%

LAB 97.47, -8.58, -2.4

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

CMYK 21 / 24 / 0 / 2

HEX #C6BDFA

RGB 198 189 250

HSL 248.85, 0.86%, 0.86%

LAB 79.22, 15.49, -28.95

 

CMYK 0 / 11 / 24 / 2

HEX #FADEBD

RGB 250 222 189

HSL 32.46, 0.86%, 0.86%

LAB 89.97, 4.71, 19.73

 

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

CMYK 1 / 24 / 0 / 2

HEX #F7BDFA

RGB 247 189 250

HSL 297.05, 0.86%, 0.86%

LAB 83.48, 30.79, -22.06

 

CMYK 0 / 1 / 24 / 2

HEX #FAF7BD

RGB 250 247 189

HSL 57.05, 0.86%, 0.86%

LAB 96.21, -7.94, 28.32

 

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

CMYK 21 / 24 / 0 / 2

HEX #C6BDFA

RGB 198 189 250

HSL 248.85, 0.86%, 0.86%

LAB 79.22, 15.49, -28.95

 

CMYK 0 / 24 / 23 / 2

HEX #FABDC0

RGB 250 189 192

HSL 357.05, 0.86%, 0.86%

LAB 82.12, 22.35, 7.04

 

CMYK 4 / 0 / 24 / 2

HEX #F1FABD

RGB 241 250 189

HSL 68.85, 0.86%, 0.86%

LAB 96.31, -12.69, 28.34

 

CMYK 25 / 0 / 1 / 2

HEX #BCFAF7

RGB 188 250 247

HSL 177.1, 0.86%, 0.86%

LAB 94.22, -19.89, -4.88

 

CMYK 14 / 24 / 0 / 2

HEX #D8BDFA

RGB 216 189 250

HSL 266.56, 0.86%, 0.86%

LAB 80.68, 21, -26.58

 

CMYK 0 / 24 / 23 / 2

HEX #FABDC0

RGB 250 189 192

HSL 357.05, 0.86%, 0.86%

LAB 82.12, 22.35, 7.04

 

CMYK 11 / 0 / 24 / 2

HEX #DEFABD

RGB 222 250 189

HSL 87.54, 0.86%, 0.86%

LAB 94.98, -19.44, 26.32

 

Description

Color code: HEX #BCFAF7 | qconv.com Color code: HEX #BCFAF7 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 250 green and 247 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 250 247 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, none magenta, 1 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 0% 1% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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