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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCF780 it is the complementary color #43087F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCF780. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCF780 shade: #C1F77B, #D2FF8E, #E3FFA1, #F4FFB4 and #FFFFC7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCF780. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCF780 shade: #BCF780, #ABE56D, #9AD35A, #89C147 and #78AF34

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCF780 shade: #BDF782, #DDF782, #F7F282, #F7D382 and #F7B382

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCF780 shade: #BDF782, #9EF782, #82F786, #82F7A6 and #82F7C5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCF780 shade matches the following richer shades: #BDF782

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCF780 shade: #BDF782, #BDEC8D, #BDE298, #BDD7A3 and #BDCCAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCF780 shade: #F7F182, #DEF782, #BFF782, #A0F782 and #82F784

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCF780 shade: #94F235, #A9F55C, #BDF782, #D2FAA9 and #E6FCD0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCF780 shade: #BCF780, #82F7D2 and #F782ED

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCF780 shade: #BCF780, #82BFF7 and #F782BF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCF780 shade: #BCF780, #82F7D2, #BB82F7 and #F782A7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCF780 shade: #BCF780, #82F7F5, #BB82F7 and #F78284

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

Complementary color

CMYK 47 / 94 / 0 / 50

HEX #43087F

RGB 67 8 127

HSL 269.75, 0.88%, 0.26%

LAB 19.64, 48.02, -52.83

 

CMYK 22 / 0 / 50 / 3

HEX #C1F77B

RGB 193 247 123

HSL 86.13, 0.89%, 0.73%

LAB 91.36, -36.67, 53.62

 

CMYK 18 / 0 / 44 / 0

HEX #D2FF8E

RGB 210 255 142

HSL 83.89, 1%, 0.78%

LAB 94.81, -32.16, 49.17

 

CMYK 11 / 0 / 37 / 0

HEX #E3FFA1

RGB 227 255 161

HSL 77.87, 1%, 0.82%

LAB 96.17, -23.79, 41.95

 

CMYK 4 / 0 / 29 / 0

HEX #F4FFB4

RGB 244 255 180

HSL 68.8, 1%, 0.85%

LAB 97.65, -15.24, 34.72

 

CMYK 0 / 0 / 22 / 0

HEX #FFFFC7

RGB 255 255 199

HSL 60, 1%, 0.89%

LAB 98.79, -8.74, 26.85

 

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

CMYK 25 / 0 / 52 / 10

HEX #ABE56D

RGB 171 229 109

HSL 89, 0.7%, 0.66%

LAB 84.89, -37.9, 52.04

 

CMYK 27 / 0 / 57 / 17

HEX #9AD35A

RGB 154 211 90

HSL 88.26, 0.58%, 0.59%

LAB 78.58, -37.81, 53.08

 

CMYK 29 / 0 / 63 / 24

HEX #89C147

RGB 137 193 71

HSL 87.54, 0.5%, 0.52%

LAB 72.17, -37.64, 53.97

 

CMYK 31 / 0 / 70 / 31

HEX #78AF34

RGB 120 175 52

HSL 86.83, 0.54%, 0.45%

LAB 65.67, -37.34, 54.55

 

CMYK 23 / 0 / 47 / 3

HEX #BDF782

RGB 189 247 130

HSL 89.74, 0.88%, 0.74%

LAB 91.21, -37.35, 50.12

 

CMYK 11 / 0 / 47 / 3

HEX #DDF782

RGB 221 247 130

HSL 73.33, 0.88%, 0.74%

LAB 93.24, -25.61, 53.05

 

CMYK 0 / 2 / 47 / 3

HEX #F7F282

RGB 247 242 130

HSL 57.44, 0.88%, 0.74%

LAB 93.84, -13.17, 54.22

 

CMYK 0 / 15 / 47 / 3

HEX #F7D382

RGB 247 211 130

HSL 41.54, 0.88%, 0.74%

LAB 85.99, 2.42, 44.59

 

CMYK 0 / 28 / 47 / 3

HEX #F7B382

RGB 247 179 130

HSL 25.13, 0.88%, 0.74%

LAB 78.24, 19.11, 34.72

 

CMYK 23 / 0 / 47 / 3

HEX #BDF782

RGB 189 247 130

HSL 89.74, 0.88%, 0.74%

LAB 91.21, -37.35, 50.12

 

CMYK 36 / 0 / 47 / 3

HEX #9EF782

RGB 158 247 130

HSL 105.64, 0.88%, 0.74%

LAB 89.58, -47.76, 47.74

 

CMYK 47 / 0 / 46 / 3

HEX #82F786

RGB 130 247 134

HSL 122.05, 0.88%, 0.74%

LAB 88.44, -55.44, 44.15

 

CMYK 47 / 0 / 33 / 3

HEX #82F7A6

RGB 130 247 166

HSL 138.46, 0.88%, 0.74%

LAB 88.93, -50.42, 28.95

 

CMYK 47 / 0 / 20 / 3

HEX #82F7C5

RGB 130 247 197

HSL 154.36, 0.88%, 0.74%

LAB 89.53, -44.52, 13.91

 

CMYK 23 / 0 / 47 / 3

HEX #BDF782

RGB 189 247 130

HSL 89.74, 0.88%, 0.74%

LAB 91.21, -37.35, 50.12

 

CMYK 23 / 0 / 47 / 3

HEX #BDF782

RGB 189 247 130

HSL 89.74, 0.88%, 0.74%

LAB 91.21, -37.35, 50.12

 

CMYK 20 / 0 / 40 / 7

HEX #BDEC8D

RGB 189 236 141

HSL 89.68, 0.71%, 0.74%

LAB 88.32, -31.02, 41.19

 

CMYK 16 / 0 / 33 / 11

HEX #BDE298

RGB 189 226 152

HSL 90, 0.56%, 0.74%

LAB 85.75, -24.82, 32.31

 

CMYK 12 / 0 / 24 / 16

HEX #BDD7A3

RGB 189 215 163

HSL 90, 0.39%, 0.74%

LAB 82.95, -17.83, 22.85

 

CMYK 7 / 0 / 15 / 20

HEX #BDCCAD

RGB 189 204 173

HSL 89.03, 0.23%, 0.74%

LAB 80.19, -10.66, 13.74

 

CMYK 0 / 2 / 47 / 3

HEX #F7F182

RGB 247 241 130

HSL 56.92, 0.88%, 0.74%

LAB 93.58, -12.68, 53.91

 

CMYK 10 / 0 / 47 / 3

HEX #DEF782

RGB 222 247 130

HSL 72.82, 0.88%, 0.74%

LAB 93.3, -25.23, 53.15

 

CMYK 23 / 0 / 47 / 3

HEX #BFF782

RGB 191 247 130

HSL 88.72, 0.88%, 0.74%

LAB 91.33, -36.64, 50.29

 

CMYK 35 / 0 / 47 / 3

HEX #A0F782

RGB 160 247 130

HSL 104.62, 0.88%, 0.74%

LAB 89.68, -47.12, 47.88

 

CMYK 47 / 0 / 47 / 3

HEX #82F784

RGB 130 247 132

HSL 121.03, 0.88%, 0.74%

LAB 88.42, -55.72, 45.08

 

CMYK 39 / 0 / 78 / 5

HEX #94F235

RGB 148 242 53

HSL 89.84, 0.88%, 0.58%

LAB 87.02, -55.51, 75.4

 

CMYK 31 / 0 / 62 / 4

HEX #A9F55C

RGB 169 245 92

HSL 89.8, 0.88%, 0.66%

LAB 89.16, -47.14, 64.27

 

CMYK 23 / 0 / 47 / 3

HEX #BDF782

RGB 189 247 130

HSL 89.74, 0.88%, 0.74%

LAB 91.21, -37.35, 50.12

 

CMYK 16 / 0 / 32 / 2

HEX #D2FAA9

RGB 210 250 169

HSL 89.63, 0.89%, 0.82%

LAB 93.86, -26.49, 34.75

 

CMYK 9 / 0 / 17 / 1

HEX #E6FCD0

RGB 230 252 208

HSL 90, 0.88%, 0.9%

LAB 96.41, -14.75, 18.7

 

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

CMYK 47 / 0 / 15 / 3

HEX #82F7D2

RGB 130 247 210

HSL 161.03, 0.88%, 0.74%

LAB 89.82, -41.76, 7.59

 

CMYK 0 / 47 / 4 / 3

HEX #F782ED

RGB 247 130 237

HSL 305.13, 0.88%, 0.74%

LAB 70.77, 58.75, -34.52

 

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

CMYK 47 / 23 / 0 / 3

HEX #82BFF7

RGB 130 191 247

HSL 208.72, 0.88%, 0.74%

LAB 75.28, -4.83, -33.77

 

CMYK 0 / 47 / 23 / 3

HEX #F782BF

RGB 247 130 191

HSL 328.72, 0.88%, 0.74%

LAB 69.11, 51.66, -11.54

 

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

CMYK 47 / 0 / 15 / 3

HEX #82F7D2

RGB 130 247 210

HSL 161.03, 0.88%, 0.74%

LAB 89.82, -41.76, 7.59

 

CMYK 24 / 47 / 0 / 3

HEX #BB82F7

RGB 187 130 247

HSL 269.23, 0.88%, 0.74%

LAB 64.36, 44.08, -50.55

 

CMYK 0 / 47 / 32 / 3

HEX #F782A7

RGB 247 130 167

HSL 341.03, 0.88%, 0.74%

LAB 68.41, 48.53, 0.89

 

CMYK 24 / 0 / 48 / 3

HEX #BCF780

RGB 188 247 128

HSL 89.75, 0.88%, 0.74%

LAB 91.13, -37.93, 50.94

 

CMYK 47 / 0 / 1 / 3

HEX #82F7F5

RGB 130 247 245

HSL 178.97, 0.88%, 0.74%

LAB 90.72, -33.59, -9.31

 

CMYK 24 / 47 / 0 / 3

HEX #BB82F7

RGB 187 130 247

HSL 269.23, 0.88%, 0.74%

LAB 64.36, 44.08, -50.55

 

CMYK 0 / 47 / 47 / 3

HEX #F78284

RGB 247 130 132

HSL 358.97, 0.88%, 0.74%

LAB 67.58, 44.72, 19.41

 

Description

Color code: HEX #BCF780 | qconv.com Color code: HEX #BCF780 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 247 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 247 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, none magenta, 48 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 0% 48% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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