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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCEB4B it is the complementary color #4314B4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCEB4B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCEB4B shade: #C1EB46, #D2FD59, #E3FF6C, #F4FF7F and #FFFF92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCEB4B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCEB4B shade: #BCEB4B, #ABD938, #9AC725, #89B512 and #78A300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCEB4B shade: #BCEB4C, #E7EB4C, #EBC44C, #EB994C and #EB6E4C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCEB4B shade: #BCEB4C, #91EB4C, #67EB4C, #4CEB5C and #4CEB87

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCEB4B shade matches the following richer shades: #BCEB4C and #C3FB3C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCEB4B shade: #BCEB4C, #B6DB5C, #AFCB6C, #A8BB7C and #A2AB8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCEB4B shade: #EBC34C, #E8EB4C, #BEEB4C, #94EB4C and #69EB4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCEB4B shade: #98CE17, #AFE727, #BCEB4C, #CAEF71 and #D8F396

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCEB4B shade: #BCEB4B, #4CEB99 and #D94CEB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCEB4B shade: #BCEB4B, #4CBEEB and #EB4CBE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCEB4B shade: #BCEB4B, #4CEB99, #794CEB and #EB4C9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCEB4B shade: #BCEB4B, #4CEBC9, #794CEB and #EB4C6E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

Complementary color

CMYK 63 / 89 / 0 / 29

HEX #4314B4

RGB 67 20 180

HSL 257.63, 0.8%, 0.39%

LAB 26.7, 58.13, -73.76

 

CMYK 18 / 0 / 70 / 8

HEX #C1EB46

RGB 193 235 70

HSL 75.27, 0.8%, 0.6%

LAB 87.58, -35.43, 71.42

 

CMYK 17 / 0 / 65 / 1

HEX #D2FD59

RGB 210 253 89

HSL 75.73, 0.98%, 0.67%

LAB 93.74, -35.91, 71.06

 

CMYK 11 / 0 / 58 / 0

HEX #E3FF6C

RGB 227 255 108

HSL 71.43, 1%, 0.71%

LAB 95.55, -28.98, 65.67

 

CMYK 4 / 0 / 50 / 0

HEX #F4FF7F

RGB 244 255 127

HSL 65.16, 1%, 0.75%

LAB 96.94, -20.89, 59.25

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF92

RGB 255 255 146

HSL 60, 1%, 0.79%

LAB 97.98, -14.92, 51.89

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

CMYK 21 / 0 / 74 / 15

HEX #ABD938

RGB 171 217 56

HSL 77.14, 0.68%, 0.54%

LAB 81.05, -36.53, 69.32

 

CMYK 23 / 0 / 81 / 22

HEX #9AC725

RGB 154 199 37

HSL 76.67, 0.69%, 0.46%

LAB 74.73, -35.85, 68.7

 

CMYK 24 / 0 / 90 / 29

HEX #89B512

RGB 137 181 18

HSL 76.2, 0.82%, 0.39%

LAB 68.32, -34.98, 66.95

 

CMYK 26 / 0 / 100 / 36

HEX #78A300

RGB 120 163 0

HSL 75.83, 1%, 0.32%

LAB 61.82, -33.9, 63.87

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4C

RGB 188 235 76

HSL 77.74, 0.8%, 0.61%

LAB 87.3, -36.99, 68.87

 

CMYK 2 / 0 / 68 / 8

HEX #E7EB4C

RGB 231 235 76

HSL 61.51, 0.8%, 0.61%

LAB 90.29, -19.97, 72.85

 

CMYK 0 / 17 / 68 / 8

HEX #EBC44C

RGB 235 196 76

HSL 45.28, 0.8%, 0.61%

LAB 80.55, 1.26, 63.05

 

CMYK 0 / 35 / 68 / 8

HEX #EB994C

RGB 235 153 76

HSL 29.06, 0.8%, 0.61%

LAB 70.15, 23.92, 51.94

 

CMYK 0 / 53 / 68 / 8

HEX #EB6E4C

RGB 235 110 76

HSL 12.83, 0.8%, 0.61%

LAB 61.08, 46, 41.67

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4C

RGB 188 235 76

HSL 77.74, 0.8%, 0.61%

LAB 87.3, -36.99, 68.87

 

CMYK 38 / 0 / 68 / 8

HEX #91EB4C

RGB 145 235 76

HSL 93.96, 0.8%, 0.61%

LAB 84.98, -52.33, 65.73

 

CMYK 56 / 0 / 68 / 8

HEX #67EB4C

RGB 103 235 76

HSL 109.81, 0.8%, 0.61%

LAB 83.35, -64.44, 63.52

 

CMYK 68 / 0 / 61 / 8

HEX #4CEB5C

RGB 76 235 92

HSL 126.04, 0.8%, 0.61%

LAB 82.77, -68.64, 56.19

 

CMYK 68 / 0 / 43 / 8

HEX #4CEB87

RGB 76 235 135

HSL 142.26, 0.8%, 0.61%

LAB 83.29, -62.67, 36.74

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4C

RGB 188 235 76

HSL 77.74, 0.8%, 0.61%

LAB 87.3, -36.99, 68.87

 

CMYK 22 / 0 / 76 / 2

HEX #C3FB3C

RGB 195 251 60

HSL 77.59, 0.96%, 0.61%

LAB 92.1, -42.28, 79

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4C

RGB 188 235 76

HSL 77.74, 0.8%, 0.61%

LAB 87.3, -36.99, 68.87

 

CMYK 17 / 0 / 58 / 14

HEX #B6DB5C

RGB 182 219 92

HSL 77.48, 0.64%, 0.61%

LAB 82.58, -30.79, 57.2

 

CMYK 14 / 0 / 47 / 20

HEX #AFCB6C

RGB 175 203 108

HSL 77.68, 0.48%, 0.61%

LAB 77.82, -24.34, 44.05

 

CMYK 10 / 0 / 34 / 27

HEX #A8BB7C

RGB 168 187 124

HSL 78.1, 0.32%, 0.61%

LAB 73.1, -17.16, 29.81

 

CMYK 5 / 0 / 18 / 33

HEX #A2AB8C

RGB 162 171 140

HSL 77.42, 0.16%, 0.61%

LAB 68.53, -8.75, 14.92

 

CMYK 0 / 17 / 68 / 8

HEX #EBC34C

RGB 235 195 76

HSL 44.91, 0.8%, 0.61%

LAB 80.3, 1.77, 62.79

 

CMYK 1 / 0 / 68 / 8

HEX #E8EB4C

RGB 232 235 76

HSL 61.13, 0.8%, 0.61%

LAB 90.36, -19.56, 72.96

 

CMYK 19 / 0 / 68 / 8

HEX #BEEB4C

RGB 190 235 76

HSL 76.98, 0.8%, 0.61%

LAB 87.43, -36.23, 69.04

 

CMYK 37 / 0 / 68 / 8

HEX #94EB4C

RGB 148 235 76

HSL 92.83, 0.8%, 0.61%

LAB 85.12, -51.34, 65.92

 

CMYK 55 / 0 / 68 / 8

HEX #69EB4C

RGB 105 235 76

HSL 109.06, 0.8%, 0.61%

LAB 83.41, -63.95, 63.61

 

CMYK 26 / 0 / 89 / 19

HEX #98CE17

RGB 152 206 23

HSL 77.7, 0.8%, 0.45%

LAB 76.61, -40.19, 73.27

 

CMYK 24 / 0 / 83 / 9

HEX #AFE727

RGB 175 231 39

HSL 77.5, 0.8%, 0.53%

LAB 85.21, -41.91, 77.86

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4C

RGB 188 235 76

HSL 77.74, 0.8%, 0.61%

LAB 87.3, -36.99, 68.87

 

CMYK 15 / 0 / 53 / 6

HEX #CAEF71

RGB 202 239 113

HSL 77.62, 0.8%, 0.69%

LAB 89.62, -30.66, 56.26

 

CMYK 11 / 0 / 38 / 5

HEX #D8F396

RGB 216 243 150

HSL 77.42, 0.79%, 0.77%

LAB 92.09, -23.41, 41.94

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

CMYK 68 / 0 / 35 / 8

HEX #4CEB99

RGB 76 235 153

HSL 149.06, 0.8%, 0.61%

LAB 83.58, -59.45, 28.06

 

CMYK 8 / 68 / 0 / 8

HEX #D94CEB

RGB 217 76 235

HSL 293.21, 0.8%, 0.61%

LAB 57.96, 74.33, -53.83

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

CMYK 68 / 19 / 0 / 8

HEX #4CBEEB

RGB 76 190 235

HSL 196.98, 0.8%, 0.61%

LAB 72.47, -18.27, -31.8

 

CMYK 0 / 68 / 19 / 8

HEX #EB4CBE

RGB 235 76 190

HSL 316.98, 0.8%, 0.61%

LAB 58.55, 71.61, -27.19

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

CMYK 68 / 0 / 35 / 8

HEX #4CEB99

RGB 76 235 153

HSL 149.06, 0.8%, 0.61%

LAB 83.58, -59.45, 28.06

 

CMYK 49 / 68 / 0 / 8

HEX #794CEB

RGB 121 76 235

HSL 256.98, 0.8%, 0.61%

LAB 45.95, 55.31, -73.81

 

CMYK 0 / 68 / 33 / 8

HEX #EB4C9E

RGB 235 76 158

HSL 329.06, 0.8%, 0.61%

LAB 57.37, 67.65, -10.46

 

CMYK 20 / 0 / 68 / 8

HEX #BCEB4B

RGB 188 235 75

HSL 77.63, 0.8%, 0.61%

LAB 87.3, -37.05, 69.23

 

CMYK 68 / 0 / 14 / 8

HEX #4CEBC9

RGB 76 235 201

HSL 167.17, 0.8%, 0.61%

LAB 84.57, -48.97, 4.52

 

CMYK 49 / 68 / 0 / 8

HEX #794CEB

RGB 121 76 235

HSL 256.98, 0.8%, 0.61%

LAB 45.95, 55.31, -73.81

 

CMYK 0 / 68 / 53 / 8

HEX #EB4C6E

RGB 235 76 110

HSL 347.17, 0.8%, 0.61%

LAB 56.04, 63.09, 15.92

 

Description

Color code: HEX #BCEB4B | qconv.com Color code: HEX #BCEB4B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 235 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 235 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 68 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 68% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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