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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCE98E it is the complementary color #431671. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCE98E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCE98E shade: #C1E989, #D2FB9C, #E3FFAF, #F4FFC2 and #FFFFD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCE98E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCE98E shade: #BCE98E, #ABD77B, #9AC568, #89B355 and #78A142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCE98E shade: #BDE990, #D5E990, #E9E590, #E9CD90 and #E9B590

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCE98E shade: #BDE990, #A5E990, #90E993, #90E9AB and #90E9C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCE98E shade matches the following richer shades: #BDE990, #BDF385 and #BDFE7A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCE98E shade: #BDE990, #BDDE9B, #BCD3A5, #BCC8B0 and #BCBEBB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCE98E shade: #E9E490, #D5E990, #BEE990, #A6E990 and #90E991

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCE98E shade: #94DB4B, #A8E26D, #BDE990, #D1EFB2 and #E6F6D5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCE98E shade: #BCE98E, #90E9CC and #E990E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCE98E shade: #BCE98E, #90BEE9 and #E990BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCE98E shade: #BCE98E, #90E9CC, #BB90E9 and #E990AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCE98E shade: #BCE98E, #90E9E7, #BB90E9 and #E99091

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

Complementary color

CMYK 41 / 81 / 0 / 56

HEX #431671

RGB 67 22 113

HSL 269.67, 0.67%, 0.26%

LAB 19.88, 39.7, -43.46

 

CMYK 17 / 0 / 41 / 9

HEX #C1E989

RGB 193 233 137

HSL 85, 0.69%, 0.73%

LAB 87.69, -28.65, 42.4

 

CMYK 16 / 0 / 38 / 2

HEX #D2FB9C

RGB 210 251 156

HSL 85.89, 0.92%, 0.8%

LAB 93.92, -28.66, 41.28

 

CMYK 11 / 0 / 31 / 0

HEX #E3FFAF

RGB 227 255 175

HSL 81, 1%, 0.84%

LAB 96.39, -22.03, 35.32

 

CMYK 4 / 0 / 24 / 0

HEX #F4FFC2

RGB 244 255 194

HSL 70.82, 1%, 0.88%

LAB 97.89, -13.38, 28.01

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD5

RGB 255 255 213

HSL 60, 1%, 0.92%

LAB 99.06, -6.76, 20.12

 

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

CMYK 20 / 0 / 43 / 16

HEX #ABD77B

RGB 171 215 123

HSL 88.7, 0.53%, 0.66%

LAB 81.12, -29.88, 40.7

 

CMYK 22 / 0 / 47 / 23

HEX #9AC568

RGB 154 197 104

HSL 87.74, 0.44%, 0.59%

LAB 74.7, -29.88, 41.87

 

CMYK 23 / 0 / 53 / 30

HEX #89B355

RGB 137 179 85

HSL 86.81, 0.38%, 0.52%

LAB 68.18, -29.84, 43.02

 

CMYK 25 / 0 / 59 / 37

HEX #78A142

RGB 120 161 66

HSL 85.89, 0.42%, 0.45%

LAB 61.55, -29.73, 44.11

 

CMYK 19 / 0 / 38 / 9

HEX #BDE990

RGB 189 233 144

HSL 89.66, 0.67%, 0.74%

LAB 87.54, -29.23, 38.69

 

CMYK 9 / 0 / 38 / 9

HEX #D5E990

RGB 213 233 144

HSL 73.48, 0.67%, 0.74%

LAB 89.13, -20.41, 41.06

 

CMYK 0 / 2 / 38 / 9

HEX #E9E590

RGB 233 229 144

HSL 57.3, 0.67%, 0.74%

LAB 89.57, -10.81, 41.92

 

CMYK 0 / 12 / 38 / 9

HEX #E9CD90

RGB 233 205 144

HSL 41.12, 0.67%, 0.74%

LAB 83.44, 1.4, 33.98

 

CMYK 0 / 22 / 38 / 9

HEX #E9B590

RGB 233 181 144

HSL 24.94, 0.67%, 0.74%

LAB 77.51, 14, 26.09

 

CMYK 19 / 0 / 38 / 9

HEX #BDE990

RGB 189 233 144

HSL 89.66, 0.67%, 0.74%

LAB 87.54, -29.23, 38.69

 

CMYK 29 / 0 / 38 / 9

HEX #A5E990

RGB 165 233 144

HSL 105.84, 0.67%, 0.74%

LAB 86.15, -37.52, 36.62

 

CMYK 38 / 0 / 37 / 9

HEX #90E993

RGB 144 233 147

HSL 122.02, 0.67%, 0.74%

LAB 85.16, -43.72, 33.62

 

CMYK 38 / 0 / 27 / 9

HEX #90E9AB

RGB 144 233 171

HSL 138.2, 0.67%, 0.74%

LAB 85.58, -39.69, 21.91

 

CMYK 38 / 0 / 16 / 9

HEX #90E9C3

RGB 144 233 195

HSL 154.38, 0.67%, 0.74%

LAB 86.08, -35.06, 10.12

 

CMYK 19 / 0 / 38 / 9

HEX #BDE990

RGB 189 233 144

HSL 89.66, 0.67%, 0.74%

LAB 87.54, -29.23, 38.69

 

CMYK 22 / 0 / 45 / 5

HEX #BDF385

RGB 189 243 133

HSL 89.45, 0.82%, 0.74%

LAB 90.14, -35.2, 47.37

 

CMYK 26 / 0 / 52 / 0

HEX #BDFE7A

RGB 189 254 122

HSL 89.55, 0.99%, 0.74%

LAB 93.06, -41.32, 56.05

 

CMYK 19 / 0 / 38 / 9

HEX #BDE990

RGB 189 233 144

HSL 89.66, 0.67%, 0.74%

LAB 87.54, -29.23, 38.69

 

CMYK 15 / 0 / 30 / 13

HEX #BDDE9B

RGB 189 222 155

HSL 89.55, 0.5%, 0.74%

LAB 84.7, -22.46, 29.39

 

CMYK 11 / 0 / 22 / 17

HEX #BCD3A5

RGB 188 211 165

HSL 90, 0.34%, 0.74%

LAB 81.84, -15.87, 20.26

 

CMYK 6 / 0 / 12 / 22

HEX #BCC8B0

RGB 188 200 176

HSL 90, 0.18%, 0.74%

LAB 79.12, -8.45, 10.61

 

CMYK 1 / 0 / 2 / 25

HEX #BCBEBB

RGB 188 190 187

HSL 100, 0.02%, 0.74%

LAB 76.74, -1.25, 1.26

 

CMYK 0 / 2 / 38 / 9

HEX #E9E490

RGB 233 228 144

HSL 56.63, 0.67%, 0.74%

LAB 89.31, -10.31, 41.59

 

CMYK 9 / 0 / 38 / 9

HEX #D5E990

RGB 213 233 144

HSL 73.48, 0.67%, 0.74%

LAB 89.13, -20.41, 41.06

 

CMYK 18 / 0 / 38 / 9

HEX #BEE990

RGB 190 233 144

HSL 88.99, 0.67%, 0.74%

LAB 87.6, -28.87, 38.79

 

CMYK 29 / 0 / 38 / 9

HEX #A6E990

RGB 166 233 144

HSL 105.17, 0.67%, 0.74%

LAB 86.21, -37.19, 36.7

 

CMYK 38 / 0 / 38 / 9

HEX #90E991

RGB 144 233 145

HSL 120.67, 0.67%, 0.74%

LAB 85.12, -44.03, 34.58

 

CMYK 32 / 0 / 66 / 14

HEX #94DB4B

RGB 148 219 75

HSL 89.58, 0.67%, 0.58%

LAB 80.44, -44.74, 61.4

 

CMYK 26 / 0 / 52 / 11

HEX #A8E26D

RGB 168 226 109

HSL 89.74, 0.67%, 0.66%

LAB 83.87, -37.62, 50.79

 

CMYK 19 / 0 / 38 / 9

HEX #BDE990

RGB 189 233 144

HSL 89.66, 0.67%, 0.74%

LAB 87.54, -29.23, 38.69

 

CMYK 13 / 0 / 26 / 6

HEX #D1EFB2

RGB 209 239 178

HSL 89.51, 0.66%, 0.82%

LAB 91.01, -20.28, 26.35

 

CMYK 7 / 0 / 13 / 4

HEX #E6F6D5

RGB 230 246 213

HSL 89.09, 0.65%, 0.9%

LAB 94.97, -10.99, 14.1

 

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

CMYK 38 / 0 / 12 / 9

HEX #90E9CC

RGB 144 233 204

HSL 160.45, 0.67%, 0.74%

LAB 86.29, -33.17, 5.7

 

CMYK 0 / 38 / 3 / 9

HEX #E990E1

RGB 233 144 225

HSL 305.39, 0.67%, 0.74%

LAB 71.36, 45.53, -27.16

 

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

CMYK 38 / 18 / 0 / 9

HEX #90BEE9

RGB 144 190 233

HSL 208.99, 0.67%, 0.74%

LAB 75.23, -4.61, -26.24

 

CMYK 0 / 38 / 18 / 9

HEX #E990BE

RGB 233 144 190

HSL 328.99, 0.67%, 0.74%

LAB 70.17, 39.8, -9.59

 

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

CMYK 38 / 0 / 12 / 9

HEX #90E9CC

RGB 144 233 204

HSL 160.45, 0.67%, 0.74%

LAB 86.29, -33.17, 5.7

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 0 / 38 / 26 / 9

HEX #E990AC

RGB 233 144 172

HSL 341.12, 0.67%, 0.74%

LAB 69.65, 37.2, -0.32

 

CMYK 19 / 0 / 39 / 9

HEX #BCE98E

RGB 188 233 142

HSL 89.67, 0.67%, 0.74%

LAB 87.45, -29.84, 39.56

 

CMYK 38 / 0 / 1 / 9

HEX #90E9E7

RGB 144 233 231

HSL 178.65, 0.67%, 0.74%

LAB 86.99, -27.08, -7.46

 

CMYK 20 / 38 / 0 / 9

HEX #BB90E9

RGB 187 144 233

HSL 268.99, 0.67%, 0.74%

LAB 66.82, 33.22, -38.97

 

CMYK 0 / 38 / 38 / 9

HEX #E99091

RGB 233 144 145

HSL 359.33, 0.67%, 0.74%

LAB 68.98, 33.78, 13.81

 

Description

Color code: HEX #BCE98E | qconv.com Color code: HEX #BCE98E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 233 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 233 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 39 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 39% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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