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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCE737 it is the complementary color #4318C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCE737. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCE737 shade: #C1E732, #D2F945, #E3FF58, #F4FF6B and #FFFF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCE737. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCE737 shade: #BCE737, #ABD524, #9AC311, #89B100 and #789F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCE737 shade: #BCE736, #E7E336, #E7B336, #E78336 and #E75436

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCE737 shade: #BCE736, #8CE736, #5DE736, #36E740 and #36E76F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCE737 shade matches the following richer shades: #BCE736 and #C5FA24

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCE737 shade: #BCE736, #B3D548, #AAC35A, #A0B16D and #979F7F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCE737 shade: #E7B236, #E7E236, #BEE736, #8FE736 and #60E736

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCE737 shade: #8FB615, #ACDB1A, #BCE736, #C8EC5B and #D5F080

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCE737 shade: #BCE737, #36E783 and #CA36E7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCE737 shade: #BCE737, #36BEE7 and #E736BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCE737 shade: #BCE737, #36E783, #6036E7 and #E7369B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCE737 shade: #BCE737, #36E7B8, #6036E7 and #E73665

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

Complementary color

CMYK 67 / 88 / 0 / 22

HEX #4318C8

RGB 67 24 200

HSL 254.66, 0.79%, 0.44%

LAB 29.45, 62.13, -81.02

 

CMYK 16 / 0 / 78 / 9

HEX #C1E732

RGB 193 231 50

HSL 72.6, 0.79%, 0.55%

LAB 86.36, -34.55, 76.55

 

CMYK 16 / 0 / 72 / 2

HEX #D2F945

RGB 210 249 69

HSL 73, 0.94%, 0.62%

LAB 92.52, -35.24, 76.95

 

CMYK 11 / 0 / 65 / 0

HEX #E3FF58

RGB 227 255 88

HSL 70.06, 1%, 0.67%

LAB 95.39, -30.34, 73.51

 

CMYK 4 / 0 / 58 / 0

HEX #F4FF6B

RGB 244 255 107

HSL 64.46, 1%, 0.71%

LAB 96.74, -22.45, 67.75

 

CMYK 0 / 0 / 51 / 0

HEX #FFFF7E

RGB 255 255 126

HSL 60, 1%, 0.75%

LAB 97.75, -16.7, 60.86

 

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

CMYK 20 / 0 / 83 / 16

HEX #ABD524

RGB 171 213 36

HSL 74.24, 0.71%, 0.49%

LAB 79.83, -35.54, 73.81

 

CMYK 21 / 0 / 91 / 24

HEX #9AC311

RGB 154 195 17

HSL 73.82, 0.84%, 0.42%

LAB 73.51, -34.59, 71.75

 

CMYK 23 / 0 / 100 / 31

HEX #89B100

RGB 137 177 0

HSL 73.56, 1%, 0.35%

LAB 67.1, -33.45, 68.35

 

CMYK 25 / 0 / 100 / 38

HEX #789F00

RGB 120 159 0

HSL 74.72, 1%, 0.31%

LAB 60.6, -32.05, 62.94

 

CMYK 19 / 0 / 77 / 9

HEX #BCE736

RGB 188 231 54

HSL 74.58, 0.79%, 0.56%

LAB 86.06, -36.34, 75.02

 

CMYK 0 / 2 / 77 / 9

HEX #E7E336

RGB 231 227 54

HSL 58.64, 0.79%, 0.56%

LAB 88.06, -17.04, 77.98

 

CMYK 0 / 23 / 77 / 9

HEX #E7B336

RGB 231 179 54

HSL 42.37, 0.79%, 0.56%

LAB 75.76, 7.42, 66.72

 

CMYK 0 / 43 / 77 / 9

HEX #E78336

RGB 231 131 54

HSL 26.1, 0.79%, 0.56%

LAB 64.55, 32.83, 55.99

 

CMYK 0 / 64 / 77 / 9

HEX #E75436

RGB 231 84 54

HSL 10.17, 0.79%, 0.56%

LAB 55.68, 55.42, 47.04

 

CMYK 19 / 0 / 77 / 9

HEX #BCE736

RGB 188 231 54

HSL 74.58, 0.79%, 0.56%

LAB 86.06, -36.34, 75.02

 

CMYK 39 / 0 / 77 / 9

HEX #8CE736

RGB 140 231 54

HSL 90.85, 0.79%, 0.56%

LAB 83.44, -53.74, 71.62

 

CMYK 60 / 0 / 77 / 9

HEX #5DE736

RGB 93 231 54

HSL 106.78, 0.79%, 0.56%

LAB 81.7, -67.03, 69.36

 

CMYK 77 / 0 / 72 / 9

HEX #36E740

RGB 54 231 64

HSL 123.39, 0.79%, 0.56%

LAB 80.91, -73.45, 65.02

 

CMYK 77 / 0 / 52 / 9

HEX #36E76F

RGB 54 231 111

HSL 139.32, 0.79%, 0.56%

LAB 81.34, -68.26, 45.84

 

CMYK 19 / 0 / 77 / 9

HEX #BCE736

RGB 188 231 54

HSL 74.58, 0.79%, 0.56%

LAB 86.06, -36.34, 75.02

 

CMYK 21 / 0 / 86 / 2

HEX #C5FA24

RGB 197 250 36

HSL 74.86, 0.96%, 0.56%

LAB 91.85, -41.92, 84.64

 

CMYK 19 / 0 / 77 / 9

HEX #BCE736

RGB 188 231 54

HSL 74.58, 0.79%, 0.56%

LAB 86.06, -36.34, 75.02

 

CMYK 16 / 0 / 66 / 16

HEX #B3D548

RGB 179 213 72

HSL 74.47, 0.63%, 0.56%

LAB 80.54, -30.63, 63.24

 

CMYK 13 / 0 / 54 / 24

HEX #AAC35A

RGB 170 195 90

HSL 74.29, 0.47%, 0.56%

LAB 75.02, -24.2, 49.24

 

CMYK 10 / 0 / 38 / 31

HEX #A0B16D

RGB 160 177 109

HSL 75, 0.3%, 0.56%

LAB 69.49, -17.12, 32.84

 

CMYK 5 / 0 / 20 / 38

HEX #979F7F

RGB 151 159 127

HSL 75, 0.14%, 0.56%

LAB 64.09, -8.63, 15.77

HEX #979F7F

CMYK 0 / 23 / 77 / 9

HEX #E7B236

RGB 231 178 54

HSL 42.03, 0.79%, 0.56%

LAB 75.51, 7.94, 66.49

 

CMYK 0 / 2 / 77 / 9

HEX #E7E236

RGB 231 226 54

HSL 58.31, 0.79%, 0.56%

LAB 87.8, -16.55, 77.74

 

CMYK 18 / 0 / 77 / 9

HEX #BEE736

RGB 190 231 54

HSL 73.9, 0.79%, 0.56%

LAB 86.19, -35.56, 75.18

 

CMYK 38 / 0 / 77 / 9

HEX #8FE736

RGB 143 231 54

HSL 89.83, 0.79%, 0.56%

LAB 83.58, -52.75, 71.81

 

CMYK 58 / 0 / 77 / 9

HEX #60E736

RGB 96 231 54

HSL 105.76, 0.79%, 0.56%

LAB 81.79, -66.33, 69.47

 

CMYK 21 / 0 / 88 / 29

HEX #8FB615

RGB 143 182 21

HSL 74.53, 0.79%, 0.4%

LAB 69, -32.95, 67.13

 

CMYK 21 / 0 / 88 / 14

HEX #ACDB1A

RGB 172 219 26

HSL 74.61, 0.79%, 0.48%

LAB 81.57, -38.12, 77.33

 

CMYK 19 / 0 / 77 / 9

HEX #BCE736

RGB 188 231 54

HSL 74.58, 0.79%, 0.56%

LAB 86.06, -36.34, 75.02

 

CMYK 15 / 0 / 61 / 7

HEX #C8EC5B

RGB 200 236 91

HSL 74.9, 0.79%, 0.64%

LAB 88.46, -31.83, 64.45

 

CMYK 11 / 0 / 47 / 6

HEX #D5F080

RGB 213 240 128

HSL 74.46, 0.79%, 0.72%

LAB 90.79, -25.52, 50.89

 

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

CMYK 77 / 0 / 43 / 9

HEX #36E783

RGB 54 231 131

HSL 146.1, 0.79%, 0.56%

LAB 81.61, -65.11, 36.48

 

CMYK 13 / 77 / 0 / 9

HEX #CA36E7

RGB 202 54 231

HSL 290.17, 0.79%, 0.56%

LAB 52.91, 77.98, -59.79

 

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

CMYK 77 / 18 / 0 / 9

HEX #36BEE7

RGB 54 190 231

HSL 193.9, 0.79%, 0.56%

LAB 71.81, -22.32, -30.68

 

CMYK 0 / 77 / 18 / 9

HEX #E736BE

RGB 231 54 190

HSL 313.9, 0.79%, 0.56%

LAB 55.43, 77.65, -32.1

 

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

CMYK 77 / 0 / 43 / 9

HEX #36E783

RGB 54 231 131

HSL 146.1, 0.79%, 0.56%

LAB 81.61, -65.11, 36.48

 

CMYK 58 / 77 / 0 / 9

HEX #6036E7

RGB 96 54 231

HSL 254.24, 0.79%, 0.56%

LAB 39.4, 61.37, -82.37

 

CMYK 0 / 77 / 33 / 9

HEX #E7369B

RGB 231 54 155

HSL 325.76, 0.79%, 0.56%

LAB 54.02, 73.48, -13.8

 

CMYK 19 / 0 / 76 / 9

HEX #BCE737

RGB 188 231 55

HSL 74.66, 0.79%, 0.56%

LAB 86.07, -36.3, 74.73

 

CMYK 77 / 0 / 20 / 9

HEX #36E7B8

RGB 54 231 184

HSL 164.07, 0.79%, 0.56%

LAB 82.59, -54.22, 10.55

 

CMYK 58 / 77 / 0 / 9

HEX #6036E7

RGB 96 54 231

HSL 254.24, 0.79%, 0.56%

LAB 39.4, 61.37, -82.37

 

CMYK 0 / 77 / 56 / 9

HEX #E73665

RGB 231 54 101

HSL 344.07, 0.79%, 0.56%

LAB 52.47, 68.7, 16.27

 

Description

Color code: HEX #BCE737 | qconv.com Color code: HEX #BCE737 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 231 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 231 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 76 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 76% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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