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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCE146 it is the complementary color #431EB9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCE146. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCE146 shade: #C1E141, #D2F354, #E3FF67, #F4FF7A and #FFFF8D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCE146. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCE146 shade: #BCE146, #ABCF33, #9ABD20, #89AB0D and #789900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCE146 shade: #BCE147, #E1DC47, #E1B347, #E18947 and #E15F47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCE146 shade: #BCE147, #93E147, #69E147, #47E14E and #47E178

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCE146 shade matches the following richer shades: #BCE147 and #C5F235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCE146 shade: #BCE147, #B3D058, #AABE69, #A1AD7B and #989C8C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCE146 shade: #E1B347, #E1DC47, #BDE147, #94E147 and #6BE147

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCE146 shade: #93B71E, #AFDB24, #BCE147, #C9E76A and #D6ED8E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCE146 shade: #BCE146, #47E18A and #C747E1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCE146 shade: #BCE146, #47BDE1 and #E147BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCE146 shade: #BCE146, #47E18A, #6B47E1 and #E1479E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCE146 shade: #BCE146, #47E1B8, #6B47E1 and #E14770

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

Complementary color

CMYK 64 / 84 / 0 / 27

HEX #431EB9

RGB 67 30 185

HSL 254.32, 0.72%, 0.42%

LAB 28.44, 55.98, -73.85

 

CMYK 14 / 0 / 71 / 12

HEX #C1E141

RGB 193 225 65

HSL 72, 0.73%, 0.57%

LAB 84.78, -31.1, 70.39

 

CMYK 14 / 0 / 65 / 5

HEX #D2F354

RGB 210 243 84

HSL 72.45, 0.87%, 0.64%

LAB 90.98, -31.66, 70.09

 

CMYK 11 / 0 / 60 / 0

HEX #E3FF67

RGB 227 255 103

HSL 71.05, 1%, 0.7%

LAB 95.51, -29.35, 67.71

 

CMYK 4 / 0 / 52 / 0

HEX #F4FF7A

RGB 244 255 122

HSL 64.96, 1%, 0.74%

LAB 96.88, -21.31, 61.43

 

CMYK 0 / 0 / 45 / 0

HEX #FFFF8D

RGB 255 255 141

HSL 60, 1%, 0.78%

LAB 97.91, -15.4, 54.17

 

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

CMYK 17 / 0 / 75 / 19

HEX #ABCF33

RGB 171 207 51

HSL 73.85, 0.62%, 0.51%

LAB 78.18, -32.19, 68.2

 

CMYK 19 / 0 / 83 / 26

HEX #9ABD20

RGB 154 189 32

HSL 73.38, 0.71%, 0.43%

LAB 71.81, -31.42, 67.4

 

CMYK 20 / 0 / 92 / 33

HEX #89AB0D

RGB 137 171 13

HSL 72.91, 0.86%, 0.36%

LAB 65.34, -30.43, 65.33

 

CMYK 22 / 0 / 100 / 40

HEX #789900

RGB 120 153 0

HSL 72.94, 1%, 0.3%

LAB 58.77, -29.21, 61.55

 

CMYK 16 / 0 / 68 / 12

HEX #BCE147

RGB 188 225 71

HSL 74.42, 0.72%, 0.58%

LAB 84.48, -32.74, 67.85

 

CMYK 0 / 2 / 68 / 12

HEX #E1DC47

RGB 225 220 71

HSL 58.05, 0.72%, 0.58%

LAB 85.83, -15.36, 70.09

 

CMYK 0 / 20 / 68 / 12

HEX #E1B347

RGB 225 179 71

HSL 42.08, 0.72%, 0.58%

LAB 75.27, 5.64, 59.34

 

CMYK 0 / 39 / 68 / 12

HEX #E18947

RGB 225 137 71

HSL 25.71, 0.72%, 0.58%

LAB 65.24, 28.02, 48.58

 

CMYK 0 / 58 / 68 / 12

HEX #E15F47

RGB 225 95 71

HSL 9.35, 0.72%, 0.58%

LAB 56.73, 49.21, 38.9

 

CMYK 16 / 0 / 68 / 12

HEX #BCE147

RGB 188 225 71

HSL 74.42, 0.72%, 0.58%

LAB 84.48, -32.74, 67.85

 

CMYK 35 / 0 / 68 / 12

HEX #93E147

RGB 147 225 71

HSL 90.39, 0.72%, 0.58%

LAB 82.11, -47.91, 64.67

 

CMYK 53 / 0 / 68 / 12

HEX #69E147

RGB 105 225 71

HSL 106.75, 0.72%, 0.58%

LAB 80.35, -60.77, 62.29

 

CMYK 68 / 0 / 65 / 12

HEX #47E14E

RGB 71 225 78

HSL 122.73, 0.72%, 0.58%

LAB 79.47, -67.69, 58.32

 

CMYK 68 / 0 / 47 / 12

HEX #47E178

RGB 71 225 120

HSL 139.09, 0.72%, 0.58%

LAB 79.92, -62.35, 39.81

 

CMYK 16 / 0 / 68 / 12

HEX #BCE147

RGB 188 225 71

HSL 74.42, 0.72%, 0.58%

LAB 84.48, -32.74, 67.85

 

CMYK 19 / 0 / 78 / 5

HEX #C5F235

RGB 197 242 53

HSL 74.29, 0.88%, 0.58%

LAB 89.69, -37.84, 78.82

 

CMYK 16 / 0 / 68 / 12

HEX #BCE147

RGB 188 225 71

HSL 74.42, 0.72%, 0.58%

LAB 84.48, -32.74, 67.85

 

CMYK 14 / 0 / 58 / 18

HEX #B3D058

RGB 179 208 88

HSL 74.5, 0.56%, 0.58%

LAB 79.27, -27.09, 55.18

 

CMYK 11 / 0 / 45 / 25

HEX #AABE69

RGB 170 190 105

HSL 74.12, 0.4%, 0.58%

LAB 73.8, -20.22, 40.5

 

CMYK 7 / 0 / 29 / 32

HEX #A1AD7B

RGB 161 173 123

HSL 74.4, 0.23%, 0.58%

LAB 68.67, -12.79, 24.35

 

CMYK 3 / 0 / 10 / 39

HEX #989C8C

RGB 152 156 140

HSL 75, 0.07%, 0.58%

LAB 63.63, -4.42, 7.88

 

CMYK 0 / 20 / 68 / 12

HEX #E1B347

RGB 225 179 71

HSL 42.08, 0.72%, 0.58%

LAB 75.27, 5.64, 59.34

 

CMYK 0 / 2 / 68 / 12

HEX #E1DC47

RGB 225 220 71

HSL 58.05, 0.72%, 0.58%

LAB 85.83, -15.36, 70.09

 

CMYK 16 / 0 / 68 / 12

HEX #BDE147

RGB 189 225 71

HSL 74.03, 0.72%, 0.58%

LAB 84.55, -32.34, 67.94

 

CMYK 34 / 0 / 68 / 12

HEX #94E147

RGB 148 225 71

HSL 90, 0.72%, 0.58%

LAB 82.16, -47.57, 64.74

 

CMYK 52 / 0 / 68 / 12

HEX #6BE147

RGB 107 225 71

HSL 105.97, 0.72%, 0.58%

LAB 80.42, -60.24, 62.38

 

CMYK 20 / 0 / 84 / 28

HEX #93B71E

RGB 147 183 30

HSL 74.12, 0.72%, 0.42%

LAB 69.59, -31.52, 65.79

 

CMYK 20 / 0 / 84 / 14

HEX #AFDB24

RGB 175 219 36

HSL 74.43, 0.72%, 0.5%

LAB 81.79, -36.68, 75.6

 

CMYK 16 / 0 / 68 / 12

HEX #BCE147

RGB 188 225 71

HSL 74.42, 0.72%, 0.58%

LAB 84.48, -32.74, 67.85

 

CMYK 13 / 0 / 54 / 9

HEX #C9E76A

RGB 201 231 106

HSL 74.4, 0.72%, 0.66%

LAB 87.3, -27.91, 56.69

 

CMYK 10 / 0 / 40 / 7

HEX #D6ED8E

RGB 214 237 142

HSL 74.53, 0.73%, 0.74%

LAB 90.24, -22.2, 43.47

 

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

CMYK 68 / 0 / 39 / 12

HEX #47E18A

RGB 71 225 138

HSL 146.1, 0.72%, 0.58%

LAB 80.19, -59.31, 31.16

 

CMYK 12 / 68 / 0 / 12

HEX #C747E1

RGB 199 71 225

HSL 289.87, 0.72%, 0.58%

LAB 54.12, 70.57, -54.49

 

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

CMYK 68 / 16 / 0 / 12

HEX #47BDE1

RGB 71 189 225

HSL 194.03, 0.72%, 0.58%

LAB 71.67, -21.62, -27.61

 

CMYK 0 / 68 / 16 / 12

HEX #E147BD

RGB 225 71 189

HSL 314.03, 0.72%, 0.58%

LAB 56.28, 70.78, -30.27

 

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

CMYK 68 / 0 / 39 / 12

HEX #47E18A

RGB 71 225 138

HSL 146.1, 0.72%, 0.58%

LAB 80.19, -59.31, 31.16

 

CMYK 52 / 68 / 0 / 12

HEX #6B47E1

RGB 107 71 225

HSL 254.03, 0.72%, 0.58%

LAB 42.87, 52.83, -73.23

 

CMYK 0 / 68 / 30 / 12

HEX #E1479E

RGB 225 71 158

HSL 326.1, 0.72%, 0.58%

LAB 55.05, 66.78, -14.11

 

CMYK 16 / 0 / 69 / 12

HEX #BCE146

RGB 188 225 70

HSL 74.32, 0.72%, 0.58%

LAB 84.48, -32.79, 68.21

 

CMYK 68 / 0 / 18 / 12

HEX #47E1B8

RGB 71 225 184

HSL 164.03, 0.72%, 0.58%

LAB 81.1, -49.62, 8.46

 

CMYK 52 / 68 / 0 / 12

HEX #6B47E1

RGB 107 71 225

HSL 254.03, 0.72%, 0.58%

LAB 42.87, 52.83, -73.23

 

CMYK 0 / 68 / 50 / 12

HEX #E14770

RGB 225 71 112

HSL 344.03, 0.72%, 0.58%

LAB 53.69, 62.14, 11.2

 

Description

Color code: HEX #BCE146 | qconv.com Color code: HEX #BCE146 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 225 green and 70 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 225 70 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, none magenta, 69 yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 0% 69% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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