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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCDDFD it is the complementary color #432202. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCDDFD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCDDFD shade: #C1DDF8, #D2EFFF, #E3FFFF, #F4FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCDDFD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCDDFD shade: #BCDDFD, #ABCBEA, #9AB9D7, #89A7C4 and #7895B1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCDDFD shade: #BADCFD, #BACAFD, #BCBAFD, #CEBAFD and #E0BAFD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCDDFD shade: #BADCFD, #BACAFD and #BABAFD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCDDFD shade matches the following richer shades: #BADCFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCDDFD shade: #BADCFD, #C0DCF7, #C5DCF1, #CBDCEC and #D1DBE6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCDDFD shade: #BAFDFA, #BAEEFD, #BADCFD, #BACBFD and #BBBAFD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCDDFD shade: #6AB3FA, #92C7FC, #BADCFD, #E2F0FE and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCDDFD shade: #BCDDFD, #E8BAFD and #F7FDBA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCDDFD shade: #BCDDFD, #FDBADC and #DCFDBA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCDDFD shade: #BCDDFD, #E8BAFD, #FDDABA and #CFFDBA

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCDDFD shade: #BCDDFD, #FCBAFD, #FDDABA and #BBFDBA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

Complementary color

CMYK 0 / 49 / 97 / 74

HEX #432202

RGB 67 34 2

HSL 29.54, 0.94%, 0.14%

LAB 17.19, 13.15, 24.53

 

CMYK 22 / 11 / 0 / 3

HEX #C1DDF8

RGB 193 221 248

HSL 209.45, 0.8%, 0.86%

LAB 86.91, -3.54, -16.24

 

CMYK 18 / 6 / 0 / 0

HEX #D2EFFF

RGB 210 239 255

HSL 201.33, 1%, 0.91%

LAB 92.86, -6.19, -10.89

 

CMYK 11 / 0 / 0 / 0

HEX #E3FFFF

RGB 227 255 255

HSL 180, 1%, 0.95%

LAB 98.06, -9, -3.08

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

CMYK 27 / 13 / 0 / 8

HEX #ABCBEA

RGB 171 203 234

HSL 209.52, 0.6%, 0.79%

LAB 80.35, -3.77, -18.83

 

CMYK 28 / 14 / 0 / 16

HEX #9AB9D7

RGB 154 185 215

HSL 209.51, 0.43%, 0.72%

LAB 73.85, -3.63, -18.51

 

CMYK 30 / 15 / 0 / 23

HEX #89A7C4

RGB 137 167 196

HSL 209.49, 0.33%, 0.65%

LAB 67.23, -3.48, -18.21

 

CMYK 32 / 16 / 0 / 31

HEX #7895B1

RGB 120 149 177

HSL 209.47, 0.27%, 0.58%

LAB 60.48, -3.32, -17.92

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 26 / 20 / 0 / 1

HEX #BACAFD

RGB 186 202 253

HSL 225.67, 0.94%, 0.86%

LAB 81.71, 5.58, -26.8

 

CMYK 26 / 26 / 0 / 1

HEX #BCBAFD

RGB 188 186 253

HSL 241.79, 0.94%, 0.86%

LAB 77.82, 14.85, -32.77

 

CMYK 19 / 26 / 0 / 1

HEX #CEBAFD

RGB 206 186 253

HSL 257.91, 0.94%, 0.86%

LAB 79.23, 20.2, -30.48

 

CMYK 11 / 26 / 0 / 1

HEX #E0BAFD

RGB 224 186 253

HSL 274.03, 0.94%, 0.86%

LAB 80.77, 25.71, -27.98

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 26 / 20 / 0 / 1

HEX #BACAFD

RGB 186 202 253

HSL 225.67, 0.94%, 0.86%

LAB 81.71, 5.58, -26.8

 

CMYK 26 / 26 / 0 / 1

HEX #BABAFD

RGB 186 186 253

HSL 240, 0.94%, 0.86%

LAB 77.67, 14.27, -33.02

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 22 / 11 / 0 / 3

HEX #C0DCF7

RGB 192 220 247

HSL 209.45, 0.77%, 0.86%

LAB 86.56, -3.54, -16.25

 

CMYK 18 / 9 / 0 / 5

HEX #C5DCF1

RGB 197 220 241

HSL 208.64, 0.61%, 0.86%

LAB 86.71, -3.32, -12.83

 

CMYK 14 / 7 / 0 / 7

HEX #CBDCEC

RGB 203 220 236

HSL 209.09, 0.46%, 0.86%

LAB 86.97, -2.49, -9.76

 

CMYK 9 / 5 / 0 / 10

HEX #D1DBE6

RGB 209 219 230

HSL 211.43, 0.3%, 0.86%

LAB 86.96, -1.25, -6.55

 

CMYK 26 / 0 / 1 / 1

HEX #BAFDFA

RGB 186 253 250

HSL 177.31, 0.94%, 0.86%

LAB 94.99, -21.28, -5.3

 

CMYK 26 / 6 / 0 / 1

HEX #BAEEFD

RGB 186 238 253

HSL 193.43, 0.94%, 0.86%

LAB 91.09, -13.19, -12.64

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 26 / 20 / 0 / 1

HEX #BACBFD

RGB 186 203 253

HSL 224.78, 0.94%, 0.86%

LAB 81.97, 5.04, -26.41

 

CMYK 26 / 26 / 0 / 1

HEX #BBBAFD

RGB 187 186 253

HSL 240.9, 0.94%, 0.86%

LAB 77.74, 14.56, -32.9

 

CMYK 58 / 28 / 0 / 2

HEX #6AB3FA

RGB 106 179 250

HSL 209.58, 0.94%, 0.7%

LAB 71.01, -2.5, -42.1

 

CMYK 42 / 21 / 0 / 1

HEX #92C7FC

RGB 146 199 252

HSL 210, 0.95%, 0.78%

LAB 78.45, -3.91, -31.48

 

CMYK 26 / 13 / 0 / 1

HEX #BADCFD

RGB 186 220 253

HSL 209.55, 0.94%, 0.86%

LAB 86.36, -3.96, -19.74

 

CMYK 11 / 6 / 0 / 0

HEX #E2F0FE

RGB 226 240 254

HSL 210, 0.93%, 0.94%

LAB 94.16, -1.93, -8.32

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

CMYK 8 / 26 / 0 / 1

HEX #E8BAFD

RGB 232 186 253

HSL 281.19, 0.94%, 0.86%

LAB 81.49, 28.21, -26.82

 

CMYK 2 / 0 / 26 / 1

HEX #F7FDBA

RGB 247 253 186

HSL 65.37, 0.94%, 0.86%

LAB 97.46, -12.39, 31.49

 

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

CMYK 0 / 26 / 13 / 1

HEX #FDBADC

RGB 253 186 220

HSL 329.55, 0.94%, 0.86%

LAB 82.47, 29.21, -7.46

 

CMYK 13 / 0 / 26 / 1

HEX #DCFDBA

RGB 220 253 186

HSL 89.55, 0.94%, 0.86%

LAB 95.59, -22.03, 28.64

 

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

CMYK 8 / 26 / 0 / 1

HEX #E8BAFD

RGB 232 186 253

HSL 281.19, 0.94%, 0.86%

LAB 81.49, 28.21, -26.82

 

CMYK 0 / 14 / 26 / 1

HEX #FDDABA

RGB 253 218 186

HSL 28.66, 0.94%, 0.86%

LAB 89.19, 7.48, 20.25

 

CMYK 18 / 0 / 26 / 1

HEX #CFFDBA

RGB 207 253 186

HSL 101.19, 0.94%, 0.86%

LAB 94.76, -26.5, 27.38

 

CMYK 26 / 13 / 0 / 1

HEX #BCDDFD

RGB 188 221 253

HSL 209.54, 0.94%, 0.86%

LAB 86.75, -3.9, -19.15

 

CMYK 0 / 26 / 0 / 1

HEX #FCBAFD

RGB 252 186 253

HSL 299.1, 0.94%, 0.86%

LAB 83.39, 34.51, -23.75

 

CMYK 0 / 14 / 26 / 1

HEX #FDDABA

RGB 253 218 186

HSL 28.66, 0.94%, 0.86%

LAB 89.19, 7.48, 20.25

 

CMYK 26 / 0 / 26 / 1

HEX #BBFDBA

RGB 187 253 186

HSL 119.1, 0.94%, 0.86%

LAB 93.61, -33.1, 25.61

 

Description

Color code: HEX #BCDDFD | qconv.com Color code: HEX #BCDDFD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 221 green and 253 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 221 253 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 13 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 13% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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