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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD9E5 it is the complementary color #43261A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD9E5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #BCD9E5: #C1D9E0, #D2EBF3, #E3FDFF, #F4FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD9E5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #BCD9E5: #BCD9E5, #ABC7D2, #9AB5BF, #89A3AC and #789199

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

Complementary color

CMYK 0 / 43 / 61 / 74

HEX #43261A

RGB 67 38 26

HSL 17.56, 0.44%, 0.18%

LAB 18.6, 12.21, 13.7

 

CMYK 14 / 3 / 0 / 12

HEX #C1D9E0

RGB 193 217 224

HSL 193.55, 0.33%, 0.82%

LAB 85.17, -6.55, -6.15

 

CMYK 14 / 3 / 0 / 5

HEX #D2EBF3

RGB 210 235 243

HSL 194.55, 0.58%, 0.89%

LAB 91.5, -6.59, -6.66

 

CMYK 11 / 1 / 0 / 0

HEX #E3FDFF

RGB 227 253 255

HSL 184.29, 1%, 0.95%

LAB 97.55, -8, -3.83

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 19 / 5 / 0 / 18

HEX #ABC7D2

RGB 171 199 210

HSL 196.92, 0.3%, 0.75%

LAB 78.55, -7.05, -8.64

 

CMYK 19 / 5 / 0 / 25

HEX #9AB5BF

RGB 154 181 191

HSL 196.22, 0.22%, 0.68%

LAB 72.01, -7.02, -8.16

 

CMYK 20 / 5 / 0 / 33

HEX #89A3AC

RGB 137 163 172

HSL 195.43, 0.17%, 0.61%

LAB 65.35, -6.99, -7.67

 

CMYK 22 / 5 / 0 / 40

HEX #789199

RGB 120 145 153

HSL 194.55, 0.14%, 0.54%

LAB 58.55, -6.98, -7.17

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 18 / 8 / 0 / 10

HEX #BCD3E5

RGB 188 211 229

HSL 206.34, 0.44%, 0.82%

LAB 83.41, -3.96, -11.46

 

CMYK 18 / 11 / 0 / 10

HEX #BCCCE5

RGB 188 204 229

HSL 216.59, 0.44%, 0.82%

LAB 81.58, -0.27, -14.19

 

CMYK 18 / 14 / 0 / 10

HEX #BCC5E5

RGB 188 197 229

HSL 226.83, 0.44%, 0.82%

LAB 79.77, 3.46, -16.91

 

CMYK 18 / 17 / 0 / 10

HEX #BCBEE5

RGB 188 190 229

HSL 237.07, 0.44%, 0.82%

LAB 77.98, 7.23, -19.62

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 16 / 4 / 0 / 90

HEX #151819

RGB 21 24 25

HSL 195, 0.09%, 0.09%

LAB 7.98, -1.14, -1.2

 

CMYK 18 / 5 / 0 / 70

HEX #3E484C

RGB 62 72 76

HSL 197.14, 0.1%, 0.27%

LAB 29.86, -3.03, -3.76

 

CMYK 18 / 6 / 0 / 50

HEX #68787F

RGB 104 120 127

HSL 198.26, 0.1%, 0.45%

LAB 49.38, -4.29, -5.82

 

CMYK 18 / 5 / 0 / 30

HEX #92A9B2

RGB 146 169 178

HSL 196.88, 0.17%, 0.64%

LAB 67.8, -6, -7.31

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 9 / 18 / 0 / 10

HEX #D0BCE5

RGB 208 188 229

HSL 269.27, 0.44%, 0.82%

LAB 79.06, 14.69, -17.83

 

CMYK 0 / 2 / 18 / 10

HEX #E5E0BC

RGB 229 224 188

HSL 52.68, 0.44%, 0.82%

LAB 88.73, -4.14, 18.27

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 0 / 18 / 5 / 10

HEX #E5BCD9

RGB 229 188 217

HSL 317.56, 0.44%, 0.82%

LAB 80.53, 19.44, -8.97

 

CMYK 5 / 0 / 18 / 10

HEX #D9E5BC

RGB 217 229 188

HSL 77.56, 0.44%, 0.82%

LAB 89.12, -10.99, 18.67

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 9 / 18 / 0 / 10

HEX #D0BCE5

RGB 208 188 229

HSL 269.27, 0.44%, 0.82%

LAB 79.06, 14.69, -17.83

 

CMYK 0 / 13 / 18 / 10

HEX #E5C8BC

RGB 229 200 188

HSL 17.56, 0.44%, 0.82%

LAB 82.7, 8.31, 9.74

 

CMYK 9 / 0 / 18 / 10

HEX #D1E5BC

RGB 209 229 188

HSL 89.27, 0.44%, 0.82%

LAB 88.55, -13.82, 17.8

 

CMYK 18 / 5 / 0 / 10

HEX #BCD9E5

RGB 188 217 229

HSL 197.56, 0.44%, 0.82%

LAB 84.98, -7.08, -9.11

 

CMYK 4 / 18 / 0 / 10

HEX #DCBCE5

RGB 220 188 229

HSL 286.83, 0.44%, 0.82%

LAB 80.09, 18.62, -16.18

 

CMYK 0 / 13 / 18 / 10

HEX #E5C8BC

RGB 229 200 188

HSL 17.56, 0.44%, 0.82%

LAB 82.7, 8.31, 9.74

 

CMYK 14 / 0 / 18 / 10

HEX #C5E5BC

RGB 197 229 188

HSL 106.83, 0.44%, 0.82%

LAB 87.75, -17.97, 16.55

 

Description

Color code: HEX #BCD9E5 | qconv.com Color code: HEX #BCD9E5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 217 green and 229 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 217 229 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 5 magenta, none yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 5% 0% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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