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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD421 it is the complementary color #432BDE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD421. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD421 shade: #C1D41C, #D2E62F, #E3F842, #F4FF55 and #FFFF68

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD421. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD421 shade: #BCD421, #ABC20E, #9AB000, #899E00 and #788C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD421 shade: #BCD421, #D4BC21, #D48B21, #D45B21 and #D42B21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD421 shade: #BCD421, #8CD421, #5BD421, #2BD421 and #21D447

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD421 shade matches the following richer shades: #BCD421 and #CAE80D

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD421 shade: #BCD421, #ADC035, #9FAC49, #90985C and #828570

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD421 shade: #D48C21, #D4BC21, #BCD421, #8CD421 and #5DD421

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD421 shade: #7C8C16, #9CB01B, #BCD421, #CBE13D and #D4E661

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD421 shade: #BCD421, #21D45D and #A421D4

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD421 shade: #BCD421, #21BCD4 and #D421BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD421 shade: #BCD421, #21D45D, #3921D4 and #D42198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD421 shade: #BCD421, #21D492, #3921D4 and #D42163

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

Complementary color

CMYK 70 / 81 / 0 / 13

HEX #432BDE

RGB 67 43 222

HSL 248.04, 0.73%, 0.52%

LAB 34.39, 60.97, -85.6

 

CMYK 9 / 0 / 87 / 17

HEX #C1D41C

RGB 193 212 28

HSL 66.2, 0.77%, 0.47%

LAB 81.02, -26.35, 77.1

 

CMYK 9 / 0 / 80 / 10

HEX #D2E62F

RGB 210 230 47

HSL 66.56, 0.79%, 0.54%

LAB 87.24, -27.37, 78.58

 

CMYK 8 / 0 / 73 / 3

HEX #E3F842

RGB 227 248 66

HSL 66.92, 0.93%, 0.62%

LAB 93.39, -28.23, 79.14

 

CMYK 4 / 0 / 67 / 0

HEX #F4FF55

RGB 244 255 85

HSL 63.88, 1%, 0.67%

LAB 96.58, -23.81, 76.21

 

CMYK 0 / 0 / 59 / 0

HEX #FFFF68

RGB 255 255 104

HSL 60, 1%, 0.7%

LAB 97.54, -18.31, 70.1

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 12 / 0 / 93 / 24

HEX #ABC20E

RGB 171 194 14

HSL 67.67, 0.87%, 0.41%

LAB 74.36, -27.18, 73.33

 

CMYK 13 / 0 / 100 / 31

HEX #9AB000

RGB 154 176 0

HSL 67.5, 1%, 0.35%

LAB 67.96, -25.87, 69.52

 

CMYK 13 / 0 / 100 / 38

HEX #899E00

RGB 137 158 0

HSL 67.97, 1%, 0.31%

LAB 61.46, -24.36, 64.1

 

CMYK 14 / 0 / 100 / 45

HEX #788C00

RGB 120 140 0

HSL 68.57, 1%, 0.27%

LAB 54.81, -22.83, 58.57

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 0 / 11 / 84 / 17

HEX #D4BC21

RGB 212 188 33

HSL 51.96, 0.73%, 0.48%

LAB 76.11, -6.17, 72.64

 

CMYK 0 / 34 / 84 / 17

HEX #D48B21

RGB 212 139 33

HSL 35.53, 0.73%, 0.48%

LAB 63.81, 19.93, 62.38

 

CMYK 0 / 57 / 84 / 17

HEX #D45B21

RGB 212 91 33

HSL 19.44, 0.73%, 0.48%

LAB 53.59, 44.84, 53.7

 

CMYK 0 / 80 / 84 / 17

HEX #D42B21

RGB 212 43 33

HSL 3.35, 0.73%, 0.48%

LAB 46.76, 63.33, 47.77

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 34 / 0 / 84 / 17

HEX #8CD421

RGB 140 212 33

HSL 84.13, 0.73%, 0.48%

LAB 77.74, -46.93, 71.99

 

CMYK 57 / 0 / 84 / 17

HEX #5BD421

RGB 91 212 33

HSL 100.56, 0.73%, 0.48%

LAB 75.71, -62.1, 69.43

 

CMYK 80 / 0 / 84 / 17

HEX #2BD421

RGB 43 212 33

HSL 116.65, 0.73%, 0.48%

LAB 74.64, -71.13, 68.07

 

CMYK 84 / 0 / 67 / 17

HEX #21D447

RGB 33 212 71

HSL 132.74, 0.73%, 0.48%

LAB 74.74, -69.45, 55.83

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 13 / 0 / 94 / 9

HEX #CAE80D

RGB 202 232 13

HSL 68.22, 0.89%, 0.48%

LAB 87.14, -32.3, 84.29

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 10 / 0 / 72 / 25

HEX #ADC035

RGB 173 192 53

HSL 68.2, 0.57%, 0.48%

LAB 74.09, -24.13, 63.69

 

CMYK 8 / 0 / 58 / 33

HEX #9FAC49

RGB 159 172 73

HSL 67.88, 0.4%, 0.48%

LAB 67.54, -18.72, 48.37

 

CMYK 5 / 0 / 39 / 40

HEX #90985C

RGB 144 152 92

HSL 68, 0.25%, 0.48%

LAB 60.92, -12.65, 30.6

 

CMYK 2 / 0 / 16 / 48

HEX #828570

RGB 130 133 112

HSL 68.57, 0.09%, 0.48%

LAB 54.75, -5.03, 10.96

 

CMYK 0 / 34 / 84 / 17

HEX #D48C21

RGB 212 140 33

HSL 35.87, 0.73%, 0.48%

LAB 64.05, 19.39, 62.58

 

CMYK 0 / 11 / 84 / 17

HEX #D4BC21

RGB 212 188 33

HSL 51.96, 0.73%, 0.48%

LAB 76.11, -6.17, 72.64

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 34 / 0 / 84 / 17

HEX #8CD421

RGB 140 212 33

HSL 84.13, 0.73%, 0.48%

LAB 77.74, -46.93, 71.99

 

CMYK 56 / 0 / 84 / 17

HEX #5DD421

RGB 93 212 33

HSL 99.89, 0.73%, 0.48%

LAB 75.78, -61.58, 69.51

 

CMYK 11 / 0 / 84 / 45

HEX #7C8C16

RGB 124 140 22

HSL 68.14, 0.73%, 0.32%

LAB 55.17, -20.53, 54.72

 

CMYK 11 / 0 / 85 / 31

HEX #9CB01B

RGB 156 176 27

HSL 68.05, 0.73%, 0.4%

LAB 68.17, -24.51, 65.54

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 10 / 0 / 73 / 12

HEX #CBE13D

RGB 203 225 61

HSL 68.05, 0.73%, 0.56%

LAB 85.45, -27.29, 72.62

 

CMYK 8 / 0 / 58 / 10

HEX #D4E661

RGB 212 230 97

HSL 68.12, 0.73%, 0.64%

LAB 87.7, -23.87, 61.33

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 84 / 0 / 56 / 17

HEX #21D45D

RGB 33 212 93

HSL 140.11, 0.73%, 0.48%

LAB 74.95, -66.85, 46.48

 

CMYK 23 / 84 / 0 / 17

HEX #A421D4

RGB 164 33 212

HSL 283.91, 0.73%, 0.48%

LAB 43.85, 73.68, -63.89

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 84 / 11 / 0 / 17

HEX #21BCD4

RGB 33 188 212

HSL 188.04, 0.73%, 0.48%

LAB 70.21, -29.29, -22.83

 

CMYK 0 / 84 / 11 / 17

HEX #D421BC

RGB 212 33 188

HSL 308.04, 0.73%, 0.48%

LAB 50.35, 78.33, -39.12

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 84 / 0 / 56 / 17

HEX #21D45D

RGB 33 212 93

HSL 140.11, 0.73%, 0.48%

LAB 74.95, -66.85, 46.48

 

CMYK 73 / 84 / 0 / 17

HEX #3921D4

RGB 57 33 212

HSL 248.04, 0.73%, 0.48%

LAB 31.14, 61.59, -85.24

 

CMYK 0 / 84 / 28 / 17

HEX #D42198

RGB 212 33 152

HSL 320.11, 0.73%, 0.48%

LAB 48.7, 73.82, -20.44

 

CMYK 11 / 0 / 84 / 17

HEX #BCD421

RGB 188 212 33

HSL 68.04, 0.73%, 0.48%

LAB 80.68, -28.29, 75.66

 

CMYK 84 / 0 / 31 / 17

HEX #21D492

RGB 33 212 146

HSL 157.88, 0.73%, 0.48%

LAB 75.75, -57.49, 20.93

 

CMYK 73 / 84 / 0 / 17

HEX #3921D4

RGB 57 33 212

HSL 248.04, 0.73%, 0.48%

LAB 31.14, 61.59, -85.24

 

CMYK 0 / 84 / 53 / 17

HEX #D42163

RGB 212 33 99

HSL 337.88, 0.73%, 0.48%

LAB 46.96, 68.87, 9.28

 

Description

Color code: HEX #BCD421 | qconv.com Color code: HEX #BCD421 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 212 green and 33 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 212 33 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 84 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 84% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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