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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD3C4 it is the complementary color #432C3B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD3C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD3C4 shade: #C1D3BF, #D2E5D2, #E3F7E5, #F4FFF8 and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD3C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD3C4 shade: #BCD3C4, #ABC1B1, #9AAF9E, #899D8B and #788B78

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD3C4 shade: #BBD3C3, #BBD3BD, #C0D3BB, #C6D3BB and #CCD3BB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD3C4 shade: #BBD3C3, #BBD3CA, #BBD3D0, #BBCFD3 and #BBC9D3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD3C4 shade matches the following richer shades: #BBD3C3, #B2DCC1, #A9E5BE, #A0EEBB and #97F7B8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD3C4 shade: #BBD3C3, #C4CAC6, #CDC1C9, #D6B7CC and #DFAECE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD3C4 shade: #C0D3BB, #BBD3BD, #BBD3C3, #BBD3C9 and #BBD3D0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD3C4 shade: #89B297, #A2C2AD, #BBD3C3, #D4E3D9 and #EDF3EF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD3C4 shade: #BCD3C4, #BBC6D3 and #D3BBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD3C4 shade: #BCD3C4, #C3BBD3 and #D3C3BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD3C4 shade: #BCD3C4, #BBC6D3, #D3BBCB and #D3C8BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD3C4 shade: #BCD3C4, #BBBFD3, #D3BBCB and #D3CFBB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

Complementary color

CMYK 0 / 34 / 12 / 74

HEX #432C3B

RGB 67 44 59

HSL 320.87, 0.21%, 0.22%

LAB 21.25, 13.44, -5.26

 

CMYK 9 / 0 / 9 / 17

HEX #C1D3BF

RGB 193 211 191

HSL 114, 0.19%, 0.79%

LAB 82.75, -9.76, 7.83

 

CMYK 8 / 0 / 8 / 10

HEX #D2E5D2

RGB 210 229 210

HSL 120, 0.27%, 0.86%

LAB 89.11, -9.77, 7.11

 

CMYK 8 / 0 / 7 / 3

HEX #E3F7E5

RGB 227 247 229

HSL 126, 0.56%, 0.93%

LAB 95.38, -9.79, 6.41

 

CMYK 4 / 0 / 3 / 0

HEX #F4FFF8

RGB 244 255 248

HSL 141.82, 1%, 0.98%

LAB 99.04, -4.84, 2.08

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

CMYK 11 / 0 / 8 / 24

HEX #ABC1B1

RGB 171 193 177

HSL 136.36, 0.15%, 0.71%

LAB 76.05, -10.57, 5.52

 

CMYK 12 / 0 / 10 / 31

HEX #9AAF9E

RGB 154 175 158

HSL 131.43, 0.12%, 0.65%

LAB 69.47, -10.6, 6.26

 

CMYK 13 / 0 / 11 / 38

HEX #899D8B

RGB 137 157 139

HSL 126, 0.09%, 0.58%

LAB 62.76, -10.65, 7.05

 

CMYK 14 / 0 / 14 / 45

HEX #788B78

RGB 120 139 120

HSL 120, 0.08%, 0.51%

LAB 55.9, -10.71, 7.88

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 11 / 0 / 10 / 17

HEX #BBD3BD

RGB 187 211 189

HSL 125, 0.21%, 0.78%

LAB 82.29, -12.17, 8.18

 

CMYK 9 / 0 / 11 / 17

HEX #C0D3BB

RGB 192 211 187

HSL 107.5, 0.21%, 0.78%

LAB 82.58, -10.81, 9.72

 

CMYK 6 / 0 / 11 / 17

HEX #C6D3BB

RGB 198 211 187

HSL 92.5, 0.21%, 0.78%

LAB 83.01, -8.72, 10.38

 

CMYK 3 / 0 / 11 / 17

HEX #CCD3BB

RGB 204 211 187

HSL 77.5, 0.21%, 0.78%

LAB 83.45, -6.61, 11.07

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 11 / 0 / 4 / 17

HEX #BBD3CA

RGB 187 211 202

HSL 157.5, 0.21%, 0.78%

LAB 82.6, -9.75, 1.72

 

CMYK 11 / 0 / 1 / 17

HEX #BBD3D0

RGB 187 211 208

HSL 172.5, 0.21%, 0.78%

LAB 82.76, -8.59, -1.25

 

CMYK 11 / 2 / 0 / 17

HEX #BBCFD3

RGB 187 207 211

HSL 190, 0.21%, 0.78%

LAB 81.78, -5.91, -4.28

 

CMYK 11 / 5 / 0 / 17

HEX #BBC9D3

RGB 187 201 211

HSL 205, 0.21%, 0.78%

LAB 80.2, -2.77, -6.61

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 19 / 0 / 12 / 14

HEX #B2DCC1

RGB 178 220 193

HSL 141.43, 0.38%, 0.78%

LAB 84.23, -18.97, 8.76

 

CMYK 26 / 0 / 17 / 10

HEX #A9E5BE

RGB 169 229 190

HSL 141, 0.54%, 0.78%

LAB 86.1, -26.81, 12.94

 

CMYK 33 / 0 / 21 / 7

HEX #A0EEBB

RGB 160 238 187

HSL 140.77, 0.7%, 0.78%

LAB 88.07, -34.36, 17.21

 

CMYK 39 / 0 / 26 / 3

HEX #97F7B8

RGB 151 247 184

HSL 140.63, 0.86%, 0.78%

LAB 90.12, -41.58, 21.55

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 3 / 0 / 2 / 21

HEX #C4CAC6

RGB 196 202 198

HSL 140, 0.05%, 0.78%

LAB 80.77, -2.79, 1.27

 

CMYK 0 / 6 / 2 / 20

HEX #CDC1C9

RGB 205 193 201

HSL 320, 0.11%, 0.78%

LAB 79.23, 5.63, -2.51

 

CMYK 0 / 14 / 5 / 16

HEX #D6B7CC

RGB 214 183 204

HSL 319.35, 0.27%, 0.78%

LAB 77.59, 14.66, -6.46

 

CMYK 0 / 22 / 8 / 13

HEX #DFAECE

RGB 223 174 206

HSL 320.82, 0.43%, 0.78%

LAB 76.32, 22.98, -9.34

 

CMYK 9 / 0 / 11 / 17

HEX #C0D3BB

RGB 192 211 187

HSL 107.5, 0.21%, 0.78%

LAB 82.58, -10.81, 9.72

 

CMYK 11 / 0 / 10 / 17

HEX #BBD3BD

RGB 187 211 189

HSL 125, 0.21%, 0.78%

LAB 82.29, -12.17, 8.18

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 11 / 0 / 5 / 17

HEX #BBD3C9

RGB 187 211 201

HSL 155, 0.21%, 0.78%

LAB 82.58, -9.94, 2.22

 

CMYK 11 / 0 / 1 / 17

HEX #BBD3D0

RGB 187 211 208

HSL 172.5, 0.21%, 0.78%

LAB 82.76, -8.59, -1.25

 

CMYK 23 / 0 / 15 / 30

HEX #89B297

RGB 137 178 151

HSL 140.49, 0.21%, 0.62%

LAB 69.04, -19.34, 9.34

 

CMYK 16 / 0 / 11 / 24

HEX #A2C2AD

RGB 162 194 173

HSL 140.63, 0.21%, 0.7%

LAB 75.63, -14.91, 6.99

 

CMYK 11 / 0 / 8 / 17

HEX #BBD3C3

RGB 187 211 195

HSL 140, 0.21%, 0.78%

LAB 82.43, -11.07, 5.2

 

CMYK 7 / 0 / 4 / 11

HEX #D4E3D9

RGB 212 227 217

HSL 140, 0.21%, 0.86%

LAB 88.9, -6.83, 3.15

 

CMYK 2 / 0 / 2 / 5

HEX #EDF3EF

RGB 237 243 239

HSL 140, 0.2%, 0.94%

LAB 95.3, -2.69, 1.22

 

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

CMYK 11 / 6 / 0 / 17

HEX #BBC6D3

RGB 187 198 211

HSL 212.5, 0.21%, 0.78%

LAB 79.42, -1.18, -7.78

 

CMYK 0 / 11 / 10 / 17

HEX #D3BBBD

RGB 211 187 189

HSL 355, 0.21%, 0.78%

LAB 77.91, 8.86, 2.11

 

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

CMYK 8 / 11 / 0 / 17

HEX #C3BBD3

RGB 195 187 211

HSL 260, 0.21%, 0.78%

LAB 77.19, 7.35, -11.03

 

CMYK 0 / 8 / 11 / 17

HEX #D3C3BB

RGB 211 195 187

HSL 20, 0.21%, 0.78%

LAB 79.88, 4.26, 6.03

 

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

CMYK 11 / 6 / 0 / 17

HEX #BBC6D3

RGB 187 198 211

HSL 212.5, 0.21%, 0.78%

LAB 79.42, -1.18, -7.78

 

CMYK 0 / 11 / 4 / 17

HEX #D3BBCB

RGB 211 187 203

HSL 320, 0.21%, 0.78%

LAB 78.29, 11.29, -4.92

 

CMYK 0 / 5 / 11 / 17

HEX #D3C8BB

RGB 211 200 187

HSL 32.5, 0.21%, 0.78%

LAB 81.15, 1.62, 7.86

 

CMYK 11 / 0 / 7 / 17

HEX #BCD3C4

RGB 188 211 196

HSL 140.87, 0.21%, 0.78%

LAB 82.52, -10.55, 4.81

 

CMYK 11 / 9 / 0 / 17

HEX #BBBFD3

RGB 187 191 211

HSL 230, 0.21%, 0.78%

LAB 77.6, 2.55, -10.49

 

CMYK 0 / 11 / 4 / 17

HEX #D3BBCB

RGB 211 187 203

HSL 320, 0.21%, 0.78%

LAB 78.29, 11.29, -4.92

 

CMYK 0 / 2 / 11 / 17

HEX #D3CFBB

RGB 211 207 187

HSL 50, 0.21%, 0.78%

LAB 82.95, -2.04, 10.43

 

Description

Color code: HEX #BCD3C4 | qconv.com Color code: HEX #BCD3C4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 211 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 211 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 7 yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 7% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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