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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD1D3 it is the complementary color #432E2C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD1D3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD1D3 shade: #C1D1CE, #D2E3E1, #E3F5F4, #F4FFFF and #FFFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD1D3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD1D3 shade: #BCD1D3, #ABBFC0, #9AADAD, #899B9A and #788987

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD1D3 shade: #BBD1D3, #BBCAD3, #BBC4D3, #BBBED3 and #BFBBD3

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD1D3 shade: #BBD1D3, #BBCAD3, #BBC4D3, #BBBED3 and #BBBBD3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD1D3 shade matches the following richer shades: #BBD1D3, #B2D8DC, #A9E0E5, #A0E7EE and #97EFF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD1D3 shade: #BBD1D3, #C4C9CA, #CDC2C1, #D6BAB7 and #DFB3AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD1D3 shade: #BBD3C8, #BBD3CE, #BBD1D3, #BBCAD3 and #BBC4D3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD1D3 shade: #89AFB2, #A2C0C2, #BBD1D3, #D4E2E3 and #EDF3F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD1D3 shade: #BCD1D3, #C2BBD3 and #D3CBBB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD1D3 shade: #BCD1D3, #D3BBD1 and #D1D3BB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD1D3 shade: #BCD1D3, #C2BBD3, #D3BDBB and #CCD3BB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD1D3 shade: #BCD1D3, #C9BBD3, #D3BDBB and #C5D3BB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

Complementary color

CMYK 0 / 31 / 34 / 74

HEX #432E2C

RGB 67 46 44

HSL 5.22, 0.21%, 0.22%

LAB 21.32, 9.31, 5.11

 

CMYK 8 / 0 / 1 / 18

HEX #C1D1CE

RGB 193 209 206

HSL 168.75, 0.15%, 0.79%

LAB 82.59, -5.96, -0.38

 

CMYK 7 / 0 / 1 / 11

HEX #D2E3E1

RGB 210 227 225

HSL 172.94, 0.23%, 0.86%

LAB 88.96, -6.01, -0.98

 

CMYK 7 / 0 / 0 / 4

HEX #E3F5F4

RGB 227 245 244

HSL 176.67, 0.47%, 0.93%

LAB 95.23, -6.07, -1.56

 

CMYK 4 / 0 / 0 / 0

HEX #F4FFFF

RGB 244 255 255

HSL 180, 1%, 0.98%

LAB 99.21, -3.59, -1.26

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

CMYK 11 / 1 / 0 / 25

HEX #ABBFC0

RGB 171 191 192

HSL 182.86, 0.14%, 0.71%

LAB 75.9, -6.6, -2.83

 

CMYK 11 / 0 / 0 / 32

HEX #9AADAD

RGB 154 173 173

HSL 180, 0.1%, 0.64%

LAB 69.31, -6.57, -2.25

 

CMYK 12 / 0 / 1 / 39

HEX #899B9A

RGB 137 155 154

HSL 176.67, 0.08%, 0.57%

LAB 62.59, -6.56, -1.65

 

CMYK 12 / 0 / 1 / 46

HEX #788987

RGB 120 137 135

HSL 172.94, 0.07%, 0.5%

LAB 55.72, -6.55, -1.02

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 11 / 4 / 0 / 17

HEX #BBCAD3

RGB 187 202 211

HSL 202.5, 0.21%, 0.78%

LAB 80.47, -3.29, -6.23

 

CMYK 11 / 7 / 0 / 17

HEX #BBC4D3

RGB 187 196 211

HSL 217.5, 0.21%, 0.78%

LAB 78.9, -0.12, -8.55

 

CMYK 11 / 10 / 0 / 17

HEX #BBBED3

RGB 187 190 211

HSL 232.5, 0.21%, 0.78%

LAB 77.34, 3.09, -10.87

 

CMYK 9 / 11 / 0 / 17

HEX #BFBBD3

RGB 191 187 211

HSL 250, 0.21%, 0.78%

LAB 76.87, 6.03, -11.53

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 11 / 4 / 0 / 17

HEX #BBCAD3

RGB 187 202 211

HSL 202.5, 0.21%, 0.78%

LAB 80.47, -3.29, -6.23

 

CMYK 11 / 7 / 0 / 17

HEX #BBC4D3

RGB 187 196 211

HSL 217.5, 0.21%, 0.78%

LAB 78.9, -0.12, -8.55

 

CMYK 11 / 10 / 0 / 17

HEX #BBBED3

RGB 187 190 211

HSL 232.5, 0.21%, 0.78%

LAB 77.34, 3.09, -10.87

 

CMYK 11 / 11 / 0 / 17

HEX #BBBBD3

RGB 187 187 211

HSL 240, 0.21%, 0.78%

LAB 76.56, 4.71, -12.03

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 19 / 2 / 0 / 14

HEX #B2D8DC

RGB 178 216 220

HSL 185.71, 0.38%, 0.78%

LAB 83.83, -11.56, -6.12

 

CMYK 26 / 2 / 0 / 10

HEX #A9E0E5

RGB 169 224 229

HSL 185, 0.54%, 0.78%

LAB 85.71, -16.35, -8.16

 

CMYK 33 / 3 / 0 / 7

HEX #A0E7EE

RGB 160 231 238

HSL 185.38, 0.7%, 0.78%

LAB 87.39, -20.31, -10.46

 

CMYK 39 / 3 / 0 / 3

HEX #97EFF7

RGB 151 239 247

HSL 185, 0.86%, 0.78%

LAB 89.41, -24.43, -12.21

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 3 / 0 / 0 / 21

HEX #C4C9CA

RGB 196 201 202

HSL 190, 0.05%, 0.78%

LAB 80.61, -1.52, -1.11

 

CMYK 0 / 5 / 6 / 20

HEX #CDC2C1

RGB 205 194 193

HSL 5, 0.11%, 0.78%

LAB 79.28, 3.67, 1.87

 

CMYK 0 / 13 / 14 / 16

HEX #D6BAB7

RGB 214 186 183

HSL 5.81, 0.27%, 0.78%

LAB 77.78, 9.49, 5.19

 

CMYK 0 / 20 / 22 / 13

HEX #DFB3AE

RGB 223 179 174

HSL 6.12, 0.43%, 0.78%

LAB 76.67, 15.17, 8.59

 

CMYK 11 / 0 / 5 / 17

HEX #BBD3C8

RGB 187 211 200

HSL 152.5, 0.21%, 0.78%

LAB 82.55, -10.13, 2.71

 

CMYK 11 / 0 / 2 / 17

HEX #BBD3CE

RGB 187 211 206

HSL 167.5, 0.21%, 0.78%

LAB 82.71, -8.98, -0.26

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 11 / 4 / 0 / 17

HEX #BBCAD3

RGB 187 202 211

HSL 202.5, 0.21%, 0.78%

LAB 80.47, -3.29, -6.23

 

CMYK 11 / 7 / 0 / 17

HEX #BBC4D3

RGB 187 196 211

HSL 217.5, 0.21%, 0.78%

LAB 78.9, -0.12, -8.55

 

CMYK 23 / 2 / 0 / 30

HEX #89AFB2

RGB 137 175 178

HSL 184.39, 0.21%, 0.62%

LAB 68.89, -12.08, -5.76

 

CMYK 16 / 1 / 0 / 24

HEX #A2C0C2

RGB 162 192 194

HSL 183.75, 0.21%, 0.7%

LAB 75.62, -9.64, -4.4

 

CMYK 11 / 1 / 0 / 17

HEX #BBD1D3

RGB 187 209 211

HSL 185, 0.21%, 0.78%

LAB 82.31, -6.95, -3.51

 

CMYK 7 / 0 / 0 / 11

HEX #D4E2E3

RGB 212 226 227

HSL 184, 0.21%, 0.86%

LAB 88.89, -4.46, -2.11

 

CMYK 2 / 0 / 0 / 5

HEX #EDF3F3

RGB 237 243 243

HSL 180, 0.2%, 0.94%

LAB 95.4, -1.98, -0.7

 

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

CMYK 8 / 11 / 0 / 17

HEX #C2BBD3

RGB 194 187 211

HSL 257.5, 0.21%, 0.78%

LAB 77.11, 7.02, -11.16

 

CMYK 0 / 4 / 11 / 17

HEX #D3CBBB

RGB 211 203 187

HSL 40, 0.21%, 0.78%

LAB 81.92, 0.05, 8.96

 

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

CMYK 0 / 11 / 1 / 17

HEX #D3BBD1

RGB 211 187 209

HSL 305, 0.21%, 0.78%

LAB 78.46, 12.38, -7.92

 

CMYK 1 / 0 / 11 / 17

HEX #D1D3BB

RGB 209 211 187

HSL 65, 0.21%, 0.78%

LAB 83.83, -4.83, 11.66

 

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

CMYK 8 / 11 / 0 / 17

HEX #C2BBD3

RGB 194 187 211

HSL 257.5, 0.21%, 0.78%

LAB 77.11, 7.02, -11.16

 

CMYK 0 / 10 / 11 / 17

HEX #D3BDBB

RGB 211 189 187

HSL 5, 0.21%, 0.78%

LAB 78.36, 7.46, 3.84

 

CMYK 3 / 0 / 11 / 17

HEX #CCD3BB

RGB 204 211 187

HSL 77.5, 0.21%, 0.78%

LAB 83.45, -6.61, 11.07

 

CMYK 11 / 1 / 0 / 17

HEX #BCD1D3

RGB 188 209 211

HSL 185.22, 0.21%, 0.78%

LAB 82.38, -6.63, -3.4

 

CMYK 5 / 11 / 0 / 17

HEX #C9BBD3

RGB 201 187 211

HSL 275, 0.21%, 0.78%

LAB 77.67, 9.36, -10.25

 

CMYK 0 / 10 / 11 / 17

HEX #D3BDBB

RGB 211 189 187

HSL 5, 0.21%, 0.78%

LAB 78.36, 7.46, 3.84

 

CMYK 7 / 0 / 11 / 17

HEX #C5D3BB

RGB 197 211 187

HSL 95, 0.21%, 0.78%

LAB 82.94, -9.07, 10.27

 

Description

Color code: HEX #BCD1D3 | qconv.com Color code: HEX #BCD1D3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 209 green and 211 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 209 211 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 1 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 1% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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