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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCD12B it is the complementary color #432ED4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCD12B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCD12B shade: #C1D126, #D2E339, #E3F54C, #F4FF5F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCD12B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCD12B shade: #BCD12B, #ABBF18, #9AAD05, #899B00 and #788900

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCD12B shade: #BACF2A, #CFB72A, #CF8B2A, #CF5E2A and #CF322A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCD12B shade: #BACF2A, #8ECF2A, #61CF2A, #35CF2A and #2ACF4C

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCD12B shade matches the following richer shades: #BACF2A, #C9E316 and #D8F702

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCD12B shade: #BACF2A, #ABBB3E, #9CA652, #8D9267 and #7E7E7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCD12B shade: #CF8A2A, #CFB62A, #BCCF2A, #90CF2A and #64CF2A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCD12B shade: #7C8A1C, #9BAD23, #BACF2A, #C7D949 and #D1E06B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCD12B shade: #BCD12B, #2ACF5E and #A02ACF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCD12B shade: #BCD12B, #2ABCCF and #CF2ABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCD12B shade: #BCD12B, #2ACF5E, #3D2ACF and #CF2A9B

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCD12B shade: #BCD12B, #2ACF90, #3D2ACF and #CF2A69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

Complementary color

CMYK 68 / 78 / 0 / 17

HEX #432ED4

RGB 67 46 212

HSL 247.59, 0.66%, 0.51%

LAB 33.78, 56.7, -80.85

 

CMYK 8 / 0 / 82 / 18

HEX #C1D126

RGB 193 209 38

HSL 65.61, 0.69%, 0.48%

LAB 80.22, -24.65, 74.27

 

CMYK 7 / 0 / 75 / 11

HEX #D2E339

RGB 210 227 57

HSL 66, 0.75%, 0.56%

LAB 86.47, -25.57, 75.04

 

CMYK 7 / 0 / 69 / 4

HEX #E3F54C

RGB 227 245 76

HSL 66.39, 0.89%, 0.63%

LAB 92.64, -26.35, 75.09

 

CMYK 4 / 0 / 63 / 0

HEX #F4FF5F

RGB 244 255 95

HSL 64.13, 1%, 0.69%

LAB 96.65, -23.24, 72.5

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

CMYK 10 / 0 / 87 / 25

HEX #ABBF18

RGB 171 191 24

HSL 67.19, 0.78%, 0.42%

LAB 73.54, -25.55, 71.08

 

CMYK 11 / 0 / 97 / 32

HEX #9AAD05

RGB 154 173 5

HSL 66.79, 0.94%, 0.35%

LAB 67.1, -24.33, 68.25

 

CMYK 12 / 0 / 100 / 39

HEX #899B00

RGB 137 155 0

HSL 66.97, 1%, 0.3%

LAB 60.57, -22.87, 63.44

 

CMYK 12 / 0 / 100 / 46

HEX #788900

RGB 120 137 0

HSL 67.45, 1%, 0.27%

LAB 53.9, -21.31, 57.89

 

CMYK 10 / 0 / 80 / 19

HEX #BACF2A

RGB 186 207 42

HSL 67.64, 0.66%, 0.49%

LAB 79.17, -26.46, 72.13

 

CMYK 0 / 12 / 80 / 19

HEX #CFB72A

RGB 207 183 42

HSL 51.27, 0.66%, 0.49%

LAB 74.38, -5.49, 68.55

 

CMYK 0 / 33 / 80 / 19

HEX #CF8B2A

RGB 207 139 42

HSL 35.27, 0.66%, 0.49%

LAB 63.26, 18.05, 58.56

 

CMYK 0 / 55 / 80 / 19

HEX #CF5E2A

RGB 207 94 42

HSL 18.91, 0.66%, 0.49%

LAB 53.43, 41.76, 49.35

 

CMYK 0 / 76 / 80 / 19

HEX #CF322A

RGB 207 50 42

HSL 2.91, 0.66%, 0.49%

LAB 46.6, 60.05, 42.65

 

CMYK 10 / 0 / 80 / 19

HEX #BACF2A

RGB 186 207 42

HSL 67.64, 0.66%, 0.49%

LAB 79.17, -26.46, 72.13

 

CMYK 31 / 0 / 80 / 19

HEX #8ECF2A

RGB 142 207 42

HSL 83.64, 0.66%, 0.49%

LAB 76.4, -43.74, 68.6

 

CMYK 53 / 0 / 80 / 19

HEX #61CF2A

RGB 97 207 42

HSL 100, 0.66%, 0.49%

LAB 74.4, -58.33, 66.03

 

CMYK 74 / 0 / 80 / 19

HEX #35CF2A

RGB 53 207 42

HSL 116, 0.66%, 0.49%

LAB 73.25, -67.81, 64.54

 

CMYK 80 / 0 / 63 / 19

HEX #2ACF4C

RGB 42 207 76

HSL 132.36, 0.66%, 0.49%

LAB 73.31, -66.44, 52.2

 

CMYK 10 / 0 / 80 / 19

HEX #BACF2A

RGB 186 207 42

HSL 67.64, 0.66%, 0.49%

LAB 79.17, -26.46, 72.13

 

CMYK 11 / 0 / 90 / 11

HEX #C9E316

RGB 201 227 22

HSL 67.61, 0.82%, 0.49%

LAB 85.71, -30.26, 82.09

 

CMYK 13 / 0 / 99 / 3

HEX #D8F702

RGB 216 247 2

HSL 67.59, 0.98%, 0.49%

LAB 92.19, -33.65, 89.4

 

CMYK 10 / 0 / 80 / 19

HEX #BACF2A

RGB 186 207 42

HSL 67.64, 0.66%, 0.49%

LAB 79.17, -26.46, 72.13

 

CMYK 9 / 0 / 67 / 27

HEX #ABBB3E

RGB 171 187 62

HSL 67.68, 0.5%, 0.49%

LAB 72.59, -22, 58.79

 

CMYK 6 / 0 / 51 / 35

HEX #9CA652

RGB 156 166 82

HSL 67.14, 0.34%, 0.49%

LAB 65.71, -16.09, 41.88

 

CMYK 3 / 0 / 29 / 43

HEX #8D9267

RGB 141 146 103

HSL 66.98, 0.17%, 0.49%

LAB 59.16, -9.2, 22.25

 

CMYK 0 / 0 / 2 / 51

HEX #7E7E7B

RGB 126 126 123

HSL 60, 0.01%, 0.49%

LAB 52.72, -0.59, 1.62

 

CMYK 0 / 33 / 80 / 19

HEX #CF8A2A

RGB 207 138 42

HSL 34.91, 0.66%, 0.49%

LAB 63.02, 18.6, 58.34

 

CMYK 0 / 12 / 80 / 19

HEX #CFB62A

RGB 207 182 42

HSL 50.91, 0.66%, 0.49%

LAB 74.12, -4.97, 68.32

 

CMYK 9 / 0 / 80 / 19

HEX #BCCF2A

RGB 188 207 42

HSL 66.91, 0.66%, 0.49%

LAB 79.32, -25.63, 72.31

 

CMYK 30 / 0 / 80 / 19

HEX #90CF2A

RGB 144 207 42

HSL 82.91, 0.66%, 0.49%

LAB 76.51, -43.01, 68.74

 

CMYK 52 / 0 / 80 / 19

HEX #64CF2A

RGB 100 207 42

HSL 98.91, 0.66%, 0.49%

LAB 74.51, -57.49, 66.17

 

CMYK 10 / 0 / 80 / 46

HEX #7C8A1C

RGB 124 138 28

HSL 67.64, 0.66%, 0.33%

LAB 54.6, -19.27, 52.46

 

CMYK 10 / 0 / 80 / 32

HEX #9BAD23

RGB 155 173 35

HSL 67.83, 0.66%, 0.41%

LAB 67.26, -23.19, 62.63

 

CMYK 10 / 0 / 80 / 19

HEX #BACF2A

RGB 186 207 42

HSL 67.64, 0.66%, 0.49%

LAB 79.17, -26.46, 72.13

 

CMYK 8 / 0 / 66 / 15

HEX #C7D949

RGB 199 217 73

HSL 67.5, 0.65%, 0.57%

LAB 83.05, -24.46, 65.88

 

CMYK 7 / 0 / 52 / 12

HEX #D1E06B

RGB 209 224 107

HSL 67.69, 0.65%, 0.65%

LAB 85.97, -21.35, 54.85

 

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

CMYK 80 / 0 / 55 / 19

HEX #2ACF5E

RGB 42 207 94

HSL 138.91, 0.66%, 0.49%

LAB 73.5, -64.18, 44.29

 

CMYK 23 / 80 / 0 / 19

HEX #A02ACF

RGB 160 42 207

HSL 282.91, 0.66%, 0.49%

LAB 43.7, 69.66, -61.27

 

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

CMYK 80 / 9 / 0 / 19

HEX #2ABCCF

RGB 42 188 207

HSL 186.91, 0.66%, 0.49%

LAB 70.15, -30.15, -20.17

 

CMYK 0 / 80 / 9 / 19

HEX #CF2ABC

RGB 207 42 188

HSL 306.91, 0.66%, 0.49%

LAB 50.16, 75.38, -39.49

 

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

CMYK 80 / 0 / 55 / 19

HEX #2ACF5E

RGB 42 207 94

HSL 138.91, 0.66%, 0.49%

LAB 73.5, -64.18, 44.29

 

CMYK 71 / 80 / 0 / 19

HEX #3D2ACF

RGB 61 42 207

HSL 246.91, 0.66%, 0.49%

LAB 32.15, 56.6, -80.65

 

CMYK 0 / 80 / 25 / 19

HEX #CF2A9B

RGB 207 42 155

HSL 318.91, 0.66%, 0.49%

LAB 48.62, 71.02, -22.43

 

CMYK 10 / 0 / 79 / 18

HEX #BCD12B

RGB 188 209 43

HSL 67.59, 0.66%, 0.49%

LAB 79.88, -26.55, 72.54

 

CMYK 80 / 0 / 30 / 19

HEX #2ACF90

RGB 42 207 144

HSL 157.09, 0.66%, 0.49%

LAB 74.27, -55.23, 19.97

 

CMYK 71 / 80 / 0 / 19

HEX #3D2ACF

RGB 61 42 207

HSL 246.91, 0.66%, 0.49%

LAB 32.15, 56.6, -80.65

 

CMYK 0 / 80 / 49 / 19

HEX #CF2A69

RGB 207 42 105

HSL 337.09, 0.66%, 0.49%

LAB 46.9, 65.92, 5.36

 

Description

Color code: HEX #BCD12B | qconv.com Color code: HEX #BCD12B | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 209 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 209 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 79 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 79% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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