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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCCB2C it is the complementary color #4334D3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCCB2C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCCB2C shade: #C1CB27, #D2DD3A, #E3EF4D, #F4FF60 and #FFFF73

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCCB2C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCCB2C shade: #BCCB2C, #ABB919, #9AA706, #899500 and #788300

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCCB2C shade: #BAC92C, #C9AD2C, #C9832C, #C9592C and #C92F2C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCCB2C shade: #BAC92C, #90C92C, #65C92C, #3BC92C and #2CC947

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCCB2C shade matches the following richer shades: #BAC92C, #CADD18 and #DAF004

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCCB2C shade: #BAC92C, #AAB540, #9AA154, #8A8D67 and #7A7A7B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCCB2C shade: #C9822C, #C9AC2C, #BCC92C, #92C92C and #68C92C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCCB2C shade: #7B851D, #9BA725, #BAC92C, #C9D747 and #D3DE69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCCB2C shade: #BCCB2C, #2CC958 and #972CC9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCCB2C shade: #BCCB2C, #2CBCC9 and #C92CBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCCB2C shade: #BCCB2C, #2CC958, #392CC9 and #C92C9C

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCCB2C shade: #BCCB2C, #2CC987, #392CC9 and #C92C6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

Complementary color

CMYK 68 / 75 / 0 / 17

HEX #4334D3

RGB 67 52 211

HSL 245.66, 0.64%, 0.52%

LAB 34.71, 53.43, -78.73

 

CMYK 5 / 0 / 81 / 20

HEX #C1CB27

RGB 193 203 39

HSL 63.66, 0.68%, 0.47%

LAB 78.58, -21.7, 72.6

 

CMYK 5 / 0 / 74 / 13

HEX #D2DD3A

RGB 210 221 58

HSL 64.05, 0.71%, 0.55%

LAB 84.85, -22.66, 73.22

 

CMYK 5 / 0 / 68 / 6

HEX #E3EF4D

RGB 227 239 77

HSL 64.44, 0.84%, 0.62%

LAB 91.05, -23.45, 73.16

 

CMYK 4 / 0 / 62 / 0

HEX #F4FF60

RGB 244 255 96

HSL 64.15, 1%, 0.69%

LAB 96.66, -23.18, 72.12

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF73

RGB 255 255 115

HSL 60, 1%, 0.73%

LAB 97.64, -17.55, 65.58

 

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

CMYK 8 / 0 / 86 / 27

HEX #ABB919

RGB 171 185 25

HSL 65.25, 0.76%, 0.41%

LAB 71.84, -22.59, 69.5

 

CMYK 8 / 0 / 96 / 35

HEX #9AA706

RGB 154 167 6

HSL 64.84, 0.93%, 0.34%

LAB 65.37, -21.34, 66.8

 

CMYK 8 / 0 / 100 / 42

HEX #899500

RGB 137 149 0

HSL 64.83, 1%, 0.29%

LAB 58.8, -19.84, 62.12

 

CMYK 8 / 0 / 100 / 49

HEX #788300

RGB 120 131 0

HSL 65.04, 1%, 0.26%

LAB 52.09, -18.22, 56.54

 

CMYK 7 / 0 / 78 / 21

HEX #BAC92C

RGB 186 201 44

HSL 65.73, 0.64%, 0.48%

LAB 77.52, -23.49, 70.09

 

CMYK 0 / 14 / 78 / 21

HEX #C9AD2C

RGB 201 173 44

HSL 49.3, 0.64%, 0.48%

LAB 71.21, -2.8, 64.87

 

CMYK 0 / 35 / 78 / 21

HEX #C9832C

RGB 201 131 44

HSL 33.25, 0.64%, 0.48%

LAB 60.63, 19.89, 55.07

 

CMYK 0 / 56 / 78 / 21

HEX #C9592C

RGB 201 89 44

HSL 17.2, 0.64%, 0.48%

LAB 51.55, 42, 46.24

 

CMYK 0 / 77 / 78 / 21

HEX #C92F2C

RGB 201 47 44

HSL 1.15, 0.64%, 0.48%

LAB 45.13, 59.25, 39.69

 

CMYK 7 / 0 / 78 / 21

HEX #BAC92C

RGB 186 201 44

HSL 65.73, 0.64%, 0.48%

LAB 77.52, -23.49, 70.09

 

CMYK 28 / 0 / 78 / 21

HEX #90C92C

RGB 144 201 44

HSL 81.78, 0.64%, 0.48%

LAB 74.75, -40.31, 66.55

 

CMYK 50 / 0 / 78 / 21

HEX #65C92C

RGB 101 201 44

HSL 98.22, 0.64%, 0.48%

LAB 72.71, -54.87, 63.91

 

CMYK 71 / 0 / 78 / 21

HEX #3BC92C

RGB 59 201 44

HSL 114.27, 0.64%, 0.48%

LAB 71.48, -64.82, 62.3

 

CMYK 78 / 0 / 65 / 21

HEX #2CC947

RGB 44 201 71

HSL 130.32, 0.64%, 0.48%

LAB 71.39, -64.84, 52.2

 

CMYK 7 / 0 / 78 / 21

HEX #BAC92C

RGB 186 201 44

HSL 65.73, 0.64%, 0.48%

LAB 77.52, -23.49, 70.09

 

CMYK 9 / 0 / 89 / 13

HEX #CADD18

RGB 202 221 24

HSL 65.79, 0.8%, 0.48%

LAB 84.14, -27, 80.57

 

CMYK 9 / 0 / 98 / 6

HEX #DAF004

RGB 218 240 4

HSL 65.59, 0.97%, 0.48%

LAB 90.43, -29.6, 88

 

CMYK 7 / 0 / 78 / 21

HEX #BAC92C

RGB 186 201 44

HSL 65.73, 0.64%, 0.48%

LAB 77.52, -23.49, 70.09

 

CMYK 6 / 0 / 65 / 29

HEX #AAB540

RGB 170 181 64

HSL 65.64, 0.48%, 0.48%

LAB 70.85, -19.31, 56.15

 

CMYK 4 / 0 / 48 / 37

HEX #9AA154

RGB 154 161 84

HSL 65.45, 0.31%, 0.48%

LAB 64.16, -14.13, 38.98

 

CMYK 2 / 0 / 27 / 45

HEX #8A8D67

RGB 138 141 103

HSL 64.74, 0.16%, 0.48%

LAB 57.49, -7.69, 19.96

 

CMYK 1 / 1 / 0 / 52

HEX #7A7A7B

RGB 122 122 123

HSL 240, 0%, 0.48%

LAB 51.25, 0.2, -0.55

 

CMYK 0 / 35 / 78 / 21

HEX #C9822C

RGB 201 130 44

HSL 32.87, 0.64%, 0.48%

LAB 60.4, 20.44, 54.85

 

CMYK 0 / 14 / 78 / 21

HEX #C9AC2C

RGB 201 172 44

HSL 48.92, 0.64%, 0.48%

LAB 70.94, -2.28, 64.63

 

CMYK 6 / 0 / 78 / 21

HEX #BCC92C

RGB 188 201 44

HSL 64.97, 0.64%, 0.48%

LAB 77.67, -22.65, 70.29

 

CMYK 27 / 0 / 78 / 21

HEX #92C92C

RGB 146 201 44

HSL 81.02, 0.64%, 0.48%

LAB 74.87, -39.55, 66.7

 

CMYK 48 / 0 / 78 / 21

HEX #68C92C

RGB 104 201 44

HSL 97.07, 0.64%, 0.48%

LAB 72.82, -53.98, 64.06

 

CMYK 8 / 0 / 78 / 48

HEX #7B851D

RGB 123 133 29

HSL 65.77, 0.64%, 0.32%

LAB 53.03, -17.07, 50.67

 

CMYK 7 / 0 / 78 / 35

HEX #9BA725

RGB 155 167 37

HSL 65.54, 0.64%, 0.4%

LAB 65.55, -20.11, 60.49

 

CMYK 7 / 0 / 78 / 21

HEX #BAC92C

RGB 186 201 44

HSL 65.73, 0.64%, 0.48%

LAB 77.52, -23.49, 70.09

 

CMYK 7 / 0 / 67 / 16

HEX #C9D747

RGB 201 215 71

HSL 65.83, 0.64%, 0.56%

LAB 82.63, -22.79, 66.27

 

CMYK 5 / 0 / 53 / 13

HEX #D3DE69

RGB 211 222 105

HSL 65.64, 0.64%, 0.64%

LAB 85.56, -19.76, 55.32

 

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

CMYK 78 / 0 / 56 / 21

HEX #2CC958

RGB 44 201 88

HSL 136.82, 0.64%, 0.48%

LAB 71.56, -62.78, 44.81

 

CMYK 25 / 78 / 0 / 21

HEX #972CC9

RGB 151 44 201

HSL 280.89, 0.64%, 0.48%

LAB 42.15, 66.28, -60.37

 

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

CMYK 78 / 6 / 0 / 21

HEX #2CBCC9

RGB 44 188 201

HSL 184.97, 0.64%, 0.48%

LAB 69.98, -31.82, -17.14

 

CMYK 0 / 78 / 6 / 21

HEX #C92CBC

RGB 201 44 188

HSL 304.97, 0.64%, 0.48%

LAB 49.31, 73.64, -40.89

 

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

CMYK 78 / 0 / 56 / 21

HEX #2CC958

RGB 44 201 88

HSL 136.82, 0.64%, 0.48%

LAB 71.56, -62.78, 44.81

 

CMYK 72 / 78 / 0 / 21

HEX #392CC9

RGB 57 44 201

HSL 244.97, 0.64%, 0.48%

LAB 31.55, 53.51, -78.16

 

CMYK 0 / 78 / 22 / 21

HEX #C92C9C

RGB 201 44 156

HSL 317.2, 0.64%, 0.48%

LAB 47.78, 69.23, -24.42

 

CMYK 7 / 0 / 78 / 20

HEX #BCCB2C

RGB 188 203 44

HSL 65.66, 0.64%, 0.48%

LAB 78.22, -23.63, 70.78

 

CMYK 78 / 0 / 33 / 21

HEX #2CC987

RGB 44 201 135

HSL 154.78, 0.64%, 0.48%

LAB 72.27, -54.65, 21.99

 

CMYK 72 / 78 / 0 / 21

HEX #392CC9

RGB 57 44 201

HSL 244.97, 0.64%, 0.48%

LAB 31.55, 53.51, -78.16

 

CMYK 0 / 78 / 46 / 21

HEX #C92C6D

RGB 201 44 109

HSL 335.16, 0.64%, 0.48%

LAB 46.07, 64.14, 1.56

 

Description

Color code: HEX #BCCB2C | qconv.com Color code: HEX #BCCB2C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 203 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 203 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 78 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 78% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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