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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC962 it is the complementary color #43369D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC962. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC962 shade: #C1C95D, #D2DB70, #E3ED83, #F4FF96 and #FFFFA9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC962. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC962 shade: #BCC962, #ABB74F, #9AA53C, #899329 and #788116

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC962 shade: #BDCA63, #CABB63, #CA9F63, #CA8463 and #CA6863

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC962 shade: #BDCA63, #A1CA63, #85CA63, #6ACA63 and #63CA78

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC962 shade matches the following richer shades: #BDCA63, #C9DB52, #D6EC41 and #E3FC30

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC962 shade: #BDCA63, #B0B974, #A3A885, #979796 and #8A86A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC962 shade: #CA9F63, #CABA63, #BECA63, #A2CA63 and #87CA63

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC962 shade: #95A338, #B0BF44, #BDCA63, #CAD482 and #D7DFA1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC962 shade: #BCC962, #63CA84 and #AD63CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC962 shade: #BCC962, #63BECA and #CA63BE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC962 shade: #BCC962, #63CA84, #6F63CA and #CA63A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC962 shade: #BCC962, #63CAA2, #6F63CA and #CA638A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

Complementary color

CMYK 57 / 66 / 0 / 38

HEX #43369D

RGB 67 54 157

HSL 247.57, 0.49%, 0.41%

LAB 30.07, 35.22, -54.35

 

CMYK 4 / 0 / 54 / 21

HEX #C1C95D

RGB 193 201 93

HSL 64.44, 0.5%, 0.58%

LAB 78.4, -17.64, 52.2

 

CMYK 4 / 0 / 49 / 14

HEX #D2DB70

RGB 210 219 112

HSL 65.05, 0.6%, 0.65%

LAB 84.76, -18.07, 51.11

 

CMYK 4 / 0 / 45 / 7

HEX #E3ED83

RGB 227 237 131

HSL 65.66, 0.75%, 0.72%

LAB 91.02, -18.42, 49.98

 

CMYK 4 / 0 / 41 / 0

HEX #F4FF96

RGB 244 255 150

HSL 66.29, 1%, 0.79%

LAB 97.21, -18.71, 48.85

 

CMYK 0 / 0 / 34 / 0

HEX #FFFFA9

RGB 255 255 169

HSL 60, 1%, 0.83%

LAB 98.29, -12.5, 41.16

 

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

CMYK 7 / 0 / 57 / 28

HEX #ABB74F

RGB 171 183 79

HSL 66.92, 0.42%, 0.51%

LAB 71.62, -18.8, 50.45

 

CMYK 7 / 0 / 64 / 35

HEX #9AA53C

RGB 154 165 60

HSL 66.29, 0.47%, 0.44%

LAB 65.05, -18.25, 51.33

 

CMYK 7 / 0 / 72 / 42

HEX #899329

RGB 137 147 41

HSL 65.66, 0.56%, 0.37%

LAB 58.36, -17.54, 51.82

 

CMYK 7 / 0 / 83 / 49

HEX #788116

RGB 120 129 22

HSL 65.05, 0.71%, 0.3%

LAB 51.56, -16.61, 51.45

 

CMYK 6 / 0 / 51 / 21

HEX #BDCA63

RGB 189 202 99

HSL 67.57, 0.49%, 0.59%

LAB 78.44, -19.23, 49.36

 

CMYK 0 / 7 / 51 / 21

HEX #CABB63

RGB 202 187 99

HSL 51.26, 0.49%, 0.59%

LAB 75.45, -6.28, 46.06

 

CMYK 0 / 21 / 51 / 21

HEX #CA9F63

RGB 202 159 99

HSL 34.95, 0.49%, 0.59%

LAB 68.21, 8.61, 37.21

 

CMYK 0 / 35 / 51 / 21

HEX #CA8463

RGB 202 132 99

HSL 19.22, 0.49%, 0.59%

LAB 61.62, 23.34, 28.84

 

CMYK 0 / 49 / 51 / 21

HEX #CA6863

RGB 202 104 99

HSL 2.91, 0.49%, 0.59%

LAB 55.44, 38.3, 20.69

 

CMYK 6 / 0 / 51 / 21

HEX #BDCA63

RGB 189 202 99

HSL 67.57, 0.49%, 0.59%

LAB 78.44, -19.23, 49.36

 

CMYK 20 / 0 / 51 / 21

HEX #A1CA63

RGB 161 202 99

HSL 83.88, 0.49%, 0.59%

LAB 76.51, -30.17, 46.59

 

CMYK 34 / 0 / 51 / 21

HEX #85CA63

RGB 133 202 99

HSL 100.19, 0.49%, 0.59%

LAB 74.91, -40.25, 44.29

 

CMYK 48 / 0 / 51 / 21

HEX #6ACA63

RGB 106 202 99

HSL 115.92, 0.49%, 0.59%

LAB 73.68, -48.72, 42.51

 

CMYK 51 / 0 / 41 / 21

HEX #63CA78

RGB 99 202 120

HSL 132.23, 0.49%, 0.59%

LAB 73.71, -47.54, 31.98

 

CMYK 6 / 0 / 51 / 21

HEX #BDCA63

RGB 189 202 99

HSL 67.57, 0.49%, 0.59%

LAB 78.44, -19.23, 49.36

 

CMYK 8 / 0 / 63 / 14

HEX #C9DB52

RGB 201 219 82

HSL 67.88, 0.66%, 0.59%

LAB 83.8, -24.04, 63.15

 

CMYK 9 / 0 / 72 / 7

HEX #D6EC41

RGB 214 236 65

HSL 67.72, 0.82%, 0.59%

LAB 89.24, -27.86, 75.2

 

CMYK 10 / 0 / 81 / 1

HEX #E3FC30

RGB 227 252 48

HSL 67.35, 0.97%, 0.59%

LAB 94.38, -30.75, 85.01

 

CMYK 6 / 0 / 51 / 21

HEX #BDCA63

RGB 189 202 99

HSL 67.57, 0.49%, 0.59%

LAB 78.44, -19.23, 49.36

 

CMYK 5 / 0 / 37 / 27

HEX #B0B974

RGB 176 185 116

HSL 67.83, 0.33%, 0.59%

LAB 73.02, -14.04, 33.98

 

CMYK 3 / 0 / 21 / 34

HEX #A3A885

RGB 163 168 133

HSL 68.57, 0.17%, 0.59%

LAB 67.64, -7.89, 17.53

 

CMYK 0 / 0 / 1 / 41

HEX #979796

RGB 151 151 150

HSL 60, 0%, 0.59%

LAB 62.44, -0.19, 0.52

 

CMYK 17 / 20 / 0 / 35

HEX #8A86A7

RGB 138 134 167

HSL 247.27, 0.16%, 0.59%

LAB 57.31, 8.5, -16.91

 

CMYK 0 / 21 / 51 / 21

HEX #CA9F63

RGB 202 159 99

HSL 34.95, 0.49%, 0.59%

LAB 68.21, 8.61, 37.21

 

CMYK 0 / 8 / 51 / 21

HEX #CABA63

RGB 202 186 99

HSL 50.68, 0.49%, 0.59%

LAB 75.19, -5.76, 45.75

 

CMYK 6 / 0 / 51 / 21

HEX #BECA63

RGB 190 202 99

HSL 66.99, 0.49%, 0.59%

LAB 78.51, -18.82, 49.47

 

CMYK 20 / 0 / 51 / 21

HEX #A2CA63

RGB 162 202 99

HSL 83.3, 0.49%, 0.59%

LAB 76.57, -29.79, 46.69

 

CMYK 33 / 0 / 51 / 21

HEX #87CA63

RGB 135 202 99

HSL 99.03, 0.49%, 0.59%

LAB 75.01, -39.57, 44.43

 

CMYK 9 / 0 / 66 / 36

HEX #95A338

RGB 149 163 56

HSL 67.85, 0.49%, 0.43%

LAB 64.06, -19.64, 51.87

 

CMYK 8 / 0 / 64 / 25

HEX #B0BF44

RGB 176 191 68

HSL 67.32, 0.49%, 0.51%

LAB 74.13, -21.52, 58.09

 

CMYK 6 / 0 / 51 / 21

HEX #BDCA63

RGB 189 202 99

HSL 67.57, 0.49%, 0.59%

LAB 78.44, -19.23, 49.36

 

CMYK 5 / 0 / 39 / 17

HEX #CAD482

RGB 202 212 130

HSL 67.32, 0.49%, 0.67%

LAB 82.52, -15.88, 39.42

 

CMYK 4 / 0 / 28 / 13

HEX #D7DFA1

RGB 215 223 161

HSL 67.74, 0.49%, 0.75%

LAB 86.9, -12.6, 29.56

 

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

CMYK 51 / 0 / 35 / 21

HEX #63CA84

RGB 99 202 132

HSL 139.22, 0.49%, 0.59%

LAB 73.91, -45.48, 26.02

 

CMYK 14 / 51 / 0 / 21

HEX #AD63CA

RGB 173 99 202

HSL 283.11, 0.49%, 0.59%

LAB 54.1, 46.95, -41.66

 

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

CMYK 51 / 6 / 0 / 21

HEX #63BECA

RGB 99 190 202

HSL 186.99, 0.49%, 0.59%

LAB 72.06, -23.86, -14.41

 

CMYK 0 / 51 / 6 / 21

HEX #CA63BE

RGB 202 99 190

HSL 306.99, 0.49%, 0.59%

LAB 57.27, 52.9, -29.57

 

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

CMYK 51 / 0 / 35 / 21

HEX #63CA84

RGB 99 202 132

HSL 139.22, 0.49%, 0.59%

LAB 73.91, -45.48, 26.02

 

CMYK 45 / 51 / 0 / 21

HEX #6F63CA

RGB 111 99 202

HSL 246.99, 0.49%, 0.59%

LAB 47.71, 30.88, -52.22

 

CMYK 0 / 51 / 16 / 21

HEX #CA63A9

RGB 202 99 169

HSL 319.22, 0.49%, 0.59%

LAB 56.43, 49.49, -18.76

 

CMYK 6 / 0 / 51 / 21

HEX #BCC962

RGB 188 201 98

HSL 67.57, 0.49%, 0.59%

LAB 78.08, -19.22, 49.39

 

CMYK 51 / 0 / 20 / 21

HEX #63CAA2

RGB 99 202 162

HSL 156.7, 0.49%, 0.59%

LAB 74.51, -39.46, 10.9

 

CMYK 45 / 51 / 0 / 21

HEX #6F63CA

RGB 111 99 202

HSL 246.99, 0.49%, 0.59%

LAB 47.71, 30.88, -52.22

 

CMYK 0 / 51 / 32 / 21

HEX #CA638A

RGB 202 99 138

HSL 337.28, 0.49%, 0.59%

LAB 55.4, 45.12, -2.22

 

Description

Color code: HEX #BCC962 | qconv.com Color code: HEX #BCC962 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 201 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 201 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 6 cyan, none magenta, 51 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
6% 0% 51% 21% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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