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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC7DB00 it is the complementary color #43382400. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC7DB00. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC7DB00 shade: #C1C7D600, #D2D9E900, #E3EBFC00 and #F4FDFF00

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC7DB00. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC7DB00 shade: #BCC7DB00, #ABB5C800, #9AA3B500, #8991A200 and #787F8F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC7DB00 shade: #BDC8DB, #BDBFDB, #C2BDDB, #CBBDDB and #D3BDDB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC7DB00 shade: #BDC8DB, #BDBFDB and #BDBDDB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC7DB00 shade matches the following richer shades: #BDC8DB, #B4C5E4, #ACC3EC, #A4C0F4 and #9CBEFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC7DB00 shade: #BDC8DB, #C5CAD3, #CDCCCB, #D5CFC3 and #DED1BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC7DB00 shade: #BDD8DB, #BDD0DB, #BDC8DB, #BDC0DB and #C2BDDB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC7DB00 shade: #879BBE, #A2B1CD, #BDC8DB, #D8DEEA and #F2F4F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC7DB00 shade: #BCC7DB, #D6BDDB and #D4DBBD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC7DB00 shade: #BCC7DB, #DBBDC8 and #C8DBBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC7DB00 shade: #BCC7DB, #D6BDDB, #DBD0BD and #C2DBBD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC7DB00 shade: #BCC7DB, #DBBDD7, #DBD0BD and #BDDBC1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #BCC7DB00

RGBA 188 199 219 0

HSLA 218.71, 0.3%, 0.8%, 0

LABA 79.98, 0.26, -11.23, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #43382400

RGBA 67 56 36 0

HSLA 38.71, 0.3%, 0.2%, 0

LABA 24.16, 1.51, 14.3, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C1C7D600

RGBA 193 199 214 0

HSLA 222.86, 0.2%, 0.8%, 0

LABA 80.2, 0.86, -8.18, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D2D9E900

RGBA 210 217 233 0

HSLA 221.74, 0.34%, 0.87%, 0

LABA 86.61, 0.71, -8.65, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E3EBFC00

RGBA 227 235 252 0

HSLA 220.8, 0.81%, 0.94%, 0

LABA 92.92, 0.56, -9.12, 0

 

CMYK 0 / 0 / 0 / 0

HEX #F4FDFF00

RGBA 244 253 255 0

HSLA 190.91, 1%, 0.98%, 0

LABA 98.71, -2.58, -1.99, 0

 

CMYK 0 / 0 / 0 / 0

HEX #BCC7DB00

RGBA 188 199 219 0

HSLA 218.71, 0.3%, 0.8%, 0

LABA 79.98, 0.26, -11.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #ABB5C800

RGBA 171 181 200 0

HSLA 219.31, 0.21%, 0.73%, 0

LABA 73.46, 0.41, -10.8, 0

 

CMYK 0 / 0 / 0 / 0

HEX #9AA3B500

RGBA 154 163 181 0

HSLA 220, 0.15%, 0.66%, 0

LABA 66.82, 0.57, -10.37, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8991A200

RGBA 137 145 162 0

HSLA 220.8, 0.12%, 0.59%, 0

LABA 60.05, 0.74, -9.94, 0

 

CMYK 0 / 0 / 0 / 0

HEX #787F8F00

RGBA 120 127 143 0

HSLA 221.74, 0.09%, 0.52%, 0

LABA 53.12, 0.92, -9.51, 0

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 14 / 13 / 0 / 14

HEX #BDBFDB

RGB 189 191 219

HSL 236, 0.29%, 0.8%

LAB 77.99, 4.86, -14.2

 

CMYK 11 / 14 / 0 / 14

HEX #C2BDDB

RGB 194 189 219

HSL 250, 0.29%, 0.8%

LAB 77.86, 7.56, -14.36

 

CMYK 7 / 14 / 0 / 14

HEX #CBBDDB

RGB 203 189 219

HSL 268, 0.29%, 0.8%

LAB 78.58, 10.52, -13.2

 

CMYK 4 / 14 / 0 / 14

HEX #D3BDDB

RGB 211 189 219

HSL 284, 0.29%, 0.8%

LAB 79.25, 13.18, -12.14

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 14 / 13 / 0 / 14

HEX #BDBFDB

RGB 189 191 219

HSL 236, 0.29%, 0.8%

LAB 77.99, 4.86, -14.2

 

CMYK 14 / 14 / 0 / 14

HEX #BDBDDB

RGB 189 189 219

HSL 240, 0.29%, 0.8%

LAB 77.48, 5.94, -14.97

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 21 / 14 / 0 / 11

HEX #B4C5E4

RGB 180 197 228

HSL 218.75, 0.47%, 0.8%

LAB 79.18, 0.76, -17.33

 

CMYK 27 / 17 / 0 / 7

HEX #ACC3EC

RGB 172 195 236

HSL 218.44, 0.63%, 0.8%

LAB 78.38, 1.27, -22.89

 

CMYK 33 / 21 / 0 / 4

HEX #A4C0F4

RGB 164 192 244

HSL 219, 0.78%, 0.8%

LAB 77.35, 2.55, -28.8

 

CMYK 38 / 25 / 0 / 1

HEX #9CBEFC

RGB 156 190 252

HSL 218.75, 0.94%, 0.8%

LAB 76.63, 3.53, -34.24

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 7 / 4 / 0 / 17

HEX #C5CAD3

RGB 197 202 211

HSL 218.57, 0.14%, 0.8%

LAB 81.19, 0.01, -5.07

 

CMYK 0 / 0 / 1 / 20

HEX #CDCCCB

RGB 205 204 203

HSL 30, 0.02%, 0.8%

LAB 82.1, 0.17, 0.61

 

CMYK 0 / 3 / 8 / 16

HEX #D5CFC3

RGB 213 207 195

HSL 40, 0.18%, 0.8%

LAB 83.29, -0, 6.68

 

CMYK 0 / 6 / 16 / 13

HEX #DED1BA

RGB 222 209 186

HSL 38.33, 0.35%, 0.8%

LAB 84.32, 0.74, 13.02

 

CMYK 14 / 1 / 0 / 14

HEX #BDD8DB

RGB 189 216 219

HSL 186, 0.29%, 0.8%

LAB 84.51, -8.32, -4.51

 

CMYK 14 / 5 / 0 / 14

HEX #BDD0DB

RGB 189 208 219

HSL 202, 0.29%, 0.8%

LAB 82.4, -4.17, -7.62

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 14 / 12 / 0 / 14

HEX #BDC0DB

RGB 189 192 219

HSL 234, 0.29%, 0.8%

LAB 78.25, 4.33, -13.82

 

CMYK 11 / 14 / 0 / 14

HEX #C2BDDB

RGB 194 189 219

HSL 250, 0.29%, 0.8%

LAB 77.86, 7.56, -14.36

 

CMYK 29 / 18 / 0 / 25

HEX #879BBE

RGB 135 155 190

HSL 218.18, 0.3%, 0.64%

LAB 63.6, 1.1, -20.4

 

CMYK 21 / 14 / 0 / 20

HEX #A2B1CD

RGB 162 177 205

HSL 219.07, 0.3%, 0.72%

LAB 71.92, 0.81, -15.93

 

CMYK 14 / 9 / 0 / 14

HEX #BDC8DB

RGB 189 200 219

HSL 218, 0.29%, 0.8%

LAB 80.32, 0.05, -10.72

 

CMYK 8 / 5 / 0 / 8

HEX #D8DEEA

RGB 216 222 234

HSL 220, 0.3%, 0.88%

LAB 88.34, 0.25, -6.56

 

CMYK 2 / 2 / 0 / 3

HEX #F2F4F8

RGB 242 244 248

HSL 220, 0.3%, 0.96%

LAB 96.14, 0.06, -2.16

 

CMYK 14 / 9 / 0 / 14

HEX #BCC7DB

RGB 188 199 219

HSL 218.71, 0.3%, 0.8%

LAB 79.98, 0.26, -11.23

 

CMYK 2 / 14 / 0 / 14

HEX #D6BDDB

RGB 214 189 219

HSL 290, 0.29%, 0.8%

LAB 79.5, 14.18, -11.73

 

CMYK 3 / 0 / 14 / 14

HEX #D4DBBD

RGB 212 219 189

HSL 74, 0.29%, 0.8%

LAB 86.17, -7.55, 13.96

 

CMYK 14 / 9 / 0 / 14

HEX #BCC7DB

RGB 188 199 219

HSL 218.71, 0.3%, 0.8%

LAB 79.98, 0.26, -11.23

 

CMYK 0 / 14 / 9 / 14

HEX #DBBDC8

RGB 219 189 200

HSL 338, 0.29%, 0.8%

LAB 79.4, 12.49, -1.58

 

CMYK 9 / 0 / 14 / 14

HEX #C8DBBD

RGB 200 219 189

HSL 98, 0.29%, 0.8%

LAB 85.31, -11.76, 12.61

 

CMYK 14 / 9 / 0 / 14

HEX #BCC7DB

RGB 188 199 219

HSL 218.71, 0.3%, 0.8%

LAB 79.98, 0.26, -11.23

 

CMYK 2 / 14 / 0 / 14

HEX #D6BDDB

RGB 214 189 219

HSL 290, 0.29%, 0.8%

LAB 79.5, 14.18, -11.73

 

CMYK 0 / 5 / 14 / 14

HEX #DBD0BD

RGB 219 208 189

HSL 38, 0.29%, 0.8%

LAB 83.89, 0.64, 10.79

 

CMYK 11 / 0 / 14 / 14

HEX #C2DBBD

RGB 194 219 189

HSL 110, 0.29%, 0.8%

LAB 84.9, -13.84, 11.97

 

CMYK 14 / 9 / 0 / 14

HEX #BCC7DB

RGB 188 199 219

HSL 218.71, 0.3%, 0.8%

LAB 79.98, 0.26, -11.23

 

CMYK 0 / 14 / 2 / 14

HEX #DBBDD7

RGB 219 189 215

HSL 308, 0.29%, 0.8%

LAB 79.82, 15.13, -9.06

 

CMYK 0 / 5 / 14 / 14

HEX #DBD0BD

RGB 219 208 189

HSL 38, 0.29%, 0.8%

LAB 83.89, 0.64, 10.79

 

CMYK 14 / 0 / 12 / 14

HEX #BDDBC1

RGB 189 219 193

HSL 128, 0.29%, 0.8%

LAB 84.65, -14.83, 9.47

 

Description

Color code: HEX #BCC7DB00 | qconv.com Color code: HEX #BCC7DB00 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 199 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 199 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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