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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC04A it is the complementary color #433FB5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC04A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC04A shade: #C1C045, #D2D258, #E3E46B, #F4F67E and #FFFF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC04A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC04A shade: #BCC04A, #ABAE37, #9A9C24, #898A11 and #787800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC04A shade: #BBBF4A, #BFA44A, #BF844A, #BF644A and #BF4A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC04A shade: #BBBF4A, #9CBF4A, #7CBF4A, #5CBF4A and #4ABF57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC04A shade matches the following richer shades: #BBBF4A, #CED336, #E0E722 and #F3FB0E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC04A shade: #BBBF4A, #A9AC5E, #969871, #848485 and #727099

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC04A shade: #BF854A, #BFA44A, #BBBF4A, #9CBF4A and #7DBF4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC04A shade: #84872F, #A2A63A, #BBBF4A, #C7CA68 and #D2D587

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC04A shade: #BCC04A, #4ABF65 and #944ABF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC04A shade: #BCC04A, #4ABBBF and #BF4ABB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC04A shade: #BCC04A, #4ABF65, #4E4ABF and #BF4AA4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC04A shade: #BCC04A, #4ABF89, #4E4ABF and #BF4A81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

Complementary color

CMYK 63 / 65 / 0 / 29

HEX #433FB5

RGB 67 63 181

HSL 242.03, 0.48%, 0.48%

LAB 34.16, 37.61, -62.08

 

CMYK 0 / 1 / 64 / 24

HEX #C1C045

RGB 193 192 69

HSL 59.52, 0.5%, 0.51%

LAB 75.74, -14.85, 59.77

 

CMYK 0 / 0 / 58 / 18

HEX #D2D258

RGB 210 210 88

HSL 60, 0.58%, 0.58%

LAB 82.11, -15.56, 58.98

 

CMYK 0 / 0 / 53 / 11

HEX #E3E46B

RGB 227 228 107

HSL 60.5, 0.69%, 0.66%

LAB 88.39, -16.15, 58

 

CMYK 1 / 0 / 49 / 4

HEX #F4F67E

RGB 244 246 126

HSL 61, 0.87%, 0.73%

LAB 94.59, -16.64, 56.93

 

CMYK 0 / 0 / 43 / 0

HEX #FFFF91

RGB 255 255 145

HSL 60, 1%, 0.78%

LAB 97.96, -15.02, 52.34

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

CMYK 2 / 0 / 68 / 32

HEX #ABAE37

RGB 171 174 55

HSL 61.51, 0.52%, 0.45%

LAB 68.9, -15.88, 57.79

 

CMYK 1 / 0 / 77 / 39

HEX #9A9C24

RGB 154 156 36

HSL 61, 0.63%, 0.38%

LAB 62.32, -14.95, 57.82

 

CMYK 1 / 0 / 88 / 46

HEX #898A11

RGB 137 138 17

HSL 60.5, 0.78%, 0.3%

LAB 55.62, -13.78, 56.75

 

CMYK 0 / 0 / 100 / 53

HEX #787800

RGB 120 120 0

HSL 60, 1%, 0.24%

LAB 48.79, -12.34, 54.11

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 0 / 14 / 61 / 25

HEX #BFA44A

RGB 191 164 74

HSL 46.15, 0.48%, 0.52%

LAB 68.11, -0.79, 49.29

 

CMYK 0 / 31 / 61 / 25

HEX #BF844A

RGB 191 132 74

HSL 29.74, 0.48%, 0.52%

LAB 59.95, 16.68, 39.93

 

CMYK 0 / 48 / 61 / 25

HEX #BF644A

RGB 191 100 74

HSL 13.33, 0.48%, 0.52%

LAB 52.6, 34.11, 31.05

 

CMYK 0 / 61 / 61 / 25

HEX #BF4A4A

RGB 191 74 74

HSL 0, 0.48%, 0.52%

LAB 47.58, 47.02, 24.72

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 18 / 0 / 61 / 25

HEX #9CBF4A

RGB 156 191 74

HSL 77.95, 0.48%, 0.52%

LAB 72.78, -29.2, 53.68

 

CMYK 35 / 0 / 61 / 25

HEX #7CBF4A

RGB 124 191 74

HSL 94.36, 0.48%, 0.52%

LAB 70.9, -41.17, 51.07

 

CMYK 52 / 0 / 61 / 25

HEX #5CBF4A

RGB 92 191 74

HSL 110.77, 0.48%, 0.52%

LAB 69.49, -51.24, 49.11

 

CMYK 61 / 0 / 54 / 25

HEX #4ABF57

RGB 74 191 87

HSL 126.67, 0.48%, 0.52%

LAB 69.04, -54.2, 42.42

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 2 / 0 / 74 / 17

HEX #CED336

RGB 206 211 54

HSL 61.91, 0.64%, 0.52%

LAB 81.83, -19.62, 71.56

 

CMYK 3 / 0 / 85 / 9

HEX #E0E722

RGB 224 231 34

HSL 62.13, 0.8%, 0.52%

LAB 88.5, -22.47, 83.01

 

CMYK 3 / 0 / 94 / 2

HEX #F3FB0E

RGB 243 251 14

HSL 62.03, 0.97%, 0.52%

LAB 95.19, -24.47, 91.63

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 2 / 0 / 45 / 33

HEX #A9AC5E

RGB 169 172 94

HSL 62.31, 0.32%, 0.52%

LAB 68.57, -12.62, 39.56

 

CMYK 1 / 0 / 26 / 40

HEX #969871

RGB 150 152 113

HSL 63.08, 0.16%, 0.52%

LAB 61.77, -7.39, 20.34

 

CMYK 1 / 1 / 0 / 48

HEX #848485

RGB 132 132 133

HSL 240, 0%, 0.52%

LAB 55.18, 0.2, -0.54

 

CMYK 25 / 27 / 0 / 40

HEX #727099

RGB 114 112 153

HSL 242.93, 0.17%, 0.52%

LAB 48.84, 10.19, -21.91

 

CMYK 0 / 30 / 61 / 25

HEX #BF854A

RGB 191 133 74

HSL 30.26, 0.48%, 0.52%

LAB 60.2, 16.13, 40.22

 

CMYK 0 / 14 / 61 / 25

HEX #BFA44A

RGB 191 164 74

HSL 46.15, 0.48%, 0.52%

LAB 68.11, -0.79, 49.29

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 18 / 0 / 61 / 25

HEX #9CBF4A

RGB 156 191 74

HSL 77.95, 0.48%, 0.52%

LAB 72.78, -29.2, 53.68

 

CMYK 35 / 0 / 61 / 25

HEX #7DBF4A

RGB 125 191 74

HSL 93.85, 0.48%, 0.52%

LAB 70.95, -40.82, 51.14

 

CMYK 2 / 0 / 65 / 47

HEX #84872F

RGB 132 135 47

HSL 62.05, 0.48%, 0.36%

LAB 54.49, -13.06, 45.28

 

CMYK 2 / 0 / 65 / 35

HEX #A2A63A

RGB 162 166 58

HSL 62.22, 0.48%, 0.44%

LAB 65.95, -15.47, 53.33

 

CMYK 2 / 0 / 61 / 25

HEX #BBBF4A

RGB 187 191 74

HSL 62.05, 0.48%, 0.52%

LAB 75.03, -16.54, 56.78

 

CMYK 1 / 0 / 49 / 21

HEX #C7CA68

RGB 199 202 104

HSL 61.84, 0.48%, 0.6%

LAB 79.26, -14.74, 48.14

 

CMYK 1 / 0 / 37 / 16

HEX #D2D587

RGB 210 213 135

HSL 62.31, 0.48%, 0.68%

LAB 83.46, -12.71, 38.23

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

CMYK 61 / 0 / 47 / 25

HEX #4ABF65

RGB 74 191 101

HSL 133.85, 0.48%, 0.52%

LAB 69.22, -52.18, 35.74

 

CMYK 23 / 61 / 0 / 25

HEX #944ABF

RGB 148 74 191

HSL 277.95, 0.48%, 0.52%

LAB 45.57, 50.92, -49.07

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

CMYK 61 / 2 / 0 / 25

HEX #4ABBBF

RGB 74 187 191

HSL 182.05, 0.48%, 0.52%

LAB 70.01, -30.29, -11.55

 

CMYK 0 / 61 / 2 / 25

HEX #BF4ABB

RGB 191 74 187

HSL 302.05, 0.48%, 0.52%

LAB 51.34, 60.83, -37.22

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

CMYK 61 / 0 / 47 / 25

HEX #4ABF65

RGB 74 191 101

HSL 133.85, 0.48%, 0.52%

LAB 69.22, -52.18, 35.74

 

CMYK 59 / 61 / 0 / 25

HEX #4E4ABF

RGB 78 74 191

HSL 242.05, 0.48%, 0.52%

LAB 38.34, 35.95, -61.11

 

CMYK 0 / 61 / 14 / 25

HEX #BF4AA4

RGB 191 74 164

HSL 313.85, 0.48%, 0.52%

LAB 50.28, 57.13, -25.42

 

CMYK 2 / 0 / 61 / 25

HEX #BCC04A

RGB 188 192 74

HSL 62.03, 0.48%, 0.52%

LAB 75.38, -16.63, 57.18

 

CMYK 61 / 0 / 28 / 25

HEX #4ABF89

RGB 74 191 137

HSL 152.31, 0.48%, 0.52%

LAB 69.84, -45.55, 17.69

 

CMYK 59 / 61 / 0 / 25

HEX #4E4ABF

RGB 78 74 191

HSL 242.05, 0.48%, 0.52%

LAB 38.34, 35.95, -61.11

 

CMYK 0 / 61 / 32 / 25

HEX #BF4A81

RGB 191 74 129

HSL 331.79, 0.48%, 0.52%

LAB 48.96, 52.3, -6.58

 

Description

Color code: HEX #BCC04A | qconv.com Color code: HEX #BCC04A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 192 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 192 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 61 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 61% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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