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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC02B it is the complementary color #433FD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC02B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC02B shade: #C1C026, #D2D239, #E3E44C, #F4F65F and #FFFF72

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC02B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC02B shade: #BCC02B, #ABAE18, #9A9C05, #898A00 and #787800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC02B shade: #BBBF2B, #BF9B2B, #BF732B, #BF4C2B and #BF2B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC02B shade: #BBBF2B, #93BF2B, #6CBF2B, #44BF2B and #2BBF3B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC02B shade matches the following richer shades: #BBBF2B, #CDD218 and #DFE505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC02B shade: #BBBF2B, #A9AC3E, #979951, #858664 and #737377

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC02B shade: #BF732B, #BF9A2B, #BDBF2B, #95BF2B and #6EBF2B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC02B shade: #797C1C, #9A9E24, #BBBF2B, #D0D440 and #D8DB62

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC02B shade: #BCC02B, #2BBF4B and #872BBF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC02B shade: #BCC02B, #2BBDBF and #BF2BBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC02B shade: #BCC02B, #2BBF4B, #2E2BBF and #BF2B9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC02B shade: #BCC02B, #2BBF78, #2E2BBF and #BF2B73

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

Complementary color

CMYK 68 / 70 / 0 / 17

HEX #433FD4

RGB 67 63 212

HSL 241.61, 0.63%, 0.54%

LAB 36.93, 47.78, -75.64

 

CMYK 0 / 1 / 80 / 24

HEX #C1C026

RGB 193 192 38

HSL 59.61, 0.67%, 0.45%

LAB 75.56, -16.28, 70.25

 

CMYK 0 / 0 / 73 / 18

HEX #D2D239

RGB 210 210 57

HSL 60, 0.63%, 0.52%

LAB 81.89, -17.32, 70.76

 

CMYK 0 / 0 / 67 / 11

HEX #E3E44C

RGB 227 228 76

HSL 60.39, 0.74%, 0.6%

LAB 88.13, -18.2, 70.59

 

CMYK 1 / 0 / 61 / 4

HEX #F4F65F

RGB 244 246 95

HSL 60.79, 0.89%, 0.67%

LAB 94.3, -18.94, 70.02

 

CMYK 0 / 0 / 55 / 0

HEX #FFFF72

RGB 255 255 114

HSL 60, 1%, 0.72%

LAB 97.63, -17.63, 66

 

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

CMYK 2 / 0 / 86 / 32

HEX #ABAE18

RGB 171 174 24

HSL 61.2, 0.76%, 0.39%

LAB 68.75, -17.11, 67.16

 

CMYK 1 / 0 / 97 / 39

HEX #9A9C05

RGB 154 156 5

HSL 60.79, 0.94%, 0.32%

LAB 62.22, -15.75, 64.55

 

CMYK 1 / 0 / 100 / 46

HEX #898A00

RGB 137 138 0

HSL 60.43, 1%, 0.27%

LAB 55.58, -14.11, 59.75

 

CMYK 0 / 0 / 100 / 53

HEX #787800

RGB 120 120 0

HSL 60, 1%, 0.24%

LAB 48.79, -12.34, 54.11

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 0 / 19 / 77 / 25

HEX #BF9B2B

RGB 191 155 43

HSL 45.41, 0.63%, 0.46%

LAB 65.51, 2.36, 59.62

 

CMYK 0 / 40 / 77 / 25

HEX #BF732B

RGB 191 115 43

HSL 29.19, 0.63%, 0.46%

LAB 55.6, 24.3, 50.21

 

CMYK 0 / 60 / 77 / 25

HEX #BF4C2B

RGB 191 76 43

HSL 13.38, 0.63%, 0.46%

LAB 47.52, 44.44, 42.14

 

CMYK 0 / 77 / 77 / 25

HEX #BF2B2B

RGB 191 43 43

HSL 0, 0.63%, 0.46%

LAB 42.73, 57.46, 37.13

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 23 / 0 / 77 / 25

HEX #93BF2B

RGB 147 191 43

HSL 77.84, 0.63%, 0.46%

LAB 71.99, -34.71, 64.36

 

CMYK 43 / 0 / 77 / 25

HEX #6CBF2B

RGB 108 191 43

HSL 93.65, 0.63%, 0.46%

LAB 69.91, -48.88, 61.67

 

CMYK 64 / 0 / 77 / 25

HEX #44BF2B

RGB 68 191 43

HSL 109.86, 0.63%, 0.46%

LAB 68.51, -59.84, 59.83

 

CMYK 77 / 0 / 69 / 25

HEX #2BBF3B

RGB 43 191 59

HSL 126.49, 0.63%, 0.46%

LAB 68.09, -63, 53.52

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 2 / 0 / 89 / 18

HEX #CDD218

RGB 205 210 24

HSL 61.61, 0.79%, 0.46%

LAB 81.37, -20.44, 78.46

 

CMYK 3 / 0 / 98 / 10

HEX #DFE505

RGB 223 229 5

HSL 61.61, 0.96%, 0.46%

LAB 87.84, -22.33, 86.15

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 2 / 0 / 64 / 33

HEX #A9AC3E

RGB 169 172 62

HSL 61.64, 0.47%, 0.46%

LAB 68.23, -15.29, 54.21

 

CMYK 1 / 0 / 47 / 40

HEX #979951

RGB 151 153 81

HSL 61.67, 0.31%, 0.46%

LAB 61.62, -11.49, 37.36

 

CMYK 1 / 0 / 25 / 47

HEX #858664

RGB 133 134 100

HSL 61.76, 0.15%, 0.46%

LAB 55.03, -6.31, 18.24

 

CMYK 3 / 3 / 0 / 53

HEX #737377

RGB 115 115 119

HSL 240, 0.02%, 0.46%

LAB 48.56, 0.83, -2.21

 

CMYK 0 / 40 / 77 / 25

HEX #BF732B

RGB 191 115 43

HSL 29.19, 0.63%, 0.46%

LAB 55.6, 24.3, 50.21

 

CMYK 0 / 19 / 77 / 25

HEX #BF9A2B

RGB 191 154 43

HSL 45, 0.63%, 0.46%

LAB 65.25, 2.9, 59.38

 

CMYK 1 / 0 / 77 / 25

HEX #BDBF2B

RGB 189 191 43

HSL 60.81, 0.63%, 0.46%

LAB 74.99, -17.32, 68.2

 

CMYK 22 / 0 / 77 / 25

HEX #95BF2B

RGB 149 191 43

HSL 77.03, 0.63%, 0.46%

LAB 72.11, -33.92, 64.52

 

CMYK 42 / 0 / 77 / 25

HEX #6EBF2B

RGB 110 191 43

HSL 92.84, 0.63%, 0.46%

LAB 70, -48.23, 61.78

 

CMYK 2 / 0 / 77 / 51

HEX #797C1C

RGB 121 124 28

HSL 61.88, 0.63%, 0.3%

LAB 50.17, -13.22, 48.3

 

CMYK 3 / 0 / 77 / 38

HEX #9A9E24

RGB 154 158 36

HSL 61.97, 0.63%, 0.38%

LAB 62.89, -15.99, 58.35

 

CMYK 2 / 0 / 77 / 25

HEX #BBBF2B

RGB 187 191 43

HSL 61.62, 0.63%, 0.46%

LAB 74.83, -18.17, 68

 

CMYK 2 / 0 / 70 / 17

HEX #D0D440

RGB 208 212 64

HSL 61.62, 0.63%, 0.54%

LAB 82.31, -18.82, 68.7

 

CMYK 1 / 0 / 55 / 14

HEX #D8DB62

RGB 216 219 98

HSL 61.49, 0.63%, 0.62%

LAB 85.07, -16.84, 58.01

 

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

CMYK 77 / 0 / 61 / 25

HEX #2BBF4B

RGB 43 191 75

HSL 132.97, 0.63%, 0.46%

LAB 68.23, -61.28, 46.88

 

CMYK 29 / 77 / 0 / 25

HEX #872BBF

RGB 135 43 191

HSL 277.3, 0.63%, 0.46%

LAB 38.97, 61.75, -59.81

 

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

CMYK 77 / 1 / 0 / 25

HEX #2BBDBF

RGB 43 189 191

HSL 180.81, 0.63%, 0.46%

LAB 69.94, -35.41, -11.71

 

CMYK 0 / 77 / 1 / 25

HEX #BF2BBD

RGB 191 43 189

HSL 300.81, 0.63%, 0.46%

LAB 47.6, 72.02, -44.3

 

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

CMYK 77 / 0 / 61 / 25

HEX #2BBF4B

RGB 43 191 75

HSL 132.97, 0.63%, 0.46%

LAB 68.23, -61.28, 46.88

 

CMYK 76 / 77 / 0 / 25

HEX #2E2BBF

RGB 46 43 191

HSL 241.22, 0.63%, 0.46%

LAB 29.59, 50.04, -75.56

 

CMYK 0 / 77 / 17 / 25

HEX #BF2B9F

RGB 191 43 159

HSL 312.97, 0.63%, 0.46%

LAB 46.05, 67.62, -29.03

 

CMYK 2 / 0 / 78 / 25

HEX #BCC02B

RGB 188 192 43

HSL 61.61, 0.63%, 0.46%

LAB 75.18, -18.25, 68.35

 

CMYK 77 / 0 / 37 / 25

HEX #2BBF78

RGB 43 191 120

HSL 151.22, 0.63%, 0.46%

LAB 68.85, -54.06, 25.29

 

CMYK 76 / 77 / 0 / 25

HEX #2E2BBF

RGB 46 43 191

HSL 241.22, 0.63%, 0.46%

LAB 29.59, 50.04, -75.56

 

CMYK 0 / 77 / 40 / 25

HEX #BF2B73

RGB 191 43 115

HSL 330.81, 0.63%, 0.46%

LAB 44.29, 62.36, -4.97

 

Description

Color code: HEX #BCC02B | qconv.com Color code: HEX #BCC02B | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 192 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 192 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 78 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 78% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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