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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCC00C it is the complementary color #433FF3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCC00C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCC00C shade: #C1C007, #D2D21A, #E3E42D, #F4F640 and #FFFF53

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCC00C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCC00C shade: #BCC00C, #ABAE00, #9A9C00, #898A00 and #787800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCC00C shade: #BCC00C, #C0930C, #C0630C, #C0330C and #C00C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCC00C shade: #BCC00C, #8BC00C, #5BC00C, #2BC00C and #0CC01E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCC00C shade matches the following richer shades: #BCC00C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCC00C shade: #BCC00C, #ACAF1D, #9C9F2D, #8C8E3E and #7D7E4E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCC00C shade: #C0630C, #C0930C, #BDC00C, #8DC00C and #5DC00C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCC00C shade: #707207, #96990A, #BCC00C, #E2E70F and #EDF22D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCC00C shade: #BCC00C, #0CC033 and #7B0CC0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCC00C shade: #BCC00C, #0CBDC0 and #C00CBD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCC00C shade: #BCC00C, #0CC033, #0F0CC0 and #C00C99

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCC00C shade: #BCC00C, #0CC069, #0F0CC0 and #C00C63

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

Complementary color

CMYK 72 / 74 / 0 / 5

HEX #433FF3

RGB 67 63 243

HSL 241.33, 0.88%, 0.6%

LAB 39.95, 57.57, -88.33

 

CMYK 0 / 1 / 96 / 24

HEX #C1C007

RGB 193 192 7

HSL 59.68, 0.93%, 0.39%

LAB 75.48, -16.9, 75.69

 

CMYK 0 / 0 / 88 / 18

HEX #D2D21A

RGB 210 210 26

HSL 60, 0.78%, 0.46%

LAB 81.77, -18.29, 78.61

 

CMYK 0 / 0 / 80 / 11

HEX #E3E42D

RGB 227 228 45

HSL 60.33, 0.77%, 0.54%

LAB 87.97, -19.49, 80.22

 

CMYK 1 / 0 / 74 / 4

HEX #F4F640

RGB 244 246 64

HSL 60.66, 0.91%, 0.61%

LAB 94.1, -20.51, 80.88

 

CMYK 0 / 0 / 67 / 0

HEX #FFFF53

RGB 255 255 83

HSL 60, 1%, 0.66%

LAB 97.39, -19.52, 78.02

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 2 / 0 / 100 / 32

HEX #ABAE00

RGB 171 174 0

HSL 61.03, 1%, 0.34%

LAB 68.7, -17.5, 70.65

 

CMYK 1 / 0 / 100 / 39

HEX #9A9C00

RGB 154 156 0

HSL 60.77, 1%, 0.31%

LAB 62.21, -15.83, 65.25

 

CMYK 1 / 0 / 100 / 46

HEX #898A00

RGB 137 138 0

HSL 60.43, 1%, 0.27%

LAB 55.58, -14.11, 59.75

 

CMYK 0 / 0 / 100 / 53

HEX #787800

RGB 120 120 0

HSL 60, 1%, 0.24%

LAB 48.79, -12.34, 54.11

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 0 / 23 / 94 / 25

HEX #C0930C

RGB 192 147 12

HSL 45, 0.88%, 0.4%

LAB 63.43, 6.34, 66.07

 

CMYK 0 / 48 / 94 / 25

HEX #C0630C

RGB 192 99 12

HSL 29, 0.88%, 0.4%

LAB 52.01, 32.52, 57.85

 

CMYK 0 / 73 / 94 / 25

HEX #C0330C

RGB 192 51 12

HSL 13, 0.88%, 0.4%

LAB 43.65, 54.39, 52.27

 

CMYK 0 / 94 / 94 / 25

HEX #C00C0C

RGB 192 12 12

HSL 0, 0.88%, 0.4%

LAB 40.4, 63.58, 50.27

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 28 / 0 / 94 / 25

HEX #8BC00C

RGB 139 192 12

HSL 77.67, 0.88%, 0.4%

LAB 71.7, -39.25, 70.59

 

CMYK 53 / 0 / 94 / 25

HEX #5BC00C

RGB 91 192 12

HSL 93.67, 0.88%, 0.4%

LAB 69.43, -55.63, 67.82

 

CMYK 78 / 0 / 94 / 25

HEX #2BC00C

RGB 43 192 12

HSL 109.67, 0.88%, 0.4%

LAB 68.2, -65.96, 66.29

 

CMYK 94 / 0 / 84 / 25

HEX #0CC01E

RGB 12 192 30

HSL 126, 0.88%, 0.4%

LAB 67.93, -68.19, 62.63

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 2 / 0 / 83 / 31

HEX #ACAF1D

RGB 172 175 29

HSL 61.23, 0.72%, 0.4%

LAB 69.13, -17.05, 66.37

 

CMYK 2 / 0 / 72 / 38

HEX #9C9F2D

RGB 156 159 45

HSL 61.58, 0.56%, 0.4%

LAB 63.39, -15.21, 55.74

 

CMYK 1 / 0 / 56 / 44

HEX #8C8E3E

RGB 140 142 62

HSL 61.5, 0.39%, 0.4%

LAB 57.34, -12.13, 41.61

 

CMYK 1 / 0 / 38 / 51

HEX #7D7E4E

RGB 125 126 78

HSL 61.25, 0.24%, 0.4%

LAB 51.65, -8.25, 26.02

 

CMYK 0 / 48 / 94 / 25

HEX #C0630C

RGB 192 99 12

HSL 29, 0.88%, 0.4%

LAB 52.01, 32.52, 57.85

 

CMYK 0 / 23 / 94 / 25

HEX #C0930C

RGB 192 147 12

HSL 45, 0.88%, 0.4%

LAB 63.43, 6.34, 66.07

 

CMYK 2 / 0 / 94 / 25

HEX #BDC00C

RGB 189 192 12

HSL 61, 0.88%, 0.4%

LAB 75.17, -18.57, 74.78

 

CMYK 27 / 0 / 94 / 25

HEX #8DC00C

RGB 141 192 12

HSL 77, 0.88%, 0.4%

LAB 71.82, -38.47, 70.73

 

CMYK 52 / 0 / 94 / 25

HEX #5DC00C

RGB 93 192 12

HSL 93, 0.88%, 0.4%

LAB 69.51, -55.06, 67.91

 

CMYK 2 / 0 / 94 / 55

HEX #707207

RGB 112 114 7

HSL 61.12, 0.88%, 0.24%

LAB 46.3, -12.68, 50.42

 

CMYK 2 / 0 / 93 / 40

HEX #96990A

RGB 150 153 10

HSL 61.26, 0.88%, 0.32%

LAB 61.04, -15.92, 62.79

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 2 / 0 / 94 / 9

HEX #E2E70F

RGB 226 231 15

HSL 61.39, 0.88%, 0.48%

LAB 88.62, -21.95, 85.98

 

CMYK 2 / 0 / 81 / 5

HEX #EDF22D

RGB 237 242 45

HSL 61.52, 0.88%, 0.56%

LAB 92.44, -22.1, 84.34

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 94 / 0 / 73 / 25

HEX #0CC033

RGB 12 192 51

HSL 133, 0.88%, 0.4%

LAB 68.03, -66.82, 56.38

 

CMYK 36 / 94 / 0 / 25

HEX #7B0CC0

RGB 123 12 192

HSL 277, 0.88%, 0.4%

LAB 34.56, 68.22, -67.67

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 94 / 2 / 0 / 25

HEX #0CBDC0

RGB 12 189 192

HSL 181, 0.88%, 0.4%

LAB 69.67, -37.11, -12.7

 

CMYK 0 / 94 / 2 / 25

HEX #C00CBD

RGB 192 12 189

HSL 301, 0.88%, 0.4%

LAB 45.83, 77.87, -47.11

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 94 / 0 / 73 / 25

HEX #0CC033

RGB 12 192 51

HSL 133, 0.88%, 0.4%

LAB 68.03, -66.82, 56.38

 

CMYK 92 / 94 / 0 / 25

HEX #0F0CC0

RGB 15 12 192

HSL 241, 0.88%, 0.4%

LAB 24.23, 61.41, -85.1

 

CMYK 0 / 94 / 20 / 25

HEX #C00C99

RGB 192 12 153

HSL 313, 0.88%, 0.4%

LAB 43.9, 72.99, -28.77

 

CMYK 2 / 0 / 94 / 25

HEX #BCC00C

RGB 188 192 12

HSL 61.33, 0.88%, 0.4%

LAB 75.09, -19, 74.69

 

CMYK 94 / 0 / 45 / 25

HEX #0CC069

RGB 12 192 105

HSL 151, 0.88%, 0.4%

LAB 68.6, -59.78, 32.72

 

CMYK 92 / 94 / 0 / 25

HEX #0F0CC0

RGB 15 12 192

HSL 241, 0.88%, 0.4%

LAB 24.23, 61.41, -85.1

 

CMYK 0 / 94 / 48 / 25

HEX #C00C63

RGB 192 12 99

HSL 331, 0.88%, 0.4%

LAB 41.8, 67.43, 1.37

 

Description

Color code: HEX #BCC00C | qconv.com Color code: HEX #BCC00C | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 192 green and 12 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 192 12 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, none magenta, 94 yellow and 25 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 0% 94% 25% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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