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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCBDCB it is the complementary color #434234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCBDCB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCBDCB shade: #C1BDC6, #D2CFD9, #E3E1EC and #F4F3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCBDCB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCBDCB shade: #BCBDCB, #ABABB8, #9A99A5, #898792 and #78757F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCBDCB shade: #BCBDCB, #BFBCCB, #C3BCCB, #C8BCCB and #CBBCCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCBDCB shade: #BCBDCB and #BCBCCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCBDCB shade matches the following richer shades: #BCBDCB, #B3B5D5, #A9ADDE, #A0A5E8 and #969CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCBDCB shade: #BCBDCB, #C6C5C2, #CFCEB8, #D9D6AF and #E2DEA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCBDCB shade: #BCC5CB, #BCC1CB, #BCBDCB, #BFBCCB and #C3BCCB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCBDCB shade: #8E8FA8, #A5A6BA, #BCBDCB, #D4D4DD and #EBEBEF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCBDCB shade: #BCBDCB, #CBBCC9 and #C3CBBC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCBDCB shade: #BCBDCB, #CBBCBD and #BDCBBC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCBDCB shade: #BCBDCB, #CBBCC9, #CBCABC and #BCCBBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCBDCB shade: #BCBDCB, #CBBCC5, #CBCABC and #BCCBC3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

Complementary color

CMYK 0 / 1 / 22 / 74

HEX #434234

RGB 67 66 52

HSL 56, 0.13%, 0.23%

LAB 27.68, -2.39, 8.7

 

CMYK 3 / 5 / 0 / 22

HEX #C1BDC6

RGB 193 189 198

HSL 266.67, 0.07%, 0.76%

LAB 77.17, 3.07, -4.03

 

CMYK 3 / 5 / 0 / 15

HEX #D2CFD9

RGB 210 207 217

HSL 258, 0.12%, 0.83%

LAB 83.62, 2.87, -4.58

 

CMYK 4 / 5 / 0 / 7

HEX #E3E1EC

RGB 227 225 236

HSL 250.91, 0.22%, 0.9%

LAB 89.97, 2.68, -5.12

 

CMYK 4 / 5 / 0 / 0

HEX #F4F3FF

RGB 244 243 255

HSL 245, 1%, 0.98%

LAB 96.23, 2.5, -5.64

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 7 / 7 / 0 / 28

HEX #ABABB8

RGB 171 171 184

HSL 240, 0.08%, 0.7%

LAB 70.35, 2.54, -6.65

 

CMYK 7 / 7 / 0 / 35

HEX #9A99A5

RGB 154 153 165

HSL 245, 0.06%, 0.62%

LAB 63.65, 2.74, -6.14

 

CMYK 6 / 8 / 0 / 43

HEX #898792

RGB 137 135 146

HSL 250.91, 0.05%, 0.55%

LAB 56.8, 2.96, -5.61

 

CMYK 6 / 8 / 0 / 50

HEX #78757F

RGB 120 117 127

HSL 258, 0.04%, 0.48%

LAB 49.8, 3.2, -5.07

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 6 / 7 / 0 / 20

HEX #BFBCCB

RGB 191 188 203

HSL 252, 0.13%, 0.77%

LAB 76.89, 3.89, -7.17

 

CMYK 4 / 7 / 0 / 20

HEX #C3BCCB

RGB 195 188 203

HSL 268, 0.13%, 0.77%

LAB 77.21, 5.25, -6.66

 

CMYK 1 / 7 / 0 / 20

HEX #C8BCCB

RGB 200 188 203

HSL 288, 0.13%, 0.77%

LAB 77.61, 6.95, -6.02

 

CMYK 0 / 7 / 0 / 20

HEX #CBBCCB

RGB 203 188 203

HSL 300, 0.13%, 0.77%

LAB 77.86, 7.98, -5.63

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 7 / 7 / 0 / 20

HEX #BCBCCB

RGB 188 188 203

HSL 240, 0.13%, 0.77%

LAB 76.66, 2.88, -7.54

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 16 / 15 / 0 / 16

HEX #B3B5D5

RGB 179 181 213

HSL 236.47, 0.29%, 0.77%

LAB 74.47, 5.79, -16.33

 

CMYK 24 / 22 / 0 / 13

HEX #A9ADDE

RGB 169 173 222

HSL 235.47, 0.45%, 0.77%

LAB 71.96, 9.09, -25.12

 

CMYK 31 / 29 / 0 / 9

HEX #A0A5E8

RGB 160 165 232

HSL 235.83, 0.61%, 0.77%

LAB 69.62, 13.35, -34.24

 

CMYK 38 / 35 / 0 / 5

HEX #969CF1

RGB 150 156 241

HSL 236.04, 0.76%, 0.77%

LAB 66.98, 18.07, -43.33

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 0 / 1 / 2 / 22

HEX #C6C5C2

RGB 198 197 194

HSL 45, 0.03%, 0.77%

LAB 79.52, -0.19, 1.61

 

CMYK 0 / 0 / 11 / 19

HEX #CFCEB8

RGB 207 206 184

HSL 57.39, 0.19%, 0.77%

LAB 82.31, -3.44, 11.07

 

CMYK 0 / 1 / 19 / 15

HEX #D9D6AF

RGB 217 214 175

HSL 55.71, 0.36%, 0.77%

LAB 84.97, -5.33, 19.67

 

CMYK 0 / 2 / 27 / 11

HEX #E2DEA6

RGB 226 222 166

HSL 56, 0.51%, 0.77%

LAB 87.56, -7.32, 28.03

 

CMYK 7 / 3 / 0 / 20

HEX #BCC5CB

RGB 188 197 203

HSL 204, 0.13%, 0.77%

LAB 79, -1.92, -4.07

 

CMYK 7 / 5 / 0 / 20

HEX #BCC1CB

RGB 188 193 203

HSL 220, 0.13%, 0.77%

LAB 77.96, 0.21, -5.61

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 6 / 7 / 0 / 20

HEX #BFBCCB

RGB 191 188 203

HSL 252, 0.13%, 0.77%

LAB 76.89, 3.89, -7.17

 

CMYK 4 / 7 / 0 / 20

HEX #C3BCCB

RGB 195 188 203

HSL 268, 0.13%, 0.77%

LAB 77.21, 5.25, -6.66

 

CMYK 15 / 15 / 0 / 34

HEX #8E8FA8

RGB 142 143 168

HSL 237.69, 0.13%, 0.61%

LAB 60.09, 4.9, -13.25

 

CMYK 11 / 11 / 0 / 27

HEX #A5A6BA

RGB 165 166 186

HSL 237.14, 0.13%, 0.69%

LAB 68.62, 3.66, -10.38

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 4 / 4 / 0 / 13

HEX #D4D4DD

RGB 212 212 221

HSL 240, 0.12%, 0.85%

LAB 85.15, 1.67, -4.44

 

CMYK 2 / 2 / 0 / 6

HEX #EBEBEF

RGB 235 235 239

HSL 240, 0.11%, 0.93%

LAB 93.15, 0.72, -1.94

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 0 / 7 / 1 / 20

HEX #CBBCC9

RGB 203 188 201

HSL 308, 0.13%, 0.77%

LAB 77.8, 7.61, -4.63

 

CMYK 4 / 0 / 7 / 20

HEX #C3CBBC

RGB 195 203 188

HSL 92, 0.13%, 0.77%

LAB 80.71, -5.46, 6.52

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 0 / 7 / 7 / 20

HEX #CBBCBD

RGB 203 188 189

HSL 356, 0.13%, 0.77%

LAB 77.48, 5.47, 1.4

 

CMYK 7 / 0 / 7 / 20

HEX #BDCBBC

RGB 189 203 188

HSL 116, 0.13%, 0.77%

LAB 80.27, -7.55, 5.84

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 0 / 7 / 1 / 20

HEX #CBBCC9

RGB 203 188 201

HSL 308, 0.13%, 0.77%

LAB 77.8, 7.61, -4.63

 

CMYK 0 / 0 / 7 / 20

HEX #CBCABC

RGB 203 202 188

HSL 56, 0.13%, 0.77%

LAB 81.05, -2.12, 7.1

 

CMYK 7 / 0 / 6 / 20

HEX #BCCBBE

RGB 188 203 190

HSL 128, 0.13%, 0.77%

LAB 80.25, -7.53, 4.72

 

CMYK 7 / 7 / 0 / 20

HEX #BCBDCB

RGB 188 189 203

HSL 236, 0.13%, 0.77%

LAB 76.92, 2.35, -7.15

 

CMYK 0 / 7 / 3 / 20

HEX #CBBCC5

RGB 203 188 197

HSL 324, 0.13%, 0.77%

LAB 77.69, 6.89, -2.62

 

CMYK 0 / 0 / 7 / 20

HEX #CBCABC

RGB 203 202 188

HSL 56, 0.13%, 0.77%

LAB 81.05, -2.12, 7.1

 

CMYK 7 / 0 / 4 / 20

HEX #BCCBC3

RGB 188 203 195

HSL 148, 0.13%, 0.77%

LAB 80.37, -6.6, 2.23

 

Description

Color code: HEX #BCBDCB | qconv.com Color code: HEX #BCBDCB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 189 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 189 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 7 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 7% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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