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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB7EABF it is the complementary color #434815BF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB7EABF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB7EABF shade: #C1B7E5BF, #D2C9F8BF, #E3DBFFBF, #F4EDFFBF and #FFFFFFBF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB7EABF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB7EABF shade: #BCB7EABF, #ABA5D7BF, #9A93C4BF, #8981B1BF and #786F9EBF

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB7EABF shade: #BDB8EA, #CAB8EA, #D8B8EA, #E6B8EA and #EAB8E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB7EABF shade: #BDB8EA and #B8B8EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB7EABF shade matches the following richer shades: #BDB8EA, #B7B0F2 and #B1A9F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB7EABF shade: #BDB8EA, #C3BFE3, #C9C7DB, #CFCED4 and #D5D6CD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB7EABF shade: #B8CFEA, #B8C1EA, #BCB8EA, #CAB8EA and #D7B8EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB7EABF shade: #8178D8, #9F98E1, #BDB8EA, #DBD8F4 and #F8F8FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB7EABF shade: #BCB7EA, #EAB8DC and #C8EAB8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB7EABF shade: #BCB7EA, #EABCB8 and #B8EABC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB7EABF shade: #BCB7EA, #EAB8DC, #E6EAB8 and #B8EAC6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB7EABF shade: #BCB7EA, #EAB8CD, #E6EAB8 and #B8EAD5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 16 / 0 / 6

HEX #BCB7EABF

RGBA 188 183 234 0.75

HSLA 245.88, 0.55%, 0.82%, 0.75

LABA 76.37, 12.14, -24.76, 0.75

 

Complementary color

CMYK 5 / 0 / 53 / 54

HEX #434815BF

RGBA 67 72 21 0.75

HSLA 65.88, 0.55%, 0.18%, 0.75

LABA 29.11, -10.06, 28.86, 0.75

 

CMYK 12 / 15 / 0 / 8

HEX #C1B7E5BF

RGBA 193 183 229 0.75

HSLA 253.04, 0.47%, 0.81%, 0.75

LABA 76.6, 12.6, -21.68, 0.75

 

CMYK 11 / 14 / 0 / 2

HEX #D2C9F8BF

RGBA 210 201 248 0.75

HSLA 251.49, 0.77%, 0.88%, 0.75

LABA 83.05, 12.25, -21.95, 0.75

 

CMYK 8 / 11 / 0 / 0

HEX #E3DBFFBF

RGBA 227 219 255 0.75

HSLA 253.33, 1%, 0.93%, 0.75

LABA 89.02, 9.47, -16.5, 0.75

 

CMYK 3 / 5 / 0 / 0

HEX #F4EDFFBF

RGBA 244 237 255 0.75

HSLA 263.33, 1%, 0.96%, 0.75

LABA 94.75, 5.57, -7.83, 0.75

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFFBF

RGBA 255 255 255 0.75

HSLA 0, 0%, 1%, 0.75

LABA 100, 0.01, -0.01, 0.75

 

CMYK 15 / 16 / 0 / 6

HEX #BCB7EABF

RGBA 188 183 234 0.75

HSLA 245.88, 0.55%, 0.82%, 0.75

LABA 76.37, 12.14, -24.76, 0.75

 

CMYK 15 / 17 / 0 / 12

HEX #ABA5D7BF

RGBA 171 165 215 0.75

HSLA 247.2, 0.38%, 0.75%, 0.75

LABA 69.81, 12.54, -24.56, 0.75

 

CMYK 16 / 19 / 0 / 17

HEX #9A93C4BF

RGBA 154 147 196 0.75

HSLA 248.57, 0.29%, 0.67%, 0.75

LABA 63.11, 12.97, -24.38, 0.75

 

CMYK 17 / 20 / 0 / 23

HEX #8981B1BF

RGBA 137 129 177 0.75

HSLA 250, 0.24%, 0.6%, 0.75

LABA 56.28, 13.45, -24.23, 0.75

 

CMYK 18 / 22 / 0 / 29

HEX #786F9EBF

RGBA 120 111 158 0.75

HSLA 251.49, 0.2%, 0.53%, 0.75

LABA 49.29, 13.99, -24.12, 0.75

 

CMYK 19 / 21 / 0 / 8

HEX #BDB8EA

RGB 189 184 234

HSL 246, 0.54%, 0.82%

LAB 76.7, 11.9, -24.25

 

CMYK 14 / 21 / 0 / 8

HEX #CAB8EA

RGB 202 184 234

HSL 261.6, 0.54%, 0.82%

LAB 77.74, 15.97, -22.57

 

CMYK 8 / 21 / 0 / 8

HEX #D8B8EA

RGB 216 184 234

HSL 278.4, 0.54%, 0.82%

LAB 78.94, 20.44, -20.65

 

CMYK 2 / 21 / 0 / 8

HEX #E6B8EA

RGB 230 184 234

HSL 295.2, 0.54%, 0.82%

LAB 80.2, 24.99, -18.61

 

CMYK 0 / 21 / 4 / 8

HEX #EAB8E1

RGB 234 184 225

HSL 310.8, 0.54%, 0.82%

LAB 80.3, 24.68, -13.59

 

CMYK 19 / 21 / 0 / 8

HEX #BDB8EA

RGB 189 184 234

HSL 246, 0.54%, 0.82%

LAB 76.7, 11.9, -24.25

 

CMYK 21 / 21 / 0 / 8

HEX #B8B8EA

RGB 184 184 234

HSL 240, 0.54%, 0.82%

LAB 76.32, 10.37, -24.87

 

CMYK 19 / 21 / 0 / 8

HEX #BDB8EA

RGB 189 184 234

HSL 246, 0.54%, 0.82%

LAB 76.7, 11.9, -24.25

 

CMYK 24 / 27 / 0 / 5

HEX #B7B0F2

RGB 183 176 242

HSL 246.36, 0.72%, 0.82%

LAB 74.53, 16.31, -31.95

 

CMYK 29 / 32 / 0 / 2

HEX #B1A9F9

RGB 177 169 249

HSL 246, 0.87%, 0.82%

LAB 72.6, 20.15, -38.76

 

CMYK 19 / 21 / 0 / 8

HEX #BDB8EA

RGB 189 184 234

HSL 246, 0.54%, 0.82%

LAB 76.7, 11.9, -24.25

 

CMYK 14 / 16 / 0 / 11

HEX #C3BFE3

RGB 195 191 227

HSL 246.67, 0.39%, 0.82%

LAB 78.7, 8.47, -17.4

 

CMYK 8 / 9 / 0 / 14

HEX #C9C7DB

RGB 201 199 219

HSL 246, 0.22%, 0.82%

LAB 80.95, 4.49, -9.69

 

CMYK 2 / 3 / 0 / 17

HEX #CFCED4

RGB 207 206 212

HSL 250, 0.07%, 0.82%

LAB 83, 1.45, -2.86

 

CMYK 0 / 0 / 4 / 16

HEX #D5D6CD

RGB 213 214 205

HSL 66.67, 0.1%, 0.82%

LAB 85.33, -1.94, 4.31

 

CMYK 21 / 12 / 0 / 8

HEX #B8CFEA

RGB 184 207 234

HSL 212.4, 0.54%, 0.82%

LAB 82.25, -2, -15.89

 

CMYK 21 / 18 / 0 / 8

HEX #B8C1EA

RGB 184 193 234

HSL 229.2, 0.54%, 0.82%

LAB 78.62, 5.48, -21.37

 

CMYK 20 / 21 / 0 / 8

HEX #BCB8EA

RGB 188 184 234

HSL 244.8, 0.54%, 0.82%

LAB 76.63, 11.59, -24.37

 

CMYK 14 / 21 / 0 / 8

HEX #CAB8EA

RGB 202 184 234

HSL 261.6, 0.54%, 0.82%

LAB 77.74, 15.97, -22.57

 

CMYK 8 / 21 / 0 / 8

HEX #D7B8EA

RGB 215 184 234

HSL 277.2, 0.54%, 0.82%

LAB 78.85, 20.12, -20.79

 

CMYK 40 / 44 / 0 / 15

HEX #8178D8

RGB 129 120 216

HSL 245.63, 0.55%, 0.66%

LAB 55.13, 26.74, -48.26

 

CMYK 29 / 32 / 0 / 12

HEX #9F98E1

RGB 159 152 225

HSL 245.75, 0.55%, 0.74%

LAB 65.95, 18.67, -36.1

 

CMYK 19 / 21 / 0 / 8

HEX #BDB8EA

RGB 189 184 234

HSL 246, 0.54%, 0.82%

LAB 76.7, 11.9, -24.25

 

CMYK 10 / 11 / 0 / 4

HEX #DBD8F4

RGB 219 216 244

HSL 246.43, 0.56%, 0.9%

LAB 87.34, 6.31, -13.3

 

CMYK 2 / 2 / 0 / 1

HEX #F8F8FD

RGB 248 248 253

HSL 240, 0.56%, 0.98%

LAB 97.71, 0.89, -2.4

 

CMYK 20 / 22 / 0 / 8

HEX #BCB7EA

RGB 188 183 234

HSL 245.88, 0.55%, 0.82%

LAB 76.37, 12.14, -24.76

 

CMYK 0 / 21 / 6 / 8

HEX #EAB8DC

RGB 234 184 220

HSL 316.8, 0.54%, 0.82%

LAB 80.15, 23.8, -11.12

 

CMYK 15 / 0 / 21 / 8

HEX #C8EAB8

RGB 200 234 184

HSL 100.8, 0.54%, 0.82%

LAB 89.2, -20.06, 20.68

 

CMYK 20 / 22 / 0 / 8

HEX #BCB7EA

RGB 188 183 234

HSL 245.88, 0.55%, 0.82%

LAB 76.37, 12.14, -24.76

 

CMYK 0 / 20 / 21 / 8

HEX #EABCB8

RGB 234 188 184

HSL 4.8, 0.54%, 0.82%

LAB 80.13, 15.89, 8.28

 

CMYK 21 / 0 / 20 / 8

HEX #B8EABC

RGB 184 234 188

HSL 124.8, 0.54%, 0.82%

LAB 88.29, -24.77, 17.19

 

CMYK 20 / 22 / 0 / 8

HEX #BCB7EA

RGB 188 183 234

HSL 245.88, 0.55%, 0.82%

LAB 76.37, 12.14, -24.76

 

CMYK 0 / 21 / 6 / 8

HEX #EAB8DC

RGB 234 184 220

HSL 316.8, 0.54%, 0.82%

LAB 80.15, 23.8, -11.12

 

CMYK 2 / 0 / 21 / 8

HEX #E6EAB8

RGB 230 234 184

HSL 64.8, 0.54%, 0.82%

LAB 91.29, -9.42, 23.9

 

CMYK 21 / 0 / 15 / 8

HEX #B8EAC6

RGB 184 234 198

HSL 136.8, 0.54%, 0.82%

LAB 88.5, -23, 12.29

 

CMYK 20 / 22 / 0 / 8

HEX #BCB7EA

RGB 188 183 234

HSL 245.88, 0.55%, 0.82%

LAB 76.37, 12.14, -24.76

 

CMYK 0 / 21 / 12 / 8

HEX #EAB8CD

RGB 234 184 205

HSL 334.8, 0.54%, 0.82%

LAB 79.72, 21.27, -3.66

 

CMYK 2 / 0 / 21 / 8

HEX #E6EAB8

RGB 230 234 184

HSL 64.8, 0.54%, 0.82%

LAB 91.29, -9.42, 23.9

 

CMYK 21 / 0 / 9 / 8

HEX #B8EAD5

RGB 184 234 213

HSL 154.8, 0.54%, 0.82%

LAB 88.85, -20.17, 4.95

 

Description

Color code: HEX #BCB7EABF | qconv.com Color code: HEX #BCB7EABF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 183 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 183 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 16 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 16% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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