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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB428 it is the complementary color #434BD7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB428. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB428 shade: #C1B423, #D2C636, #E3D849, #F4EA5C and #FFFC6F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB428. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB428 shade: #BCB428, #ABA215, #9A9002, #897E00 and #786C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB428 shade: #BDB528, #BD8D28, #BD6428, #BD3C28 and #BD2828

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB428 shade: #BDB528, #9DBD28, #74BD28, #4CBD28 and #28BD2B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB428 shade matches the following richer shades: #BDB528, #CFC515 and #E2D603

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB428 shade: #BDB528, #AAA43A, #98944D, #85835F and #737372

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB428 shade: #BD6328, #BD8B28, #BDB328, #9FBD28 and #77BD28

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB428 shade: #797419, #9B9420, #BDB528, #D5CC39 and #DCD55B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB428 shade: #BCB428, #28BD3C and #7728BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB428 shade: #BCB428, #28BDB3 and #B328BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB428 shade: #BCB428, #28BD3C, #2832BD and #BD28A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB428 shade: #BCB428, #28BD68, #2832BD and #BD287C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

Complementary color

CMYK 69 / 65 / 0 / 16

HEX #434BD7

RGB 67 75 215

HSL 236.76, 0.65%, 0.55%

LAB 39.8, 41.72, -72.66

 

CMYK 0 / 7 / 82 / 24

HEX #C1B423

RGB 193 180 35

HSL 55.06, 0.69%, 0.45%

LAB 72.3, -10.26, 68.23

 

CMYK 0 / 6 / 74 / 18

HEX #D2C636

RGB 210 198 54

HSL 55.38, 0.63%, 0.52%

LAB 78.67, -11.44, 68.73

 

CMYK 0 / 5 / 68 / 11

HEX #E3D849

RGB 227 216 73

HSL 55.71, 0.73%, 0.59%

LAB 84.96, -12.44, 68.52

 

CMYK 0 / 4 / 62 / 4

HEX #F4EA5C

RGB 244 234 92

HSL 56.05, 0.87%, 0.66%

LAB 91.17, -13.29, 67.9

 

CMYK 0 / 1 / 56 / 0

HEX #FFFC6F

RGB 255 252 111

HSL 58.75, 1%, 0.72%

LAB 96.83, -16.39, 66.39

 

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

CMYK 0 / 5 / 88 / 33

HEX #ABA215

RGB 171 162 21

HSL 56.4, 0.78%, 0.38%

LAB 65.4, -10.99, 65.07

 

CMYK 0 / 6 / 99 / 40

HEX #9A9002

RGB 154 144 2

HSL 56.05, 0.97%, 0.31%

LAB 58.81, -9.47, 62.46

 

CMYK 0 / 8 / 100 / 46

HEX #897E00

RGB 137 126 0

HSL 55.18, 1%, 0.27%

LAB 52.11, -7.62, 57.22

 

CMYK 0 / 10 / 100 / 53

HEX #786C00

RGB 120 108 0

HSL 54, 1%, 0.24%

LAB 45.25, -5.66, 51.54

 

CMYK 0 / 4 / 79 / 26

HEX #BDB528

RGB 189 181 40

HSL 56.78, 0.65%, 0.45%

LAB 72.24, -12.36, 66.64

 

CMYK 0 / 25 / 79 / 26

HEX #BD8D28

RGB 189 141 40

HSL 40.67, 0.65%, 0.45%

LAB 61.67, 8.98, 57.08

 

CMYK 0 / 47 / 79 / 26

HEX #BD6428

RGB 189 100 40

HSL 24.16, 0.65%, 0.45%

LAB 51.93, 31.45, 47.89

 

CMYK 0 / 68 / 79 / 26

HEX #BD3C28

RGB 189 60 40

HSL 8.05, 0.65%, 0.45%

LAB 44.52, 50.63, 40.53

 

CMYK 0 / 79 / 79 / 26

HEX #BD2828

RGB 189 40 40

HSL 0, 0.65%, 0.45%

LAB 41.98, 57.66, 37.92

 

CMYK 0 / 4 / 79 / 26

HEX #BDB528

RGB 189 181 40

HSL 56.78, 0.65%, 0.45%

LAB 72.24, -12.36, 66.64

 

CMYK 17 / 0 / 79 / 26

HEX #9DBD28

RGB 157 189 40

HSL 72.89, 0.65%, 0.45%

LAB 72.04, -29.89, 65.54

 

CMYK 39 / 0 / 79 / 26

HEX #74BD28

RGB 116 189 40

HSL 89.4, 0.65%, 0.45%

LAB 69.66, -45.53, 62.47

 

CMYK 60 / 0 / 79 / 26

HEX #4CBD28

RGB 76 189 40

HSL 105.5, 0.65%, 0.45%

LAB 68.08, -57.49, 60.44

 

CMYK 79 / 0 / 77 / 26

HEX #28BD2B

RGB 40 189 43

HSL 121.21, 0.65%, 0.45%

LAB 67.29, -64.08, 58.46

 

CMYK 0 / 4 / 79 / 26

HEX #BDB528

RGB 189 181 40

HSL 56.78, 0.65%, 0.45%

LAB 72.24, -12.36, 66.64

 

CMYK 0 / 5 / 90 / 19

HEX #CFC515

RGB 207 197 21

HSL 56.77, 0.82%, 0.45%

LAB 78.02, -13.18, 76.39

 

CMYK 0 / 5 / 99 / 11

HEX #E2D603

RGB 226 214 3

HSL 56.77, 0.97%, 0.45%

LAB 84.11, -13.76, 83.67

 

CMYK 0 / 4 / 79 / 26

HEX #BDB528

RGB 189 181 40

HSL 56.78, 0.65%, 0.45%

LAB 72.24, -12.36, 66.64

 

CMYK 0 / 4 / 66 / 33

HEX #AAA43A

RGB 170 164 58

HSL 56.79, 0.49%, 0.45%

LAB 66.06, -10.96, 53.65

 

CMYK 0 / 3 / 49 / 40

HEX #98944D

RGB 152 148 77

HSL 56.8, 0.33%, 0.45%

LAB 60.24, -8.78, 37.77

 

CMYK 0 / 2 / 29 / 48

HEX #85835F

RGB 133 131 95

HSL 56.84, 0.17%, 0.45%

LAB 54.08, -5.37, 19.79

 

CMYK 0 / 0 / 1 / 55

HEX #737372

RGB 115 115 114

HSL 60, 0%, 0.45%

LAB 48.41, -0.2, 0.55

 

CMYK 0 / 48 / 79 / 26

HEX #BD6328

RGB 189 99 40

HSL 23.76, 0.65%, 0.45%

LAB 51.72, 31.98, 47.68

 

CMYK 0 / 26 / 79 / 26

HEX #BD8B28

RGB 189 139 40

HSL 39.87, 0.65%, 0.45%

LAB 61.17, 10.08, 56.61

 

CMYK 0 / 5 / 79 / 26

HEX #BDB328

RGB 189 179 40

HSL 55.97, 0.65%, 0.45%

LAB 71.7, -11.33, 66.16

 

CMYK 16 / 0 / 79 / 26

HEX #9FBD28

RGB 159 189 40

HSL 72.08, 0.65%, 0.45%

LAB 72.17, -29.07, 65.71

 

CMYK 37 / 0 / 79 / 26

HEX #77BD28

RGB 119 189 40

HSL 88.19, 0.65%, 0.45%

LAB 69.8, -44.48, 62.67

 

CMYK 0 / 4 / 79 / 53

HEX #797419

RGB 121 116 25

HSL 56.88, 0.66%, 0.29%

LAB 47.79, -8.97, 47.15

 

CMYK 0 / 5 / 79 / 39

HEX #9B9420

RGB 155 148 32

HSL 56.59, 0.66%, 0.37%

LAB 60.12, -10.45, 57.14

 

CMYK 0 / 4 / 79 / 26

HEX #BDB528

RGB 189 181 40

HSL 56.78, 0.65%, 0.45%

LAB 72.24, -12.36, 66.64

 

CMYK 0 / 4 / 73 / 16

HEX #D5CC39

RGB 213 204 57

HSL 56.54, 0.65%, 0.53%

LAB 80.53, -13.07, 69.57

 

CMYK 0 / 3 / 59 / 14

HEX #DCD55B

RGB 220 213 91

HSL 56.74, 0.65%, 0.61%

LAB 83.74, -12.74, 59.7

 

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

CMYK 79 / 0 / 68 / 26

HEX #28BD3C

RGB 40 189 60

HSL 128.05, 0.65%, 0.45%

LAB 67.41, -62.67, 52.38

 

CMYK 37 / 79 / 0 / 26

HEX #7728BD

RGB 119 40 189

HSL 271.81, 0.65%, 0.45%

LAB 36.2, 59.72, -63.24

 

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

CMYK 79 / 0 / 5 / 26

HEX #28BDB3

RGB 40 189 179

HSL 175.97, 0.65%, 0.45%

LAB 69.54, -39.18, -5.73

 

CMYK 5 / 79 / 0 / 26

HEX #B328BD

RGB 179 40 189

HSL 295.97, 0.65%, 0.45%

LAB 45.33, 70.46, -48.04

 

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

CMYK 79 / 0 / 68 / 26

HEX #28BD3C

RGB 40 189 60

HSL 128.05, 0.65%, 0.45%

LAB 67.41, -62.67, 52.38

 

CMYK 79 / 74 / 0 / 26

HEX #2832BD

RGB 40 50 189

HSL 235.97, 0.65%, 0.45%

LAB 30.42, 45.07, -73.02

 

CMYK 0 / 79 / 11 / 26

HEX #BD28A9

RGB 189 40 169

HSL 308.05, 0.65%, 0.45%

LAB 45.91, 69.4, -35.23

 

CMYK 0 / 4 / 79 / 26

HEX #BCB428

RGB 188 180 40

HSL 56.76, 0.65%, 0.45%

LAB 71.88, -12.28, 66.29

 

CMYK 79 / 0 / 45 / 26

HEX #28BD68

RGB 40 189 104

HSL 145.77, 0.65%, 0.45%

LAB 67.91, -56.68, 32.39

 

CMYK 79 / 74 / 0 / 26

HEX #2832BD

RGB 40 50 189

HSL 235.97, 0.65%, 0.45%

LAB 30.42, 45.07, -73.02

 

CMYK 0 / 79 / 34 / 26

HEX #BD287C

RGB 189 40 124

HSL 326.17, 0.65%, 0.45%

LAB 43.93, 63.66, -11.1

 

Description

Color code: HEX #BCB428 | qconv.com Color code: HEX #BCB428 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 180 green and 40 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 180 40 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 79 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 79% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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