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Color name
HEX #BCB30ACE

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB30ACE it is the complementary color #434CF5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB30ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB30ACE shade: #C1B305CE, #D2C518CE, #E3D72BCE, #F4E93ECE and #FFFB51CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB30ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB30ACE shade: #BCB30ACE, #ABA100CE, #9A8F00CE, #897D00CE and #786B00CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB30ACE shade: #BDB40A, #BD840A, #BD530A, #BD230A and #BD0A0A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB30ACE shade: #BDB40A, #96BD0A, #65BD0A, #35BD0A and #0ABD0F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB30ACE shade matches the following richer shades: #BDB40A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB30ACE shade: #BDB40A, #ADA51A, #9D972A, #8D893A and #7D7A4A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB30ACE shade: #BD520A, #BD810A, #BDB10A, #99BD0A and #69BD0A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB30ACE shade: #6F6906, #968F08, #BDB40A, #E4D90C and #F4E926

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB30ACE shade: #BCB30A, #0ABD22 and #690ABD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB30ACE shade: #BCB30A, #0ABDB1 and #B10ABD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB30ACE shade: #BCB30A, #0ABD22, #0A16BD and #BD0AA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB30ACE shade: #BCB30A, #0ABD58, #0A16BD and #BD0A6F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 4 / 77 / 21

HEX #BCB30ACE

RGBA 188 179 10 0.81

HSLA 56.97, 0.9%, 0.39%, 0.81

LABA 71.52, -12.46, 72.21, 0.81

 

Complementary color

CMYK 59 / 56 / 0 / 3

HEX #434CF5CE

RGBA 67 76 245 0.81

HSLA 236.97, 0.9%, 0.61%, 0.81

LABA 42.69, 51.09, -84.93, 0.81

 

CMYK 0 / 6 / 79 / 20

HEX #C1B305CE

RGBA 193 179 5 0.81

HSLA 55.53, 0.95%, 0.39%, 0.81

LABA 71.95, -10.31, 73.29, 0.81

 

CMYK 0 / 5 / 72 / 14

HEX #D2C518CE

RGBA 210 197 24 0.81

HSLA 55.81, 0.79%, 0.46%, 0.81

LABA 78.29, -11.84, 76.2, 0.81

 

CMYK 0 / 4 / 66 / 9

HEX #E3D72BCE

RGBA 227 215 43 0.81

HSLA 56.09, 0.77%, 0.53%, 0.81

LABA 84.54, -13.16, 77.78, 0.81

 

CMYK 0 / 4 / 60 / 3

HEX #F4E93ECE

RGBA 244 233 62 0.81

HSLA 56.37, 0.89%, 0.6%, 0.81

LABA 90.72, -14.29, 78.37, 0.81

 

CMYK 0 / 1 / 55 / 0

HEX #FFFB51CE

RGBA 255 251 81 0.81

HSLA 58.62, 1%, 0.66%, 0.81

LABA 96.35, -17.7, 77.69, 0.81

 

CMYK 0 / 4 / 77 / 21

HEX #BCB30ACE

RGBA 188 179 10 0.81

HSLA 56.97, 0.9%, 0.39%, 0.81

LABA 71.52, -12.46, 72.21, 0.81

 

CMYK 0 / 5 / 81 / 27

HEX #ABA100CE

RGBA 171 161 0 0.81

HSLA 56.49, 1%, 0.34%, 0.81

LABA 65.08, -10.8, 68.01, 0.81

 

CMYK 0 / 6 / 81 / 32

HEX #9A8F00CE

RGBA 154 143 0 0.81

HSLA 55.71, 1%, 0.3%, 0.81

LABA 58.52, -8.97, 62.57, 0.81

 

CMYK 0 / 7 / 81 / 37

HEX #897D00CE

RGBA 137 125 0 0.81

HSLA 54.74, 1%, 0.27%, 0.81

LABA 51.82, -7.07, 57.02, 0.81

 

CMYK 0 / 9 / 81 / 43

HEX #786B00CE

RGBA 120 107 0 0.81

HSLA 53.5, 1%, 0.24%, 0.81

LABA 44.95, -5.09, 51.33, 0.81

 

CMYK 0 / 5 / 95 / 26

HEX #BDB40A

RGB 189 180 10

HSL 56.98, 0.9%, 0.39%

LAB 71.88, -12.53, 72.52

 

CMYK 0 / 30 / 95 / 26

HEX #BD840A

RGB 189 132 10

HSL 40.89, 0.9%, 0.39%

LAB 59.29, 13.21, 63.21

 

CMYK 0 / 56 / 95 / 26

HEX #BD530A

RGB 189 83 10

HSL 24.47, 0.9%, 0.39%

LAB 48.29, 39.49, 55.55

 

CMYK 0 / 81 / 95 / 26

HEX #BD230A

RGB 189 35 10

HSL 8.38, 0.9%, 0.39%

LAB 41.28, 58.41, 51.13

 

CMYK 0 / 95 / 95 / 26

HEX #BD0A0A

RGB 189 10 10

HSL 0, 0.9%, 0.39%

LAB 39.68, 63, 50.2

 

CMYK 0 / 5 / 95 / 26

HEX #BDB40A

RGB 189 180 10

HSL 56.98, 0.9%, 0.39%

LAB 71.88, -12.53, 72.52

 

CMYK 21 / 0 / 95 / 26

HEX #96BD0A

RGB 150 189 10

HSL 73.07, 0.9%, 0.39%

LAB 71.49, -33.56, 70.94

 

CMYK 47 / 0 / 95 / 26

HEX #65BD0A

RGB 101 189 10

HSL 89.5, 0.9%, 0.39%

LAB 68.88, -51.53, 67.77

 

CMYK 72 / 0 / 95 / 26

HEX #35BD0A

RGB 53 189 10

HSL 105.59, 0.9%, 0.39%

LAB 67.41, -63.51, 65.95

 

CMYK 95 / 0 / 92 / 26

HEX #0ABD0F

RGB 10 189 15

HSL 121.68, 0.9%, 0.39%

LAB 66.9, -68.02, 64.66

 

CMYK 0 / 5 / 95 / 26

HEX #BDB40A

RGB 189 180 10

HSL 56.98, 0.9%, 0.39%

LAB 71.88, -12.53, 72.52

 

CMYK 0 / 5 / 95 / 26

HEX #BDB40A

RGB 189 180 10

HSL 56.98, 0.9%, 0.39%

LAB 71.88, -12.53, 72.52

 

CMYK 0 / 5 / 85 / 32

HEX #ADA51A

RGB 173 165 26

HSL 56.73, 0.74%, 0.39%

LAB 66.42, -11.55, 64.86

 

CMYK 0 / 4 / 73 / 38

HEX #9D972A

RGB 157 151 42

HSL 56.87, 0.58%, 0.39%

LAB 61.19, -10.72, 54.76

 

CMYK 0 / 3 / 59 / 45

HEX #8D893A

RGB 141 137 58

HSL 57.11, 0.42%, 0.39%

LAB 55.95, -9.32, 42

 

CMYK 0 / 2 / 41 / 51

HEX #7D7A4A

RGB 125 122 74

HSL 56.47, 0.26%, 0.39%

LAB 50.42, -6.51, 26.68

 

CMYK 0 / 57 / 95 / 26

HEX #BD520A

RGB 189 82 10

HSL 24.13, 0.9%, 0.39%

LAB 48.1, 39.98, 55.42

 

CMYK 0 / 32 / 95 / 26

HEX #BD810A

RGB 189 129 10

HSL 39.89, 0.9%, 0.39%

LAB 58.55, 14.86, 62.67

 

CMYK 0 / 6 / 95 / 26

HEX #BDB10A

RGB 189 177 10

HSL 55.98, 0.9%, 0.39%

LAB 71.07, -10.99, 71.9

 

CMYK 19 / 0 / 95 / 26

HEX #99BD0A

RGB 153 189 10

HSL 72.07, 0.9%, 0.39%

LAB 71.68, -32.34, 71.18

 

CMYK 44 / 0 / 95 / 26

HEX #69BD0A

RGB 105 189 10

HSL 88.16, 0.9%, 0.39%

LAB 69.05, -50.24, 67.97

 

CMYK 0 / 5 / 95 / 56

HEX #6F6906

RGB 111 105 6

HSL 56.57, 0.9%, 0.23%

LAB 43.5, -8.17, 48.42

 

CMYK 0 / 5 / 95 / 41

HEX #968F08

RGB 150 143 8

HSL 57.04, 0.9%, 0.31%

LAB 58.18, -10.68, 60.89

 

CMYK 0 / 5 / 95 / 26

HEX #BDB40A

RGB 189 180 10

HSL 56.98, 0.9%, 0.39%

LAB 71.88, -12.53, 72.52

 

CMYK 0 / 5 / 95 / 11

HEX #E4D90C

RGB 228 217 12

HSL 56.94, 0.9%, 0.47%

LAB 85.07, -14.31, 83.67

 

CMYK 0 / 5 / 84 / 4

HEX #F4E926

RGB 244 233 38

HSL 56.8, 0.9%, 0.55%

LAB 90.62, -15.03, 84.59

 

CMYK 0 / 5 / 95 / 26

HEX #BCB30A

RGB 188 179 10

HSL 56.97, 0.9%, 0.39%

LAB 71.52, -12.46, 72.21

 

CMYK 95 / 0 / 82 / 26

HEX #0ABD22

RGB 10 189 34

HSL 128.04, 0.9%, 0.39%

LAB 66.96, -67.23, 60.71

 

CMYK 44 / 95 / 0 / 26

HEX #690ABD

RGB 105 10 189

HSL 271.84, 0.9%, 0.39%

LAB 31.57, 65.89, -70.92

 

CMYK 0 / 5 / 95 / 26

HEX #BCB30A

RGB 188 179 10

HSL 56.97, 0.9%, 0.39%

LAB 71.52, -12.46, 72.21

 

CMYK 95 / 0 / 6 / 26

HEX #0ABDB1

RGB 10 189 177

HSL 175.98, 0.9%, 0.39%

LAB 69.21, -41.63, -5.16

 

CMYK 6 / 95 / 0 / 26

HEX #B10ABD

RGB 177 10 189

HSL 295.98, 0.9%, 0.39%

LAB 43.12, 75.57, -51.6

 

CMYK 0 / 5 / 95 / 26

HEX #BCB30A

RGB 188 179 10

HSL 56.97, 0.9%, 0.39%

LAB 71.52, -12.46, 72.21

 

CMYK 95 / 0 / 82 / 26

HEX #0ABD22

RGB 10 189 34

HSL 128.04, 0.9%, 0.39%

LAB 66.96, -67.23, 60.71

 

CMYK 95 / 88 / 0 / 26

HEX #0A16BD

RGB 10 22 189

HSL 235.98, 0.9%, 0.39%

LAB 24.68, 57.49, -82.58

 

CMYK 0 / 95 / 13 / 26

HEX #BD0AA5

RGB 189 10 165

HSL 308.04, 0.9%, 0.39%

LAB 43.88, 74.16, -36.06

 

CMYK 0 / 5 / 95 / 26

HEX #BCB30A

RGB 188 179 10

HSL 56.97, 0.9%, 0.39%

LAB 71.52, -12.46, 72.21

 

CMYK 95 / 0 / 53 / 26

HEX #0ABD58

RGB 10 189 88

HSL 146.15, 0.9%, 0.39%

LAB 67.4, -61.67, 39.71

 

CMYK 95 / 88 / 0 / 26

HEX #0A16BD

RGB 10 22 189

HSL 235.98, 0.9%, 0.39%

LAB 24.68, 57.49, -82.58

 

CMYK 0 / 95 / 41 / 26

HEX #BD0A6F

RGB 189 10 111

HSL 326.15, 0.9%, 0.39%

LAB 41.51, 68, -6.67

 

Description

Color code: HEX #BCB30ACE | qconv.com Color code: HEX #BCB30ACE | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 179 green and 10 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 179 10 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 4 magenta, 77 yellow and 21 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 4% 77% 21% C M Y K

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Provide designers and agencies with accurate color values.

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