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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB2F94C it is the complementary color #434D064C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB2F94C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB2F94C shade: #C1B2F44C, #D2C4FF4C, #E3D6FF4C, #F4E8FF4C and #FFFAFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB2F94C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB2F94C shade: #BCB2F94C, #ABA0E64C, #9A8ED34C, #897CC04C and #786AAD4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB2F94C shade: #BDB3F9, #D0B3F9, #E3B3F9, #F6B3F9 and #F9B3EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB2F94C shade: #BDB3F9 and #B3B3F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB2F94C shade matches the following richer shades: #BDB3F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB2F94C shade: #BDB3F9, #C2BAF3, #C6C0EC, #CBC7E5 and #D0CEDF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB2F94C shade: #B3CFF9, #B3BCF9, #BCB3F9, #CFB3F9 and #E2B3F9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB2F94C shade: #7A66F4, #9C8DF6, #BDB3F9, #DED9FC and #FFFFFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB2F94C shade: #BCB2F9, #F9B3E2 and #C6F9B3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB2F94C shade: #BCB2F9, #F9BCB3 and #B3F9BC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB2F94C shade: #BCB2F9, #F9B3E2, #F0F9B3 and #B3F9CB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB2F94C shade: #BCB2F9, #F9B3CD, #F0F9B3 and #B3F9E0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 9 / 0 / 1

HEX #BCB2F94C

RGBA 188 178 249 0.3

HSLA 248.45, 0.86%, 0.84%, 0.3

LABA 75.68, 18.32, -33.92, 0.3

 

Complementary color

CMYK 4 / 0 / 28 / 21

HEX #434D064C

RGBA 67 77 6 0.3

HSLA 68.45, 0.86%, 0.16%, 0.3

LABA 30.67, -13.82, 36.39, 0.3

 

CMYK 6 / 8 / 0 / 1

HEX #C1B2F44C

RGBA 193 178 244 0.3

HSLA 253.64, 0.75%, 0.83%, 0.3

LABA 75.89, 18.65, -30.87, 0.3

 

CMYK 5 / 7 / 0 / 0

HEX #D2C4FF4C

RGBA 210 196 255 0.3

HSLA 254.24, 1%, 0.88%, 0.3

LABA 82.06, 16.43, -27.19, 0.3

 

CMYK 3 / 5 / 0 / 0

HEX #E3D6FF4C

RGBA 227 214 255 0.3

HSLA 259.02, 1%, 0.92%, 0.3

LABA 87.8, 12.11, -18.35, 0.3

 

CMYK 1 / 3 / 0 / 0

HEX #F4E8FF4C

RGBA 244 232 255 0.3

HSLA 271.3, 1%, 0.95%, 0.3

LABA 93.52, 8.15, -9.65, 0.3

 

CMYK 0 / 1 / 0 / 0

HEX #FFFAFF4C

RGBA 255 250 255 0.3

HSLA 300, 1%, 0.99%, 0.3

LABA 98.77, 2.53, -1.81, 0.3

 

CMYK 7 / 9 / 0 / 1

HEX #BCB2F94C

RGBA 188 178 249 0.3

HSLA 248.45, 0.86%, 0.84%, 0.3

LABA 75.68, 18.32, -33.92, 0.3

 

CMYK 8 / 9 / 0 / 3

HEX #ABA0E64C

RGBA 171 160 230 0.3

HSLA 249.43, 0.58%, 0.76%, 0.3

LABA 69.12, 18.86, -33.85, 0.3

 

CMYK 8 / 10 / 0 / 5

HEX #9A8ED34C

RGBA 154 142 211 0.3

HSLA 250.43, 0.44%, 0.69%, 0.3

LABA 62.44, 19.45, -33.82, 0.3

 

CMYK 9 / 11 / 0 / 7

HEX #897CC04C

RGBA 137 124 192 0.3

HSLA 251.47, 0.35%, 0.62%, 0.3

LABA 55.62, 20.12, -33.83, 0.3

 

CMYK 9 / 12 / 0 / 10

HEX #786AAD4C

RGBA 120 106 173 0.3

HSLA 252.54, 0.29%, 0.55%, 0.3

LABA 48.66, 20.87, -33.88, 0.3

 

CMYK 24 / 28 / 0 / 2

HEX #BDB3F9

RGB 189 179 249

HSL 248.57, 0.85%, 0.84%

LAB 76.01, 18.06, -33.41

 

CMYK 16 / 28 / 0 / 2

HEX #D0B3F9

RGB 208 179 249

HSL 264.86, 0.85%, 0.84%

LAB 77.57, 23.75, -30.87

 

CMYK 9 / 28 / 0 / 2

HEX #E3B3F9

RGB 227 179 249

HSL 281.14, 0.85%, 0.84%

LAB 79.28, 29.61, -28.1

 

CMYK 1 / 28 / 0 / 2

HEX #F6B3F9

RGB 246 179 249

HSL 297.43, 0.85%, 0.84%

LAB 81.11, 35.57, -25.14

 

CMYK 0 / 28 / 6 / 2

HEX #F9B3EA

RGB 249 179 234

HSL 312.86, 0.85%, 0.84%

LAB 80.92, 33.87, -17.35

 

CMYK 24 / 28 / 0 / 2

HEX #BDB3F9

RGB 189 179 249

HSL 248.57, 0.85%, 0.84%

LAB 76.01, 18.06, -33.41

 

CMYK 28 / 28 / 0 / 2

HEX #B3B3F9

RGB 179 179 249

HSL 240, 0.85%, 0.84%

LAB 75.24, 15.16, -34.66

 

CMYK 24 / 28 / 0 / 2

HEX #BDB3F9

RGB 189 179 249

HSL 248.57, 0.85%, 0.84%

LAB 76.01, 18.06, -33.41

 

CMYK 24 / 28 / 0 / 2

HEX #BDB3F9

RGB 189 179 249

HSL 248.57, 0.85%, 0.84%

LAB 76.01, 18.06, -33.41

 

CMYK 20 / 23 / 0 / 5

HEX #C2BAF3

RGB 194 186 243

HSL 248.42, 0.7%, 0.84%

LAB 77.91, 14.35, -27.22

 

CMYK 16 / 19 / 0 / 7

HEX #C6C0EC

RGB 198 192 236

HSL 248.18, 0.54%, 0.84%

LAB 79.48, 10.79, -21.04

 

CMYK 11 / 13 / 0 / 10

HEX #CBC7E5

RGB 203 199 229

HSL 248, 0.37%, 0.84%

LAB 81.4, 7.16, -14.35

 

CMYK 7 / 8 / 0 / 13

HEX #D0CEDF

RGB 208 206 223

HSL 247.06, 0.21%, 0.84%

LAB 83.38, 3.88, -8.15

 

CMYK 28 / 17 / 0 / 2

HEX #B3CFF9

RGB 179 207 249

HSL 216, 0.85%, 0.84%

LAB 82.41, -0.06, -23.67

 

CMYK 28 / 24 / 0 / 2

HEX #B3BCF9

RGB 179 188 249

HSL 232.29, 0.85%, 0.84%

LAB 77.51, 10.2, -31.15

 

CMYK 24 / 28 / 0 / 2

HEX #BCB3F9

RGB 188 179 249

HSL 247.71, 0.85%, 0.84%

LAB 75.93, 17.76, -33.54

 

CMYK 17 / 28 / 0 / 2

HEX #CFB3F9

RGB 207 179 249

HSL 264, 0.85%, 0.84%

LAB 77.49, 23.44, -31.01

 

CMYK 9 / 28 / 0 / 2

HEX #E2B3F9

RGB 226 179 249

HSL 280.29, 0.85%, 0.84%

LAB 79.18, 29.3, -28.25

 

CMYK 50 / 58 / 0 / 4

HEX #7A66F4

RGB 122 102 244

HSL 248.45, 0.87%, 0.68%

LAB 52.03, 43.78, -68.96

 

CMYK 37 / 43 / 0 / 4

HEX #9C8DF6

RGB 156 141 246

HSL 248.57, 0.85%, 0.76%

LAB 63.98, 29.57, -50.79

 

CMYK 24 / 28 / 0 / 2

HEX #BDB3F9

RGB 189 179 249

HSL 248.57, 0.85%, 0.84%

LAB 76.01, 18.06, -33.41

 

CMYK 12 / 14 / 0 / 1

HEX #DED9FC

RGB 222 217 252

HSL 248.57, 0.85%, 0.92%

LAB 88.06, 8.34, -16.42

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

 

CMYK 24 / 29 / 0 / 2

HEX #BCB2F9

RGB 188 178 249

HSL 248.45, 0.86%, 0.84%

LAB 75.68, 18.32, -33.92

 

CMYK 0 / 28 / 9 / 2

HEX #F9B3E2

RGB 249 179 226

HSL 319.71, 0.85%, 0.84%

LAB 80.67, 32.52, -13.42

 

CMYK 20 / 0 / 28 / 2

HEX #C6F9B3

RGB 198 249 179

HSL 103.71, 0.85%, 0.84%

LAB 93.02, -28.72, 28.46

 

CMYK 24 / 29 / 0 / 2

HEX #BCB2F9

RGB 188 178 249

HSL 248.45, 0.86%, 0.84%

LAB 75.68, 18.32, -33.92

 

CMYK 0 / 24 / 28 / 2

HEX #F9BCB3

RGB 249 188 179

HSL 7.71, 0.85%, 0.84%

LAB 81.49, 20.72, 13.1

 

CMYK 28 / 0 / 24 / 2

HEX #B3F9BC

RGB 179 249 188

HSL 127.71, 0.85%, 0.84%

LAB 92.12, -33.46, 22.47

 

CMYK 24 / 29 / 0 / 2

HEX #BCB2F9

RGB 188 178 249

HSL 248.45, 0.86%, 0.84%

LAB 75.68, 18.32, -33.92

 

CMYK 0 / 28 / 9 / 2

HEX #F9B3E2

RGB 249 179 226

HSL 319.71, 0.85%, 0.84%

LAB 80.67, 32.52, -13.42

 

CMYK 4 / 0 / 28 / 2

HEX #F0F9B3

RGB 240 249 179

HSL 67.71, 0.85%, 0.84%

LAB 95.8, -13.89, 32.69

 

CMYK 28 / 0 / 18 / 2

HEX #B3F9CB

RGB 179 249 203

HSL 140.57, 0.85%, 0.84%

LAB 92.42, -30.81, 15.2

 

CMYK 24 / 29 / 0 / 2

HEX #BCB2F9

RGB 188 178 249

HSL 248.45, 0.86%, 0.84%

LAB 75.68, 18.32, -33.92

 

CMYK 0 / 28 / 18 / 2

HEX #F9B3CD

RGB 249 179 205

HSL 337.71, 0.85%, 0.84%

LAB 80.06, 29.17, -2.98

 

CMYK 4 / 0 / 28 / 2

HEX #F0F9B3

RGB 240 249 179

HSL 67.71, 0.85%, 0.84%

LAB 95.8, -13.89, 32.69

 

CMYK 28 / 0 / 10 / 2

HEX #B3F9E0

RGB 179 249 224

HSL 158.57, 0.85%, 0.84%

LAB 92.89, -26.77, 5.03

 

Description

Color code: HEX #BCB2F94C | qconv.com Color code: HEX #BCB2F94C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 178 green and 249 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 178 249 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 9 magenta, none yellow and 1 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 9% 0% 1% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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