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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB0DB it is the complementary color #434F24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB0DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB0DB shade: #C1B0D6, #D2C2E9, #E3D4FC, #F4E6FF and #FFF8FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB0DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB0DB shade: #BCB0DB, #AB9EC8, #9A8CB5, #897AA2 and #78688F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB0DB shade: #BBAFDA, #C6AFDA, #D2AFDA, #DAAFD6 and #DAAFCB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB0DB shade: #BBAFDA and #AFAFDA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB0DB shade matches the following richer shades: #BBAFDA, #B7A5E4, #B29CED and #AE92F7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB0DB shade: #BBAFDA, #BFB8D1, #C3C2C7, #C7CBBE and #CCD5B4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB0DB shade: #AFBADA, #AFAFDA, #BAAFDA, #C6AFDA and #D1AFDA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB0DB shade: #8B76C0, #A392CD, #BBAFDA, #D3CBE7 and #EBE7F4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB0DB shade: #BCB0DB, #DAAFC6 and #B4DAAF

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB0DB shade: #BCB0DB, #DABAAF and #AFDABA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB0DB shade: #BCB0DB, #DAAFC6, #CEDAAF and #AFDAC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB0DB shade: #BCB0DB, #DAAFB9, #CEDAAF and #AFDAD0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

Complementary color

CMYK 15 / 0 / 54 / 69

HEX #434F24

RGB 67 79 36

HSL 76.74, 0.37%, 0.23%

LAB 31.61, -12.64, 23.64

 

CMYK 10 / 18 / 0 / 16

HEX #C1B0D6

RGB 193 176 214

HSL 266.84, 0.32%, 0.76%

LAB 74.35, 13.28, -16.95

 

CMYK 10 / 17 / 0 / 9

HEX #D2C2E9

RGB 210 194 233

HSL 264.62, 0.47%, 0.84%

LAB 80.83, 12.91, -17.29

 

CMYK 10 / 16 / 0 / 1

HEX #E3D4FC

RGB 227 212 252

HSL 262.5, 0.87%, 0.91%

LAB 87.22, 12.57, -17.64

 

CMYK 4 / 10 / 0 / 0

HEX #F4E6FF

RGB 244 230 255

HSL 273.6, 1%, 0.95%

LAB 93.03, 9.19, -10.37

 

CMYK 0 / 3 / 0 / 0

HEX #FFF8FF

RGB 255 248 255

HSL 300, 1%, 0.99%

LAB 98.28, 3.55, -2.53

 

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

CMYK 15 / 21 / 0 / 22

HEX #AB9EC8

RGB 171 158 200

HSL 258.57, 0.28%, 0.7%

LAB 67.49, 13.1, -19.81

 

CMYK 15 / 23 / 0 / 29

HEX #9A8CB5

RGB 154 140 181

HSL 260.49, 0.22%, 0.63%

LAB 60.75, 13.53, -19.54

 

CMYK 15 / 25 / 0 / 36

HEX #897AA2

RGB 137 122 162

HSL 262.5, 0.18%, 0.56%

LAB 53.86, 14, -19.29

 

CMYK 16 / 27 / 0 / 44

HEX #78688F

RGB 120 104 143

HSL 264.62, 0.16%, 0.48%

LAB 46.81, 14.54, -19.07

 

CMYK 14 / 20 / 0 / 15

HEX #BBAFDA

RGB 187 175 218

HSL 256.74, 0.37%, 0.77%

LAB 73.73, 12.72, -20.1

 

CMYK 9 / 20 / 0 / 15

HEX #C6AFDA

RGB 198 175 218

HSL 272.09, 0.37%, 0.77%

LAB 74.65, 16.28, -18.62

 

CMYK 4 / 20 / 0 / 15

HEX #D2AFDA

RGB 210 175 218

HSL 288.84, 0.37%, 0.77%

LAB 75.71, 20.23, -16.91

 

CMYK 0 / 20 / 2 / 15

HEX #DAAFD6

RGB 218 175 214

HSL 305.58, 0.37%, 0.77%

LAB 76.33, 22.16, -13.74

 

CMYK 0 / 20 / 7 / 15

HEX #DAAFCB

RGB 218 175 203

HSL 320.93, 0.37%, 0.77%

LAB 75.99, 20.19, -8.25

 

CMYK 14 / 20 / 0 / 15

HEX #BBAFDA

RGB 187 175 218

HSL 256.74, 0.37%, 0.77%

LAB 73.73, 12.72, -20.1

 

CMYK 20 / 20 / 0 / 15

HEX #AFAFDA

RGB 175 175 218

HSL 240, 0.37%, 0.77%

LAB 72.78, 8.92, -21.63

 

CMYK 14 / 20 / 0 / 15

HEX #BBAFDA

RGB 187 175 218

HSL 256.74, 0.37%, 0.77%

LAB 73.73, 12.72, -20.1

 

CMYK 20 / 28 / 0 / 11

HEX #B7A5E4

RGB 183 165 228

HSL 257.14, 0.54%, 0.77%

LAB 71.27, 19.2, -29.36

 

CMYK 25 / 34 / 0 / 7

HEX #B29CED

RGB 178 156 237

HSL 256.3, 0.69%, 0.77%

LAB 69.01, 24.82, -37.82

 

CMYK 30 / 41 / 0 / 3

HEX #AE92F7

RGB 174 146 247

HSL 256.63, 0.86%, 0.77%

LAB 66.73, 31.73, -46.89

 

CMYK 14 / 20 / 0 / 15

HEX #BBAFDA

RGB 187 175 218

HSL 256.74, 0.37%, 0.77%

LAB 73.73, 12.72, -20.1

 

CMYK 9 / 12 / 0 / 18

HEX #BFB8D1

RGB 191 184 209

HSL 256.8, 0.21%, 0.77%

LAB 76.05, 7.24, -11.69

 

CMYK 2 / 3 / 0 / 22

HEX #C3C2C7

RGB 195 194 199

HSL 252, 0.04%, 0.77%

LAB 78.64, 1.28, -2.39

 

CMYK 2 / 0 / 6 / 20

HEX #C7CBBE

RGB 199 203 190

HSL 78.46, 0.11%, 0.77%

LAB 81.06, -3.71, 5.99

 

CMYK 4 / 0 / 15 / 16

HEX #CCD5B4

RGB 204 213 180

HSL 76.36, 0.28%, 0.77%

LAB 83.82, -8.78, 15.3

 

CMYK 20 / 15 / 0 / 15

HEX #AFBADA

RGB 175 186 218

HSL 224.65, 0.37%, 0.77%

LAB 75.63, 2.9, -17.31

 

CMYK 20 / 20 / 0 / 15

HEX #AFAFDA

RGB 175 175 218

HSL 240, 0.37%, 0.77%

LAB 72.78, 8.92, -21.63

 

CMYK 15 / 20 / 0 / 15

HEX #BAAFDA

RGB 186 175 218

HSL 255.35, 0.37%, 0.77%

LAB 73.65, 12.4, -20.23

 

CMYK 9 / 20 / 0 / 15

HEX #C6AFDA

RGB 198 175 218

HSL 272.09, 0.37%, 0.77%

LAB 74.65, 16.28, -18.62

 

CMYK 4 / 20 / 0 / 15

HEX #D1AFDA

RGB 209 175 218

HSL 287.44, 0.37%, 0.77%

LAB 75.62, 19.9, -17.06

 

CMYK 28 / 39 / 0 / 25

HEX #8B76C0

RGB 139 118 192

HSL 257.03, 0.37%, 0.61%

LAB 54.29, 24.23, -35.89

 

CMYK 20 / 29 / 0 / 20

HEX #A392CD

RGB 163 146 205

HSL 257.29, 0.37%, 0.69%

LAB 63.96, 18.45, -28.05

 

CMYK 14 / 20 / 0 / 15

HEX #BBAFDA

RGB 187 175 218

HSL 256.74, 0.37%, 0.77%

LAB 73.73, 12.72, -20.1

 

CMYK 9 / 12 / 0 / 9

HEX #D3CBE7

RGB 211 203 231

HSL 257.14, 0.37%, 0.85%

LAB 83.09, 8.02, -12.83

 

CMYK 4 / 5 / 0 / 4

HEX #EBE7F4

RGB 235 231 244

HSL 258.46, 0.37%, 0.93%

LAB 92.29, 3.69, -5.82

 

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

CMYK 0 / 20 / 9 / 15

HEX #DAAFC6

RGB 218 175 198

HSL 327.91, 0.37%, 0.77%

LAB 75.85, 19.33, -5.73

 

CMYK 17 / 0 / 20 / 15

HEX #B4DAAF

RGB 180 218 175

HSL 113.02, 0.37%, 0.77%

LAB 83.41, -20.53, 17.11

 

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

CMYK 0 / 15 / 20 / 15

HEX #DABAAF

RGB 218 186 175

HSL 15.35, 0.37%, 0.77%

LAB 77.94, 9.72, 9.81

 

CMYK 20 / 0 / 15 / 15

HEX #AFDABA

RGB 175 218 186

HSL 135.35, 0.37%, 0.77%

LAB 83.34, -20.26, 11.17

 

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

CMYK 0 / 20 / 9 / 15

HEX #DAAFC6

RGB 218 175 198

HSL 327.91, 0.37%, 0.77%

LAB 75.85, 19.33, -5.73

 

CMYK 6 / 0 / 20 / 15

HEX #CEDAAF

RGB 206 218 175

HSL 76.74, 0.37%, 0.77%

LAB 85.18, -11.38, 19.84

 

CMYK 20 / 0 / 11 / 15

HEX #AFDAC3

RGB 175 218 195

HSL 147.91, 0.37%, 0.77%

LAB 83.55, -18.57, 6.71

 

CMYK 14 / 20 / 0 / 14

HEX #BCB0DB

RGB 188 176 219

HSL 256.74, 0.37%, 0.77%

LAB 74.1, 12.7, -20.08

 

CMYK 0 / 20 / 15 / 15

HEX #DAAFB9

RGB 218 175 185

HSL 346.05, 0.37%, 0.77%

LAB 75.49, 17.18, 0.84

 

CMYK 6 / 0 / 20 / 15

HEX #CEDAAF

RGB 206 218 175

HSL 76.74, 0.37%, 0.77%

LAB 85.18, -11.38, 19.84

 

CMYK 20 / 0 / 5 / 15

HEX #AFDAD0

RGB 175 218 208

HSL 166.05, 0.37%, 0.77%

LAB 83.87, -16, 0.28

 

Description

Color code: HEX #BCB0DB | qconv.com Color code: HEX #BCB0DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 176 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 176 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 20 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 20% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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