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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCB032 it is the complementary color #434FCD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCB032. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCB032 shade: #C1B02D, #D2C240, #E3D453, #F4E666 and #FFF879

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCB032. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCB032 shade: #BCB032, #AB9E1F, #9A8C0C, #897A00 and #786800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCB032 shade: #BDB132, #BD8C32, #BD6632, #BD4132 and #BD3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCB032 shade: #BDB132, #A4BD32, #7EBD32, #59BD32 and #33BD32

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCB032 shade matches the following richer shades: #BDB132, #D1C11F and #E4D10C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCB032 shade: #BDB132, #AAA146, #979159, #83816D and #707180

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCB032 shade: #BD6532, #BD8A32, #BDAF32, #A6BD32 and #81BD32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCB032 shade: #7C7421, #9D932A, #BDB132, #CFC34A and #D8CE6B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCB032 shade: #BCB032, #32BD40 and #7832BD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCB032 shade: #BCB032, #32BDAF and #AF32BD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCB032 shade: #BCB032, #32BD40, #3240BD and #BD32AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCB032 shade: #BCB032, #32BD6A, #3240BD and #BD3286

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

Complementary color

CMYK 67 / 61 / 0 / 20

HEX #434FCD

RGB 67 79 205

HSL 234.78, 0.58%, 0.53%

LAB 39.9, 35.86, -66.73

 

CMYK 0 / 9 / 77 / 24

HEX #C1B02D

RGB 193 176 45

HSL 53.11, 0.62%, 0.47%

LAB 71.27, -7.84, 64.32

 

CMYK 0 / 8 / 70 / 18

HEX #D2C240

RGB 210 194 64

HSL 53.42, 0.62%, 0.54%

LAB 77.67, -8.94, 64.18

 

CMYK 0 / 7 / 63 / 11

HEX #E3D453

RGB 227 212 83

HSL 53.75, 0.72%, 0.61%

LAB 83.99, -9.87, 63.54

 

CMYK 0 / 6 / 58 / 4

HEX #F4E666

RGB 244 230 102

HSL 54.08, 0.87%, 0.68%

LAB 90.22, -10.66, 62.65

 

CMYK 0 / 3 / 53 / 0

HEX #FFF879

RGB 255 248 121

HSL 56.87, 1%, 0.74%

LAB 95.9, -13.71, 60.95

 

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

CMYK 0 / 8 / 82 / 33

HEX #AB9E1F

RGB 171 158 31

HSL 54.43, 0.69%, 0.4%

LAB 64.33, -8.61, 61.71

 

CMYK 0 / 9 / 92 / 40

HEX #9A8C0C

RGB 154 140 12

HSL 54.08, 0.86%, 0.33%

LAB 57.71, -7.16, 60.05

 

CMYK 0 / 11 / 100 / 46

HEX #897A00

RGB 137 122 0

HSL 53.43, 1%, 0.27%

LAB 50.96, -5.41, 56.4

 

CMYK 0 / 13 / 100 / 53

HEX #786800

RGB 120 104 0

HSL 52, 1%, 0.24%

LAB 44.08, -3.37, 50.71

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 0 / 26 / 74 / 26

HEX #BD8C32

RGB 189 140 50

HSL 38.85, 0.58%, 0.47%

LAB 61.49, 9.96, 52.95

 

CMYK 0 / 46 / 74 / 26

HEX #BD6632

RGB 189 102 50

HSL 22.45, 0.58%, 0.47%

LAB 52.46, 30.81, 43.66

 

CMYK 0 / 66 / 74 / 26

HEX #BD4132

RGB 189 65 50

HSL 6.47, 0.58%, 0.47%

LAB 45.4, 48.95, 35.98

 

CMYK 0 / 74 / 74 / 26

HEX #BD3232

RGB 189 50 50

HSL 0, 0.58%, 0.47%

LAB 43.26, 54.81, 33.57

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 13 / 0 / 74 / 26

HEX #A4BD32

RGB 164 189 50

HSL 70.79, 0.58%, 0.47%

LAB 72.57, -26.56, 63.04

 

CMYK 33 / 0 / 74 / 26

HEX #7EBD32

RGB 126 189 50

HSL 87.19, 0.58%, 0.47%

LAB 70.22, -41.42, 59.95

 

CMYK 53 / 0 / 74 / 26

HEX #59BD32

RGB 89 189 50

HSL 103.17, 0.58%, 0.47%

LAB 68.57, -53.43, 57.76

 

CMYK 73 / 0 / 74 / 26

HEX #33BD32

RGB 51 189 50

HSL 119.57, 0.58%, 0.47%

LAB 67.52, -61.93, 56.37

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 0 / 8 / 85 / 18

HEX #D1C11F

RGB 209 193 31

HSL 54.61, 0.74%, 0.47%

LAB 77.16, -10.09, 73.85

 

CMYK 0 / 8 / 95 / 11

HEX #E4D10C

RGB 228 209 12

HSL 54.72, 0.9%, 0.47%

LAB 82.98, -10.32, 82.11

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 0 / 5 / 59 / 33

HEX #AAA146

RGB 170 161 70

HSL 54.6, 0.42%, 0.47%

LAB 65.34, -8.56, 47.53

 

CMYK 0 / 4 / 41 / 41

HEX #979159

RGB 151 145 89

HSL 54.19, 0.26%, 0.47%

LAB 59.48, -6.32, 30.49

 

CMYK 0 / 2 / 17 / 49

HEX #83816D

RGB 131 129 109

HSL 54.55, 0.09%, 0.47%

LAB 53.63, -2.89, 11.13

 

CMYK 13 / 12 / 0 / 50

HEX #707180

RGB 112 113 128

HSL 236.25, 0.07%, 0.47%

LAB 48.02, 2.86, -8.38

 

CMYK 0 / 47 / 74 / 26

HEX #BD6532

RGB 189 101 50

HSL 22.01, 0.58%, 0.47%

LAB 52.24, 31.34, 43.43

 

CMYK 0 / 27 / 74 / 26

HEX #BD8A32

RGB 189 138 50

HSL 37.99, 0.58%, 0.47%

LAB 60.98, 11.06, 52.44

 

CMYK 0 / 7 / 74 / 26

HEX #BDAF32

RGB 189 175 50

HSL 53.96, 0.58%, 0.47%

LAB 70.67, -8.85, 61.91

 

CMYK 12 / 0 / 74 / 26

HEX #A6BD32

RGB 166 189 50

HSL 69.93, 0.58%, 0.47%

LAB 72.72, -25.73, 63.23

 

CMYK 32 / 0 / 74 / 26

HEX #81BD32

RGB 129 189 50

HSL 85.9, 0.58%, 0.47%

LAB 70.38, -40.33, 60.16

 

CMYK 0 / 6 / 73 / 51

HEX #7C7421

RGB 124 116 33

HSL 54.73, 0.58%, 0.31%

LAB 48.12, -7.17, 44.52

 

CMYK 0 / 6 / 73 / 38

HEX #9D932A

RGB 157 147 42

HSL 54.78, 0.58%, 0.39%

LAB 60.07, -8.58, 53.68

 

CMYK 0 / 6 / 74 / 26

HEX #BDB132

RGB 189 177 50

HSL 54.82, 0.58%, 0.47%

LAB 71.21, -9.89, 62.43

 

CMYK 0 / 6 / 64 / 19

HEX #CFC34A

RGB 207 195 74

HSL 54.59, 0.58%, 0.55%

LAB 77.75, -10.17, 60.17

 

CMYK 0 / 5 / 50 / 15

HEX #D8CE6B

RGB 216 206 107

HSL 54.5, 0.58%, 0.63%

LAB 81.73, -9.6, 49.99

 

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

CMYK 74 / 0 / 66 / 26

HEX #32BD40

RGB 50 189 64

HSL 126.04, 0.58%, 0.47%

LAB 67.61, -60.83, 51

 

CMYK 37 / 74 / 0 / 26

HEX #7832BD

RGB 120 50 189

HSL 270.22, 0.58%, 0.47%

LAB 37.75, 55.83, -60.71

 

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

CMYK 74 / 0 / 7 / 26

HEX #32BDAF

RGB 50 189 175

HSL 173.96, 0.58%, 0.47%

LAB 69.59, -39.22, -3.45

 

CMYK 7 / 74 / 0 / 26

HEX #AF32BD

RGB 175 50 189

HSL 293.96, 0.58%, 0.47%

LAB 45.73, 66.64, -47.43

 

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

CMYK 74 / 0 / 66 / 26

HEX #32BD40

RGB 50 189 64

HSL 126.04, 0.58%, 0.47%

LAB 67.61, -60.83, 51

 

CMYK 74 / 66 / 0 / 26

HEX #3240BD

RGB 50 64 189

HSL 233.96, 0.58%, 0.47%

LAB 34.02, 37.53, -67.06

 

CMYK 0 / 74 / 7 / 26

HEX #BD32AF

RGB 189 50 175

HSL 306.04, 0.58%, 0.47%

LAB 47.23, 67.38, -36.7

 

CMYK 0 / 6 / 73 / 26

HEX #BCB032

RGB 188 176 50

HSL 54.78, 0.58%, 0.47%

LAB 70.85, -9.81, 62.05

 

CMYK 74 / 0 / 44 / 26

HEX #32BD6A

RGB 50 189 106

HSL 144.17, 0.58%, 0.47%

LAB 68.1, -54.99, 31.65

 

CMYK 74 / 66 / 0 / 26

HEX #3240BD

RGB 50 64 189

HSL 233.96, 0.58%, 0.47%

LAB 34.02, 37.53, -67.06

 

CMYK 0 / 74 / 29 / 26

HEX #BD3286

RGB 189 50 134

HSL 323.74, 0.58%, 0.47%

LAB 45.39, 61.75, -15.01

 

Description

Color code: HEX #BCB032 | qconv.com Color code: HEX #BCB032 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 176 green and 50 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 176 50 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 73 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 73% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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