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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #BCAF36 it is the complementary color #4350C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #BCAF36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #BCAF36 shade: #C1AF31, #D2C144, #E3D357, #F4E56A and #FFF77D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #BCAF36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #BCAF36 shade: #BCAF36, #AB9D23, #9A8B10, #897900 and #786700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #BCAF36 shade: #BAAD36, #BA8936, #BA6636, #BA4236 and #BA3636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #BCAF36 shade: #BAAD36, #A3BA36, #7FBA36, #5CBA36 and #38BA36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #BCAF36 shade matches the following richer shades: #BAAD36, #CDBD23 and #E1CC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #BCAF36 shade: #BAAD36, #A69D49, #938E5D, #807E70 and #6C6E83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #BCAF36 shade: #BA6636, #BA8936, #BAAD36, #A4BA36 and #81BA36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #BCAF36 shade: #7A7123, #9A8F2D, #BAAD36, #CBBF4D and #D5CB6D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #BCAF36 shade: #BCAF36, #36BA43 and #7836BA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #BCAF36 shade: #BCAF36, #36BAAD and #AD36BA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #BCAF36 shade: #BCAF36, #36BA43, #3643BA and #BA36AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #BCAF36 shade: #BCAF36, #36BA6B, #3643BA and #BA3685

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

Complementary color

CMYK 67 / 60 / 0 / 21

HEX #4350C9

RGB 67 80 201

HSL 234.18, 0.55%, 0.53%

LAB 39.83, 33.85, -64.54

 

CMYK 0 / 9 / 75 / 24

HEX #C1AF31

RGB 193 175 49

HSL 52.5, 0.6%, 0.47%

LAB 71.02, -7.15, 62.73

 

CMYK 0 / 8 / 68 / 18

HEX #D2C144

RGB 210 193 68

HSL 52.82, 0.61%, 0.55%

LAB 77.44, -8.22, 62.37

 

CMYK 0 / 7 / 62 / 11

HEX #E3D357

RGB 227 211 87

HSL 53.14, 0.71%, 0.62%

LAB 83.76, -9.12, 61.62

 

CMYK 0 / 6 / 57 / 4

HEX #F4E56A

RGB 244 229 106

HSL 53.48, 0.86%, 0.69%

LAB 90, -9.88, 60.65

 

CMYK 0 / 3 / 51 / 0

HEX #FFF77D

RGB 255 247 125

HSL 56.31, 1%, 0.75%

LAB 95.69, -12.9, 58.89

 

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

CMYK 0 / 8 / 80 / 33

HEX #AB9D23

RGB 171 157 35

HSL 53.82, 0.66%, 0.4%

LAB 64.07, -7.94, 60.29

 

CMYK 0 / 10 / 90 / 40

HEX #9A8B10

RGB 154 139 16

HSL 53.48, 0.81%, 0.33%

LAB 57.44, -6.54, 59.07

 

CMYK 0 / 12 / 100 / 46

HEX #897900

RGB 137 121 0

HSL 52.99, 1%, 0.27%

LAB 50.68, -4.85, 56.2

 

CMYK 0 / 14 / 100 / 53

HEX #786700

RGB 120 103 0

HSL 51.5, 1%, 0.24%

LAB 43.79, -2.8, 50.5

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 0 / 26 / 71 / 27

HEX #BA8936

RGB 186 137 54

HSL 37.73, 0.55%, 0.47%

LAB 60.42, 10.49, 50.02

 

CMYK 0 / 45 / 71 / 27

HEX #BA6636

RGB 186 102 54

HSL 21.82, 0.55%, 0.47%

LAB 52.07, 29.77, 41.1

 

CMYK 0 / 65 / 71 / 27

HEX #BA4236

RGB 186 66 54

HSL 5.45, 0.55%, 0.47%

LAB 45.08, 47.67, 33.21

 

CMYK 0 / 71 / 71 / 27

HEX #BA3636

RGB 186 54 54

HSL 0, 0.55%, 0.47%

LAB 43.28, 52.58, 31.09

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 12 / 0 / 71 / 27

HEX #A3BA36

RGB 163 186 54

HSL 70.45, 0.55%, 0.47%

LAB 71.67, -25.31, 60.72

 

CMYK 32 / 0 / 71 / 27

HEX #7FBA36

RGB 127 186 54

HSL 86.82, 0.55%, 0.47%

LAB 69.4, -39.49, 57.7

 

CMYK 51 / 0 / 71 / 27

HEX #5CBA36

RGB 92 186 54

HSL 102.73, 0.55%, 0.47%

LAB 67.77, -51.14, 55.52

 

CMYK 70 / 0 / 71 / 27

HEX #38BA36

RGB 56 186 54

HSL 119.09, 0.55%, 0.47%

LAB 66.69, -59.75, 54.07

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 0 / 8 / 83 / 20

HEX #CDBD23

RGB 205 189 35

HSL 54.35, 0.71%, 0.47%

LAB 75.76, -9.67, 71.6

 

CMYK 0 / 9 / 93 / 12

HEX #E1CC0F

RGB 225 204 15

HSL 54, 0.88%, 0.47%

LAB 81.42, -9.05, 80.5

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 0 / 5 / 56 / 35

HEX #A69D49

RGB 166 157 73

HSL 54.19, 0.39%, 0.47%

LAB 63.92, -7.93, 44.4

 

CMYK 0 / 3 / 37 / 42

HEX #938E5D

RGB 147 142 93

HSL 54.44, 0.23%, 0.47%

LAB 58.36, -5.88, 26.8

 

CMYK 0 / 2 / 13 / 50

HEX #807E70

RGB 128 126 112

HSL 52.5, 0.07%, 0.47%

LAB 52.6, -1.86, 7.89

 

CMYK 18 / 16 / 0 / 49

HEX #6C6E83

RGB 108 110 131

HSL 234.78, 0.1%, 0.47%

LAB 46.95, 3.93, -11.81

 

CMYK 0 / 45 / 71 / 27

HEX #BA6636

RGB 186 102 54

HSL 21.82, 0.55%, 0.47%

LAB 52.07, 29.77, 41.1

 

CMYK 0 / 26 / 71 / 27

HEX #BA8936

RGB 186 137 54

HSL 37.73, 0.55%, 0.47%

LAB 60.42, 10.49, 50.02

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 12 / 0 / 71 / 27

HEX #A4BA36

RGB 164 186 54

HSL 70, 0.55%, 0.47%

LAB 71.74, -24.89, 60.82

 

CMYK 31 / 0 / 71 / 27

HEX #81BA36

RGB 129 186 54

HSL 85.91, 0.55%, 0.47%

LAB 69.51, -38.75, 57.85

 

CMYK 0 / 7 / 71 / 52

HEX #7A7123

RGB 122 113 35

HSL 53.79, 0.55%, 0.31%

LAB 47.07, -6.31, 42.57

 

CMYK 0 / 7 / 71 / 40

HEX #9A8F2D

RGB 154 143 45

HSL 53.94, 0.55%, 0.39%

LAB 58.7, -7.62, 51.06

 

CMYK 0 / 7 / 71 / 27

HEX #BAAD36

RGB 186 173 54

HSL 54.09, 0.55%, 0.47%

LAB 69.89, -8.92, 59.58

 

CMYK 0 / 6 / 62 / 20

HEX #CBBF4D

RGB 203 191 77

HSL 54.29, 0.55%, 0.55%

LAB 76.37, -9.62, 57.32

 

CMYK 0 / 5 / 49 / 16

HEX #D5CB6D

RGB 213 203 109

HSL 54.23, 0.55%, 0.63%

LAB 80.72, -9.11, 47.75

 

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

CMYK 71 / 0 / 64 / 27

HEX #36BA43

RGB 54 186 67

HSL 125.91, 0.55%, 0.47%

LAB 66.75, -58.84, 48.81

 

CMYK 35 / 71 / 0 / 27

HEX #7836BA

RGB 120 54 186

HSL 270, 0.55%, 0.47%

LAB 38.16, 53.31, -58.28

 

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

CMYK 71 / 0 / 7 / 27

HEX #36BAAD

RGB 54 186 173

HSL 174.09, 0.55%, 0.47%

LAB 68.69, -37.91, -3.66

 

CMYK 7 / 71 / 0 / 27

HEX #AD36BA

RGB 173 54 186

HSL 294.09, 0.55%, 0.47%

LAB 45.73, 64.3, -45.7

 

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

CMYK 71 / 0 / 64 / 27

HEX #36BA43

RGB 54 186 67

HSL 125.91, 0.55%, 0.47%

LAB 66.75, -58.84, 48.81

 

CMYK 71 / 64 / 0 / 27

HEX #3643BA

RGB 54 67 186

HSL 234.09, 0.55%, 0.47%

LAB 34.69, 35.04, -64.2

 

CMYK 0 / 71 / 7 / 27

HEX #BA36AD

RGB 186 54 173

HSL 305.91, 0.55%, 0.47%

LAB 47.1, 65.06, -35.76

 

CMYK 0 / 7 / 71 / 26

HEX #BCAF36

RGB 188 175 54

HSL 54.18, 0.55%, 0.47%

LAB 70.61, -9.1, 60.35

 

CMYK 71 / 0 / 42 / 27

HEX #36BA6B

RGB 54 186 107

HSL 144.09, 0.55%, 0.47%

LAB 67.25, -53.08, 30.04

 

CMYK 71 / 64 / 0 / 27

HEX #3643BA

RGB 54 67 186

HSL 234.09, 0.55%, 0.47%

LAB 34.69, 35.04, -64.2

 

CMYK 0 / 71 / 28 / 27

HEX #BA3685

RGB 186 54 133

HSL 324.09, 0.55%, 0.47%

LAB 45.32, 59.45, -14.55

 

Description

Color code: HEX #BCAF36 | qconv.com Color code: HEX #BCAF36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 188 red, 175 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
188 175 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 71 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 71% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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